Robert Paine (sculptor)

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Paine, c. 1935

Robert Treat Paine (1870–1946) was an American sculptor.

Early life[edit]

Paine was born in Valparaiso, Indiana, on February 11, 1870, a descendant of the Robert Treat Paine who was one of the signers of the Declaration of Independence.[1][2] He was a student at the Art Students League, where he studied with Augustus Saint Gaudens.

Pointing machine and the Pan American Exposition[edit]

He spent time at the Cornish (New Hampshire) Art Colony, becoming an assistant to Saint Gaudens. While there he perfected the pointing machine used by Gaudens, called a "cubical pantograph," that increased the "accuracy and speed" of the previous machines, allowing for up to 400 points a day. The machine, while relatively new, was used to increase to monumental proportions the 500 clay models accepted in 1900 by Karl Bitter, director of sculpture, for the 1901 Pan-American Exposition in Buffalo, New York. Thirty-five sculptors, including Saint Gaudens, and 50–75 assistants worked for 5 months tirelessly in Weehawken, New Jersey, to produce the 500 plaster-and-fiber statues to be displayed in the temporary Rainbow City of Light, celebrating the genius of man at the dawn of the 20th century.[3]

Paine's marvelous invention was also used on Sherman's horse on the Sherman Monument in New York (1903).[4]

Panama-Pacific International Exposition[edit]

In 1914 Paine went to San Francisco with fellow sculptor Beniamino Bufano to create a sculpture ensemble designed by Paul Manship for the Panama–Pacific International Exposition. He settled in Berkeley for a time.

Los Gatos cats[edit]

In 1922, he stayed at the estate of Charles Erskine Scott Wood and Sara Bard Field in Los Gatos and created a pair of large statues of wild cats that are still local landmarks.[5] An image of his pair of sculptures is included in the town seal and is used on other signage.[6]

Federal Art Project[edit]

In 1924 he moved to Los Angeles, where he assisted Alexander Phimister Proctor on sculpture projects and was active on the Federal Art Project.[1]

Personal life[edit]

Paine married mathematician Mary Esther Trueblood in 1910; after they moved to Berkeley, she became an instructor in the extension program of the University of California, Berkeley.[7]

References[edit]

  1. ^ a b AskArt
  2. ^ Falk, Peter Hastings, "Who Was Who in American Art" Sound View Press, Madison CT, 1985
  3. ^ "The Pan American Exposition 1901".
  4. ^ Wilkinson, Burke, "Uncommon Clay: The Life and Works of Augustus Saint Gaudens", photographs by David Finn, Harcourt Brace Jovanovitch, Publishers, San Diego, 1983, p. 266
  5. ^ http://www.historylosgatos.org/cdm/ref/collection/cats/id/9 History Los Gatos
  6. ^ "Town of Lost Gatos, California".
  7. ^ "Mary E. Trueblood Paine, Mathematics: Berkeley", University of California: In Memoriam 1939, Calisphere

See also[edit]

Oral history of his daughter Evelyn and her husband, Berkeley architect Robert Ratcliff