Portal:Rock music/Selected songs

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Selected songs 1

Portal:Rock music/Selected songs/1 "Like a Rolling Stone" is a song by the American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.

During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in ³
₄ time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the Hammond B2 organ riff for which the track is known. Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when, a month later, a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached No. 2 in the US Billboard charts (No. 1 in Cashbox) and became a worldwide hit.

Critics have described "Like a Rolling Stone" as revolutionary in its combination of musical elements, the youthful, cynical sound of Dylan's voice, and the directness of the question "How does it feel?". It completed the transformation of Dylan's image from folk singer to rock star, and is considered one of the most influential compositions in postwar popular music. Rolling Stone listed it at No. 1 on their 2004 and 2010 "500 Greatest Songs of All Time" lists. It has been covered by many artists, from the Jimi Hendrix Experience and the Rolling Stones to the Wailers, Cat Power and Green Day. At an auction in 2014, Dylan's handwritten lyrics to the song fetched $2 million, a world record for a popular music manuscript. (Full article...)

Selected songs 2

Portal:Rock music/Selected songs/2 "City of Blinding Lights" is a song by Irish rock band U2. It is the fifth track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004), and was released as the album's fourth single on 6 June 2005. It was produced by Flood, with additional production by Chris Thomas and Jacknife Lee. The song reached number one in Spain, and peaked in the top ten in Canada, Ireland, the United Kingdom, and several other countries. The music video was shot at the General Motors Place in Vancouver, British Columbia, Canada.

The earliest incarnation of the song was developed during sessions for the band's 1997 album, Pop. The lyrics were written by the band's lead vocalist Bono, taking partial inspiration from his recollection of his first trip to London, and from the band's experience playing in New York City in the aftermath of the September 11 attacks during their Elevation Tour in 2001. Other lyrics refer to Bono's relationship with his wife Ali. The song's underlying theme reflects lost innocence and was inspired by an image Bono saw of himself from the early 1980s. The sound has been compared to the tone of U2's 1984 album, The Unforgettable Fire and their 1987 single "Where the Streets Have No Name".

"City of Blinding Lights" was well received by critics and won a Grammy Award for Best Rock Song at the 2006 ceremony. The song made its live debut on the group's 2005–2006 Vertigo Tour, when it was commonly played as the opening song. It has been performed at nearly every show from a U2 concert tour since. The track has been used in episodes of The Simpsons and Entourage, and in the film The Devil Wears Prada. Former U.S. President Barack Obama used the song at his campaign events during the 2008 and 2012 U.S. presidential elections, and listed it as one of his favourite songs; U2 performed it at his 2009 inaugural celebration at the Lincoln Memorial. (Full article...)

Selected songs 3

Portal:Rock music/Selected songs/3 "The World Is Not Enough" is the theme song for the 1999 James Bond film The World Is Not Enough, performed by American rock band Garbage. The song was written by composer David Arnold (who also scored the film) and lyricist Don Black, previously responsible for four other Bond songs, and was produced by Garbage and Arnold. "The World Is Not Enough" was composed in the style of the series' title songs, in contrast with the post-modern production and genre-hopping of Garbage's first two albums. The group recorded most of "The World Is Not Enough" while touring Europe in support of their album Version 2.0, telephoning Arnold as he recorded the orchestral backing in London before travelling to England. Garbage later finished recording and mixing the song at Armoury Studios in Canada. The lyrics reflect the film's plot (told from the viewpoint of antagonist Elektra King), with themes of world domination and seduction.

The song and its accompanying soundtrack were released internationally by Radioactive Records when the film premiered worldwide at the end of November 1999. "The World Is Not Enough" was praised by reviewers; it reached the top 40 of ten singles charts and the top 10 of four. It was included on the James Bond compilation The Best of Bond... James Bond and Garbage's greatest hits album, Absolute Garbage. (Full article...)

Selected songs 4

Portal:Rock music/Selected songs/4 "Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the Billboard Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time.

The writing and recording of "Hey Jude" coincided with a period of upheaval in the Beatles. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's young son Julian, after Lennon had left his wife for the Japanese artist Yoko Ono. The lyrics espouse a positive outlook on a sad situation, while also encouraging "Jude" to pursue his opportunities to find love. After the fourth verse, the song shifts to a coda featuring a "Na-na-na na" refrain that lasts for over four minutes.

"Hey Jude" was the first Beatles song to be recorded on eight-track recording equipment. The sessions took place at Trident Studios in central London, midway through the recording of the group's self-titled double album (also known as the "White Album"), and led to an argument between McCartney and George Harrison over the song's guitar part. Ringo Starr later left the band only to return shortly before they filmed the promotional clip for the single. The clip was directed by Michael Lindsay-Hogg and first aired on David Frost's UK television show. Contrasting with the problems afflicting the band, this performance captured the song's theme of optimism and togetherness by featuring the studio audience joining the Beatles as they sang the coda.

At over seven minutes in length, "Hey Jude" was the longest single to top the British charts up to that time. Its arrangement and extended coda encouraged many imitative works through to the early 1970s. In 2013, Billboard magazine named it the 10th "biggest" song of all time in terms of chart success. McCartney has continued to perform "Hey Jude" in concert since Lennon's murder in 1980, leading audiences in singing the coda. Julian Lennon and McCartney have each bid successfully at auction for items of memorabilia related to the song's creation. (Full article...)

Selected songs 5

Portal:Rock music/Selected songs/5 "Imagine" is a song by the English rock musician John Lennon from his 1971 album of the same name. The best-selling single of his solo career, the lyrics encourage listeners to imagine a world of peace, without materialism, without borders separating nations and without religion. Shortly before his death, Lennon said that much of the song's lyrics and content came from his wife, Yoko Ono, and in 2017 she received cowriting credit.

Lennon and Ono co-produced the song with Phil Spector. Recording began at Lennon's home studio at Tittenhurst Park, England, in May 1971, with final overdubs taking place at the Record Plant, in New York City, during July. In October, Lennon released "Imagine" as a single in the United States, where it peaked at number three on the Billboard Hot 100. The song was first issued as a single in Britain in 1975, to promote the compilation Shaved Fish, and reached number six on the UK Singles Chart that year. It later topped the chart following Lennon's murder in 1980.

BMI named "Imagine" one of the 100 most performed songs of the 20th century. In 1999, it was ranked number 30 on the RIAA's list of the 365 "Songs of the Century", earned a Grammy Hall of Fame Award, and was inducted into the Rock and Roll Hall of Fame's "500 Songs that Shaped Rock and Roll". A 2002 UK survey conducted by the Guinness World Records British Hit Singles Book named it the second-best single of all time, while Rolling Stone ranked it number three in the 2004 list of "The 500 Greatest Songs of All Time". Since 2005, event organisers have played the song just before the New Year's Times Square Ball drops in New York City. In 2023, the song was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

"Imagine" has sold more than 1.7 million copies in the UK. More than 200 artists have performed or covered the song, including Madonna, Stevie Wonder, Joan Baez, Lady Gaga, Elton John and Diana Ross. After "Imagine" was featured at the 2012 Summer Olympics, the song re-entered the UK Top 40, reaching number 18, and was presented as a theme song in the opening ceremony of the 2022 Winter Olympics. The song remains controversial, as it has been since its release, over its request to imagine "no religion too". (Full article...)

Selected songs 6

Portal:Rock music/Selected songs/6 "Something" is a song by the English rock band the Beatles from their eleventh studio album Abbey Road (1969). It was written by George Harrison, the band's lead guitarist. Together with his second contribution to Abbey Road, "Here Comes the Sun", it is widely viewed by music historians as having marked Harrison's ascendancy as a composer to the level of the Beatles' principal songwriters, John Lennon and Paul McCartney. Two weeks after the album's release, the song was issued on a double A-side single, coupled with "Come Together", making it the first Harrison composition to become a Beatles A-side. The pairing was also the first time in the United Kingdom that the Beatles issued a single containing tracks already available on an album. While the single's commercial performance was lessened by this, it topped the Billboard Hot 100 in the United States as well as charts in Australia, Canada, New Zealand and West Germany, and peaked at number 4 in the UK.

The track is generally considered a love song to Pattie Boyd, Harrison's first wife, although Harrison offered alternative sources of inspiration in later interviews. Owing to the difficulty he faced in getting more than two of his compositions onto each Beatles album, Harrison first offered the song to Joe Cocker. As recorded by the Beatles, the track features a guitar solo that several music critics identify among Harrison's finest playing. The song also drew praise from the other Beatles and their producer, George Martin, with Lennon stating that it was the best song on Abbey Road. The promotional film for the single combined footage of each of the Beatles with his respective wife, reflecting the estrangement in the band during the months preceding their break-up in April 1970. Harrison subsequently performed the song at his Concert for Bangladesh shows in 1971 and throughout the two tours he made as a solo artist.

"Something" received the Ivor Novello Award for the "Best Song Musically and Lyrically" of 1969. By the late 1970s, it had been covered by over 150 artists, making it the second-most covered Beatles composition after "Yesterday". Shirley Bassey had a top-five UK hit with her 1970 recording, and Frank Sinatra regularly performed the song, calling it "the greatest love song of the past 50 years." Other artists who have covered it include Elvis Presley, Ray Charles, Booker T. & the M.G.'s, James Brown, Smokey Robinson and Johnny Rodriguez. In 1999, Broadcast Music Incorporated named "Something" as the 17th-most performed song of the twentieth century, with 5 million performances. In 2000, Mojo ranked "Something" at number 14 in the magazine's list of "The 100 Greatest Songs of All Time"; it was ranked 110th on Rolling Stone's 2021 list of the "500 Greatest Songs of All Time". In 2002, a year after Harrison's death, McCartney and Eric Clapton performed it at the Concert for George tribute at London's Royal Albert Hall. (Full article...)

Selected songs 7

Portal:Rock music/Selected songs/7 "The Long and Winding Road" is a song by the English rock band the Beatles from their 1970 album Let It Be. It was written by Paul McCartney and credited to Lennon–McCartney. When issued as a single in May 1970, a month after the Beatles' break-up, it became the group's 20th and final number-one hit on the Billboard Hot 100 chart in the United States.

The main recording of the song took place in January 1969 and featured a sparse musical arrangement of piano, bass, guitar and percussion. When preparing the tapes from these sessions for release in April 1970, producer Phil Spector added orchestral and choral overdubs. Spector's modifications angered McCartney to the point that when he made his case in the English High Court for the dissolution of the Beatles' legal partnership, McCartney cited the treatment of the song as one of six reasons justifying the split. Later versions of the recording with simpler instrumentation were subsequently released by the Beatles. (Full article...)

Selected songs 8

Portal:Rock music/Selected songs/8 "What You Waiting For?" is a song by American singer Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Written by Stefani and Linda Perry, the song is the album's opening track and was released as Stefani's debut solo single. Lyrically, "What You Waiting For?" details Stefani's lack of inspiration and fear of producing the album, as well as her reaction to pressures exerted by her record label. It is primarily an electropop song and introduces Stefani's four backup dancers, the Harajuku Girls, who had a major input into the album's production.

"What You Waiting For?" was released as the album's lead single; according to Stefani, as an "explanation for doing the record". The song was well received by critics and was frequently cited as a highlight of the album. The single was commercially successful, topping the chart in Australia and reaching the top 10 in several countries. It was certified gold in the United States, and was nominated for Best Female Pop Vocal Performance at the 47th Annual Grammy Awards. The song has been remixed a number of times, and was covered by the indie rock band Franz Ferdinand and singer Marina Diamandis. (Full article...)

Selected songs 9

Portal:Rock music/Selected songs/9 "Mothers of the Disappeared" is a song by Irish rock band U2. It is the eleventh and final track on their 1987 album The Joshua Tree. The song was inspired by lead singer Bono's experiences in Nicaragua and El Salvador in July 1986, following U2's participation in the Conspiracy of Hope tour of benefit concerts for Amnesty International. He learned of the Madres de Plaza de Mayo, a group of women whose children had "forcibly disappeared" at the hands of the Argentine and Chilean dictatorships. While in Central America, he met members of COMADRES, a similar organization whose children had been abducted by the government in El Salvador. Bono sympathized with the Madres and COMADRES and wanted to pay tribute to their cause.

The song was written on a Spanish guitar, and the melody lifted from a piece Bono composed in Ethiopia in 1985 to help teach children basic forms of hygiene. The lyrics contain an implicit criticism of the Reagan Administration, which backed two South American regimes that seized power during coups d'état and which provided financial support for the military regime in El Salvador. Thematically it has been interpreted as an examination of failures and contradictions in US foreign policy. The drum beat provided by Larry Mullen Jr. was processed through an effects unit that gave it a drone-like quality, which bassist Adam Clayton described as "evocative of that sinister death squad darkness".

"Mothers of the Disappeared" was favourably received by critics, who variously described it as "powerful", "a moving tribute", and containing "stunning beauty and sadness". The song was played seven times on the 1987 Joshua Tree Tour, and some recordings were considered for the ending sequence of the 1988 film Rattle and Hum. It was revived for four concerts on the 1998 PopMart Tour in South America, and for two of them, the Madres joined the band onstage for the performance, one of which was broadcast on television in Chile. Bono used the opportunity to ask former Chilean dictator General Augusto Pinochet to reveal to the Madres the locations of their children's bodies. The song was played a further three times on the U2 360° Tour; one performance was dedicated to Fehmi Tosun, an ethnic Kurd who forcibly disappeared in Turkey in 1995. Bono re-recorded the song a cappella in 1998 for the album ¡Ni Un Paso Atras! (English: Not One Step Back!). (Full article...)

Selected songs 10

Portal:Rock music/Selected songs/10 "One Tree Hill" is a song by Irish rock band U2 and the ninth track on their 1987 album The Joshua Tree. In March 1988, it was released as the fourth single from the album in New Zealand and Australia, while "In God's Country" was released as the fourth single in North America. "One Tree Hill" charted at number one on the New Zealand Singles Chart and was the country's second-most-successful hit of 1988.

The track was written in memory of Greg Carroll, a New Zealander the band first met in Auckland during the Unforgettable Fire Tour in 1984. He became very close friends with lead singer Bono and later served as a roadie for the group. Carroll was killed in July 1986 in a motorcycle accident in Dublin. After Carroll's tangi (funeral) in New Zealand, Bono wrote the lyrics to "One Tree Hill" in his memory. The lyrics reflect Bono's thoughts at the tangi and during his first night in New Zealand when Carroll took him up Auckland's One Tree Hill. They also pay homage to Chilean singer-songwriter and activist Víctor Jara. Musically, the song was developed in a jam session with producer Brian Eno. The vocals were recorded in a single take, as Bono felt incapable of singing them a second time.

"One Tree Hill" was received favourably by critics, who variously described it as "a soft, haunting benediction", "a remarkable musical centrepiece", and a celebration of life. U2 delayed performing the song on the Joshua Tree Tour in 1987 because of Bono's fears over his emotional state. After its live debut on the tour's third leg and an enthusiastic reaction from audiences, the song was played occasionally for the rest of the tour and semi-regularly during the Lovetown Tour of 1989–1990. It has appeared only sporadically since then, and most renditions were performed in New Zealand. Performances in November 2010 on the U2 360° Tour were dedicated to the miners who died in the Pike River Mine disaster. During the Joshua Tree Tours 2017 and 2019 to commemorate the 30th anniversary of the album, "One Tree Hill" was performed at each show. (Full article...)

Selected songs 11

Portal:Rock music/Selected songs/11 "Watching the River Flow" is a blues rock song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer.

The song was praised by critics for its energy and distinctive vocals, guitar, and piano. It has been interpreted as Dylan's account of his writer's block in the early 1970s and of his wish to deliver less politically engaged material and to find a new balance between public and private life.

Charting in the Netherlands, the United Kingdom, Canada, and the United States, the song was included on the 1971 Bob Dylan's Greatest Hits Vol. II and other Dylan compilation albums. In 2011, five current and former Rolling Stones appeared on a recording of "Watching the River Flow" as part of a tribute project for pianist Ian Stewart. The song has been covered by the Earl Scruggs Revue, Steve Gibbons, Colin James, Russell, and many others. (Full article...)

Selected songs 12

Portal:Rock music/Selected songs/12 "Lola" is a song by the English rock band the Kinks, written by frontman Ray Davies for their 1970 album Lola Versus Powerman and the Moneygoround, Part One. The song details a romantic encounter between a young man and a possible cross-dresser or trans woman, whom he meets in a club in Soho, London. In the song, the narrator describes his confusion towards Lola, who "walked like a woman but talked like a man", yet he remains infatuated with her.

The song was released as a single in the United Kingdom on 12 June 1970, while in the United States it was released on 28 June 1970. Commercially, "Lola" reached number two on the UK Singles Chart and number nine on the Billboard Hot 100. The track has since become one of the Kinks' most popular songs and was ranked number 386 on Rolling Stone's 2021 edition of its "The 500 Greatest Songs of All Time" list. "Lola" was also ranked number 473 on NME's own "The 500 Greatest Songs Of All Time" list.

Since its release, "Lola" has appeared on multiple compilation and live albums. In 1980, a live version of the song from the album One for the Road was released as a single in the US and some European countries, becoming a minor hit. In the Netherlands it reached number 1, just as in 1970 with the studio version. Other versions include an instrumental on the band's 1971 movie soundtrack album Percy and live renditions from 1972's Everybody's in Show-Biz and 1996's To the Bone. The Lola character also appears in the lyrics of the band's 1981 song "Destroyer". (Full article...)

Selected songs 13

Portal:Rock music/Selected songs/13 "Band on the Run" is a song by the British–American rock band Paul McCartney and Wings, the title track to their 1973 album Band on the Run.

Released as a single in April 1974 in the US and in June 1974 in the UK, it topped the charts and sold over a million copies in 1974 in the United States, and reached number 3 in the United Kingdom. An international success, it has become one of the band's most famous songs.

A medley of three distinct musical passages that vary in style, "Band on the Run" is one of McCartney's longest singles at 5:09. The song was partly inspired by a comment that George Harrison had made during a meeting of the Beatles' Apple record label. The song-wide theme is one of freedom and escape, and its creation coincided with Harrison, John Lennon and Ringo Starr having parted with manager Allen Klein in March 1973, leading to improved relations between McCartney and his fellow ex-Beatles.

The original demos for this and other tracks on Band on the Run were stolen shortly after Wings arrived in Lagos, Nigeria, to begin recording the album. With the band reduced to a trio consisting of McCartney, his wife Linda, and Denny Laine, "Band on the Run" was recorded at EMI's Lagos studio and completed at AIR Studios in London. (Full article...)

Selected songs 14

Portal:Rock music/Selected songs/14 "Chimes of Freedom" is a song written and performed by Bob Dylan and featured on his Tom Wilson produced 1964 album Another Side of Bob Dylan. The song depicts the thoughts and feelings of the singer and his companion as they shelter from a lightning storm under a doorway after sunset. The singer expresses his solidarity with the downtrodden and oppressed, believing that the thunder is tolling in sympathy for them.

Initially, critics described the song as showing the influence of the symbolist poetry of Arthur Rimbaud, but more recent biographers of Dylan have linked the origins of the song to verses the songwriter had written as a response to the assassination of President Kennedy in 1963. Some commentators and Dylan biographers have assessed the song as one of Dylan's most significant compositions, and critic Paul Williams has described it as Dylan's Sermon on the Mount.

The song has been covered many times by different artists, including the Byrds, Jefferson Starship, Youssou N'Dour, Bruce Springsteen, and U2. (Full article...)

Selected songs 15

Portal:Rock music/Selected songs/15 "D.S." is a song by Michael Jackson, released on his 1995 album HIStory: Past, Present and Future, Book I. It is a rock song that conveys themes such as bitterness, mistrust and corruption within law enforcement. It was written, composed and produced by Jackson and includes an instrumental accompaniment and guitar solo by Slash.

The lyrics are interpreted as an attack on Santa Barbara County District Attorney Tom Sneddon, whose name is similar to the subject of the song, Dom Sheldon. Sneddon controlled the investigation into Jackson following the 1993 accusations of child sexual abuse against him. Jackson was angered by the allegations, his perception of people of color constantly being mistreated by the police and media, and the negative effect on his health. (Full article...)

Selected songs 16

Portal:Rock music/Selected songs/16 "Ironic" is a song by Canadian singer Alanis Morissette. It was released in February 1996 as the third single from her third studio album, Jagged Little Pill (1995). It was written by Morissette and Glen Ballard, and was produced by him. The lyrics present several situations that are described as "ironic"; this has led to debate as to whether any of these actually match the accepted meaning of irony.

For six weeks, the track topped the Canadian RPM 100 Hit Tracks chart, eventually becoming the second-most-successful song of the year in the country. It also reached the top five in Australia, New Zealand, and Norway. In the United States, the song reached number four on April 13, 1996, and since then it has been her highest-charting single on the Billboard Hot 100. "Ironic" was certified gold by the Recording Industry Association of America (RIAA). The song won the Juno Award for Single of the Year, and received two Grammy Award nominations in 1997, for Record of the Year and Best Short Form Music Video. French director Stéphane Sednaoui filmed the music video. In it, Morissette drives through a winter landscape, and she plays multiple roles as her passengers. MTV nominated the music video for six MTV Video Music Awards in 1996, winning three of them. The music video was listed on VH1's "Greatest Music Videos" list and was parodied by DBA Flip, Allison Rheaume, Rusty and "Weird Al" Yankovic.

"Ironic" was included on the set list of Morissette's Jagged Little Pill World Tour (1995), and her compilation albums MTV Unplugged (1999), The Collection (2005), among others. The song was covered by Mexican duet Jesse & Joy for their album Esta Es Mi Vida Sesiones (2007), and by American band Four Year Strong for their cover album Explains It All (2009). (Full article...)

Selected songs 17

Portal:Rock music/Selected songs/17 "Kicks" is a song composed by Barry Mann and Cynthia Weil, best known as a 1966 hit for American rock band Paul Revere & the Raiders.

Mann and Weill wrote the song for the Animals, but the band's lead singer Eric Burdon turned it down. Instead, Paul Revere & the Raiders recorded and released it as a single in 1966. The single was a number one hit in Canada, and reached number four in the United States. "Kicks" was included on the band's fifth album, Midnight Ride, released in May 1966. A live version of the song was recorded on the band's 1996 Greatest Hits Live compilation album.

Considered one of the earliest anti-drug songs, "Kicks" was composed and released during an era in which pro-hippie, pro-experimentation, and other counterculture themes were gaining popularity on U.S. FM radio stations. The song's message was consequently perceived as outdated by the emerging youth counterculture, as popular artists ranging from the Beatles to Jefferson Airplane had written songs whose themes sharply contrasted that of "Kicks." However, the song has received generally positive reviews by music critics in the decades since its release. In 2004, "Kicks" was ranked number 400 on Rolling Stone's list of The 500 Greatest Songs of All Time. (Full article...)

Selected songs 18

Portal:Rock music/Selected songs/18 "Rain" is a song by the English rock band the Beatles, released on 30 May 1966 as the B-side of their "Paperback Writer" single. Both songs were recorded during the sessions for Revolver, although neither appear on that album. "Rain" was written by John Lennon and credited to the Lennon–McCartney partnership. He described it as being "about people moaning about the weather all the time".

The song's recording contains a slowed-down rhythm track, a droning bass line and backwards vocals. Its release marked one of the first times that reversed sounds appeared in a pop song, although the Beatles used the same technique on the Revolver track "Tomorrow Never Knows", recorded days earlier. Ringo Starr considers "Rain" his best recorded drum performance. Three promotional films were created for the song, and they are considered among the early precursors of music videos. (Full article...)

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Portal:Rock music/Selected songs/19 "Reflektor" is a song by the Canadian indie rock band Arcade Fire. It was released on September 9, 2013, as the first single from and the title track to the band's fourth studio album. Produced by James Murphy, Markus Dravs and the band itself, the song features a guest vocal appearance by David Bowie and was released on a limited edition 12" vinyl credited to the fictional band The Reflektors. Two music videos were made for the song, one regular and one interactive, both being released on the day of the song's release. "Reflektor" was met with positive reviews, with critics often complimenting its musical approach. It also came second in NME's list of best singles of 2013. The song had a positive commercial performance, charting in several countries. (Full article...)

Selected songs 20

Portal:Rock music/Selected songs/20 "Sgt. Pepper's Lonely Hearts Club Band" is a song written by Paul McCartney, credited to Lennon–McCartney, released in 1967 on the album of the same name by the Beatles. The song appears twice on the album: as the opening track (segueing into "With a Little Help from My Friends"), and as "Sgt. Pepper's Lonely Hearts Club Band (Reprise)", the penultimate track (segueing into "A Day in the Life"). As the title song, the lyrics introduce the fictional band that performs on the album.

Since its original album release, "Sgt. Pepper's Lonely Hearts Club Band" has also been released on various Beatles singles and compilation albums. The song has also been performed by several other artists, including Jimi Hendrix, U2, and a comic interpretation by Bill Cosby, using the opening to John Philip Sousa's Washington Post March as the instrumental bridge. (Full article...)

Selected songs 21

Portal:Rock music/Selected songs/21 "This Love" is a song by the American pop rock band Maroon 5. The song was released on January 12, 2004, as the second single from their debut album Songs About Jane (2002).

The track is built around a distinctive piano line and repeating guitar riff. The lyrics are based on the band's lead vocalist Adam Levine's break-up with an ex-girlfriend. He revealed that the song was written in the "most emotionally trying time" in his life. He has also described the lyrics of this song as being extremely erotic. "This Love" was critically acclaimed by music critics, who lauded the track's musical scope and production.

The song entered the top ten on most charts, topping several of Billboard magazine's component charts, including reaching the number one spot on the Hot Adult Top 40 Tracks chart. The music video met with controversy, regarding extended intimate scenes between Levine and his girlfriend. "This Love" helped Maroon 5 win the MTV Video Music Award for Best New Artist and was the third-most-played song of 2004. The live version of the song won Best Pop Performance by a Duo or Group with Vocals at the 2006 Grammy Awards. "This Love" is one of Maroon 5's most successful singles. (Full article...)

Selected songs 22

Portal:Rock music/Selected songs/22 "What You Want" is a song by American rock band Evanescence. It was released as the lead single from the band's third eponymous album on August 9, 2011 through Wind-up Records. The song was written by Amy Lee, Terry Balsamo and Tim McCord and produced by Nick Raskulinecz. Lee described "What You Want" as a departure from the band's previous sound and said she was inspired to write the song by several experiences she had with her fans. Musically "What You Want" contains a variety of musical elements and it uses drums, guitars, synthesizers and a piano. Lyrically, the song has a theme of freedom.

Upon its release, "What You Want" received positive reviews from music critics who praised its instrumentation, Lee's vocals and the song's musical hook; several of them listed it as an album highlight. The song peaked at number 68 on the US Billboard Hot 100 and achieved higher success in its component charts. It also peaked at number 55 on the Canadian Hot 100, topped the UK Rock Chart and appeared in eight charts in different countries.

The music video for "What You Want" was filmed in Brooklyn, New York and it was directed by Meiert Avis and Stefan Smith. It shows the band performing the song live in a small warehouse and Lee running in various locations. The video received positive response from critics who generally praised the imagery. "What You Want" was performed live for the first time on MTV and later on Jimmy Kimmel Live!. It was added to the set list of the band's third world tour, Evanescence Tour (2011-2012). (Full article...)

Selected songs 23

Portal:Rock music/Selected songs/23 "Kicks" is a song composed by Barry Mann and Cynthia Weil, best known as a 1966 hit for American rock band Paul Revere & the Raiders.

Mann and Weill wrote the song for the Animals, but the band's lead singer Eric Burdon turned it down. Instead, Paul Revere & the Raiders recorded and released it as a single in 1966. The single was a number one hit in Canada, and reached number four in the United States. "Kicks" was included on the band's fifth album, Midnight Ride, released in May 1966. A live version of the song was recorded on the band's 1996 Greatest Hits Live compilation album.

Considered one of the earliest anti-drug songs, "Kicks" was composed and released during an era in which pro-hippie, pro-experimentation, and other counterculture themes were gaining popularity on U.S. FM radio stations. The song's message was consequently perceived as outdated by the emerging youth counterculture, as popular artists ranging from the Beatles to Jefferson Airplane had written songs whose themes sharply contrasted that of "Kicks." However, the song has received generally positive reviews by music critics in the decades since its release. In 2004, "Kicks" was ranked number 400 on Rolling Stone's list of The 500 Greatest Songs of All Time. (Full article...)

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Portal:Rock music/Selected songs/24 "Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.

Also produced by Wilson, the title derived from his fascination with cosmic vibrations, as his mother would tell him as a child that dogs sometimes bark at people in response to their "bad vibrations". He used the concept to suggest extrasensory perception, while Love's lyrics were inspired by the nascent Flower Power movement. The song was written as it was recorded and in a similar fashion to other compositions from Wilson's Smile period. It was issued as a standalone single, backed with "Let's Go Away for Awhile", and was to be included on the never-finished album Smile. Instead, the track appeared on the September 1967 release Smiley Smile.

The making of "Good Vibrations" was unprecedented for any kind of recording. Building on his approach for Pet Sounds, Wilson recorded a surplus of short, interchangeable musical fragments with his bandmates and a host of session musicians at four different Hollywood studios from February to September 1966, a process reflected in the song's several dramatic shifts in key, texture, instrumentation and mood. Over 90 hours of tape was consumed in the sessions, with the total cost of production estimated to be in the tens of thousands of dollars. Band publicist Derek Taylor dubbed the unusual work a "pocket symphony". It helped develop the use of the studio as an instrument and heralded a wave of pop experimentation and the onset of psychedelic and progressive rock. The track featured a novel mix of instruments, including jaw harp and Electro-Theremin, and although the latter is not a true theremin, the song's success led to a renewed interest and sales of theremins and synthesizers.

"Good Vibrations" received a Grammy nomination for Best Vocal Group performance in 1967 and was inducted into the Grammy Hall of Fame in 1994. The song was voted number one in Mojo's "Top 100 Records of All Time" and number 6 on Rolling Stone's 2004 and 2010 editions of its "500 Greatest Songs of All Time" lists, re-ranked to number 53 in the 2021 iteration. It was also included in the Rock and Roll Hall of Fame's list of the "500 Songs that Shaped Rock and Roll". In later years, the song has been cited as a forerunner to the Beatles' "A Day in the Life" (1967) and Queen's "Bohemian Rhapsody" (1975). A 1976 cover version by Todd Rundgren peaked at number 34 on the Billboard Hot 100. The Beach Boys followed up "Good Vibrations" with another single pieced from sections, "Heroes and Villains" (1967), but it was less successful. (Full article...)

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Portal:Rock music/Selected songs/25 "Hotel California" is a song by American rock band Eagles, released as the second single of their album of the same name on February 22, 1977. Songwriting credits go to Don Felder (music), Don Henley, and Glenn Frey (lyrics). The Eagles' original recording of the song features Henley singing lead vocals and concludes with an iconic 2 minute and 12 seconds long electric guitar solo performed by Felder with a Gibson Les Paul Gibson EDS-1275 double neck and Joe Walsh with a Fender Telecaster, in which they take turns of playing the lead before harmonizing and playing arpeggios together towards the fade-out.

The song is one of the best-known recordings by the band, and in 1998 its long guitar coda was voted the best guitar solo of all time by readers of Guitarist. The song was awarded the Grammy Award for Record of the Year in 1978. The meaning of the lyrics of the song has been discussed by fans and critics ever since its release, the Eagles themselves described the song as their "interpretation of the high life in Los Angeles." In the 2013 documentary History of the Eagles, Henley said that the song was about "a journey from innocence to experience ... that's all."

Since its release, "Hotel California" has been widely regarded as one of the greatest rock songs of all time, and has been covered by many artists. Julia Phillips proposed adapting the song into a film, but the members of the Eagles disliked the idea and it never came to fruition. Commercially, "Hotel California" reached the number one position on the Billboard Hot 100 and reached the top ten of several international charts. The Eagles have performed "Hotel California" well over 1,000 times live, and is the third most performed of all their songs, after "Desperado" and "Take It Easy". (Full article...)

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Portal:Rock music/Selected songs/26 "Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. It was included as the opening track in the North American edition of the Experience's debut album, Are You Experienced (1967).

"Purple Haze" is one of Hendrix's best-known songs and appears on many Hendrix compilation albums. The song featured regularly in concerts and each of Hendrix's group configurations issued live recordings. It was inducted into the Grammy Hall of Fame and is included on lists of the greatest guitar songs, including at number two by Rolling Stone and number one by Q magazine. In 2004 and 2010, the former ranked it at number 17 on its “The 500 Greatest Songs of All Time ” list, re-ranking it to number 250 in the 2021 edition. (Full article...)

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Portal:Rock music/Selected songs/27 "(Don't Fear) The Reaper" is a song by American rock band Blue Öyster Cult from the band's 1976 album Agents of Fortune. The song, written and sung by lead guitarist Donald "Buck Dharma" Roeser, deals with eternal love and the inevitability of death. Dharma wrote the song while picturing an early death for himself.

Released as an edited single (omitting the slow building interlude in the original), the song is Blue Öyster Cult's highest chart success, reaching #7 in Cash Box and #12 on the Billboard Hot 100 in late 1976. Critical reception was positive and in December 2003 "(Don't Fear) The Reaper" was listed at number 405 on Rolling Stone's list of the top 500 songs of all time. (Full article...)

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Portal:Rock music/Selected songs/28 "Everybody Wants to Rule the World" is a song by English pop rock band Tears for Fears from their second studio album Songs from the Big Chair (1985). It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. It was released on 22 March 1985 by Phonogram, Mercury, and Vertigo Records as the third single from the album. "Everybody Wants to Rule the World" is a new wave and synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption.

An international success, the song peaked at number two in Ireland, Australia, and the United Kingdom and at number one in Canada, New Zealand, and on both the US Billboard Hot 100 and Cashbox. It was certified gold by both Music Canada (MC) and the British Phonographic Industry (BPI). Retrospectively, music critics have praised "Everybody Wants to Rule the World", with some ranking the song among the decade's best. Along with "Shout" (1984), it is one of the band's signature songs.

A music video received promotion from MTV. The year the song came out, it was featured in the ending to the science fiction comedy film Real Genius. In 1986, the song won Best Single at the Brit Awards. The group re-recorded the song as a charity single for the Sport Aid campaign. The song has been covered extensively since its release, most notably by New Zealand singer Lorde for the soundtrack to the movie adaptation of The Hunger Games: Catching Fire. (Full article...)

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Portal:Rock music/Selected songs/29 "It's All Coming Back to Me Now" is a power ballad written by Jim Steinman. According to Steinman, the song was inspired by Wuthering Heights, and was an attempt to write "the most passionate, romantic song" he could ever create. The Sunday Times posits that "Steinman protects his songs as if they were his children". Meat Loaf, who had collaborated with Steinman on most of his hit songs, had wanted to record the song for years, but Steinman refused, saying he saw it as a "woman's song". Steinman won a court case, which prevented Meat Loaf from recording it. Girl group Pandora's Box went on to record it, and it was subsequently made famous through a cover by Celine Dion, which upset Meat Loaf because he was going to use it for a planned album with the working title Bat Out of Hell III.

Alternately, Meat Loaf has said the song was intended for Bat Out of Hell II: Back into Hell and given to the singer in 1986, but that they both decided to use "I'd Do Anything for Love (But I Won't Do That)" for Bat II, and save this song for Bat Out of Hell III: The Monster Is Loose. Steinman at one point offered it to Bonnie Tyler, who was recording her album Hide Your Heart with producer Desmond Child. Confident that it would be a hit, she asked her record company to include it in the album; they declined, citing cost reasons for using Jim Steinman to produce it.

The song has had three major releases. The first version appeared on the concept album Original Sin, recorded by Pandora's Box. It was recorded by Celine Dion for her album Falling into You, and her version was a commercial hit, reaching No. 2 in the U.S. Billboard Hot 100 and No. 3 in the UK Singles Chart. Meat Loaf eventually recorded it as a duet with Norwegian singer Marion Raven for Bat III and released it as a single in 2006. This version reached No. 1 in Norway and No. 2 on the UK Singles charts.

A music video was produced for each of the three versions; death is a recurring theme in all of these videos, fitting in with the suggestion in Virgin Records' press release for Original Sin that "in Steinman's songs, the dead come to life and the living are doomed to die". (Full article...)

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Portal:Rock music/Selected songs/30 "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.

The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song.

Dylan's song has four verses, of which the Byrds only used the second for their recording. Dylan's and the Byrds' versions have appeared on various lists ranking the greatest songs of all time, including an appearance by both on Rolling Stone's list of the 500 best songs ever. Both versions received Grammy Hall of Fame Awards.

The song has a bright, expansive melody and has become famous for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini. The lyrics call on the title character to play a song and the narrator will follow. Interpretations of the lyrics have included a paean to drugs such as LSD, a call to the singer's muse, a reflection of the audience's demands on the singer, and religious interpretations. (Full article...)

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Portal:Rock music/Selected songs/31 "Shapes of Things" is a song by the English rock group the Yardbirds. With its Eastern-sounding, feedback-laden guitar solo and environmentalist, anti-war lyrics, several music writers have identified it as the first popular psychedelic rock song. It is built on musical elements contributed by several group members in three different recording studios in the US, and was the first Yardbirds composition to become a record chart hit; when released as a single on 25 February 1966, the song reached number three in the UK and number eleven in the US.

The song features Jeff Beck's musical use of feedback, which he learned to control by finding the guitar's resonant frequencies and bending the strings. Music writers have called his work on "Shapes of Things" groundbreaking, and cited its influence on the guitar playing of Paul McCartney and Jimi Hendrix. Several live Yardbirds recordings with Beck and later with Jimmy Page have been released.

In 1968, Beck reworked "Shapes of Things" as the lead track on his solo debut Truth. The new arrangement, along with other album tracks, has been described as a precursor to heavy metal. "Shapes of Things" is included in the Rock and Roll Hall of Fame's permanent exhibit of the "Songs That Shaped Rock and Roll", and several artists have recorded renditions of the song. (Full article...)

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Portal:Rock music/Selected songs/32 "Strawberry Fields Forever" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. It was released on 13 February 1967 as a double A-side single with "Penny Lane". It represented a departure from the group's previous singles and a novel listening experience for the contemporary pop audience. While the song initially divided and confused music critics and the group's fans, it proved highly influential on the emerging psychedelic genre. Its accompanying promotional film is similarly recognised as a pioneering work in the medium of music video.

Lennon based the song on his childhood memories of playing in the garden of Strawberry Field, a Salvation Army children's home in Liverpool. Starting in November 1966, the band spent 45 hours in the studio, spread over five weeks, creating three versions of the track. The final recording combined two of those versions, which were entirely different in tempo, mood and musical key. It features reverse-recorded instrumentation, Mellotron flute sounds, an Indian swarmandal, and a fade-out/fade-in coda, as well as a cello and brass arrangement by producer George Martin. For the promotional film, the band used experimental techniques such as reverse effects, jump-cuts and superimposition.

The song was the first track the Beatles recorded after completing Revolver and was intended for inclusion on their forthcoming (as yet untitled) Sgt. Pepper's Lonely Hearts Club Band. Instead, with pressure from their record company and management for new product, the group were forced to issue the single, and then adhered to their philosophy of omitting previously released singles from their albums. The double A-side peaked at number 2 on the Record Retailer chart, thereby breaking the band's four-year run of chart-topping singles in the UK. In the United States, "Strawberry Fields Forever" peaked at number 8 on the Billboard Hot 100. To the band's displeasure, the song was later included on the US Magical Mystery Tour LP.

Lennon viewed "Strawberry Fields Forever" as his finest work with the Beatles. After Lennon's murder in New York City, a section of Central Park was named after the song. In 1996, the discarded first version of the song was issued on the outtakes compilation Anthology 2; in 2006, a new version was created for the remix album Love. Artists who have covered the song include Richie Havens, Todd Rundgren, Peter Gabriel, Ben Harper, and Los Fabulosos Cadillacs featuring Debbie Harry. In 1990, a version by the Madchester group Candy Flip became a top-ten hit in the UK and Ireland. The song was ranked number 7 on Rolling Stone's updated 2021 list of "The 500 Greatest Songs of All Time". (Full article...)

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Portal:Rock music/Selected songs/33 "Sunday Bloody Sunday" is a song by Irish rock band U2. It is the opening track from their 1983 album War and was released as the album's third single on 21 March 1983 in the Netherlands and West Germany. "Sunday Bloody Sunday" is noted for its militaristic drumbeat, harsh guitar, and melodic harmonies. One of U2's most overtly political songs, its lyrics describe the horror felt by an observer of the Troubles in Northern Ireland, mainly focusing on the 1972 Bloody Sunday incident in Derry where British troops shot and killed unarmed civil rights protesters. Along with "New Year's Day", the song helped U2 reach a wider listening audience. It was generally well received by critics on the album's release.

The song has remained a staple of U2's live concerts. During its earliest performances, the song created controversy. Lead singer Bono reasserted the song's anti-sectarian-violence message to his audience for many years. Today, it is considered one of U2's signature songs, and is one of the band's most performed tracks. Critics rate it among the best political protest songs, and it has been covered by over a dozen artists. In 2004, it was ranked 268th on Rolling Stone's list of "The 500 Greatest Songs of All Time." (Full article...)

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Portal:Rock music/Selected songs/34 "Tumbling Dice" is a song by the English rock band the Rolling Stones. It was released worldwide as the lead single from the band's 1972 double album Exile on Main St. on 14 April 1972 by Rolling Stones Records. A product of Mick Jagger and Keith Richards' songwriting partnership, the song contains a blues and boogie-woogie-influenced rhythm that scholars and musicians have noted for its unusual tempo and groove. The lyrics are about a gambler who cannot remain faithful to any woman.

"Tumbling Dice" spent eight weeks on the UK Singles Chart, peaking at number five. In the US, the single peaked at number seven on the Billboard Hot 100 chart. The song entered the top 10 in the Netherlands, Norway and Spain. "Tumbling Dice" received acclaim from contemporary music critics, who praised its musicianship and lyrical prowess. "Tumbling Dice" featured on many "best of" lists, including those by Vulture and Rolling Stone.

Jimmy Miller produced "Tumbling Dice". The Stones have performed the song during many of their concerts since its release in 1972. Several artists have covered "Tumbling Dice", including Linda Ronstadt, whose version – sung from a female perspective – appears on her 1977 album Simple Dreams. Ronstadt's version was a Top 40 hit the following year and is included on the soundtrack of the film FM (1978). (Full article...)

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Portal:Rock music/Selected songs/35 "Where the Streets Have No Name" is a song by Irish rock band U2. It is the opening track from their 1987 album The Joshua Tree and was released as the album's third single in August 1987. The song's hook is a repeating guitar arpeggio using a delay effect, played during the song's introduction and again at the end. Lead vocalist Bono wrote the lyrics in response to the notion that it is possible to identify a person's religion and income based on the street on which they lived, particularly in Belfast. During the band's difficulties recording the song, producer Brian Eno considered erasing the song's tapes to have them start from scratch.

"Where the Streets Have No Name" was praised by critics and became a commercial success, peaking at number thirteen in the US, number fourteen in Canada, number ten in the Netherlands, and number four in the United Kingdom. The song has remained a staple of their live act since the song debuted in 1987 on The Joshua Tree Tour. The song was performed on a Los Angeles rooftop for the filming of its music video, which won a Grammy Award for Best Performance Music Video. (Full article...)

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Portal:Rock music/Selected songs/36 "Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album Who's Next, released that August. In the US, the single entered Billboard on 17 July, reaching No. 15.

Townshend wrote the song as a closing number of the Lifehouse project, and the lyrics criticise revolution and power. The track is known for a staccato keyboard figure, played on a simple home organ with a "rhythm" feature that produced a synth-like effect. The Who tried recording the song in New York in March 1971, but re-recorded a superior take at Stargroves the next month using the organ from Townshend's original demo. Ultimately, Lifehouse as a project was abandoned in favour of Who's Next, a straightforward album, where it also became the closing track. It has been performed as a staple of the band's setlist since 1971, often as the set closer, and was the last song drummer Keith Moon played live with the band.

As well as being a hit, the song has achieved critical praise, appearing as one of Rolling Stone's The 500 Greatest Songs of All Time. It has been covered by several artists, such as Van Halen, who took their version to No. 1 on the Billboard Album Rock Tracks chart. It has been used for several TV shows and films and in some political campaigns. (Full article...)

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Portal:Rock music/Selected songs/37 "You Really Got Me" is a song by English rock band the Kinks, written by frontman Ray Davies. The song, originally performed in a more blues-orientated style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions were recorded, with the second performance used for the final single. Lead guitarist Dave Davies performs the song’s famous guitar solo. Although it was long rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, this has been debunked by Page himself.

"You Really Got Me" is built around power chords (perfect fifths and octaves) and it heavily influenced later rock musicians, particularly in the heavy metal and punk rock genres. Built around a guitar riff played by Dave Davies, its lyrics were described by Dave as "a love song for street kids".

The song was released in the UK on 4 August 1964 by Pye Records as the group's third single, and reached number one on the Record Retailer chart the following month, remaining there for two weeks. It was released in the US on 2 September by Reprise Records. The song became the group's breakthrough hit. It established them as one of the top British Invasion acts in the United States, reaching number seven later in the year. "You Really Got Me" was later included on the Kinks' debut album, Kinks. American rock band Van Halen covered the song in their 1978 self-titled debut album; it was released as their first single and peaked at No. 36 on the Billboard Hot 100. (Full article...)

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Portal:Rock music/Selected songs/38 "A Day in the Life" is a song by the English rock band the Beatles that was released as the final track of their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Credited to Lennon–McCartney, the opening and closing sections of the song were mainly written by John Lennon, with Paul McCartney primarily contributing the song's middle section. All four Beatles played a role in shaping the final arrangement of the song.

Lennon's lyrics were mainly inspired by contemporary newspaper articles, including a report on the death of Guinness heir Tara Browne. The recording includes two passages of orchestral glissandos that were partly improvised in the avant-garde style. In the song's middle segment, McCartney recalls his younger years, which included riding the bus, smoking, and going to class. Following the second crescendo, the song ends with one of the most famous chords in music history, played on several keyboards, that sustains for over forty seconds.

A reputed drug reference in the line "I'd love to turn you on" resulted in the song initially being banned from broadcast by the BBC. Jeff Beck, Barry Gibb, the Fall and Phish are among the artists who have covered the song. The song inspired the creation of the Deep Note, the audio trademark for the THX film company. It remains one of the most influential and celebrated songs in popular music history, appearing on many lists of the greatest songs of all time, and being commonly appraised as the Beatles' finest song. (Full article...)

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Portal:Rock music/Selected songs/39 "Beat It" is a song by American singer-songwriter Michael Jackson from his sixth studio album, Thriller (1982). It was written and composed by Jackson and produced by Quincy Jones and co-produced by Jackson. Jones encouraged Jackson to include a rock song on the album. Jackson later said: "I wanted to write a song, the type of song that I would buy if I were to buy a rock song... and I wanted the children to really enjoy it—the school children as well as the college students." It includes a guitar solo by Eddie Van Halen.

Following the successful Thriller singles "The Girl Is Mine" and "Billie Jean", "Beat It" was released on February 21, 1983, as the album's third single. It peaked at number one on the Billboard Hot 100, staying there for three weeks. It also charted at number one on the Billboard Hot Black Singles chart. Billboard ranked the song No. 5 for 1983. It is certified 8× platinum by the Recording Industry Association of America (RIAA). "Beat It" was a number one hit in Europe, reaching number one in Spain, Belgium and the Netherlands.

The "Beat It" music video, which features Jackson bringing two gangs together through the power of music and dance, helped establish Jackson as an international pop icon. The single, along with its music video, helped make Thriller the best-selling album of all time. "Beat It" has been cited as one of the most successful, recognized, awarded and celebrated songs in the history of popular music; both the song and video had a large impact on pop culture.

"Beat It" received the 1984 Grammy Awards for Record of the Year and Best Male Rock Vocal Performance, as well as two American Music Awards. It was inducted into the Music Video Producers Hall of Fame. Rolling Stone ranked "Beat It" number 337 on its list of The 500 Greatest Songs of All Time in 2004, and at number 185 in its 2021 update of the list. The magazine also named it the 81st greatest guitar song of all time. It was included in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll. (Full article...)

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Portal:Rock music/Selected songs/40 "Beck's Bolero" is a rock instrumental recorded by English guitarist Jeff Beck in 1966. It is Beck's first solo recording and has been described as "one of the great rock instrumentals, epic in scope, harmonically and rhythmically ambitious yet infused with primal energy". "Beck's Bolero" features a prominent melody with multiple guitar parts propelled by a rhythm inspired by Ravel's Boléro.

The recording session brought together a group of musicians, including Jimmy Page, Keith Moon, John Paul Jones, and Nicky Hopkins, who later agreed that the line up was a first attempt at what became Led Zeppelin. However, there is an ongoing disagreement over the composer as well as producer credits. Despite being credited solely to Page, Beck claims that he made significant contributions to the composition. Likewise, Page and Simon Napier-Bell each claim to have produced it, while Mickie Most received the credit.

"Beck's Bolero" was not released until ten months after recording and then only as the B-side to Beck's first single. When it finally received greater exposure on Beck's debut album Truth in the latter part of 1968, it was still considered quite advanced even though it was over two years old. Beck continued to perform it throughout his career and several renditions have been recorded by other musicians. (Full article...)

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Portal:Rock music/Selected songs/41 "Call Me When You're Sober" is a song by American rock band Evanescence from their second studio album, The Open Door. It was released as the album's lead single on September 4, 2006. The track was written by Amy Lee and guitarist Terry Balsamo, and produced by Dave Fortman. A musical fusion of alternative metal, symphonic rock, and electropop, the song was inspired by the end of Lee's relationship with singer Shaun Morgan as well as Lee's other experiences at the time.

"Call Me When You're Sober" peaked at number ten on the US Billboard Hot 100 and number four on the Alternative Songs chart, and entered the top ten of several Billboard component charts. It also peaked within the top ten on multiple international charts, including the UK, Australia, Italy, Canada, and New Zealand. It was certified platinum by the Recording Industry Association of America and gold by the Australian Recording Industry Association. The song received generally positive reception from music critics. Its music video was directed by Marc Webb, and depicts a metaphorical visual, drawing inspiration from the fairy tale "Little Red Riding Hood". (Full article...)

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Portal:Rock music/Selected songs/42 "Captain Jack" is a song by Billy Joel featured on his 1973 album Piano Man as its closing track with a live version on his 1981 album Songs in the Attic.

It is considered by some to be the most important and pivotal of his early compositions because his performance of the song at an April 15, 1972, live radio concert at Sigma Studios on WMMR in Philadelphia, and the subsequent airplay this live version received on the station brought him to the attention of major record labels, including Columbia, with whom he would sign a recording contract in 1973. (Full article...)

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Portal:Rock music/Selected songs/43 "Come Dancing" is a 1982 song written by Ray Davies and performed by British rock group the Kinks on their 1983 album State of Confusion. The song was inspired by Davies' memories of his older sister, Rene, who died of a heart attack while dancing at a dance hall. The lyrics, sung from the perspective of an "East End barrow boy," are about the boy's sister going on dates at a local Palais dance hall.

When first released as a single in United Kingdom in November 1982, "Come Dancing" failed to chart. Although Arista Records founder Clive Davis had reservations about releasing the single in the United States due to the English subject matter of dance halls, the track saw an American single release in April 1983. "Come Dancing" reached number six on the Hot 100, becoming the band's highest US charting single in over a decade and tying with "Tired of Waiting for You" as the band's highest-charting single ever. This success was achieved largely with the help of a promotional music video directed by Julien Temple that saw frequent airing on MTV. As a result of its American success, the single was re-released in Britain. Unlike its first release, the single became a top 20 British hit, reaching number 12.

In addition to its presence on State of Confusion, "Come Dancing" has appeared on numerous compilations albums since its release. It spawned a successful follow-up single, "Don't Forget to Dance", which became a top 40 hit in the United States. Come Dancing, a musical written by Ray Davies that premiered in 2008, was named after the song. (Full article...)

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Portal:Rock music/Selected songs/44 "Could've Been You" is a song originally performed by American rock singer Bob Halligan and later popularized by American singer-actress Cher. The song was written by Halligan and Arnie Roman for Halligan's 1991 album, Window in the Wall. Cher's cover version was produced by Peter Asher and released exclusively for the European market in early 1992 as the fifth single from Cher's 21st studio album, Love Hurts. Lyrically, "Could've Been You" is a message from the song's protagonist to his or her ex.

Cher's version of "Could've Been You" received positive reviews from critics and peaked at number thirty-one on the UK Singles Chart. Cher promoted the song through appearances at Top of the Pops and Aspel and Company. (Full article...)

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Portal:Rock music/Selected songs/45 "Early Winter" is a song by American singer Gwen Stefani from her second solo studio album, The Sweet Escape (2006). Written by Stefani and English pianist Tim Rice-Oxley, the song was released in Europe as the album's fifth and final single on January 18, 2008, by Interscope Records. Musically, "Early Winter" is a soft rock and synth-pop ballad with new wave influences. Critics found it similar to songs by English alternative rock band Keane, of which Rice-Oxley is a member. The lyrics of the song describe the nearing of the end of a relationship, and were speculated to be references to Stefani's own relationship with husband Gavin Rossdale.

Upon its release, "Early Winter" received generally positive reviews from music critics, many of whom commended Stefani's vocal delivery and the song's emotional appeal. The song attained moderate commercial success across Europe, reaching number six in Germany and Slovakia, number 12 in Switzerland, and number 14 in Finland. An accompanying music video for "Early Winter" was directed by Sophie Muller and was filmed in destinations like Budapest, Milan, and Prague. It contains scenes of Stefani in a palace-like hall in various gowns and at railway stations. "Early Winter" was included in the setlist of The Sweet Escape Tour, and the performances featured a special coda section delivered by American musician and bassist Gail Ann Dorsey. (Full article...)

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Portal:Rock music/Selected songs/46 "Enter Sandman" is a song by American heavy metal band Metallica. It is the opening track and lead single from their self-titled fifth album, released in 1991. The music was written by Kirk Hammett, James Hetfield and Lars Ulrich. Vocalist and guitarist Hetfield wrote the lyrics, which deal with the concept of a child's nightmares.

The single reached number 16 on the US Billboard Hot 100 and achieved platinum certification for more than 1,000,000 copies shipped in the United States, spurring sales of over 30 million copies for Metallica and propelling Metallica to worldwide popularity. Acclaimed by critics, the song is featured in all of Metallica's live albums and DVDs released after 1991 and has been played live at award ceremonies and benefit concerts. (Full article...)

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Portal:Rock music/Selected songs/47 "Fighter" is a song by American singer Christina Aguilera for her fourth studio album, Stripped (2002). The song was written by Aguilera and Scott Storch, and produced by the latter. It was released by RCA Records as the third single from Stripped on March 10, 2003. Inspired by Guns N' Roses' song "November Rain", "Fighter" was characterized as a hybrid of rock and R&B that incorporates elements of arena rock and rock and roll. The track sees Aguilera thanking a man who had done her wrong for making her a "fighter."

"Fighter" received mostly positive reviews from music critics, who praised Aguilera's vocals and the song's empowering lyrics. The single peaked at number 20 on the US Billboard Hot 100 and was certified double platinum by the Recording Industry Association of America (RIAA). As of September 2014, "Fighter" has sold 1.184 million copies in the United States. Elsewhere, the song reached the top ten of several national music charts, including those in the United Kingdom, Canada, Australia, and the Netherlands.

A music video for "Fighter" was directed by Floria Sigismondi. Aguilera performed the track on four of her major concert tours: The Justified & Stripped Tour (2003), The Stripped Tour (2003), Back to Basics Tour (2006–2008), and Liberation Tour (2018). "Fighter" was notably covered by American actor Darren Criss for the TV show Glee. (Full article...)

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Portal:Rock music/Selected songs/48 "Free as a Bird" is a single released in December 1995 by English rock band the Beatles. The song was originally written and recorded in 1977 as a home demo by John Lennon. In 1995, 25 years after their break-up and 15 years after Lennon's murder, his then surviving bandmates Paul McCartney, George Harrison and Ringo Starr released a studio version incorporating the demo.

The single was released as part of the promotion for The Beatles Anthology video documentary and the Anthology 1 compilation album. For the Anthology project, McCartney asked Lennon's widow Yoko Ono for unreleased material by Lennon to which the three remaining ex-Beatles could contribute. "Free as a Bird" was one of three such songs (along with "Real Love" and, decades later, "Now and Then") for which McCartney, Harrison, and Starr contributed additional instrumentation, vocals, and arrangements. Jeff Lynne, who had worked with Harrison on Harrison's album Cloud Nine and as part of the Traveling Wilburys, co-produced.

The song peaked at No. 2 on the UK Singles Chart and No. 6 on the US Billboard Hot 100. It also became a top-ten hit in at least 10 other countries, including Australia, Canada, Hungary and Sweden. It won the 1997 Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was the Beatles' 34th top-ten single in the United States, giving the group at least one Top 40 hit in four different decades.

The accompanying music video was produced by Vincent Joliet and directed by Joe Pytka. Shot from the point of view of a bird in flight, it includes allusions to numerous Beatles songs. (Full article...)

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Portal:Rock music/Selected songs/49 "Hungry Like the Wolf" is a song by English new wave band Duran Duran. Written by the band members, the song was produced by Colin Thurston for the group's second studio album, Rio (1982). The song was released on 4 May 1982 as the band's fifth single in the United Kingdom, and 8 June 1982 in the United States. It reached No. 5 on the UK Singles Chart, and received a platinum certification from the British Phonographic Industry (BPI).

The music video for "Hungry Like the Wolf" was directed by Russell Mulcahy and filmed in Sri Lanka. Although the band initially failed to break into the US market, MTV placed the "Hungry Like the Wolf" video into heavy rotation. Subsequently, the group gained much exposure; the song peaked at the No. 3 spot on the Billboard Hot 100 in March 1983, and Duran Duran became an international sensation. The video won the first Grammy Award for Best Short Form Music Video in 1984.

The 2015 song "Hey Everybody!" by 5 Seconds of Summer contains elements from "Hungry Like the Wolf", who were given a writing credit on the song. (Full article...)

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Portal:Rock music/Selected songs/50 "I'm Goin' Down" is a rock song written and performed by American singer-songwriter Bruce Springsteen. It was released on August 27, 1985 by Columbia Records as the sixth single from his 1984 album Born in the U.S.A. The song was recorded with the E Street Band in May 1982 at Power Station studio in New York City, and co-produced by Springsteen, Jon Landau, Chuck Plotkin, and Steve Van Zandt. Although Springsteen had changing ideas about the songs to put on the album, "I'm Goin' Down" was ultimately selected for inclusion.

The recording is based on an energetic band performance that gives prominence to a heavy drum sound. The lyrics focus on sexual frustration in a deteriorating relationship. The single reached No. 9 on both Billboard and Cash Box and top 30 in Sweden, Italy, and Canada. On the album's release, it was praised by critics for the band's musicianship and Springsteen's vocals and lyrics. Later it received favorable rankings in retrospectives of Springsteen's career, among which was an NME list calling it his fourth best song.

Springsteen has not often performed the song since the Born in the U.S.A. Tour. Between 2002 and 2023, it appeared on about 6.5 percent of the set lists published on his official website. "I'm Goin' Down" has been covered by Frank Black and the Catholics, Trampled by Turtles, Free Energy, Vampire Weekend, and other artists. (Full article...)

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Portal:Rock music/Selected songs/51 "I Can Only Imagine" is a song by Christian rock band MercyMe. Written and composed by lead singer Bart Millard, it was originally recorded for the band's 1999 independent album The Worship Project before being included on their 2001 major-label debut album Almost There. The song was the last to be written for The Worship Project; in writing it, Millard drew upon his thoughts about his father's death. Lyrically, it imagines what it would be like to be in front of God in heaven; it opens with just a piano before building to include guitar and drums.

After being released on October 12, 2001, as the second single from Almost There, "I Can Only Imagine" became a major success on Christian radio; it spent two weeks at No. 1 on the Radio & Records Christian AC chart and became the most-played Christian single of 2002. It became an unexpected mainstream hit in 2003, peaking at No. 71 on the Billboard Hot 100 and No. 5 on the Billboard Adult Contemporary chart while also hitting top 40, adult top 40, and country radio charts. The song returned to the charts after its story was adapted into a 2018 film of the same name, peaking at No. 1 on the Billboard Christian Songs chart and No. 10 on the Billboard Digital Songs chart.

"I Can Only Imagine" received positive reviews from critics. Particular praise was given to its lyrics, and some critics called it the best song on Almost There. It received the Dove Awards for Song of the Year and Pop/Contemporary Recorded Song of the Year at the 33rd GMA Dove Awards, also garnering Millard the award for Songwriter of the Year; he also won the Songwriter of the Year award at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards. In 2004, CCM Magazine ranked it as the fourth-best song in Christian music, and it has since become the most-played song in the history of Christian radio as well as the best-selling Christian song of all time; it has been certified five-times platinum by the Recording Industry Association of America (RIAA), and as of April 2018, it has sold over 2.5 million copies. (Full article...)

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Portal:Rock music/Selected songs/52 "It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.

"It's All Over Now, Baby Blue" has been covered by Them, Baez and the Byrds. Them's version, released in 1966, influenced garage bands during the mid-'60s, and Beck later sampled it for his 1996 single "Jack-Ass". The Byrds recorded the song twice in 1965 as a possible follow-up single to "Mr. Tambourine Man" and "All I Really Want to Do", but neither recording was released in that form. The Byrds did release a 1969 recording of the song on their Ballad of Easy Rider album. (Full article...)

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Portal:Rock music/Selected songs/53 "It's Alright, Ma (I'm Only Bleeding)" is a song written and performed by American singer-songwriter Bob Dylan and first released on his 1965 album Bringing It All Back Home. It was written in the summer of 1964, first performed live on October 10, 1964, and recorded on January 15, 1965. It is described by Dylan biographer Howard Sounes as a "grim masterpiece".

Among the well-known lines sung in the song are "He not busy being born is busy dying," "Money doesn't talk, it swears," "Although the masters make the rules, for the wisemen and the fools" and "But even the president of the United States sometimes must have to stand naked." The lyrics express Dylan's anger at the perceived hypocrisy, commercialism, consumerism, and war mentality in contemporary American culture. Dylan's preoccupations in the lyrics, nevertheless, extend beyond the socio-political, expressing existential concerns, touching on urgent matters of personal experience.

Dylan said that "It's Alright, Ma (I'm Only Bleeding)" is one of his songs that means the most to him, and he has played the song often in live concerts. Since its original release on Bringing It All Back Home, live versions of the song have been issued on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall, Before the Flood, The Rolling Thunder Revue: The 1975 Live Recordings, and Bob Dylan at Budokan. Dylan can also be seen performing the song in the film Dont Look Back and the video of the HBO special Hard to Handle. The song has been covered by a number of other artists, including Roger McGuinn, the Byrds, Billy Preston, Hugo Race, Terence Trent D'Arby, Mick Farren, Caetano Veloso, Marilyn Scott, and The Duhks. (Full article...)

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Portal:Rock music/Selected songs/54 "Just Like Tom Thumb's Blues" is a song written and performed by Bob Dylan. It was originally recorded on August 2, 1965, and released on the album Highway 61 Revisited. The song was later released on the compilation album Bob Dylan's Greatest Hits Vol. II and as two separate live versions recorded at concerts in 1966: the first of which appeared on the B-side of Dylan's "I Want You" single, with the second being released on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. The song has been covered by many artists, including Gordon Lightfoot, Cat Power, Nina Simone, Barry McGuire, Judy Collins, Frankie Miller, Linda Ronstadt, the Grateful Dead, Neil Young, The Black Crowes, Townes Van Zandt, and Bryan Ferry. Lightfoot's version was recorded only weeks after Dylan's original had been released and reached #3 on the Canadian RPM singles chart.

"Just Like Tom Thumb's Blues" has six verses but no chorus. The song's lyrics describe a vision of the narrator's experiences in Juarez, Mexico, where he encounters poverty, sickness, despair, available women, indifferent authorities, alcohol and drugs before finally deciding to return to New York City. The lyrics incorporate literary references to Malcolm Lowry's Under the Volcano, Edgar Allan Poe's "The Murders in the Rue Morgue" and Jack Kerouac's Desolation Angels, while the song's title references Arthur Rimbaud's "My Bohemian Life (Fantasy)". Music journalist Toby Creswell included it on his list of the 1001 greatest songs of all time, and music critic Dave Marsh ranked the live version of "Just Like Tom Thumb's Blues" from Liverpool, released as the B-side of "I Want You", as the #243 greatest single of all time. (Full article...)

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Portal:Rock music/Selected songs/55 "Laugh, Laugh" is a song by American rock group the Beau Brummels, written by guitarist Ron Elliott and produced by Sylvester Stewart, later known as Sly Stone. Released in December 1964 as the band's debut single, the song reached number 15 on the U.S. Billboard Hot 100 chart the following February. "Laugh, Laugh" was the first hit single to come out of the emerging San Francisco music scene in response to the British Invasion. The song was later included on the band's first full-length album, Introducing the Beau Brummels, released in April 1965.

The Beau Brummels promoted the single by appearing on several television shows, including a 1965 episode of The Flintstones in which the band gave an animated performance as the Beau Brummelstones. In 1994, "Laugh, Laugh" was selected to The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll exhibit. Lead singer Sal Valentino reworked the song for his 2008 solo album, Every Now and Then. (Full article...)

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Portal:Rock music/Selected songs/56 "Live Forever" is a song by English rock band Oasis. Written by Noel Gallagher, the song was released as the third single from their debut album Definitely Maybe (1994) on 8 August 1994, just prior to that album's release. Gallagher wrote the song in 1991, before he joined Oasis.

Inspired by the Rolling Stones' "Shine a Light", "Live Forever" features a basic song structure and lyrics with an optimistic outlook that contrasted with the attitude of the grunge bands popular at the time. The song was the first Oasis single to enter the top ten in the United Kingdom, and garnered critical acclaim. In 2017, lead singer Liam Gallagher declared the song his favourite Oasis song. The British Phonographic Industry certified the song double platinum in August 2021. (Full article...)

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Portal:Rock music/Selected songs/57 "Love Minus Zero/No Limit" (read "Love Minus Zero over No Limit", sometimes titled "Love Minus Zero") is a song written by Bob Dylan for his fifth studio album Bringing It All Back Home, released in 1965. Its main musical hook is a series of three descending chords, while its lyrics articulate Dylan's feelings for his lover, and have been interpreted as describing how she brings a needed zen-like calm to his chaotic world. The song uses surreal imagery, which some authors and critics have suggested recalls Edgar Allan Poe's "The Raven" and the biblical Book of Daniel. Critics have also remarked that the style of the lyrics is reminiscent of William Blake's poem "The Sick Rose".

Dylan has performed "Love Minus Zero/No Limit" live on several of his tours. Since its initial appearance on Bringing It All Back Home, live versions of the song have been released on a number of Dylan's albums, including Bob Dylan at Budokan, MTV Unplugged (European versions), and The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, as well as on the reissued Concert for Bangladesh album by George Harrison & Friends. Live video performances have been included on the Concert for Bangladesh and Other Side of the Mirror: Live at Newport Folk Festival 1963–1965 DVD releases.

Artists who have covered "Love Minus Zero/No Limit" include Ricky Nelson, Buck Owens, the Turtles, Joan Baez, Judy Collins, Fleetwood Mac and Rod Stewart. Eric Clapton played it at Bob Dylan's 30th Anniversary Concert Celebration. (Full article...)

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Portal:Rock music/Selected songs/58 "My Back Pages" is a song written by Bob Dylan and included on his 1964 album Another Side of Bob Dylan. It is stylistically similar to his earlier folk protest songs and features Dylan's voice with an acoustic guitar accompaniment. However, its lyrics—in particular the refrain "Ah, but I was so much older then/I'm younger than that now"—have been interpreted as a rejection of Dylan's earlier personal and political idealism, illustrating his growing disillusionment with the 1960s folk protest movement with which he was associated, and his desire to move in a new direction. Although Dylan wrote the song in 1964, he did not perform it live until 1988.

"My Back Pages" has been covered by artists as diverse as Keith Jarrett, the Byrds, the Ramones, the Nice, Steve Earle, Eric Johnson, and the Hollies. The Byrds' version, initially released on their 1967 album Younger Than Yesterday, was also issued as a single in 1967 and proved to be the band's last Top 40 hit in the U.S. (Full article...)

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Portal:Rock music/Selected songs/59 "No One Knows" is a song by American rock band Queens of the Stone Age written by band members Josh Homme and Mark Lanegan. It was the first single and second track from their third album, Songs for the Deaf, and was released on November 26, 2002. "No One Knows" was a chart success, becoming the band's first single to chart on the Billboard Hot 100 and their only single to top the US Alternative charts. The song was also critically acclaimed, receiving a nomination for Best Hard Rock Performance at the 2003 Grammy Awards. (Full article...)

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Portal:Rock music/Selected songs/60 "Objects in the Rear View Mirror May Appear Closer Than They Are" is a song composed and written by Jim Steinman, and recorded by Meat Loaf. The song was released in 1994 as the third single from the album Bat Out of Hell II: Back into Hell and it reached number 38 on US's Billboard Hot 100, and number 26 in the UK Top 40. With its chart success, this song became the hit with the longest un-bracketed title at fifty-two characters . The title is derived from the safety warning on car side mirrors in the US, "Objects in mirror are closer than they appear".

Parts of the melody were adapted from Steinman's earlier tune "Surf's Up", which appears on Steinman's solo album Bad for Good. Steinman later reused the melody, with new lyrics by Michael Kunze, for "Die Unstillbare Gier", a song in the Tanz der Vampire productions, and for "Confession of a Vampire" in the ill-fated US version (Dance of the Vampires). (Full article...)

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Portal:Rock music/Selected songs/61 "Since U Been Gone" is a song recorded by American singer Kelly Clarkson from her second studio album, Breakaway (2004). The song, which was written and produced by Max Martin and Lukasz "Dr. Luke" Gottwald, was released as the lead single from Breakaway two weeks before the album was released. It is an uptempo pop rock and power pop power ballad that infuses electronic sounds with a mixture of a soft and loud pop rock sound. Martin originally wrote "Since U Been Gone" with Pink in mind, but she turned it down. It was then given to Hilary Duff, but she rejected the song because she could not reach its higher notes. The song was finally given to Clarkson after Clive Davis convinced the writers to give it to her. Clarkson decided to add heavier guitars and harder drums to the song after noticing that the demo had an obvious pop sound. Lyrically, the song is written from a woman's point of view where she expresses her sense of relief with the end of her troubled relationship.

"Since U Been Gone" received positive reviews from music critics who considered the song to be the highlight of Breakaway. Critics also felt that it was one of the best pop songs in the last decade. Rolling Stone ranked it at number 482 of the 500 Greatest Songs of All Time in 2010 and at number 93 in the revamped 2021 ranking, while Billboard ranked it as the fifth greatest pop song of all time. "Since U Been Gone" was a commercial success. In the United States, the song peaked at number two on the Billboard Hot 100. It topped the US Pop 100 for six consecutive weeks and the US Pop Songs for seven consecutive weeks respectively. It was certified platinum by the Recording Industry Association of America (RIAA) for shipments of over one million copies sold. "Since U Been Gone" was also a worldwide success, peaking in the top five in Austria, Australia, Ireland, the Netherlands, and the United Kingdom. It also peaked in the top ten in Norway, Germany, and Switzerland.

Clarkson performed "Since U Been Gone" at the 2005 MTV Video Music Awards and at the 2006 BRIT Awards. It has been included on the set-list of Clarkson's many tours. The song's accompanying music video was directed by Alex De Rakoff, which shows Clarkson ruining her ex-boyfriend's apartment. The music video was nominated for three awards in the 2005 MTV Music Awards, winning two out of the three awards namely Best Female Video and Best Pop Video. At the 48th Grammy Awards, the song won the award for Best Female Pop Vocal Performance. "Since U Been Gone" was covered by many artists, notably the American rock band A Day to Remember, indie rocker Ted Leo as well as the Canadian indie rock band, Tokyo Police Club, and used in the musical & Juliet. (Full article...)

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Portal:Rock music/Selected songs/62 "Summer of '69" is a song recorded by the Canadian singer Bryan Adams from his fourth album, Reckless. It is an up-tempo rock song about a dilemma between settling down or trying to become a rock star. The track was written by Adams and his longtime songwriting collaborator Jim Vallance. "Summer of '69" was produced by Adams and Bob Clearmountain. "Summer of '69" was released in June 1985 under A&M Records as the fourth single from Reckless. According to later claims by Adams, the title is a reference to the sex position, not the year, but Vallance disputes this.

The song was released with two B-side tracks: "Kids Wanna Rock" and "The Best Was Yet to Come", which had previously appeared on the albums Reckless and Cuts Like a Knife respectively. "Summer of '69" received favourable reviews from music critics. The music video for the song, which was filmed by Steve Barron, features Adams and his backing band in a variety of settings, including running from the police. The single had a strong effect on music charts internationally; in the UK it was acclaimed as one of Adams’s best, with its highest peaks being number four in the Netherlands and number five in the United States. Amongst songs recorded by Canadian artists, it is the most streamed and most digitally purchased song within Canada amongst songs originally released before the start of the digital download era (approximately 2005). It is also the most played song on Canadian radio amongst songs by Canadian artists originally released before 1990. (Full article...)

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Portal:Rock music/Selected songs/63 "Tomorrow Never Knows" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. It was released in August 1966 as the final track on their album Revolver, although it was the first song recorded for the LP. The song marked a radical departure for the Beatles, as the band fully embraced the potential of the recording studio without consideration for reproducing the results in concert.

When writing the song, Lennon drew inspiration from his experiences with the hallucinogenic drug LSD and from the 1964 book The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead by Timothy Leary, Richard Alpert and Ralph Metzner. The Beatles' recording employed musical elements foreign to pop music, including musique concrète, avant-garde composition and electro-acoustic sound manipulation. It features an Indian-inspired modal backing of tambura and sitar drone and bass guitar, with minimal harmonic deviation from a single chord, underpinned by a constant but non-standard drum pattern; added to this, tape loops prepared by the band were overdubbed "live" onto the rhythm track. Part of Lennon's vocal was fed through a Leslie speaker cabinet, normally used for a Hammond organ. The song's backwards guitar parts and effects marked the first use of reversed sounds in a pop recording, although the Beatles' 1966 B-side "Rain", which they recorded soon afterwards using the same technique, was issued over two months before the release of Revolver.

"Tomorrow Never Knows" was an early and highly influential recording in the psychedelic and electronic music genres, particularly for its pioneering use of sampling, tape manipulation and other production techniques. It also introduced lyrical themes that espoused mind expansion, anti-materialism and Eastern spirituality into popular music. On release, the song was the source of confusion and ridicule by many fans and journalists; it has since received praise as an effective representation of a psychedelic experience. Pitchfork placed the track at number 19 on its list of "The 200 Greatest Songs of the 1960s", and Rolling Stone ranked it at number 18 on the magazine's list of the 100 greatest Beatles songs. (Full article...)

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Portal:Rock music/Selected songs/64 "Visions of Johanna" is a song written and performed by Bob Dylan on his 1966 album Blonde on Blonde. Several critics have acclaimed "Visions of Johanna" as one of Dylan's highest achievements in writing, praising the allusiveness and subtlety of the language. Rolling Stone included "Visions of Johanna" on their list of the 500 Greatest Songs of All Time. In 1999, Sir Andrew Motion, Poet Laureate of the United Kingdom, listed it as the greatest song lyric ever written.

Dylan first recorded the song in New York City in November 1965, under the working title of "Freeze Out", but was dissatisfied with the results. When the Blonde on Blonde recording sessions moved to Nashville in February 1966, Dylan attempted the composition again with different musicians, and decided to release this performance. All of the alternate versions of the song have been officially released, but some only on a limited edition collectors set: many of them are November 1965 or later 1966 studio outtakes, and two others are live performances from his 1966 world tour.

Numerous artists have recorded cover versions of the song, including the Grateful Dead, Cat Power, Marianne Faithfull, Chris Smither, and Robyn Hitchcock. (Full article...)

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Portal:Rock music/Selected songs/65 "You Know My Name" is the theme song of the 2006 James Bond film Casino Royale, performed by American musician Chris Cornell, who wrote and produced it jointly with David Arnold, the soundtrack's composer. The film producers chose Cornell because they wanted a strong male singer. Cornell and Arnold tried to make the song a replacement theme for the character instead of the "James Bond Theme" reflecting the agent's inexperience in Casino Royale, as well as an introduction to Daniel Craig's grittier and more emotional portrayal of Bond.

The track was leaked onto the Internet on September 20, 2006, and later released as an official single on November 13, 2006 through Interscope Records. It charted in many countries, notably peaking at No. 7 on the UK singles chart. It sold 148,000 copies in 2006 in the UK, and has sold 323,000 digital copies and garnered 3.5 million streams in the U.S. as of 2017. Reviews of the song were positive; it won the Satellite Award and the World Soundtrack Award, and was nominated for a Grammy Award. It was not included in the Casino Royale soundtrack, but appeared on Cornell's second solo album, Carry On. (Full article...)

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Portal:Rock music/Selected songs/66 "Achilles Last Stand" is a song by the English rock group Led Zeppelin released as the opening track on their seventh studio album, Presence (1976). Guitarist Jimmy Page and singer Robert Plant began writing the song during the summer of 1975 and were influenced by Eastern music, mythology, and exposure to diverse cultures during their travels. At roughly ten-and-a-half minutes, it is one of the group's longest studio recordings and one of their most complex, with interwoven sections and multiple, overdubbed guitar parts.

The song received mainly positive reviews from music critics, with some comparing "Achilles Last Stand" to other Zeppelin songs such as "Kashmir". The band featured it during concerts from 1977 to 1980, and a 1979 live performance is included on the Led Zeppelin DVD (2003). Page called it his favourite Led Zeppelin song in several interviews, and considers its guitar solo on a par with his "Stairway to Heaven" solo. (Full article...)

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