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You will be compiling your bibliography and creating an outline of the changes you will make in this sandbox.


Bibliography

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Leesti, Elizabeth. (1989). "The Pentecost Illustration in the Drogo Sacramentary". Gesta: Journal of the International Center of Medieval Art. Vol 28, No. 2, pp. 208.

This article discusses the detailed illustration of Pentecost in the Drogo Sacramentary. As it is published in an academic journal, it provides reliable and well-researched insights into the art and iconography of the manuscript. This source is available for free through some library systems or educational databases.

Simon, Sonia Chalif. (1975). Studies on the Drogo Sacramentary: Eschatology and the Priest-King. Doctoral Dissertation, Boston University.

Simon’s dissertation is a thorough academic analysis of the Drogo Sacramentary, focusing on its theological and eschatological dimensions. As this dissertation is available for free through open access university libraries, it is a key resource for understanding the religious significance of the manuscript.

Meader, Laura. (February 22, 2022). "Sonia Chalif Simon, Art Historian and Professor Emerita, Dies at 96". Colby News. Available at Colby College’s website: https://www.colby.edu/news/

This obituary highlights Simon’s contribution to the study of medieval art, specifically her work on the Drogo Sacramentary. It provides context about her academic contributions and is freely available online.

Chazelle, Celia. (2001). "The Crucified Christ in the Carolingian Era: Theology and Art in the Drogo Sacramentary". Church History, Vol 70, No. 3, pp. 319-345. Available via JSTOR Open Access: https://www.jstor.org/stable/3654493

This academic article discusses the depiction of Christ in the Drogo Sacramentary and its theological underpinnings, particularly in relation to the manuscript's crucifixion iconography. This source is freely available via JSTOR Open Access.

References

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Outline of proposed changes

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Click on the edit button to draft your outline.

Introduction Section:

Add more information about the Drogo Sacramentary’s historical context, emphasizing its creation for Drogo, Bishop of Metz, in the mid-9th century. Reference Leesti (1989) and Simon (1975) to establish the connection between Drogo’s patronage and the Carolingian Renaissance, which will provide historical depth and context that is currently lacking.

Iconography Section:

Expand on the iconography of the manuscript, especially the depiction of Christus patiens in the Crucifixion scene. Utilize Simon’s (1975) dissertation and Chazelle (2001) to explain the theological meaning behind these depictions. This will enhance the article by providing an in-depth art historical and theological analysis of the Drogo Sacramentary's most notable imagery.

Liturgical Use Section:

Add a new section on the sacramentary’s liturgical function, detailing how it was used in Mass by Bishop Drogo. Reference Leesti (1989) and Simon (1975) to describe the manuscript’s purpose and how it differs from other liturgical books of its time. This fills in a content gap by connecting the manuscript to its religious use, providing a more complete understanding of its importance.

Theological and Eschatological Themes Section:

Introduce a section that explores the eschatological themes in the manuscript, as analyzed in Simon’s (1975) dissertation. This section will explain how the images reflect theological ideas of the afterlife and judgment, adding depth to the article by examining the broader spiritual implications of the artwork.

Physical Description Section:

Expand the description of the manuscript’s dimensions, materials, and folios. This will provide readers with a better understanding of the manuscript’s physical properties, enhancing their comprehension of its luxurious craftsmanship. Use Simon (1975) for these details, as this dissertation includes a thorough examination of the manuscript's construction.

Notability and Artistic Value Section:

Create a dedicated section that emphasizes the manuscript’s notability and its place in the history of medieval art. Use Chazelle (2001) and Leesti (1989) to discuss why the Drogo Sacramentary is considered a masterpiece of Carolingian art, highlighting its artistic significance and lasting impact. This will improve the article by offering a well-rounded evaluation of the manuscript's legacy.