Jump to content

Gardar Eide Einarsson

From Wikipedia, the free encyclopedia
Gardar Eide Einarsson
Born1976 (age 47–48)
NationalityNorwegian
Known forPainting

Gardar Eide Einarsson (born January 12, 1976) is a Norwegian-born artist who lives and works in Tokyo and New York City. His work encompasses installation, printmaking, painting and sculpture.[1][2]

Education

[edit]
  • Einar Granum School of Fine Art, Oslo, 1994–1996
  • National Academy of Fine Art, Bergen, 1996-2000
  • Staatliche Hochschule fur Fine Arts - Städelschule, Frankfurt am Main, 1999–2000
  • Whitney Museum of American Art Independent Study Program, Studio Program, New York, 2001–2002
  • Cooper Union School of Architecture, Architecture and Urban Studies Program, New York, 2002–2003
  • Whitney Museum of American Art Independent Study Program, 2002–2003

Public collections

[edit]
Gardar Eide Einarsson, An Inside Look at Outlaw Motorcycle Gangs, 2008 Acrylic and graphite on canvas, 72 x 84 inches (183 x 213 cm)

*Astrup Fearnley Museum of Modern Art, Oslo, Norway

  • Berkeley Art Museum, Berkeley
  • Los Angeles County Museum of Art
  • Malmo Art Museum, Malmo
  • Moderna Museet, Stockholm
  • Museum of Contemporary Art, Los Angeles
  • Museum of Modern Art, New York
  • Norwegian National Museum of Art, Oslo, Norway
  • Museum für Moderne Kunst, Frankfurt Am Main, Germany[3]

Exhibitions

[edit]

Solo exhibitions

[edit]
  • Flagwaste, TEAM, New York City, New York, 2018
  • Rawhide Down, Standard Oslo, Oslo, Norway, 2018[4]
  • "SHTF", Team Gallery, Venice, CA, USA, 2016[5]
  • "Distinct Functionation Layers Establish Hierarchy and Order", Galleri Nils Staerk, Copenhagen, DK, 2016[6]
  • "FREEDOM, MOTHERFUCKER. DO YOU SPEAK IT?", Team Gallery, New York City, USA, 2015[7]
  • "A Madman, a Patient, a Condemned Man, a Worker or a Schoolboy", ARoS Aarhus Art Museum, Aarhus, Denmark, 2015[8]
  • "Motivation: A Study of Action", Standard Oslo, Oslo, Norway, 2014[9]
  • "He likes the fiestas. He likes the music. He likes to dance.", Maureen Paley gallery, London, UK, 2014[10]
  • "Sorry If I Got It Wrong, But Something Definitely Isn't Right", Team Gallery, New York City, USA, 2012[11]
  • "In The Dust of This Planet", Maureen Paley gallery, London, UK, 2012[12]
  • "Art | 42 | Basel | Unlimited", June 2011, Basel, Switzerland, 2011[13]
  • "Another Modern Moment Completed", Team Gallery, New York City, USA, 2010[14]
  • "Judge", Team Gallery, New York City, USA, 2007[15]
  • "Art | 37 | Basel | Statements", Basel, Switzerland, 2006[16]
  • "leashed or confined", Team Gallery, New York City, USA, 2005[17]

Special projects

[edit]
  • Versuchsstation des Weltuntergangs, Bergen Kunsthall, 2013
  • Power Has a Fragrance, Kunsthalle Fridericianum, Kassel, 2011
  • Power Has a Fragrance, Reykjavik Art Museum, 2011
  • Whitney Biennial, Whitney Museum of American Art, New York, 2008
  • South of Heaven, Frankfurter Kunstverein, Frankfurt (Germany), 2007

Residencies

[edit]
  • IASPIS, Stockholm, Sweden, 2004
  • Künstlerhaus Bethanien, Berlin, Germany, 2002–03
  • NIFCA Nordic Institute for Contemporary Art, Suomenlinna, Helsinki, Finland, 2001

Solo publications

[edit]
  • Conservator's Notes, At Last Books, Copenhagen, Denmark, 2018
  • The Mess, Karma, New York, USA, 2014
  • Stainless Steel/ Fluorescent Pink, Rathole Books, Tokyo, Japan, 2014
  • Gardar Eide Einarsson, Versuchsstation Des Weltuntergangs, Bergan Kunsthall, and Sternberg Press, Norway, 2013
  • Power Has a Fragrance, Astrup Fearnley Museum of Modern Art, Norway, 2011
  • South of Heaven, Revolver, Frankfurt am Main, Germany, 2007

Catalogues

[edit]
  • Kvaran, Gunnar; Ueland, Hanne Beate and Årbu, Grete (ed.): Lights On!, Astrup Fearnley Museum of Modern Art / Skira, Oslo, 2008
  • Huldisch, Henriette and Momin, Shamim M.: The Whitney Biennial, Whitney Museum of American Art, New York, USA, 2008
  • Einarsson, Gardar Eide and Keller, Christoph: South of Heaven, Revolver Verlag, Frankfurt am Main, Germany, 2007
  • Einarsson, Gardar Eide and Keller, Christoph: Long Haired and Freaky People Need Not Apply, Revolver Verlag, Frankfurt am Main, Germany, 2004
  • Art For the People, Riksutstillinger, Bergen Kunsthall a.o, Norway, 2003
  • CMYK/Greyscale, Tramway, Glasgow, Scotland, 2002
  • Strike, Wolverhampton Art Gallery, Wolverhampton, UK, 2002
  • Esplanaden, Charlottenborg Exhibition Hall, Copenhagen, Denmark, 2002
  • Audit, Casino Luxembourg Forum d’ Art Contemporain, Luxembourg, 2001
  • Kosmos, Rooseum Center for Contemporary Art, Malmö, Sweden, 2001
  • Osculum Infame, Nordic Institute for Contemporary Art, Helsinki, Iceland, 2001
  • Schpaa, Bergen Kunstforening/ Bergen Kunsthall/ Den Frie Udstilling, Copenhagen/
  • Bergen, Denmark/Norway, 2001
  • Festival Junge Talente, Offenbach am Main, Germany, 2000
  • Momentum- Nordic Festival for Contemporary Art, Moss, Norway, 2000

Published work

[edit]
  • Bunch of Motherfuckers: Unfinished Individuation and Meshworks of Equivalence, The Vital Coincidence, Walther Koenig Verlag, Cologne, 2004
  • Lars Von Trier, Something is going to happen, Frotté Factory, Oslo, 2004
  • You Just Don’t Get it Dad, So Fuck Off, The Academy and the Corporate Public, Permanent Press Verlag, Cologne, 2004
  • Hardcore, Self-organization and Alternativity, We Are All Normal- Nordic Artist Writings, NIFCA, Copenhagen/ Helsinki, 2004
  • Oh My What A Dazzling Display, The Mock Commodity Fetishism of Klaus Thejl Jacobsen, Galleri Nicolai Wallner Notes on Asskissing & Corporate Strategies of the *RAF, Corporate Mentality, Lukas and Sternberg, New York, 2004
  • Total Revolution, True Lies, Pork Salad Press, Copenhagen, 2004
  • Rotation a NIFCA Project in Media Space, Nordic Institute for Contemporary Art/Morgenbladet, Oslo/Helsinki, 2001
  • Terje Nicolaisen’s Deriving Practice, Terje Nicolaisen, Tegneforbundet, Oslo, 2001
  • Billedkunst Magazine, regular critic and member of editorial board Publication Series for Oslo Kunsthall, editor, 2001
  • Metronome, Frankfurt/Main a.o., 2000
  • UKS Forum For Samtidskunst 1/2 2000, guest editor, 2000

References

[edit]
  1. ^ ""Witte de With Contemporary Art, The Crime Was Almost Perfect, Cristina Ricupero (January 2014)"". Archived from the original on 2015-09-15. Retrieved 2015-01-26.
  2. ^ ""GARDAR EIDE EINARSSON"He likes the fiestas. He likes the music. He likes to dance.", Maureen Paley (June 2014)"". Archived from the original on 2015-01-26. Retrieved 2015-01-26.
  3. ^ "Works from the collection of MMK". mmk.art. Museum für Moderne Kunst, Frankfurt Am Main, Germany. Retrieved 2022-12-04.
  4. ^ Archived 2018-09-25 at the Wayback Machine
  5. ^ "SHTF". Team Gallery. Retrieved February 11, 2018.
  6. ^ "Distinct Functionation Layers Establish Hierarchy and Order". Galleri Nils Staerk. Retrieved February 11, 2018.
  7. ^ "FREEDOM, MOTHERFUCKER. DO YOU SPEAK IT?". Team Gallery. Retrieved February 11, 2018.
  8. ^ "A Madman, a Patient, a Condemned Man, a Worker or a Schoolboy". ARoS Aarhus Art Museum. 2015. Archived from the original on February 12, 2018. Retrieved February 11, 2018.
  9. ^ "Motivation: A Study of Action". Standard Oslo. Archived from the original on February 11, 2018. Retrieved February 11, 2018.
  10. ^ "He likes the fiestas. He likes the music. He likes to dance". Maureen Paley gallery. Retrieved February 11, 2018.
  11. ^ "Sorry If I Got It Wrong, But Something Definitely Isn't Right". Team Gallery. Retrieved February 11, 2018.
  12. ^ "In The Dust of This Planet". Maureen Paley gallery. Archived from the original on February 12, 2018. Retrieved February 11, 2018.
  13. ^ "Art 42 Basel Unlimited". Team Gallery. Retrieved February 11, 2018.
  14. ^ "Another Modern Moment Completed". Team Gallery. Retrieved February 11, 2018.
  15. ^ "Judge". TEAM Gallery. Retrieved February 11, 2018.
  16. ^ "Art 37 Basel Statements". Team Gallery. Retrieved February 11, 2018.
  17. ^ "leased or confined". Team Gallery. Retrieved February 11, 2018.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Gardar_Eide_Einarsson&oldid=1262704949"