Liberty Belle and the Black Diamond Express
| Liberty Belle and the Black Diamond Express | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 1986 | |||
| Studio | Berry Street Studio, London WC1, England | |||
| Genre | Rock, alternative rock, indie rock | |||
| Length | 36:53 | |||
| Label | Beggars Banquet | |||
| Producer | Richard Preston, The Go-Betweens | |||
| The Go-Betweens chronology | ||||
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| Singles from Liberty Belle and the Black Diamond Express | ||||
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Liberty Belle and the Black Diamond Express, the fourth album by The Go-Betweens, was released in March 1986 in the UK on Beggars Banquet Records, the record label that would release the remainder of the original group's LPs through their break-up in 1989. The album was recorded at Berry Street Studios in London, England. The original release consisted of ten songs. The UK CD release in 1986 (BEGA 72) had the original ten tracks, plus two bonus tracks: "The Life At Hand" and "Little Joe". In 2004, LO-MAX Records released an expanded CD which included a second disc of eleven bonus tracks and music videos for the songs "Spring Rain" and "Head Full of Steam" (Single Version).[1]
Details
[edit]The band had signed a deal with an English branch of the label Elektra, which closed two weeks into the album's recording. Robert Forster said, "Elektra pays for the record and doesn't even know it. We've got an album that's ours, we can sell it to anyone. Free album."[2] Soon after, they signed with Beggars Banquet.
Drummer Lindy Morrison later said, "This is my favourite album. This is a really, really fabulous album. We produced this ourselves and it's got the best songs, and I think every single song is a classic. And if we had produced those songs the way radio demands – like, if we'd used drum machines and just had synthesisers do most of the stuff – I think we could have got a hit."[3]
The band entered the studio determined to create the album they envisioned. Forster later wrote, "If this was to be our last shot, it had to be on our terms. There'd be no drum machines, no piecemeal recording, no acquiescence to higher authority. Our intention was to expand on the crisp, woody sound of Before Hollywood, to include a grander, more exotic range of instrumentation."[4]
Both Grant McLennan and Forster praised the contributions of Dean B. Speedwell. McLennan said, "We used another person on that record, like we had on Before Hollywood, a kind of keyboard-y dude called Dean B. Speedwell, and he was such a musician that we could say 'Well, we want vibes like Lionel Hampton' and he could do it, or we wanted a bassoon part and he could play it."[5]
Later McLennan said, "There was quite a fundamental musical change in the band towards simplification. Something we've been accused of in the past, of being almost a pop band, almost an art band, you know, now we're simplifying. Thinking more of 4/4." Similarly. Forster claimed to have had a revelation in the wake of Spring Hill Fair. He said, "I'm writing a lot less complicated music, and it's giving me space to put myself in it."[6]
Reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [7] |
| Blender |  [8] |
| Mojo | [9] |
| NME | 10/10[10] |
| PopMatters | 8/10[11] |
| The Rolling Stone Album Guide | [12] |
| Select | 5/5[13] |
| Spin Alternative Record Guide | 8/10[14] |
| Uncut | [15] |
| The Village Voice | A−[16] |
In his review for The Village Voice, Robert Christgau wrote that "there are no popsters writing stronger personal love songs. I doubt there are any page poets envisioning more plangently, either."[16] BBC Music said, "If you like lyrics, and rambling imagery, you'll love these songs. There are ten of them in thirty six minutes. Only the flat production lets them down; something they often had trouble with. But alongside Spring Hill Fair this is their best album."[17]
AllMusic noted, "Robert Forster's endearingly fey persona, equal parts Bryan Ferry and gangly bookstore clerk, reaches full flower on the Go-Betweens' fourth album, which tempers the angularity and occasional claustrophobia of the band's previous work with a new airiness and nervous romanticism. The lighter sound can be partly attributed to the growing influence of co-leader Grant McLennan."[7] Mojo said the album was "organic, homespun, with echoes of Australian country in its classicist rock novellas".[18]
Track listing
[edit]All tracks are written by G. McLennan, R. Forster
| No. | Title | Length |
|---|---|---|
| 1. | "Spring Rain" | 3:10 |
| 2. | "The Ghost and the Black Hat" | 2:36 |
| 3. | "The Wrong Road" | 4:57 |
| 4. | "To Reach Me" | 3:37 |
| 5. | "Twin Layers of Lightning" | 4:25 |
| 6. | "In the Core of the Flame" | 2:57 |
| 7. | "Head Full of Steam" | 3:36 |
| 8. | "Bow Down" | 3:47 |
| 9. | "Palm Sunday (On Board the SS Within)" | 3:19 |
| 10. | "Apology Accepted" | 4:25 |
| 11. | "Spring Rain" (video on 2004 expanded CD) | |
| 12. | "Head Full of Steam" (single version - video on 2004 expanded CD) | |
| Total length: | 36:53 | |
All tracks are written by G. McLennan, R. Forster, except where noted
| No. | Title | Length |
|---|---|---|
| 1. | "Life at Hand" | 3:34 |
| 2. | "Don't Let Him Come Back" (new version) | 2:39 |
| 3. | "Apology Accepted" (radio session) | 3:48 |
| 4. | "I Work in a Health Spa" | 3:42 |
| 5. | "Bow Down" (early version) | 4:09 |
| 6. | "Casanova's Last Words" | 2:39 |
| 7. | "Head Full of Steam" (single version) | 3:38 |
| 8. | "Little Joe" | 3:28 |
| 9. | "Wrong Road" (early version) | 3:18 |
| 10. | "Reunion Dinner" | 4:49 |
| 11. | "I'm Gonna Knock on Your Door" (Aaron Schroeder and Sid Wayne) | 1:53 |
| Total length: | 37:37 | |
Release history
[edit]| Year | Country | Label | Format | Catalogue No. |
| 1986 | UK | Beggars Banquet | LP | BEGA 72 |
| Cassette | BEGC 72 | |||
| CD | BEGA 72 CD | |||
| AUS | True Tone | LP | 826 714-1 | |
| Cassette | 826 714-4 | |||
| US | Big Time | LP | 10030-1 | |
| GER | Rebel Rec. | RE 0024 | ||
| CA | Vertigo | VOG-1-3369 | ||
| JP | Japan | 25JAL-3059 | ||
| 1988 | UK | Beggars Banquet | BBL 72 | |
| 1996 | CD | BBL 2004 CD | ||
| AUS | Silk Sheen | SILK 005 | ||
| 2004 | UK | LO-MAX | LO-MAX CD002 | |
| AUS | EMI Australia | 3696022 | ||
| US | Jetset | TWA70CD |
Personnel
[edit]- The Go-Betweens
- Robert Forster — vocals, rhythm guitar
- Grant McLennan — vocals, lead guitar, loops, treatments
- Lindy Morrison — drums
- Robert Vickers — bass guitar
- Additional musicians
- Dean B. Speedwell — organ, piano, accordion, vibes, bassoon
- Audrey Riley — cello, string arrangements
- Chris Tomlin — 1st violin
- Sally Herbert — 2nd violin
- Sue Dench — viola
- Tracey Thorn — backing vocals on "Head Full of Steam" and "Apology Accepted"
- Richard Preston — loops, treatments on "Reunion Dinner"
References
[edit]- ^ Mueller, Andrew, from the liner notes for the 2004 LO-MAX Compact Disc reissue of Liberty Belle and the Black Diamond Express. All track listing/production history/song writing credit information in this article is taken from these liner notes.
- ^ David Nichols (2005). The Go-Betweens. Verse Chorus Verse. p. 165. ISBN 9781891241161.
- ^ Tracee Hutchison (1992). Your Name's on the Door. Sydney: ABC Enterprises. p. 125. ISBN 0-7333-0115-0.
- ^ Robert Forster (2016). Grant & I. Penguin. pp. 157–158. ISBN 978-0-6700782-2-6.
- ^ Gavin Sawford (12 April 1996). "Gazing On A Sunny Afternoon". Rave. Stones Corner, QLD: Rave Magazine Pty Ltd: 7–8.
- ^ Clinton Walker (1996). Stranded: The Secret History of Australian Independent Music 1977–1991. Pan MacMillan. p. 177. ISBN 0-7329-0883-3.
- ^ a b Coulter, Kristi. "Liberty Belle and the Black Diamond Express – The Go-Betweens". AllMusic. Retrieved 28 April 2013.
- ^ Lim, Dennis. "The Go-Betweens: (various reissues)". Blender. Archived from the original on 5 April 2005. Retrieved 2 February 2017.
- ^ Paphides, Peter (October 2004). "The Go-Betweens: Liberty Belle and the Black Diamond Express / Tallulah / 16 Lovers Lane". Mojo. No. 131. p. 122.
- ^ "The Go-Betweens: Liberty Belle and the Black Diamond Express". NME. 13 April 1996. p. 47.
- ^ MacNeil, Jason (4 February 2005). "The Go-Betweens: 16 Lovers Lane / Tallulah / Liberty Belle and the Black Diamond Express". PopMatters. Archived from the original on 7 February 2005. Retrieved 14 December 2021.
- ^ Wolk, Douglas (2004). "The Go-Betweens". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 333–334. ISBN 0-7432-0169-8.
- ^ Male, Andrew (May 1996). "The Go-Betweens: Send Me a Lullaby / Before Hollywood / Spring Hill Fair / Liberty Belle and the Black Diamond Express / Tallulah / 16 Lovers Lane". Select. No. 71. p. 102.
- ^ Weisbard, Eric (1995). "Go-Betweens". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. pp. 167–168. ISBN 0-679-75574-8.
- ^ "The Go-Betweens: Liberty Belle and the Black Diamond Express". Uncut. No. 86. July 2004. p. 120.
- ^ a b Christgau, Robert (31 March 1987). "Christgau's Consumer Guide". The Village Voice. Retrieved 28 April 2013.
- ^ Reynolds, Nick (28 October 2004). "The Go-Betweens Liberty Belle And The Black Diamond Express Review". BBC Music. Retrieved 7 July 2018.
- ^ Ian Harrison. "The Go-Betweens". Mojo. No. 311.
