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Initial Addition Megamusical

A megamusical is a large-scale musical with intent for even larger commercial profit. Some of its synonyms are “spectacle show,” “blockbuster musical,” or “extravaganza.” Megamusicals tend to be set in the distant past and cover broad, universal issues that large audiences are likely to respond/relate to (Sternfeld). Megamusicals are known for “big” elements. The plot is generally large in scope and lofty. Usually, the musical covers a wide breadth of emotions; at some point there will probably be tears on stage, and in the audience. Following the plot are large, moving sets and big choreography with ensemble chorus numbers. However, a megamusical tends to undermine the plot to give ample attention to the physical aspects like the set, costumes, and choreography (Siropoulos). Often, critics and scholars liken megamusicals to opera because there is a similar need for/presence of spectacle. Non-artistic elements also tend to be large. Megamusicals tend to me mega-marketed as well. The marketing for a megamusical is very intense and costly (Sternfeld). Another key ingredient to being a megamusical is the commercial aspect; whether or not the musical will be a hit in the box office. Generally, a megamusical is expected to be a financial success (Rebellato).

Works Cited GTH III

Burston, J. "The Megamusical: New Forms and Relations in Global Production." Unpublished PhD, University of London(1998).

Burston, Jonathan. "Enter, stage right: Neoconservatism, English Canada and the megamusical." SOUNDINGS-LONDON-LAWRENCE AND WISHART- (1997): 179-190.

Dossett, Gloria. "The Megamusical." Theatre Topics 17.2 (2007).

Edney, Kathryn. “The Megamusical.” Journal of Popular Culture, vol. 40, no. 4, 2007.

Everett, William A. "The Mega-Musical as Transcultural Phenomenon." The New Europe at the Crossroads (1999): 55.

Frankel, Aaron. Writing the Broadway musical. Perseus Books Group, 2000.

Prece, Paul, and William A. Everett. "The Megamusical and Beyond: The Creation, Internationalization and Impact of a Genre." The Cambridge Companion to the Musical (2002): 246-65.

Rebellato, Dan. "Does mega-musical boom mean theatre’s bust." The Guardian 18 (2011).

Replogle, Holley Dawn. Crossover and spectacle in American operetta and the megamusical. University of California, Los Angeles, 2009.

Rostosky, Arreanna. “Reconsidering the “Golden Age” Narrative for the American Musical in the New Millennium.” 2017, p. 212.

Mervyn Rothstein. “On Broadway, Spectacles Raise the Stakes.” New York Times (1923-Current File), 8 Jan. 1989, p. H1.

Siropoulos, Vagelis. "Evita, the Society of the Spectacle and the Advent of the Megamusical." Image & Narrative 11.2 (2010): 165-176.

Siropoulos, Vagelis. "Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical." Image & Narrative 11.3 (2010): 128-145.

Siropoulos, Vagelis. “Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism.” Studies in Musical Theatre, vol. 5, no. 1, 2011, pp. 13–34.

“Spectacles of the 1980s.” The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig, University of Michigan Press, Ann Arbor, 2010, p. 130.

Sternfeld, Jessica. The Megamusical: Revolution on Broadway in the 1970s and 80s. Diss. Princeton University, 2002.

This is my Wikipedia sandbox editing page.

Aoifemahood (talk) 22:39, 10 September 2017 (UTC)

On my sandbox page I will practice different wikipedia linking styles and wiki coding.

Works Cited

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Chelkowski, Peter J. Eternal Performance: Taziyeh and Other Shiite Rituals. Seagull, 2010.

Chelkowski, Peter J. Ta'ziyeh: Ritual and Drama in Iran, NYU Press, 1979.

Dabashi, Hamid. “Taziyeh as Theatre of Protest.” TDR/The Drama Review, vol. 49, no. 4, 2005, pp. 91–99.

Emami, Iraj. The Evolution of Traditional Theatre and the Development of Modern Theatre in Iran, University of Edinburgh, September 1987.

Isaloo, Amin Sharifi. Power, Legitimacy and the Public Sphere: the Iranian ta'ziyeh theatre ritual, Routledge, 2017.

Kreyenbroek, Philip G. and Marzolph, Ulrich. A History of Persian Literature: Oral Literature of Iranian Languages, vol. 2, I.B. Taurus & Co. Ltd, 2010, New York.

Vanzan, Anna. “Ta'Ziyeh in Parma.” TDR: The Drama Review, vol. 49, no. 4, 2005, pp. 24–25.

Zarilli, Phillip B, et al. Theatre Histories: An Introduction. 1st ed., Routledge, 2006.