Portrait of Francesco Maria della Rovere (Giorgione)

You can help expand this article with text translated from the corresponding article in Spanish. (June 2018) Click [show] for important translation instructions.

View a machine-translated version of the Spanish article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Consider adding a topic to this template: there are already 5,075 articles in the main category, and specifying|topic= will aid in categorization.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Retrato de Francesco Maria della Rovere (Giorgione)]]; see its history for attribution.
You should also add the template {{Translated|es|Retrato de Francesco Maria della Rovere (Giorgione)}} to the talk page.
For more guidance, see Wikipedia:Translation.

Portrait of Francesco Maria della Rovere

Artist	Attributed to Giorgione
Medium	oil on panel, later transferred to canvas
Dimensions	73 cm × 64 cm (29 in × 25 in)
Location	Kunsthistorisches Museum, Vienna

Portrait of Francesco Maria della Rovere is an oil-on-panel, later transferred to canvas, painting attributed to the Italian Renaissance artist Giorgione, executed c. 1502. It is now housed in the Kunsthistorisches Museum in Vienna. It depicts Francesco Maria I della Rovere, Duke of Urbino aged about 13.^[1]

References[edit]

^ Alessandra Fregolent, Giorgione, Electa, Milan, 2001

Giorgione

Paintings

Detroit Trio (c. 1500) (with Titian and Sebastiano del Piombo) (disputed)
The Three Ages of Man (c. 1500–1501)
Portrait of Francesco Maria della Rovere (c. 1502) (disputed)
Castelfranco Madonna (c. 1503–1504)
Giustiniani Portrait (c. 1503–1504)
Judith (c. 1504)
The Test of Fire of Moses (c. 1502–1505)
The Judgement of Solomon (c. 1502–1505)
Christ Carrying the Cross (c. 1505) (also attributed to Titian)
Laura (1506)
Il Tramonto (The Sunset) (c. 1505–1508)
The Tempest (c. 1506–1508)
The Three Philosophers (c. 1505–1510) (disputed)
Adoration of the Shepherds (c. 1505–1510) (disputed)
Portrait of a Young Man (c. 1508–1510) (disputed)
Self-portrait as David (c. 1509–1510) (disputed)
Self-portrait (c. 1508–1510)
Sleeping Venus (c. 1510) (disputed)

Formerly attributed

Shepherd with a Flute (c. 1510–1515) (currently attributed to Titian)
Pastoral Concert (c. 1509) (currently attributed to Titian)

This article about a sixteenth-century painting is a stub. You can help Wikipedia by expanding it.