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Fiona Sze-Lorrain

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Fiona Sze-Lorrain
Sze-Lorrain in 2017
Sze-Lorrain in 2017
Born1980 (age 43–44)
Singapore
OccupationWriter, poet, translator, editor, harpist
LanguageEnglish, French, Chinese
NationalityFrench
EducationColumbia University (B.A.)
New York University (M.A.)
Paris-Sorbonne University (Ph.D., French)
École Normale de Musique de Paris
SpousePhilippe Lorrain

Fiona Sze-Lorrain (born 1980) is a French writer, musician, poet, literary translator, and editor.

Early life and education

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Born in Singapore, Sze-Lorrain grew up trilingual and has lived mostly in Paris and New York City. She spent her childhood in a hybrid of cultures, and her formative years in the United States and France.[1] She began studying classical piano and guzheng at a young age. A graduate of Columbia University, she obtained her master's degree from New York University and attended the École Normale de Musique de Paris before earning a PhD in French from the Paris-Sorbonne University.

Work

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Sze-Lorrain's work involves fiction, poetry, translation, music, theater, and the visual arts. She writes mainly in English, and translates from Chinese and French. She also works with Spanish, Italian, and Japanese. She has written for venues related to fashion journalism, music and art criticism, and dramaturgy.[2]

In 2007, Sze-Lorrain worked with Gao Xingjian on a book of photography, essays, and poetry based on his film Silhouette/Shadow.[3]

Through Mark Strand, whose works she would later translate into French,[4] she found her poetic vocation, crediting him for having introduced her to poetry.[5] Sze-Lorrain's debut poetry collection, Water the Moon, appeared in 2010, followed by My Funeral Gondola in 2013.[6] Her third collection, The Ruined Elegance, was published by Princeton University Press in the Princeton Series of Contemporary Poets in 2016 and was named one of Library Journal 's Best Books in Poetry for 2015.[7] It was also a finalist for the 2016 Los Angeles Times Book Prize.[8]

Published during the COVID-19 pandemic, her fourth collection Rain in Plural (Princeton University Press, 2020) contains many "poems that resonate with a political undertone, and they often suggest in the midst of great threats we persist and continue our important work, aware we alone are not the only or even the most vulnerable. The poems care about the larger world and our current crises."[9]

In response to the pandemic in Paris, Sze-Lorrain wrote a setting of new poems The Year of the Rat, set to music by Peter Child for unaccompanied voices, and virtually premiered in February 2021 by the solo artists of the Cantata Singers and Ensemble in Boston.[10][11] Child collaborated with Sze-Lorrain again for her poem "Untouchable" in his song cycle A Golden Apple: Six Poems of Intimacy and Loss (2023), premiered by Tony Arnold in MIT.[12]

In 2023, Scribner published Fiona Sze-Lorrain's novel in stories Dear Chrysanthemums. Set in Shanghai, Beijing, Singapore, Paris, and New York, following a cast of Asian women from 1946 to 2016,[13] the book is longlisted for the 2024 Andrew Carnegie Medal for Excellence in Fiction.[14]

Sze-Lorrain practices calligraphy and ink. Her poems and translations, handwritten in ink, were exhibited alongside ink drawings by Fritz Horstman from the Josef and Anni Albers Foundation in the art show, A Blue Dark, at The Institute Library (New Haven) in 2019.[15][16]

Critical response

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The New York Times Book Review praises her stories as "nimble, evocative."[13]

The Rumpus said of her writing that it "serves as a vital midwife for the greater global understanding that will one day be born from today’s contracting and relaxing tensions between differing religions, cultures, and languages."[17]

Prairie Schooner describes her work as an "arc" that "navigates the sense of otherness" with poems that "burst at the seams with the customs, gastronomy, ancestry, literature, and art of the two cultures."[18]

Publishers Weekly calls her novel in stories "graceful" and "this author is one to watch" as she "effortlessly evokes the spirit of each setting" and "imbues her characters with haunting melancholy."[19]

Mekong Review writes that her fiction "resonates with a rich and efficient prosody. The narrative structure is creative, with each story placing an increasingly complete puzzle on top of the last."[20]

The Washington Post describes her translation as "lyrical."[21]

Translation

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Sze-Lorrain is a translator of contemporary American, French, and Chinese poetry[22] and prose. Her work was shortlisted for the 2020 Derek Walcott Prize for Poetry[23] and the 2016 Best Translated Book Award,[24] and longlisted for the 2014 PEN Award for Poetry in Translation.[25] She serves on the committee of the Translators Association of the Society of Authors in the UK.[26]

Editor

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She is a co-founder of Cerise Press (2009–13),[27][28] a corresponding editor of Mānoa (2012–14), and an editor at Vif Éditions.

Residencies and fellowships

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The recipient of fellowships from Yaddo, Ledig House, and the Helene Wurlitzer Foundation, among others, she is the inaugural writer-in-residence at MALBA in Buenos Aires.[29] She has also been a visiting poet at various colleges and universities in United States and Europe. She is a 2019-20 Abigail R. Cohen Fellow at the Columbia Institute for Ideas and Imagination.[30]

Music

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As a classical zheng harpist, Sze-Lorrain has performed worldwide.[31] She has served as a festival and competition judge.

Personal life

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Sze-Lorrain lives in Paris with her husband Philippe Lorrain, former art director and independent publisher.[32]

Publications

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Fiction

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  • Dear Chrysanthemums, 2023. ISBN 978-1-668-01298-7

Poetry

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Chapbook

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  • Not Meant as Poems, 2018.

Collaboration

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Translations

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Edited/Co-edited

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CD

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  • Une seule prise (In One Take), 2010. UPC 3-760201-400005

Film

  • Rain in Plural . . . and Beyond, 2021. Columbia Institute for Ideas and Imagination.

Awards and honors

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References

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  1. ^ "Theme and Variations of an Afterlife: An Interview with Fiona Sze-Lorrain". TriQuarterly.
  2. ^ "Fiona Sze-Lorrain | the Los Angeles Review of Books". Archived from the original on 2014-12-23. Retrieved 2014-12-23.
  3. ^ "The Self In 'Silhouette'". Newsweek. December 15, 2007.
  4. ^ "Bibliographie nationale française BnF". Archived from the original on 2018-05-27. Retrieved 2017-05-08.
  5. ^ "Interview with Fiona Sze-Lorrain". Off the Coast. Retrieved 2023-12-30. I can't say I have a poetic lineage, since I don't seem to have a home culture, even though I write poetry only in English. I often credit the late Mark Strand for introducing me to poetry, when I was at a crossroad in life.
  6. ^ "Los Angeles Review of Books". 29 August 2014.
  7. ^ Hoffert, Barbara (2015-11-15). "Best Books 2015: Poetry". Archived from the original on 15 November 2015. Retrieved 2022-11-07.
  8. ^ "Here are the 2016 L.A. Times Book Prize winners". Los Angeles Times. 2016-04-10. Retrieved 2021-06-03.
  9. ^ "Rain in Plural".
  10. ^ "Cantata Singers 2020-21 Season: February Digital Presentation". 6 February 2021 – via www.youtube.com.
  11. ^ Carmichael, Michelle (2014-11-08). "Peter Child". Massachusetts Institute of Technology. Retrieved 2023-11-16.
  12. ^ DeVoto, Mark (2024-03-21). "Composing for 37 Years at MIT". The Boston Musical Intelligencer. Retrieved 2024-09-25.
  13. ^ a b "Newly Published, From Rural Childhood to Anti-Ableist Parenting". The New York Times. 2023-04-26. ISSN 0362-4331. Retrieved 2023-10-07.
  14. ^ 2024 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction Longlist, by By Grace Rosean and Biz Hyzy. | Booklist Online.
  15. ^ Haven, Arts Council of Greater New. "Dark Matters". www.newhavenarts.org.
  16. ^ "Art Of Darkness | New Haven Independent". www.newhavenindependent.org. June 7, 2019.
  17. ^ "The Ruined Elegance by Fiona Sze-Lorrain". The Rumpus.net. 2015-10-30. Retrieved 2020-05-08.
  18. ^ Cook, Christina (June 3, 2011). "Water the Moon (review)". Prairie Schooner. 85 (2): 158–163. doi:10.1353/psg.2011.0045. S2CID 72706490 – via Project MUSE.
  19. ^ "Dear Chrysanthemums by Fiona Sze-Lorrain". www.publishersweekly.com. Retrieved 2023-11-16.
  20. ^ Cook, Christina (May 2023). "No fragile flowers, these". Mekong Review. Vol. 8, no. 31. Retrieved 2024-08-28.
  21. ^ "Review | Poet Yu Xiuhua became a viral sensation. Her first book-length collection in English translation deserves to bring her an even bigger audience". Washington Post. 2021-10-03. ISSN 0190-8286. Retrieved 2024-09-25.
  22. ^ Huang, Yunte, ed. (2016). The Big Red Book of Modern Chinese Literature: Writings from the Mainland in the Long Twentieth Century. New York: W. W. Norton. pp. xi.
  23. ^ Productions, Ti-Jean (2020-05-14). "ANNOUNCING THE SHORT LIST FOR THE DEREK WALCOTT PRIZE FOR POETRY". Derek Walcott. Retrieved 2020-08-24.
  24. ^ "And the Finalists for the Best Translated Book Awards Are..." April 19, 2016.
  25. ^ "Longlists Announced for the 2014 PEN Literary Awards". May 5, 2014.
  26. ^ "Committee - The Society of Authors". 2020-05-09. Retrieved 2023-12-21.
  27. ^ "Cerise Press › Cerise Press: About". www.cerisepress.com.
  28. ^ npadmin (2013-07-09). "Cerise Press Final Issue". NewPages.com. Retrieved 2023-11-16.
  29. ^ Blanc, Natalia (15 June 2018). "Fiona Sze-Lorrain, la poeta que llegó de Singapur, es fan de Pizarnik y toca el arpa - LA NACION". La Nación – via La Nacion (Argentina).
  30. ^ "Institute for Ideas and Imagination Announces New Class of Fellows". Columbia News. 6 June 2023.
  31. ^ "Musiques pour cithares zheng, kayagûm, kôto et tambour changgu | Maison des Cultures du Monde". Archived from the original on 2014-12-23. Retrieved 2014-12-23.
  32. ^ "[anthologie permanente] Nathaniel Tarn". Poezibao.
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