Talk:Moomal Ji Mari

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This article about a historical site in Sindh also includes "The story of Momal Rana" and "Film version of the eternal love story 'Momal Rano'" which do not belong in the article in my opinion. I plan to edit the article removing the irrelevant parts and images to this talk page. Therefore, if the removed parts are thought to be relevant, they can be put back in the article. Thanks, Krok6kola (talk) 16:43, 9 March 2021 (UTC)

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Momal ji Mari

Momal ji Mari is a legendary palace, of which only ruins remain. The ancient ruins of Momalji Mari are located on Mathelo Road, 11 km (6.8 mi) east of Ghotki. Sindh Textbook, Sindh Textbook Bore Jamshoro has also published. Sindh is taught as subject in schools.

The ancient ruins of Momalji Mari are located at Mathelo, 11 km (6.8 mi) east of Ghotki. The mansion is spread over an area of 15 acres (6.1 ha) and is located on a hilltop. The 12-acre (4.9 ha) mound consists of mud-brick houses and huts. The remaining three acres (1.2 ha) in the southwest are uninhabited. It is speculated that Momal's palace was once located here. The palace is called "Mari" in Sindhi language, hence it is called Mari of Momal.

These forts were built during the reign of Raja Rai Sahasi: Momal ji mari, Good, Mathila, Severing, Mod, Alwar, سیوستان.

The ruins of Momalji Mari indicate the existence of a magnificent fort on this hilltop, while from time to time jewelery, utensils and other items are found in these ruins, which are evidence of the existence of an ancient fort or palace there. Provide

The Museum of "Momal Mari" has been built. In which the found items and things are kept. And tourism.

Mathelo

The story of Momal Rana

imaginary image of Momal

On the upper part of Sindh, the Gujar dynasty dynasty was ruled by Raja Nand. He was very fond of hoarding wealth and hunting. Once he hunted an animal and touched that tooth. With his help, he hid all his treasures under the river.

Raja Nand had nine daughters. The older Somal was the wisest and the younger Momal was the most beautiful. Raja also ran away. So he gave her a magic tooth to hold her. But did not reveal the real secret of the tooth. How a magician came to know the hidden treasure of Raja. One day like Raja went to Shakapar, fooling Momal by taking his teeth. He took out all the treasures from the river and disappeared. When the king returned from the hunt, he was found to have lost a tooth. He was very angry with Momal. Then the eldest daughter, Somal, promised, "I will give you so much treasure." Permission from Somal Father. Kak Mahal built a palace on her shoulder and took her sisters and servants to live there. He cleverly created magic gardens all around the palace, and in the middle of it stood a terrible animal. Even the bravest ones trembled at the sound of their voices. Other than that, there were so many misleading things and magic things. When the palace was ready on the edge of the cocktail, he called for Somal Padao. You will have to wash your hands with your belongings Many princes came to hear praise of the beauty of Momal. And they laid down their wealth. At that time, Hamir Soomro was the [king] of Umerkot. One day he went hunting with his three ministers. Rana Mendhro Sodho was the bravest and wisest of them all and was also the son of Hamir Soomra. A poor was found on the way. Who talked about Momal and his cocktail palace. The same thing instilled in the heart of the four friends the desire to earn a living. Then the four of them went to Kak Mahal to try their luck. Go there When the tent was put outside, the trained maid Natar came out and went inside to report the arrival.

After a while, Natar took food and put it forward. Rane Mendhri forbade his three companions to eat and took a small portion of them and put it on the dog. Who died from eating. Natar again speculated, but the trick did not succeed. At the end he said, "If you want to meet Momal, go with me one by one. Then you went one by one with Natar. Then he tried to run away from the road. Finally, when Rana Mendhari tried to run away with me, he took Rana. He grabbed her by the hair and straightened her gus. When he reached a pond, Natar still managed to run away and Rana was left alone. Rana took out the betel nut to see the height of the water test. I jumped. She [sounded] and fell away. Then Rana found out that the pool was only made to drive her crazy. Then she ran on horseback to the Momal Mahal where Natar was already. He was taken to a room where seven identical beds were made of the same sheet. When Rana pressed his stick with his staff to test the beds, he went down six beds and fell into the well. Rano fell on the seventh bed. Natar was taken to another room where there were many women with the same beautiful shawls and flower garlands in their hands. Natar said to Rana. Momal is also standing among women. But with the hand you hold, your marriage Will be done

Rana was silent at first, then later he saw a woman's hair whitening, Rana understood that only fragrant hair can be waxed. He went forward and grabbed her by the hand, then Momal gave her a garland of flowers. Then the happiness faded and the two got married.

Rane's three friends got angry and went back to their places. A few days later, Hamir Soomro called Rani to him under some pretext as if he could not meet Momal, but Rana was not released. He used to go to Kak Mahal every night by climbing the fast oats. And they used to come back quickly after meeting Momal. Once it was many days since Rana met Momal, Momal became sad in their separation and used to sleep with her sleeping sister Somal in Rana's dress. One night when I reached the palace like Rano, in the darkness I understood Somal as a man, got angry and left my stick as a sign from Momal's side and went to Umerkot.

When [Momal] woke up in the morning, it was understood that Rana was angry and went back. Then, no matter how many messages were sent to him, he still did not come. So after making a mitch of fire, you embraced it. When Rana found out, he too rushed there. By then it was too late. So walk in this fire on your own, and become dust together with Momal.

Film version of the eternal love story 'Momal Rano'

Pakistani film on 'Momal Rano', one of the timeless tales of love in subcontinent, first screened at 'Pakistan International Film Festival' (PIFF).

Momal films

Remember that the film 'Momal Rano' was made under the banner of a joint venture of Pakistan and India film and drama houses. The film was originally made for the TV channel 'ZTV', but due to bitterness between the two countries, the agreement was canceled. went. The shooting of 'Momal Rano' was completed, after which, although it was not screened, it has been screened at several international film festivals. Now the same film will be screened at the first Pakistan Film Festival starting in Karachi.

In 'Momal Rano', Ahsan Khan and Saba Qamar have played the lead roles, while in the other cast of the film, Hussain Qadri, Sindhi action actors Asad Qureshi, Salman Other actors include Saeed and Zainab Jamil.

The script written by Zafar Meraj has been directed by Siraj-ul-Haq. The special thing about the film is that although its story revolves around the eternal romantic characters of Sindh, 'Momal and Rano', it also touches on other romantic tales and stories of the subcontinent. The film is based on modern times rather than ancient times, while it also includes songs from Sindhi language including Urdu. Remember that initially the name of this film was 'The Last Story of Love', but now it has been renamed as 'Momal Rano'. The first trailer of the film was released on February 8, in which Ahsan Khan and Saba Qamar can be seen making eternal love.

Saba Qamar and Ahsan Khan's eternal love, like other romance stories, gets into trouble due to the customs and traditions of the society. The eternal romance story of 'Momal Rano' was first presented by the great poet of Sindh Shah Abdul Latif Bhattai. Poetry of King Abdul Latif commanded this story forever, after which numerous Sindhi plays, songs, fiction and stories have been written on this story to this day. ۔

References