Talk:Temples of the Earthbound Gods

Page contents not supported in other languages.
From Wikipedia, the free encyclopedia

Wiki Education Foundation-supported course assignment[edit]

This article is or was the subject of a Wiki Education Foundation-supported course assignment. Further details are available on the course page. Student editor(s): Phong20.

Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 04:05, 18 January 2022 (UTC)[reply]

Response for the 2/2/18 proposal for deletion[edit]

This article meets the notability requirements for books in two ways. First, it is the subject of two non-trivial, independent reviews published in sources. Second, it was published by the University of Texas Press, a well-known academic press.

Wikipedia Book Project[edit]

Lead[edit]

Relating Brazilian and Argentinian culture with stadiums, Gaffney conducted an analysis of effects of stadiums in changes in culture. Gaffney described stadiums as "historical, economic, political, sociocultural, technological, and globalizing processes as they are expressed on the local level."[1] The book guides through the history of stadiums in general also in Brazil and Argentina. Through Gaffney, stadiums were considered as portrayals of changes. [2]

References

  1. ^ Temples of the Earthbound Gods Stadiums in the Cultural Landscapes of Rio de Janeiro and Buenos Aires By Christopher Thomas Gaffney. ISBN 9780292718807.
  2. ^ Temples of the Earthbound Gods Stadiums in the Cultural Landscapes of Rio de Janeiro and Buenos Aires By Christopher Thomas Gaffney. ISBN 9780292718807.

Synopsis[edit]

Gaffney's argument for stadiums is that they tell their own stories. Development and diffusion of sport and stadiums correlate with "political, economic, and geographic processes".[1] When soccer was first introduced in Brazil, it brought cultural influence as well. The popularity of soccer grew as lower or working-class started to play soccer in various ways. As a result, soccer became "civilizing mechanism"[2], leading stadium to become a space of socializing. The author argues stadiums communicate over time and space. They are transformants, monuments, and hubs of the city.