This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourcedmust be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page.
This article is rated Start-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects:
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article is within the scope of WikiProject Industrial, a collaborative effort to improve the coverage of Industrial music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.IndustrialWikipedia:WikiProject IndustrialTemplate:WikiProject IndustrialIndustrial music articles
I concur it could do some, though multiple chart hits is prima facie evidence of notability. Google Books has good refs for the chart placings (scans of Billboard) but little else. (Surely there were contemporary interviews or articles.) Is there somewhere it could usefully be redirected? Beale notes in his blog post that Sebastian was actually the musical guy ... - David Gerard (talk) 04:54, 24 May 2016 (UTC)[reply]
There is also a notability concern on the Power of Seven (publisher) page — which, i suppose, means that the information could be referenced and described here. Seems a little clumsy, but probably better than moving everything to a Paul Sebastien page. Following the trail through publishers Beatnik Inc. and Headspace doesn't help much, as they both seem to have been purposed by Thomas Dolby as little more than labels for consortial distribution and not aggrandized entities. — JamesEG (talk) 14:12, 6 August 2017 (UTC)[reply]
