Interrupted Music
 | |
| Author | Verlyn Flieger |
|---|---|
| Subject | Tolkien's legendarium |
| Genre | Literary criticism |
| Publisher | Kent State University Press |
Publication date | 2005 |
| Media type | |
| Preceded by | A Question of Time |
Interrupted Music is a 2005 book of literary analysis by Verlyn Flieger of J. R. R. Tolkien's legendarium, the mass of documents summarized in The Silmarillion. The book has been well received by scholars; they have stated that the chapter on how Tolkien made the legendarium seem like a genuine mythological tradition the most important in the book.
Context
[edit]Tolkien's fiction
[edit]The philologist and fantasy author J. R. R. Tolkien spent much of his life constructing his legendarium, a body of writings on his fictional world of Middle-earth.[1] He is best known for his children's book The Hobbit and his fantasy novel The Lord of the Rings, both set in Middle-earth.[2]
Author
[edit]Verlyn Flieger is a scholar of English literature. She is known also as a Tolkien scholar,[3][4] including for her books on Tolkien's legendarium, Splintered Light[5][6] and A Question of Time.[7] She has won the Mythopoeic Scholarship Award for her work on Tolkien's Middle-earth writings.[8]
Book
[edit]Summary
[edit]The book is in three parts. Part 1 examines Tolkien's "body of connected legend", which he intended as a mythology for England. The four chapters assess Tolkien's motives for attempting this; the models available to him, including people such as Elias Lönnrot who assembled the Finnish epic poem, the Kalevala, and literary traditions such as Arthurian legend; points of view on the mythology; and the way Tolkien assembled a literary tradition.[9] She states that Tolkien presents The Lord of the Rings at four levels: "as the story itself; as one version of that story embodying references to other versions; as a historical artifact—the Red Book; [and] as a modern edition of that book complete with scholarly and critical apparatus".[10]
Part 2 describes how Tolkien intended to present his legendarium, in particular by framing it with a time-travelling visitor such as Eriol/Ælfwine the mariner.[9]
Part 3 looks at Celtic influences on Tolkien.[9]
Publication history
[edit]Interrupted Music was first published by Kent State University Press in 2005, in paperback format.[11] The book is not illustrated.
Reception
[edit]Whole book
[edit]David Bratman, in Mythlore, describes Interrupted music as "a full-length meditation on the framing of the series" of 12 volumes of The History of Middle-earth.[7] Gergely Nagy, in Tolkien Studies, writes that the book proves that Flieger is a "good established Tolkien critic", and in particular that she is "a critic whose work can be built on."[9] Shelley Gurney writes in Utopian Studies that Flieger "deals eloquently and concisely with the fundamental ideas behind ... Tolkien's mythology", and that she considers Flieger "the foremost scholar in research on The Silmarillion".[12]
Cami Agan writes in Mythlore that Flieger's books "establish Tolkien's grounding in [literary] sources ... [and] offer scintillating readings of Tolkien's themes, his processes of revision and recasting, and the resulting complexity of Middle-earth which he dedicated 'to England'".[13] She adds that Interrupted Music uses "Tolkien's conception of creation as Music in order to explore the complex process of composition" of his legendarium.[13]
Chapter 4: The Tradition
[edit]Thomas Fornet-Ponse, in VII, writes that the tradition chapter shows how "Tolkien depicts his work like a true mythology with different layering, multiple narrators, overlapping texts and variant versions."[14]
Nagy considers the chapter on the tradition of the legendarium "an admirable synthesis", and "the most important part of the book", and that Tolkien's self-referentiality is "very effectively reflected on".[9]
Gurney states that the tradition chapter is "the most significant", showing how the legendarium "adheres to the established mythic tradition" by illustrating each means of transmission of myths in The Lord of the Rings. She comments that she found the book straightforward to read, but cautions that readers without "a passing knowledge of at least some of Tolkien's sources" might find it "confusing".[12]
References
[edit]- ^ Flieger 1983, p. 107.
- ^ Carpenter 1977, pp. 111, 200, 266 and throughout.
- ^ "Verlyn Flieger". Mythus. Retrieved 28 June 2020.
- ^ "Verlyn Flieger". Signum University. Retrieved 28 June 2020.
- ^ Eden, Bradford Lee (2013). "Music". In Lee, Stuart D. (ed.). A Companion to J. R. R. Tolkien. Wiley-Blackwell. pp. 504, 509. ISBN 978-1-119-65602-9.
- ^ Dawson, Deidre A. (January 2020). "[Review:] A Wilderness of Dragons: Essays in Honor of Verlyn Flieger". Journal of Tolkien Research. 11 (1). Gale A647455098.
- ^ a b Bratman, David (2008). "Review of The Evolution of Tolkien's Mythology: A Study of the History of Middle-earth, by E. A. Whittingham". Mythlore. 26 (3/4): 201–203. JSTOR 26814594.
- ^ "Mythopoeic Awards 2013". Mythopoeic Society. 2019. Retrieved 28 June 2020.
- ^ a b c d e Nagy, Gergely (2006). "Interrupted Music. The Making of Tolkien's Mythology (review)". Tolkien Studies. 3 (1): 173–177. doi:10.1353/tks.2006.0025.
- ^ Flieger 2005, p. 80.
- ^ Flieger 2001, p. iv.
- ^ a b Gurney, Shelley (2007). "Review of Interrupted Music: The Making of Tolkien's Mythology, by V. Flieger". Utopian Studies. 18 (1): 103–105. JSTOR 20719856.
- ^ a b Agan, Cami (2008). "Song as Mythic Conduit in The Fellowship of the Ring". Mythlore. 26 (3). Article 5.
- ^ Fornet-Ponse, Thomas (2007). "Review of Interrupted Music: The Making of Tolkien's Mythology, by V. Flieger". VII (24): 107–109. JSTOR 45297147.
Sources
[edit]- Carpenter, Humphrey (1977). J. R. R. Tolkien: A Biography. New York: Ballantine Books. ISBN 978-0-04-928037-3.
- Flieger, Verlyn (1983). Splintered Light: Logos and Language in Tolkien's World. Wm B. Eerdmans Publishing. ISBN 978-0-8028-1955-0.
- Flieger, Verlyn (2001) [1997]. A Question of Time. Kent, Ohio: Kent State University Press. ISBN 978-0-87338-699-9.
- Flieger, Verlyn (2005). Interrupted Music. Kent, Ohio: Kent State University Press. ISBN 978-0-87338-824-5.
