Talk:Wilhelmine Schröder-Devrient

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Assessment comment[edit]

The comment(s) below were originally left at Talk:Wilhelmine Schröder-Devrient/Comments, and are posted here for posterity. Following several discussions in past years, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section.

A short article. A bit from EB1911, but it needs citations to indicate where the rest comes from. As far as the text, it is almost a stub. It needs an infobox. Bob Burkhardt (talk) 16:59, 19 February 2009 (UTC)[reply]

Last edited at 16:59, 19 February 2009 (UTC). Substituted at 10:34, 30 April 2016 (UTC)

Regarding Richard Wagner[edit]

Before he had completed Die Feen, which was never performed during his lifetime, Wagner's disillusionment with the prevailing style of German gothic-horror romanticism had begun. In the theatre at Würzburg he had been exposed to recent Italian operas and, though be affected to despise the simple orchestration of The Italians and their apparently casy access to melody, he could see that, aesehetically, their operatic style was obviously superior to the labored pedantry of what was being composed in Germany. He returned to Laipzig early in 1834, and there in March be attended a performance of Bellini's I Capuleti ed i Montecchi in which his idol Schröder-Devrient sang the role of Romeo. Source - Wagner and his world, by Charles Osborne Page 15, last paragraph. 204.115.126.10 (talk) 15:38, 15 September 2023 (UTC)[reply]