File:The Departure of the Ship (William Blair Bruce) - Nationalmuseum - 18662.tif

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William Blair Bruce: The Departure of the Ship  wikidata:Q18574359 reasonator:Q18574359
Artist
William Blair Bruce
image of artwork listed in title parameter on this page
Title
English: The Departure of the Ship
Svenska: Vid avfärden
Object type painting
object_type QS:P31,Q3305213
Description
English: There is a great commotion on Blasieholmen around the departing steamboats. The scene is remarkably bright - but the light does not appear to come from the gaslights that were still common in Stockholm, but from electric arc lights, judging by its intensity and lofty position. At the time of this painting, arc lighting had been introduced at the quays of Stockholm. The Canadian artist Bruce usually devoted himself to painting different kinds of daylight. Here, however, the electric light – the emblem of modernity – captured his attention.
Svenska: På Blasieholmen är trängseln stor framför de ångbåtar som just ska lägga ut. Scenen framträder i ett påfallande starkt ljus – men inte från det gasljus som ännu dominerade i Stockholm. Ljusets styrka och höga placering vittnar istället om den tidiga form av elektrisk utomhusbelysning – så kallat bågljus – som vid denna tid hade börjat användas på stadens kajer. Kanadensaren Bruce ägnade sig i sitt måleri vanligen åt dagsljusets skiftningar. Men här har alltså det elektriska ljuset – den moderna tidens signum – fångat hans intresse.
Original caption
InfoField
English: There is a great commotion on Blasieholmen around the departing steamboats. The scene is remarkably bright - but the light does not appear to come from the gaslights that were still common in Stockholm, but from electric arc lights, judging by its intensity and lofty position. At the time of this painting, arc lighting had been introduced at the quays of Stockholm. The Canadian artist Bruce usually devoted himself to painting different kinds of daylight. Here, however, the electric light – the emblem of modernity – captured his attention.
Svenska: På Blasieholmen är trängseln stor framför de ångbåtar som just ska lägga ut. Scenen framträder i ett påfallande starkt ljus – men inte från det gasljus som ännu dominerade i Stockholm. Ljusets styrka och höga placering vittnar istället om den tidiga form av elektrisk utomhusbelysning – så kallat bågljus – som vid denna tid hade börjat användas på stadens kajer. Kanadensaren Bruce ägnade sig i sitt måleri vanligen åt dagsljusets skiftningar. Men här har alltså det elektriska ljuset – den moderna tidens signum – fångat hans intresse.
Date Unknown date
Unknown date
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 27 cm (10.6 in); width: 35 cm (13.7 in)
dimensions QS:P2048,27U174728
dimensions QS:P2049,35U174728
institution QS:P195,Q842858
Accession number
NM 1658
Inscriptions
Svenska: Signerad: B.B.
References
Source/Photographer Bodil Karlsson / Nationalmuseum
Permission
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This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

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current09:02, 8 October 2016Thumbnail for version as of 09:02, 8 October 20163,708 × 3,184 (33.81 MB)AndreCostaWMSE-bot{{Artwork |other_fields_1 = |artist = William Blair Bruce |title = {{en|The Departure of the Ship}} {{sv|Vid avfärden}} |wikidata = Q18574359 |object_type = painting |descr...
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