Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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Ukiyo-e is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e (浮世絵) translates as 'picture[s] of the floating world'.

In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The chōnin class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts. The term ukiyo ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the chōnin class, who had become wealthy enough to afford to decorate their homes with them. (Full article...)
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Ferrari F40
Ferrari F40
Ferrari F40
Credit: Photo: Will ainsworth (edited by Bob Castle)
Ferrari F40, designed by Pietro Camardella under the supervision of Aldo Brovarone at Pininfarina.

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I try to apply colors like words that shape poems, like notes that shape music.
Joan Miró, unknown


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Self-portrait of Thirtle in 1816

John Thirtle (baptised 22 June 1777 – 30 September 1839) was an English watercolour artist and frame-maker. Born in Norwich, where he lived for most of his life, he was a leading member of the Norwich School of painters.

Much of Thirtle's life is undocumented. After working as an apprentice to a London frame-maker, he returned to Norwich to establish his own frame-making business. During his career he also worked as a drawing-master, a printseller and a looking glass maker. He produced frames for paintings by several members of the Norwich School, including John Crome and John Sell Cotman. Throughout his working life he continued to paint. In 1812 he married Elizabeth Miles, the sister of Cotman's wife Ann. Thirtle suffered from tuberculosis during the last two decades of his life, and his worsening health reduced his artistic output up to his death in 1839. His Manuscript Treatise on Watercolour, unpublished before 1977, was probably for his own use, and he exhibited fewer than 100 paintings. A member of the Norwich Society of Artists, he briefly served as its vice-president, but in 1816 was one of the artists who seceded from the Society to form a separate association, the Norfolk and Norwich Society of Artists, which dissolved after three years. (Full article...)
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