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Mortal Engines (film)

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Mortal Engines
The face of a woman wearing a red scarf over her mouth; the only thing in color while the rest of her is in black-and-white.
Theatrical release poster
Directed byChristian Rivers
Screenplay by
Based onMortal Engines
by Philip Reeve
Produced by
Starring
CinematographySimon Raby
Edited byJonno Woodford-Robinson
Music byTom Holkenborg[1]
Production
companies
Distributed byUniversal Pictures
Release dates
  • November 27, 2018 (2018-11-27) (London)
  • December 6, 2018 (2018-12-06) (New Zealand)
  • December 14, 2018 (2018-12-14) (United States)
Running time
128 minutes[6]
Countries
  • New Zealand
  • United States
LanguageEnglish
Budget$100–150 million[7]
Box office$83.7 million[8]

Mortal Engines is a 2018 post-apocalyptic steampunk film directed by Christian Rivers from a screenplay by Fran Walsh, Philippa Boyens, and Peter Jackson, based on the 2001 novel of the same name by Philip Reeve. It stars Hera Hilmar, Robert Sheehan, Hugo Weaving, Jihae, Ronan Raftery, Leila George, Patrick Malahide, and Stephen Lang. An American–New Zealand co-production, the film is set in a post-apocalyptic world where entire cities have been mounted on wheels and motorised, and practice municipal Darwinism; its movie universe is different from that of the books.[9]

Jackson purchased the rights to the book in 2009, but the film languished for several years before being officially announced in 2016. Jackson picked Rivers, who won an Academy Award for Best Visual Effects for his work on Jackson's King Kong, to make his feature-length directorial debut with the project, and also brought on several members of his production teams from The Lord of the Rings and The Hobbit film trilogies. Filming took place from April to July 2017 in New Zealand.

Mortal Engines had its world premiere on November 27, 2018, in London, was theatrically released in Australia and New Zealand on December 6, 2018, and in the United States on December 14, 2018.[10] The film received negative reviews from critics, with some praising the visual effects and score, but with most criticizing the direction, screenplay and "lack of personality".[11] It is one of the biggest box office bombs of all time,[12] grossing $83.7 million against a production budget of $100–150 million and losing the studio an estimated $175 million.

Plot

[edit]

Set more than a thousand years in the future following a cataclysmic conflict known as the Sixty Minute War, the remnants of mankind regroup and form mobile cities, called "Traction Cities". Under a philosophy known as "Municipal Darwinism", larger "predator" cities hunt and absorb smaller settlements in the "Great Hunting Ground", which includes Great Britain and Continental Europe. In opposition, settlements of the "Anti-Traction League" have developed an alternative civilization consisting of "static settlements" (traditional, non-mobile cities) in Asia led by Shan Guo (formerly China), protected by the "Shield Wall". Relics of 21st-century technology such as toasters, computers, and smartphones are valued by historians as "Old-Tech."

The city of London captures a small Bavarian mining town called Salzhaken, absorbing its population and resources, under orders of Lord Mayor Magnus Crome. Tom Natsworthy, an apprentice historian, arrives at London's "Gut" to collect Salzhaken's Old-Tech for London's Museum. Hester Shaw, a masked twenty-something woman among the Salzhakens, attempts to assassinate Thaddeus Valentine, Head of the Guild of Historians, but Tom intervenes, pursuing Hester to a chute. Hester escapes, but not before telling him that Valentine murdered her mother and scarred her face. When Tom informs Valentine of this, he pushes Tom down the chute.

Tom and Hester are forced to work together to traverse the Hunting Ground, surviving Southies, Scavs on a night hunt, and finding refuge in a vehicle called Scuttlebug, but the owners lock them in a cell, intending to sell them as slaves. Hester confides that Valentine killed her archaeologist mother Pandora after stealing a piece of Old-Tech she found in a dig in the Dead Continent of the Americas, while young Hester escaped with a necklace her mother gave her. Meanwhile, Valentine frees Shrike, a reanimated cyborg known as a "Stalker", from the offshore walking prison Sharkmoor, to find and kill Hester. At the slave market of Rustwater in the Outlands, Tom and Hester are rescued by Anti-Traction League agent Anna Fang. During the chaos, they are pursued by Shrike, whom Hester reveals she knows. Hester explains that Shrike had found and raised her after escaping Valentine, and Hester promised to let him turn her into a Stalker like himself, but she left after discovering that London had entered the Great Hunting Ground, giving her a chance to kill Valentine. In London, Valentine's good-natured daughter Katherine grows estranged from her father, especially after Apprentice Engineer Bevis Pod informs her that Valentine pushed Tom down the chute, and they learn Valentine's energy project in the re-purposed St Paul's Cathedral is more than it seems.

Hester and Tom travel on Anna's airship, the Jenny Haniver, to the airborne city Airhaven, meeting other Anti-Traction League members. After questioning Hester, Tom realizes Pandora discovered a computer core for MEDUSA, a quantum energy-based superweapon used by the belligerents during the Sixty Minute War to instantly destroy entire cities, albeit shattering the Earth's crust into a thousand pieces that have rearranged the former continents. The Guild of Engineers has stolen the remaining components from Tom's museum workshop and built a MEDUSA under Valentine's orders. Shrike catches up with them, resulting in a fierce skirmish that critically wounds him and destroys Airhaven. Realizing that Hester is in love with Tom, he spares Tom and frees her of her promise before perishing. As Hester, Tom, and Anna travel to the Shield Wall of Batmunkh Gompa with the surviving Anti-Tractionists, Valentine kills Crome in a coup and musters support from Londoners by vowing to destroy the Shield Wall with MEDUSA and lead them to a new Hunting Ground in Asia. Anna convinces Shan Guo's Governor Kwan to launch the Anti-Tractionist airship fleet against London, but MEDUSA destroys the fleet and blasts a hole through the Shield Wall. After coming upon a stone carving of Medusa, Hester discovers that her mother's necklace hides a "crash drive", a kill switch for MEDUSA. Hester, Tom, Anna, and the remaining Anti-Tractionists lead a raid against London, braving the city's anti-aircraft guns.

Hester and Anna infiltrate St Paul's, and though Valentine mortally wounds Anna during a sword duel, Hester destroys MEDUSA with the crash drive. In a last-ditch attempt to destroy the Shield Wall, the insane Valentine has his henchmen kill the city's control crew and put the city on full throttle on a collision course with the Wall with no concern for all involved. With Katherine's help, Tom uses the Jenny Haniver to destroy London's engine. Hester catches and fights Valentine aboard his airship, where he reveals that he is her father. Tom rescues Hester and shoots down Valentine's ship, which is crushed by London's slowing tracks, killing Valentine. With Valentine dead, the surviving Londoners, now led by Katherine, make peace with the Anti-Tractionists of Shan Guo. As Governor Kwan welcomes the Londoners, Tom and Hester embrace each other and leave in the Jenny Haniver together to see the world.

Cast

[edit]
  • Hera Hilmar as Hester Shaw, a disfigured, mask-wearing fugitive assassin with a personal vendetta against Thaddeus Valentine. She was raised by cyborg Shrike.
    • Poppy MacLeod as Young Hester Shaw
  • Robert Sheehan as Tom Natsworthy, a low-class Apprentice Historian of London thrown out of the city and forced to ally himself with Hester and the resistance as an aviator.
  • Hugo Weaving as Thaddeus Valentine, Deputy Lord Mayor, the obsessed archeologist and power-hungry Head of the Guild of Historians.
  • Jihae as Anna Fang, a pilot, warrior, and leader of the Anti-Traction League, a resistance group banding against the moving cities devouring Earth's resources.
  • Ronan Raftery as Bevis Pod, an Apprentice Engineer whom Katherine befriends.
  • Leila George as Katherine Valentine, daughter of Thaddeus Valentine and one of London's elite.
  • Patrick Malahide as Magnus Crome, the Lord Mayor of London.
  • Stephen Lang as Shrike, a cyborg (the last of an undead battalion of soldiers known as Stalkers, who were war casualties re-animated with machine parts), and Hester's guardian.
  • Colin Salmon as Chudleigh Pomeroy, Tom's historian boss.
  • Mark Mitchinson as Vambrace, Valentine's henchman.
  • Regé-Jean Page as Captain Madzimoyo Khora, a Ruh-Shan member and Anti-Traction League aviator.
  • Menik Gooneratne as Sathya Kuranath, a Ruh-Shan member and Anti-Traction League aviator.
  • Frankie Adams as Yasmina Rashid, a Ruh-Shan member and Anti-Traction League aviator.
  • Leifur Sigurdarson as Nils Lindstrom, a Ruh-Shan member and Anti-Traction League aviator.
  • Kahn West as Toa Heke, a Ruh-Shan member and Anti-Traction League aviator.
  • Andrew Lees as Herbert Melliphant, an Apprentice Historian and Tom's rival.
  • Sophie Cox as Clytie Potts, another key Historian.
  • Caren Pistorius as Pandora Shaw, Hester's archeologist mother.

Additional cameo actors: Michael Bennett and his wife, Pele, make uncredited cameos as two London residents; Philip Reeve and his son cameo as two Shan Guonese onlookers and Peter Jackson cameoes as Sooty Pete, one of London's guards.[13]

Production

[edit]

In December 2009, New Zealand filmmaker Peter Jackson was reported to have begun development of a film based on Philip Reeve's novel Mortal Engines.[14] On October 24, 2016, production started on a feature film to be directed by Christian Rivers, marking his feature-length directorial debut.[15] The script was written by Peter Jackson, Fran Walsh, and Philippa Boyens, while Media Rights Capital and Universal Pictures would be financing the film. Shooting was scheduled to start in March 2017 in Wellington, New Zealand. Producers Zane Weiner and Amanda Walker, who both worked on The Hobbit, spearheaded the New Zealand-based team, along with US-based Deborah Forte.[15]

In February 2017, Robert Sheehan was cast in the film for the lead role alongside Ronan Raftery, while Hera Hilmar was cast as a female lead.[16][17] In March 2017, more cast was announced including Stephen Lang, Jihae, and newcomer Leila George.[18] Hugo Weaving, Patrick Malahide, Colin Salmon, and Regé-Jean Page joined the film in April 2017.[19][20] Richard Armitage was offered a role but passed due to scheduling conflicts.[21]

Principal photography on the film began in April 2017, with shooting occurring at Stone Street Studios in Wellington, New Zealand, and was completed in July 2017.[22][23][24]

Visual effects were provided by Weta Digital and supervised by Ken McGaugh, Kevin Smith and Luke Millar.[25] Weta designed the moving cities to actual scale in CG, which required building layout "puppets" that represented the different city tiers.[26]

Music

[edit]
Main article: Mortal Engines (soundtrack)

Release

[edit]

Premiere and theatrical release

[edit]

Mortal Engines had its world premiere at the Empire, Leicester Square in London on November 27, 2018. It was released in New Zealand by Universal Pictures on December 6, 2018, and in the United States on December 14, 2018.[27][28][29]

Box office

[edit]

Mortal Engines grossed $16 million in the United States and Canada, and $67.7 million in other territories, for a total worldwide gross of $83.7 million, against a production budget of at least $100 million.[8] Deadline Hollywood calculated that the film lost the studio $174.8 million, when factoring together all expenses and revenues,[30] making it a box office bomb.

In the United States and Canada, Mortal Engines was released alongside Spider-Man: Into the Spider-Verse and The Mule, and was initially projected to gross $10–13 million from 3,103 theaters in its opening weekend.[7] After making just $2.8 million on its first day (including $675,000 from Thursday night previews), weekend estimates were lowered to $7 million. It went on to debut to $7.5 million, finishing fifth at the box office.[4] The film fell 77% in its second weekend to $1.7 million, one of the largest drops for a wide release of all time, and finished in 13th when Aquaman, Mary Poppins Returns, and Bumblebee were released during the Christmas holiday.[31]

Reception

[edit]

Critical response

[edit]

On Rotten Tomatoes, the film has an approval rating of 26% based on 191 reviews, with an average rating of 4.9/10. The website's critical consensus reads, "Mortal Engines has no shortage of eye-catching special effects, but lacks enough high-octane narrative fuel to give this futuristic fantasy sufficient cinematic combustion."[32] On Metacritic, the film has a weighted average score of 44 out of 100, based on reviews from 33 critics, indicating "mixed or average reviews".[33] Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale, while PostTrak reported filmgoers gave the film a 66% overall positive score and a "low" 43% "definite recommend"; social media monitor RelishMix noted online response to the film was "mixed, leaning negative."[4]

The Guardian's film critic Peter Bradshaw gave the film 2/5 stars, describing it as "steampunk Star Wars, with a bit of low-octane Gilliam and Gaiman on the side." Bradshaw also characterized Mortal Engines as a "tiringly frenetic and derivative fantasy-adventure movie."[34] Similarly, The Daily Telegraph's Tim Robey awarded Mortal Engines 2/5 stars, describing the film as a "mechanical, soulless dystopian theme park ride to nowhere."[35] Variety reviewer Andrew Barker praised Mortal Engines's opening chase sequence but criticized the "unwieldy, baffling, exhausting, and unintentionally hysterical" plot development. While praising the film's emotional depth and Junkie XL's score, Barker compared Mortal Engines unfavorably to other science fiction films such as Cloud Atlas and Valerian and the City of a Thousand Planets.[36]

On the more positive side, New Zealand website Stuff reviewer Graeme Tuckett awarded 4 out of 5, praising director Christian Rivers for the film's tone, pacing, choreography, sets, and costumes while noting the film's references to other series, including Star Wars, Mad Max, and The City of Lost Children.[37] Sandra Hall of The Sydney Morning Herald praised Peter Jackson for his world-building and Mortal Engines's social, political, and historical commentary, awarding it 4 out of 5.[38] The Hindustan Times's reviewer Rohan Naahar awarded the film 3 out of 5, describing Mortal Engines as a "visually stunning adventure for kids" and praising the film's social and political subtext.[39] IGN reviewer Rafael Motamayor awarded Mortal Engines 7.5 out of 10, praising the film's world-building and visuals while criticizing its "underwhelming" story. Motamayor also praised Stephen Lang's role as Shrike, opining that he injected "some much-needed humanity into an otherwise fully mechanical film."[40]

Ben Kenigsberg of The New York Times observed that the movie borrowed elements from other films including Star Wars, Mad Max, The Matrix, and The Lord of the Rings.[41] David Fear of Rolling Stone described the film adaptation as "a steampunk Frankenstein's monster made from spare parts", giving it 2.5 out of 5.[42] Glenn Kenny of RogerEbert.com awarded the film 1.5 out of 4, describing the film's story pacing as "laughably portentous and kitschy" and likened the film to another box-office bomb, the Wachowskis' Jupiter Ascending.[43] Sandy Schaffer of Screen Rant awarded the film 2.5 out of 5, praising Mortal Engines' world design and visuals but criticizing what she termed as "its uninspired narrative and ungainly filmmaking."[44]

Author's response

[edit]

Philip Reeve, author of the Mortal Engines novels, praised the film, stating, "Christian Rivers has done a fantastic job – a huge, visually awesome action movie with perfect pace and a genuine emotional core ... There are many changes to the characters, world, and story, but it's still fundamentally the same thing."[45]

Accolades

[edit]

The film won an award from the Visual Effects Society for its visual effects. At the 17th Visual Effects Society Awards on February 5, 2019, the visual effects team of Matthew Sandoval, James Ogle, Nick Keller, Sam Tack, were honoured in the category of Outstanding Model in a Photoreal or Animated Project for their design of the moving city of London.[46][47]

References

[edit]
  1. ^ "Junkie XL Scoring 'Mortal Engines' Movie Adaptation". Film Music Reporter. Archived from the original on June 19, 2018. Retrieved June 18, 2018.
  2. ^ a b c d e "Film releases". Variety Insight. Archived from the original on February 5, 2018. Retrieved May 26, 2017.
  3. ^ "Mortal Engines (2018)". The Numbers. Nash Information Services, LLC. Retrieved August 2, 2023.
  4. ^ a b c D'Alessandro, Anthony (December 16, 2018). "Spider-Verse Raises $35M+ As 'The Mule' Kicks Up $17M+ In Pre-Christmas Period, But 'Mortal Engines' Breaks Down With $7M+". Deadline Hollywood. Retrieved December 16, 2018.
  5. ^ McCarthy, Todd (December 5, 2018). "'Mortal Engines': Film Review". The Hollywood Reporter. Retrieved December 17, 2018.
  6. ^ "MORTAL ENGINES | British Board of Film Classification". www.bbfc.co.uk. Retrieved November 28, 2018.
  7. ^ a b D'Alessandro, Anthony (December 11, 2018). "Look Out, Here Comes 'The Spider-Verse': Sony Animation Title Eyes $30M-$35M Opening – Box Office Preview". Retrieved December 11, 2018.
  8. ^ a b "Mortal Engines (2018)". Box Office Mojo. IMDb. Retrieved June 12, 2019.
  9. ^ Leadbeater, Alex (June 5, 2018). "The 7 Biggest Changes Mortal Engines Makes To The Book". Screen Rant. Retrieved October 29, 2019.
  10. ^ "City Promotions, Events and Filming" (PDF). Heart of London. October 21, 2018. Archived (PDF) from the original on November 1, 2018.
  11. ^ James Croot (December 5, 2018). "Mortal Engines lacks 'personality', 'direction' say less-than-impressed critics". Stuff.co.nz. Retrieved January 8, 2021.
  12. ^ "Mortal Engines". Box Office Mojo.
  13. ^ "Peter Jackson Shelved 'Mortal Engines' for 5 Years – Because of 'The Hobbit'". FANDOM. October 5, 2018. Archived from the original on October 9, 2018. Retrieved October 9, 2018.
  14. ^ Chapman, Katie (December 22, 2009). "Peter Jackson to adapt sci-fi series". The Dominion Post. Archived from the original on February 23, 2013. Retrieved October 25, 2016.
  15. ^ a b Fleming, Mike Jr. (October 24, 2016). "Peter Jackson & Fran Walsh Rev 'Mortal Engines'; Directing Debut For 'Hobbit' VFX Protege Christian Rivers". Deadline Hollywood. Archived from the original on May 29, 2017. Retrieved October 25, 2016.
  16. ^ Kroll, Justin (February 2, 2017). "Peter Jackson's 'Mortal Engines' Casts Robert Sheehan, Ronan Raftery (EXCLUSIVE)". Variety. Archived from the original on June 16, 2017. Retrieved June 12, 2017.
  17. ^ Fleming, Mike Jr. (February 7, 2017). "Peter Jackson's 'Mortal Engines' Sets Hera Hilmar As Female Lead". Deadline Hollywood. Archived from the original on June 15, 2017. Retrieved June 12, 2017.
  18. ^ Kit, Borys (March 6, 2017). "Stephen Lang, Jihae, Newcomer Leila George Join Peter Jackson's 'Mortal Engines' (Exclusive)". The Hollywood Reporter. Archived from the original on June 8, 2017. Retrieved June 12, 2017.
  19. ^ Kroll, Justin (April 12, 2017). "Hugo Weaving Reteams With Peter Jackson on 'Mortal Engines' (EXCLUSIVE)". Variety. Archived from the original on June 16, 2017. Retrieved June 12, 2017.
  20. ^ Kit, Borys (April 20, 2017). "Peter Jackson's 'Mortal Engines' Adds Trio (Exclusive)". The Hollywood Reporter. Archived from the original on June 6, 2017. Retrieved June 12, 2017.
  21. ^ "Richard Armitage nearly had a Mortal Engines acting gig". www.mortalenginesmovie.com. Archived from the original on December 22, 2017. Retrieved December 18, 2017.
  22. ^ Simich, Ricardo (April 8, 2017). "Stars arrive for Peter Jackson's hot new shoot". spy.nzherald.co.nz. Archived from the original on June 7, 2017. Retrieved June 11, 2017.
  23. ^ "Filming begins on Peter Jackson's Mortal Engines bringing stars to Wellington". Stuff.co.nz. June 7, 2017. Retrieved June 11, 2017.
  24. ^ "That's a wrap for Sir Peter Jackson's 'Mortal Engines', as film heads into post-production". Stuff.co.nz. July 17, 2017. Retrieved November 4, 2017.
  25. ^ "MORTAL ENGINES - The Art of VFXThe Art of VFX". www.artofvfx.com. November 27, 2018. Retrieved November 27, 2018.
  26. ^ "Weta Digital: Moving Cities and Bringing Anime to Life". www.vfxvoice.com. March 20, 2019. Retrieved March 20, 2019.
  27. ^ "'Mortal Engines' is in UK cinemas December 8th". October 8, 2018. Archived from the original on October 9, 2018. Retrieved October 8, 2018.
  28. ^ Yee, Lawrence (November 24, 2016). "Peter Jackson's 'Mortal Engines' to Open in December 2018". Variety. Archived from the original on November 26, 2016. Retrieved November 26, 2016.
  29. ^ "Mortal Engines". Archived from the original on October 20, 2018. Retrieved October 20, 2020.
  30. ^ D'Alessandro, Anthony (April 8, 2019). "What Were The Biggest Bombs At The 2018 B.O.? Deadline's Most Valuable Blockbuster Tournament". Deadline Hollywood. Retrieved April 1, 2020.
  31. ^ D'Alessandro, Anthony (December 23, 2018). "'Aquaman' Grabs $67M+ Weekend For $72M+ Cume; 2018 B.O. Poised To Pass $11.4B For New Record – Early Sunday Update". Deadline Hollywood. Retrieved December 23, 2018.
  32. ^ "Mortal Engines (2018)". Rotten Tomatoes. Fandango. Retrieved August 14, 2024.
  33. ^ "Mortal Engines reviews". Metacritic. Retrieved December 23, 2018.
  34. ^ Bradshaw, Peter (December 5, 2018). "Mortal Engines review – Peter Jackson's steampunk Star Wars stalls". The Guardian. Retrieved December 11, 2018.
  35. ^ Robley, Tim (December 5, 2018). "Mortal Engines review: a mechanical, soulless dystopian theme park ride to nowhere". The Daily Telegraph. Archived from the original on January 12, 2022. Retrieved December 11, 2018.
  36. ^ Barker, Andrew (December 5, 2018). "Film Review: 'Mortal Engines'". Variety. Retrieved December 11, 2018.
  37. ^ Tuckett, Graeme (December 6, 2018). "Mortal Engines: Wondrous Kiwi-shot fantasy offers pace and style". Stuff. Retrieved December 11, 2018.
  38. ^ Hall, Sandra (December 6, 2018). "There's a lot to digest, but Peter Jackson pulls off Mortal Engines re-imagining". Sydney Morning Herald. Retrieved December 11, 2018.
  39. ^ Naahar, Rohan (December 7, 2018). "Mortal Engines movie review: Peter Jackson delivers a visually stunning spectacle". Hindustan Times. Retrieved December 11, 2018.
  40. ^ Motamayor, Rafael (December 10, 2018). "Mortal Engines Review". IGN. Retrieved December 11, 2018.
  41. ^ Kenigsberg, Ben (December 13, 2018). "'Mortal Engines' Review: London Becomes a Death Star on Wheels". The New York Times. Retrieved January 8, 2019.
  42. ^ Fear, David (December 14, 2018). "'Mortal Engines' Review: Metropocalypse Now!". Rolling Stone. Retrieved January 8, 2019.
  43. ^ Kenny, Glenn (December 14, 2018). "Mortal Engines Movie Review". RogerEbert.com. Retrieved January 8, 2019.
  44. ^ Schaffer, Sandy (December 14, 2018). "Mortal Engines Review: Peter Jackson's Mad Max is Surprisingly Bland". Screen Rant. Retrieved January 8, 2019.
  45. ^ Reeve, Philip [@philipreeve1] (November 30, 2018). "I watched #MortalEngines twice this week, and it's brilliant. Christian Rivers has done a fantastic job - a huge, visually awesome action movie with perfect pace and a genuine emotional core. See it on the biggest screen you can. 1/1" (Tweet). Retrieved December 6, 2018 – via Twitter.
  46. ^ Tapley, Kristopher (January 15, 2019). "Avengers,' 'Lost in Space,' 'Ready Player One' Lead Visual Effects Society Nominations". Variety. Retrieved January 17, 2019.
  47. ^ "17th Annual VES Awards". Archived from the original on March 3, 2019. Retrieved March 3, 2019.
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