Talk:Pop-punk/ArchiveResources03

Hard Source References

• Creem, "Will Success Spoil The Frut?", Dave Marsh, May, 1971, Vol. 3, No. 2, [1], evidently the first use of "punk" used to describe rock/music in regards to ? & the Mysterians
• Washington Post, Punks and Posers in China, Maureen Fan, August 9, 2006; Page A01, [2], Chinese punk rock scene, homosexuality, bands; P.K. 14, Misando, Demerit, Cui Jian (father of Crnr, song A Piece of Red Cloth), label; Scream Records, cited; The Clash, Bob Dylan, Woodie Guthrie, Sex Pistols, The Pogues, Madness
• San Francisco Chronicle, "Green Day eclipses Blink-182 Pop-punk pioneers deliver rousing set", Neva Chonin, April, 29th, 2002, [3], documents the Pop Disaster tour with blink-182, Green Day, and Jimmy Eat World. Its also an example of the interchangable terms for pop punk used within the title and the article itself, this by a professional music critic.
• Recoil Magazine, "Scientists clone pop-punk band", no author, spoof article, August, 2006, [4]
• Rolling Stone, "Cobra Starship: Hear Their "Snakes on a Plane" Masterpiece", July, 28, 2006, [5]
• The Morning Star, "Pop-punk invasion", Vincent Dignan, June 17, 2006, [6]
• [Ramsey Castillo Homepage], "Pop Punk Owns You", Ramsey Castillo, no date, [7]
• 90 Minutes Live, "Gzowski interviews Iggy Pop", Peter Gzowski, March 11, 1977, [8]
• Annoyance (zine), "Interview from Annoyance zine", Anthony, late 1994, [9], interview with Lance Hahn of J Church by Anthony of Annoyance Zine, also check out the other articles on the J Church website
• The Rebel Yell, "Pop-punk at its finest", Amy Meyer, April 24, 2006, [10], the band Ryan's Hope is reviewed, The Rebel Yell is the official student newspaper for the University of Nevada, Las Vegas, Ryan's Hope is from IL
• The Pitt News, "Pop-punk act shines brightest when its chugging guitars halt", Michael Mastrianna, July 11, 2006, [11], reviews Cartel's album Chroma,
• New York Times, "A Week When Punk Rules on MTV", Kelefa Sennah, January 16, 2003, [12], The Donnas, The Used, MTV, Avril Lavigne, Green Day, blink-182, opposition, separatism, Good Charlotte, The Osbournes, Kelly Osbourne, Simple Plan, New Found Glory
• New York Times, "Punk's Earnest New Mission", Michael Azerrada, January 4, 2004, [13], suicide, Good Charlotte, blink-182, Smash Mouth, Green Day, Nirvana, suicide prevention
• New York Times, "ROCK REVIEW; R.E.M., On Tour, Revisits Its Roots", Jon Pareles, October 6, 2003, [14], quote "In a 21st-century pop sphere of hip-hop and pop-punk, R.E.M. now sounds almost rootsy, tied to its Southern heritage.", R.E.M. tour review
• New York Times, "Reveling in Punk's History And a Few Subtle Variations", Ben Ratliff, July 28, 1997, [15], reviews the 3rd annual Vans Warped Tour, notes punk/hardcore punk/and ska-punk, the Descendents
• New York Times, "Two Jams (Pearl and Traffic) for One Price", Jon Pareles, September 30, 1996, [16], cites Fastbacks as a pop punk band
• New York Times, "2 Performers Show Why They Split", Neil Strauss, August 3, 1996, [17], describes The Replacements' early sound as pop punk
• New York Times, "POP REVIEW; Knowing Just How Hard It Is to Be a Teen-Ager, Neil Strauss, April 18, 1996, [18], reviews No Doubt, H20, and Waterdog (which is described as pop punk)
• New York Times, "Sounds Around Town; Pairing Punk Rockers", Neil Strauss, November 24, 1995, [19], describes Rocket from the Crypt as pop punk fused with horns, also mentions The Peechees
• New York Times, "ROCK REVIEW; Making Speedy, Bratty Punk Popular", Jon Pareles, November 15, 1995, [20], reviews Green Day's show at the Nassau Coliseum, describes the music, fans, and performance, notes punk in arena-sized venues, presence of both punk kids, young girls, and parents, cites Nirvana as smashing the pop-punk barrier, contrasts with Green Day's style
• New York Times, "POP REVIEW; When It's Dangerous to Sing", Neil Strauss, October 31, 1995, [21], reviews a Jawbreaker/Jaw box show, article refers to both bands as pop punk (pop-punk), compares and contrasts the bands, signals toward the divergent tendencies within the genre
• New York Times, "POP REVIEW; Scream-Along Punk That's Enough to Wilt Mohawks", Neil Strauss, October 28, 1995, [22], recalls a Rancid performance, mentions Green Day, discusses Rancid's music within punk context, mentions The Clash, and Social Distortion (Mike Ness) which is called pop punk (pop-punk)
• New York Times, "POP REVIEW; Lollapalooza, as Usual, Goes Its Own Way", Neil Strauss, August 8, 1994, [23], reviews Lollapalooza, calls Green Day songs pop-punk
• New York Times, Review/Pop; English Band Attacks Lies Danceably, Jon Pareles, April 1, 1991, [24], article describes the English band EMF (who wrote the arena rock song "Unbelievable"), as, quote, "It's the latest version of a danceable bottom with a rock superstructure, using choppy hip-hop drumming, concise pop-punk riffs and James Atkin's hoarse, sullenly belligerent vocals, often denouncing other people's lies.", this is an early use of the term "pop-punk" and is interesting especially since it describes the guitar sound of a new British band, they do have some attributes of a pop punk band, read their bio and reference other connections, such as Andrew "Dice" Clay
• New York Times, "Opera: Sellars's 'Giovanni'", Friday July 17, 1987, Donal Henahan, Weekend Desk, Late City Final Edition, Section C, Page 3, Column 1, 892 words, [25], direct quote; "Mr. Sellars's pop-punk scenario and the score's...", also "YOU remember Mozart's Don Giovanni. That's the opera in which the Don Juan of the slums interrupts his singing of the Champagne Aria to take a heroin hit in the arm from his pimp and connection, Leporello. Donna Anna also requires a quick needle during her Non mi..."
• New York Times, "Cabaret: Tom Petty's Pop Punk Rock Evokes Sounds of 60's", (author?), March 9, 1977, page 68, [26], pop punk rock attributed to Tom Petty, wow this is a really early mention of pop punk (rock), direct quote: "Tom Petty and the Heartbreakers, who are opening for Roger McGuinn at the Bottom Line through tonight, are a classic instance of that increasingly common phenomenon, the 1970's pop-punk-rock band with a strong feeling for the diverse sounds of the 60's. Dwight Twilley (also on Mr. Petty's record label, Shelter) and the Raspberries come to the mind, right off. Everything is executed with precision and..."
• New York Times, NO TITLE, "The Week In Review", (Table of Contents 5), (author?), December 29, 1977. page 21, page 37, [27], dont know what this is but evidently there is a mention of (pop-punk) here
• New York Times, "BRITAIN'S NEW POP-SYNTHETIC BANDS", Robert Palmer, March 7, 1982, [28], quote: "Pete Shelley, who used to lead the punk-pop band Buzzcocks", also quote, "Pete Shelley makes music that recalls his work with his old group, the Buzzcocks, at every turn. His expressive singing has the same emotional resonances, and he is still writing tunes that combine the melodic appeal of bubblegum pop with the rhythmic urgency of punk. But because he is using synthetic instruments rather than a band, the rhythmic edge of his material is somewhat blurred.", article focuses on British electro-pop bands
• New York Times, "CRITICS' CHOICES; Jazz/Pop", Robert Palmer, November 8, 1987, [29], direct quote: "That Petrol Emotion has made two lively albums of supercharged guitar-band rock-and-roll. Four of the musicians are Irish; the singer is an American. The band's two guitarists were members of the Undertones, an outstanding Irish punk-pop band of the late 70's, but That Petrol Emotion isn't trading on past associations. The music is ferociously fresh, with guitars slashing away over a funk-inflected rhythm section. The group will be at the Ritz, 11th Street between Third and Fourth Avenues, on Friday.", article refers to The Undertones as a punk-pop band
• New York Times, "Rock: Petrol Emotion", Jon Pareles, November 16, 1987, [30], reviews That Petrol Emotion performance at The Ritz, mentions The Undertones (punk-pop) and also the NY band Television
• New York Times, "RECORDINGS VIEWS;Three Acts Try to Build on Their Laurels", Jon Pareles, October 8, 1995, [31], article discusses Green Day days before the release of "Insomniac", a really good in-depth article
• AZCentral, "Pop-punk's Mexican Moment", Ayala Ben (Billboard), September 25, 2006, [32]

• New York Times,
• New York Times,
• New York Times,
• New York Times,
• New York Times,
• New York Times,
• New York Times,
• New York Times,
• New York Times,
• New York Times,
• New York Times,

Blogs and online exclusive dated articles

• Blogcritics.org, "Pop Punk On the Rise?", Eric Olson, January 16, 2003, [33], mentions MTV, NY Times, Kelefa Sennah, The Donnas, The Used, Simple Plan, Good Charlotte, New Found Glory, Jimmy Eat World
• Blogcritics.org, "Has Pop Punk Grown Up?", Chip Ross, November 22, 2004, [34], mentions Green Day, Good Charlotte, Simple Plan, Sum 41,
• Inmusicwetrust.com, "INTERVIEW: The Jimmies; Pop-Punk's Saving Grace", Alex Steininger, Issue 31, June 2000, [35]
• Inmusicwetrust.com, "INTERVIEW: Good Riddance; Pop-Punk Band", Crystofer Paules, Issue 26, December 1999, [36]

References with unknown publisher sourced from credible website

• Swans interview, by Michael Moynihan, 1996, with Michael Gira, mentions Bruce Kalberg, [37], where was this published?