Draft:Music in the 21st Century.
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History[edit]
1980-2020[edit]
In the 21st century, music is described to be a powerful form of human expression.
Music production before 2000s[edit]
According to Samantha Bennett, music was produced from the time of 1980 to the 1990s. She uses the terms radiologist which is someone who sits through recordings of music or podcasts. She also mentions about technology and how it is used to project music recordings and many productions. [1]
Evolution of Live Music[edit]
According to Angela Jones, music is a way of helping people to express their emotions, and through live music it can be a very strong social tool. It is important to understand what everyone is interested in and their desire to not only hear live music bit also digital. [2]
View point of music in the 21st century[edit]
Music in the 21st century is a very diverse topic. Not only is it much listened to now, but it is a way of moving people together or expressing how one feels. People use music as a way of work, campaign, or act. Music is used as a way to help people engage more in different activities around the world. [3]
Composition[edit]
Composers are constantly changing the label on what exactly they do. Composers now are defined to create sounds and make music notes in order to make someone sound good while harmonizing with themselves on different technology devices, where as before the 21st century music was composed by using in person instruments then adding the sounds to a file in order to put different beats to different parts of the person singing. Robert Raines wrote this book explaining what many different artists do for their composition of work and how that do it. [4]
Music to Sound[edit]
In order to create music you must experiment with different sounds to create what you would define as a noise. Different objects or instruments have to be played and used to find the perfect sound to create the music. Music is only then created once the artist who is singing and the producers who are working with the artist combine them both together to then create a song. [5]
References[edit]
- ^ Reali, Christopher M. (October 2019). "Modern Records, Maverick Methods: Technology and Process in Popular Music Record Production 1978–2000. By Samantha Bennett. New York: Bloomsbury Academic, 2018. 256 pp. ISBN: 978-1501344091". Popular Music. 38 (3): 564–566. doi:10.1017/S0261143019000370. ISSN 0261-1430.
- ^ Jones, Angela Cresswell; Bennett, Rebecca Jane (2015), "Introduction", The Digital Evolution of Live Music, Elsevier, pp. xi–xv, doi:10.1016/b978-0-08-100067-0.09991-7, ISBN 978-0-08-100067-0, retrieved 2024-04-02
- ^ Shadle, Douglas W. (2022-08-01). "Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century , edited by Charles Hiroshi Garrett and Carol J. Oja". Journal of the American Musicological Society. 75 (2): 384–388. doi:10.1525/jams.2022.75.2.384. ISSN 0003-0139.
- ^ "Composition in the digital world: conversations with 21st-century American composers". Choice Reviews Online. 53 (3): 53–1189-53-1189. 2015-10-20. doi:10.5860/choice.191897. ISSN 0009-4978.
- ^ Solomos, Makis (2019-10-28). From Music to Sound. New York : Routledge, 2019. |: Routledge. doi:10.4324/9780429201110. ISBN 978-0-429-20111-0.
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