Eda Warren
Eda Warren | |
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Born | Eda A. Warren October 17, 1903 Denver, Colorado, US |
Died | July 15, 1980 Los Angeles, California, US | (aged 76)
Years active | 1927–1968 |
Eda Warren (October 17, 1903 – July 15, 1980) was an American film editor.[1] She began her Hollywood career as a secretary and started editing films in the late 1920s. Her editing career continued through 1968.
Biography
[edit]Eda was born in Denver, Colorado in 1903, the daughter of Thomas Warren and Henrietta Weber. She and her older sister, Thelma, were raised in Colorado and Nebraska before the family moved west and settled in Beverly Hills, California. Eda got a job as a film editor,[2] while Thelma worked as a stenographer at a film studio. She later became secretary of the American Cinema Editors group.[3]
Partial filmography
[edit]Eda Warren began his career as an editor. Based on Warren's filmography at the Internet Movie Database.
With more than 60 film credits dating from 1927, the following were among the films with which Warren was associated:[4][5][6]
Year | Film | Director | Notes | Other notes |
---|---|---|---|---|
1927 | Evening Clothes | Luther Reed | ||
Hula | Victor Fleming | Second collaboration with Victor Fleming | ||
1928 | Abie's Irish Rose | Third collaboration with Victor Fleming | ||
1929 | Wolf Song | Fourth collaboration with Victor Fleming | Uncredited | |
Dangerous Curves | Lothar Mendes | First collaboration with Lothar Mendes | ||
1930 | The Kibitzer | Edward Sloman | Uncredited | |
Slightly Scarlet | ||||
Ladies Love Brutes | Rowland V. Lee | |||
The Right to Love | Richard Wallace | |||
1933 | Luxury Liner | Lothar Mendes | Second collaboration with Lothar Mendes | Uncredited |
Terror Aboard | Paul Sloane | |||
Midnight Club | First collaboration with Alexander Hall and George Somnes | |||
Torch Singer | Second collaboration with Alexander Hall and George Somnes | |||
1934 | Ready for Love | Marion Gering | ||
1935 | Car 99 | Charles Barton | Uncredited | |
Paris in Spring | Lewis Milestone | First collaboration with Lewis Milestone | ||
So Red the Rose | King Vidor | |||
1936 | Anything Goes | Lewis Milestone | Second collaboration with Lewis Milestone | |
Forgotten Faces | E. A. Dupont | |||
The General Died at Dawn | Lewis Milestone | Third collaboration with Lewis Milestone | ||
1937 | Swing High, Swing Low | Mitchell Leisen | First collaboration with Mitchell Leisen | |
Mountain Music | Robert Florey | First collaboration with Robert Florey | ||
Partners in Crime | Ralph Murphy | |||
1938 | The Big Broadcast of 1938 | Mitchell Leisen | Second collaboration with Mitchell Leisen | |
Booloo | Clyde E. Elliott | |||
King of Alcatraz | Robert Florey | Second collaboration with Robert Florey | ||
1939 | King of Chinatown | Nick Grinde | ||
Honeymoon in Bali | Edward H. Griffith | First collaboration with Edward H. Griffith | ||
1940 | Safari | Second collaboration with Edward H. Griffith | ||
Rangers of Fortune | Sam Wood | |||
1941 | Virginia | Edward H. Griffith | Third collaboration with Edward H. Griffith | |
One Night in Lisbon | Fourth collaboration with Edward H. Griffith | |||
Bahama Passage | Fifth collaboration with Edward H. Griffith | |||
1942 | The Lady Is Willing | Mitchell Leisen | Third collaboration with Mitchell Leisen | |
I Married a Witch | René Clair | |||
1943 | Young and Willing | Edward H. Griffith | Sixth collaboration with Edward H. Griffith | |
China | John Farrow | First collaboration with John Farrow | ||
1944 | And the Angels Sing | George Marshall | ||
The Hitler Gang | John Farrow | Second collaboration with John Farrow | ||
1945 | The Affairs of Susan | William A. Seiter | Second collaboration with William A. Seiter | |
You Came Along | John Farrow | Third collaboration with John Farrow | ||
1946 | Two Years Before the Mast | Fourth collaboration with John Farrow | ||
1947 | Easy Come, Easy Go | Sixth collaboration with John Farrow | ||
1950 | Copper Canyon | Thirteenth collaboration with John Farrow | ||
Where Danger Lives | Fourteenth collaboration with John Farrow | |||
1951 | Darling, How Could You! | Mitchell Leisen | Fourth collaboration with Mitchell Leisen | |
His Kind of Woman | John Farrow | Fifteenth collaboration with John Farrow | ||
Submarine Command | Sixteenth collaboration with John Farrow | |||
1952 | Son of Paleface | Frank Tashlin | First collaboration with Frank Tashlin | |
1953 | Pony Express | Jerry Hopper | First collaboration with Jerry Hopper | |
1954 | Secret of the Incas | Second collaboration with Jerry Hopper | ||
1955 | Strategic Air Command | Anthony Mann | ||
At Gunpoint | Alfred L. Werker | |||
1956 | World Without End | Edward Bernds | ||
Johnny Concho | Don McGuire | |||
Back from Eternity | John Farrow | Seventeenth collaboration with John Farrow | ||
1957 | The Unholy Wife | Eighteenth collaboration with John Farrow | ||
1958 | St. Louis Blues | Allen Reisner | ||
1959 | John Paul Jones | John Farrow | Nineteenth collaboration with John Farrow | |
The Wreck of the Mary Deare | Michael Anderson | |||
1960 | One Foot in Hell | James B. Clark | ||
1961 | The Young Savages | John Frankenheimer | ||
1962 | Escape from Zahrain | Ronald Neame | ||
Taras Bulba | J. Lee Thompson | |||
1964 | The New Interns | John Rich | ||
Ride the Wild Surf | Don Taylor | |||
1968 | The Private Navy of Sgt. O'Farrell | Frank Tashlin | Second collaboration with Frank Tashlin |
Year | Film | Director | Role | Notes | Other notes |
---|---|---|---|---|---|
1927 | The Rough Riders | Victor Fleming | Assistant editor | First collaboration with Victor Fleming | |
1938 | Three Blind Mice | William A. Seiter | Assistant cutter | First collaboration with William A. Seiter | Uncredited |
1947 | California | John Farrow | Editorial supervisor | Fifth collaboration with John Farrow | |
Blaze of Noon | Seventh collaboration with John Farrow | ||||
1948 | The Big Clock | Editorial supervision | Eighth collaboration with John Farrow | ||
Beyond Glory | Editorial supervisor | Ninth collaboration with John Farrow | |||
Night Has a Thousand Eyes | Tenth collaboration with John Farrow | ||||
1949 | Alias Nick Beal | Eleventh collaboration with John Farrow | |||
Red, Hot and Blue | Supervising editor | Twelfth collaboration with John Farrow | |||
1958 | The Hot Angel | Joe Parker | Supervising film editor |
- Shorts
Year | Film | Director |
---|---|---|
1948 | Big Sister Blues | Alvin Ganzer |
Catalina Interlude |
- TV pilots
Year | Film | Director |
---|---|---|
1965 | Barney | Hy Averback |
- TV series
Year | Title | Notes |
---|---|---|
1957 | Richard Diamond, Private Detective | 2 episodes |
1960 | Adventures in Paradise | 1 episode |
1963 | The Twilight Zone | 4 episodes |
1965 | Hazel | 1 episode |
1965−66 | The Wackiest Ship in the Army | 6 episodes |
1966−67 | Love on a Rooftop | 14 episodes |
See also
[edit]References
[edit]- Smith, Sharon. Women Who Make Movies. New York: Hopkinson and Blake, 1975. Pgs: 18, 25. ISBN 0-911974-09-1
Notes
[edit]- ^ Donati, William. Ida Lupino: A Biography, p. 272. Lexington, Kentucky: The University Press of Kentucky, 1996.
- ^ "November 25, 1935, p. 14 - Oakland Tribune at Newspapers.com". Newspapers.com. Retrieved 2019-02-12.
- ^ "January 13, 1955, p. 23 - The Los Angeles Times at Newspapers.com". Newspapers.com. Retrieved 2019-02-12.
- ^ Munden, Kenneth W., ed. The American Film Institute Catalog: Feature Films, 1921-1930, pp. 1, 166, 218, 367, 402, 412, 915. Los Angeles and Berkeley, California: University of California Press, 1971.
- ^ "I Married a Witch". Los Angeles, California: Variety, December 31, 1941.
- ^ "Taras Bulba" (review). Los Angeles, California: Variety, December 31, 1961.
External links
[edit]- Eda Warren at IMDb
- "Woman Film Cutter Vital Cog in Success". Oakland Tribune. November 25, 1935.