Siempre es difícil volver a casa
| Siempre es difícil volver a casa | |
|---|---|
| Directed by | Jorge Polaco |
| Written by | Antonio Dal Masetto Jorge Polaco |
| Produced by | Víctor Bó Salvador D'Antonio Carlos Mentasti |
| Starring | Miguel Torres del Sel Dady Brieva Rubén Stella Daniel Miglioranza |
| Cinematography | Esteban Courtalon |
| Edited by | Marcela Sáenz |
Release date | 4 June 1992 |
Running time | 87 minutes |
| Country | Argentina |
| Language | Spanish |
Siempre es difícil volver a casa (It's Always Hard to Return Home) is a 1992 Argentine comedy film co-written and directed by Jorge Polaco. The film loosely adapts the homonymous novel by Antonio Dal Masetto, who was reportedly unhappy with the final result. It is Polaco's first major studio production, featuring A-list comedians from the popular comedy troupe Trío Midachi (two out of the three).
Plot[edit]
The movie follows a group of four friends who arrive to a small town and crash a wedding party in the evening. That night they go out to a disco, and one of them hooks up with a girl. They both head to her place, where they engage in bizarre sexual acts at the bottom of an empty swimming pool.
The following day, the four friends rob a bank, but the getaway is complicated when a policeman spots them as they leave. They are forced to leave the car and split up: Ramiro and Cucurucho remain together and dash down the railroad tracks; they eventually get to a garage, where they hide, accidentally killing the mechanic. They split up: Ramiro stashes himself in a truck, which drives off, whereas Cucurucho hides in a monastery, attacking a group of nuns at gunpoint, and, later on, a blind woman's house. The driver (the man who had met the girl the night before) is pursued by an angry mob, who torches the shed he hides in. As he escapes he is shot; he in turn kills the boy that wounds him. Wading down the river, he manages to get to the girl's house, where she bandages him. Just then a policeman storms in. He is shot and killed, but not before shooting them both, as well as the aquarium they're behind. The fourth member has a friendly encounter with an artist, who helps him; later on he is pursued too and hides atop the church's belltower, holding a priest hostage. He is killed by a sniper.
Throughout the movie, various characters falsely attribute other crimes to the robbers as means of using them as scapegoats. A man asphyxiates his wife with a pillow and claims the robbers did it; a woman likewise accuses one of them of rape.
Ramiro has a brief sexual encounter with a woman, Susana. Cucurucho escapes the blind woman's house and reunites with Ramiro as he steals the very truck in which he was hiding. They have seemingly escaped when they're suddenly forced to stop in front of a cemetery, and are cornered by various arriving truckloads of angry villagers. The camera freezes on the duo as they are stoned by the mob in the cemetery. A text then appears on screen, telling that the following day everything in the village had reverted to normal, and that nobody ever knew what happened to the money.
External links[edit]
 | This article related to an Argentine film of the 1990s is a stub. You can help Wikipedia by expanding it. |