Draft:Thomas Carwitham
 | This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)
|
 | Review waiting, please be patient.
This may take 4 months or more, since drafts are reviewed in no specific order. There are 3,169 pending submissions waiting for review.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
Reviewer tools
|
Thomas Carwitham was an English artist known for his drawings of figures falling or flying through the air, and for scenes from Ovid's Metamorphoses. Examples of Carwitham's drawings are in many museum collections, such as:
- Yale Center for British Art (Accession No. B1975.4.1055)
- Tate, London (Accession No. T08118)
- Princeton University Art Museum (Accession No. x.1976-27)
- The British Museum, London (Shelfmark 1962,0714.18)
- The Metropolitan Museum of Art, New York (Accession No. 2014.703.1)
- The Huntington Library, San Marino, California (Accession No. 63.52.38).
The dates of Carwitham's life are not known but a sheet of studies of River Gods at the Victoria and Albert Museum, London, is dated 1713.[1] His drawings have sometimes been compared with those by Sir James Thornhill, under whom he may have studied.[2] In 1732 Carwitham married Iphigenia Golding of Hampton, near Twickenham, whose father Edward Golding (1675-1733) was "Keeper of the deer at Hampton Court".[3]
In 1723 Carwitham published a treatise on geometry, titled The description and use of the Architectonick Sector, And also of the Architectonick Sliding Plates in advertisements for which he was said to be a "Painter of Twickenham."[3] Carwitham also designed a technical drawing tool called an architectonic sector, to be used in conjunction with his treatise. An example of the tool is found in the History of Science Museum at the University of Oxford.
Between 1728 and 1732 Carwitham was employed by John Christopher Le Blon on a scheme to weave tapestry copies of Raphael's Cartoons. However, the enterprise failed and Carwitham took his employers to court in 1733.[4]
-
Illustration to Homer's Iliad, circa 1713. Pen and grey ink, grey wash. Yale Center for British Art (B1977.14.5503). -
Battle Scene, circa 1713. Pen and grey ink, grey wash. Yale Center for British Art (B1975.4.1055). -
Scene from the Book of Tobit, circa 1713. Pen and grey ink, grey wash. Yale Center for British Art (B2009.9.128). -
Scene from Metamorphoses Book 5, circa 1713. Pen and grey ink, grey wash. Metropolitan Museum of Art, New York (2014.703.1)
References[edit]
- ^ Thomas Carwitham, Studies of a River God, signed and dated verso "1713". Victoria and Albert Museum, London (E.799-1930). website
- ^ British Museum, Department of Prints and Drawings (2024). "Thomas Carwitham: biographical summary". The British Museum. Retrieved 19 June 2024.
- ^ a b Twickenham Museum (2024). "Biography of Thomas Carwitham". The Twickenham Museum. Retrieved 19 June 2024.
- ^ Stephens, Richard; Yarker, Jonny (2018). The Spirit and Force of Art: Drawing in Britain 1600-1750 (PDF). London: Lowell Libson & Jonny Yarker Ltd. p. 58.