Premonition (Paul McCandless album)
Appearance
Premonition | ||||
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Studio album by | ||||
Released | 1992 | |||
Recorded | October–December 1991 | |||
Genre | New-age,[1] jazz fusion | |||
Label | Windham Hill | |||
Producer | Paul McCandless, Steve Rodby | |||
Paul McCandless chronology | ||||
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Premonition is an album by the American jazz instrumentalist Paul McCandless, recorded in 1992 for Windham Hill Records.[2][3]
Critical reception
[edit]Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Washington Post noted that the music falls in "the emotionally evocative but unchallenging territory that lies between new age and fusion."[5] The Gazette determined that "at times the dreaded contemporary beat moves into MoR territory."[6]
Track listing
[edit]- "Robin" - 3:54
- "Punch" - 5:48
- "Rainland" - 4:53
- "Two Moons" - 5:32
- "At First Sight" - 4:36
- "Winter Creeper" - 4:56
- "Last Bloom" - 3:01
- "Rendezvous" - 4:26
- "Can't Stop The Wind" - 5:13
- "Premonition" - 2:17
- "Turning To You" - 5:28
- "Robin Reprise" - 1:14
- Recorded and mixed October - December 1991 at Chicago Recording Co., Chicago, IL, October 1991
Personnel
[edit]- Paul McCandless - English Horn, Oboe, Soprano Sax, Synthesizer
- Steve Rodby - Bass
- Gary Brown - Electric Bass
- John Burr - Keyboards
- Steve Cardenas - Guitar
- William Kennedy - Drums
- Lyle Mays - Piano
- Fred Simon - Synthesizer
- Mark Walker - Drums, Percussion
- Rich Breen - Recording Engineer, Mix Engineer
References
[edit]- ^ Gilstrap, Peter (6 Sep 1992). "Limelight". The Washington Post. p. G3.
- ^ Bradley, Jeff (27 Nov 1992). "Pop Sensibility Dims McCandless on CD". Week. The Denver Post. p. 10.
- ^ Levesque, Roger (18 Nov 1993). "Improv takes jazzman's art to 'high level'". Edmonton Journal. p. C4.
- ^ "Premonition Review by AllMusic". AllMusic. Retrieved 8 January 2023.
- ^ Zibart, Eve (4 Sep 1992). "Safe Sax". The Washington Post. p. N17.
- ^ Hadekel, Peter (30 Jan 1993). "Brazil to Bay of Fundy: jazz inspiration spans world". The Gazette. p. E6.