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ToneScript

From Wikipedia, the free encyclopedia

ToneScript is a description syntax for the characteristics of call-progress tones.

A call progress tone is a pattern of audible tones played to the caller in a telephone call, conveying the status of the call. ToneScript describes the pattern of frequency, cadence, and level of the signal. Many Internet telephony devices support configuration options for users to customize the tones, but standard patterns are provided for various telephone administrations. ToneScript is used in Sipura, Linksys and Cisco family of IP telephony products.

Format

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  • A ToneScript syntax may have at most 120 characters.
  • A calling tone may use up to 6 frequency components where
  • A cadence section indicates its Duration followed by up to 6 subsections in parentheses. A subsection consists of an ON duration (* for always on), an OFF duration and the list of frequency components used in that subsection.
  • A FreqScript is a sequence of frequencies in hertz and their corresponding levels in dBm
    @@
  • A Tone Script has a frequency specification and one or two cadence sections.

Examples

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  • 350@-19,440@-19;10(*/0/1+2)
    Contains 2 frequency components
    Frequency component 1 is 350 Hz at -19 dBm
    Frequency component 2 is 440 Hz at -19 dBm
    There is 1 Cadence Section
    In this section, The duration is 10 seconds and the tone has only 1 subsections
    In the only subsection the tone is always on, off for 0 seconds, and composed of both the Frequency components 1 and 2 (350 Hz and 440 Hz)
  • 350@-19,440@-19;2(.2/.2/1+2);10(*/0/1+2)
    Contains 2 frequency components
    Frequency component 1 is 350 Hz at -19 dBm
    Frequency component 2 is 440 Hz at -19 dBm
    There are two Cadence Sections
    In the first Cadence Section, The duration is 2 seconds and the tone has only 1 subsections
    In the only subsection the tone is on for 0.2 seconds, off for 0.2 seconds, and composed of both the Frequency components 1 and 2 (350 Hz and 440 Hz)
    In the second Cadence Section, The duration is 10 seconds and again the tone has only 1 subsections
    In the only subsection the tone is always on, off for 0 seconds, and composed of both the Frequency components 1 and 2 (350 Hz and 440 Hz)
  • 349@-21,392@-21,440@-21,466@-21,523@-24,540@-24;2.1(.6/0/3,.2/0/2,.7/0/1,.2/0/2,.2/0/3,.3/0/4);30(*/0/5+6)
    Christmas theme dialtone (seven notes of ′The First Noel′ then continuous dialtone for 30 seconds)
    Contains 6 frequency components
    Frequency components are 349, 392, 440, 466, 523 and 540 Hz (five musical notes) plus a beat frequency tone mix to give a warble dialtone beat thereafter.
    There are two Cadence Sections
    In the first Cadence Section, the total duration is 2.1 seconds and the tone has 6 subsections with timing set for music.
    The tones are turned on and off to give the ′notes′ of the familiar Christmas carol.
    In the second Cadence Section, the duration is 30 seconds. It combines tones 5 and 6 to give the last note and the familiar 17 Hz beat of dialtone.
  • 392@-19,440@-19,494@-19,294@-19,457@-19;3.5(.7/0/4,.8/0/1,.6/0/1,.5/0/3,.7/0/2,.2/0/1);30(*/0/2+5)
    New Year theme dialtone (four notes of ′Auld Lang Syne′ then continuous dialtone for 30 seconds)
    Contains 5 frequency components
    Frequency components are 392, 440, 494, 292 and 457 Hz (four musical notes) plus a beat frequency tone mix to give a warble dialtone beat thereafter.
    There are two Cadence Sections
    In the first Cadence Section, the total duration is 3.5 seconds and the tone has 6 subsections with timing set for music.
    The tones are turned on and off to give the ′notes′ of the familiar New Year's Eve tune.
    In the second Cadence Section, the duration is 30 seconds. It combines tones 4 and 5 to give the last note in the familiar 17 Hz beat of dialtone.

North American tones

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Name ToneScript
Dial tone 350@-19,440@-19;10(*/0/1+2)
Second dial tone 350@-19,440@-19;10(*/0/1+2)
Outside dial tone 450@-19,550@-19;10(*/0/1+2)
Prompt tone 520@-19,620@-19;10(*/0/1+2)
Busy tone 480@-19,620@-19;10(.5/.5/1+2)
Reorder tone 480@-19,620@-19;10(.25/.25/1+2)
Howler/off-hook warning tone 480@-10,620@0;10(.125/.125/1+2)
Audible ringing 440@-19,480@-19;*(2/4/1+2)
Confirm tone 600@-16;1(.25/.25/1)
Special information tone SIT1 985@-16,1428@-16,1777@-16;20(.380/0/1,.380/0/2,.380/0/3,0/4/0)
Special information tone SIT2 914@-16,1371@-16,1777@-16;20(.274/0/1,.274/0/2,.380/0/3,0/4/0)
Special information tone SIT3 914@-16,1371@-16,1777@-16;20(.380/0/1,.380/0/2,.380/0/3,0/4/0)
Special information tone SIT4 985@-16,1371@-16,1777@-16;20(.380/0/1,.274/0/2,.380/0/3,0/4/0)
MWI dial tone 350@-19,440@-19;2(.1/.1/1+2);10(*/0/1+2)
Call forward dial tone 350@-19,440@-19;2(.2/.2/1+2);10(*/0/1+2)
Holding tone 600@-19;*(.1/.1/1,.1/.1/1,.1/9.5/1)
Conference call tone 350@-19;20(.1/.1/1,.1/9.7/1)
Call waiting tone 440@-10;30(.3/9.7/1)

Australian tones

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Name ToneScript
Dial tone 400@-19,425@-19;20(*/0/1+2)
Busy tone 425@-19;30(.375/.375/1)
Reorder tone 425@-19,425@-29;60(.375/.375/1,.375/.375/2)
Ringback tone 413@-19,438@-19,0@-19;*(.4/.2/1+2,.4/.2/1+2,0/2/3)
Confirm tone 425@-16;2(1/1/1)
MWI dial tone 400@-19,425@-19;20(.100/.040/1+2)
Cfwd dial tone 425@-19;20(*/0/1)
Conference tone 525@-16;2.5(.3/0/3,1/1/1)
Call waiting tone 425@-25,0@-25;30(.2/.2/1,.2/.2/1,0/4.4/3)

Ireland tones

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Name ToneScript
Dial tone (ETSI standard) 425@-17;60(*/0/1)
Second dial tone 335@-19,425@-19;45(*/0/1+2)
Busy tone (ETSI standard) 425@-19; 30(0.5/0.5/1)
Reorder tone (ETSI standard) 425@-19; 30(.2/.2/1)
Ringback tone (same as UK, NZ etc.) 400@-19,450@-19;*(.4/.2/1+2,.4/.2/1+2,2/0/0)
Special information tone SIT (ETSI standard) 950@-16,1400@-16,1800@-16;20(.330/0/1,.330/0/2,.330/0/3,0/1/0)
MWI dial tone 425@-19;2(.1/.1/1);58(*/0/1)
Call forward dial tone 400@-16,432@-18;30(0.4/0/1,0.4/0/2)
Call waiting tone 425@-19;30(.3/9.7/1)
Confirm tone / routing tone 425@-19;1.5(0.06/0.06/1);
Prompt tone 335@-19,425@-19;20(*/0/1+2)

(ETSI standard) is indicated where tones are in compliance with European Telecommunications Standards Institute recommendations.

References

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