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Legacy and influence[edit]

See also: List of awards and nominations received by Janet Jackson and Janet Jackson as gay icon

revision[edit]

Despite being born into a family of musicians whose rose to superstardom prior to signing her first recording contract, Janet Jackson has developed into one of the world's most prominent cultural figures, having striven to distance her professional career from that of her older brother Michael and the rest of the Jackson family. Throughout her recording career, one of her common conditions for interviewers has been that there would be no mention of Michael.[1] Regarded as a "superstar" in her own right, Steve Huey of Allmusic asserts her prominence has rivaled not only several female recording artists including Madonna and Whitney Houston, but also her brother, while "successfully [shifting] her image from a strong, independent young woman to a sexy, mature adult" over the course of her career.[2] Joshua Klein wrote, "[f]or the first half of her recording career, Janet Jackson sounded like an artist with something to prove. Emerging in 1982 just as big brother Michael was casting his longest shadow, Jackson filled her albums not so much with songs as with declarations, from 'The Pleasure Principle' to the radical-sounding 'Rhythm Nation' to the telling statement of purpose, 'Control'."[3] Klein argued that "stardom was not too hard to predict, but few could have foreseen that Janet—Miss Jackson, if you're nasty—would one day replace Michael as true heir to the Jackson family legacy."[3] Her catalog has also been argued to be more substantive than Michael's.[4][5]

Breaking both gender and racial barriers in the recording industry, she has been credited with offering an alternate model on professional autonomy for women to that of Madonna.

Jackson has been referenced by a number of honorific nicknames throughout her career, including "Queen of R&B",[6] "Queen of Radio",[7] "Princess of Pop",[8] and "Queen of Pop".[9][10]

current[edit]

The youngest sister of the "precious Jackson clan",[11] Janet Jackson has striven to distance her professional career from that of her older brother Michael and the rest of the Jackson family. Steve Dollar of Newsday wrote that "[s]he projects that home girl-next-door quality that belies her place as the youngest sibling in a family whose inner and outer lives have been as poked at, gossiped about, docudramatized and hard-copied as the Kennedys."[12] Phillip McCarthy of The Sydney Morning Herald noted that throughout her recording career, one of her common conditions for interviewers has been that there would be no mention of Michael.[13] Joshua Klein wrote, "[f]or the first half of her recording career, Janet Jackson sounded like an artist with something to prove. Emerging in 1982 just as big brother Michael was casting his longest shadow, Jackson filled her albums not so much with songs as with declarations, from 'The Pleasure Principle' to the radical-sounding 'Rhythm Nation' to the telling statement of purpose, 'Control'."[3]

Steve Huey of Allmusic asserted that despite being born into a family of entertainers, Janet Jackson has managed to emerge a "superstar" in her own right, rivaling not only several female recording artists including Madonna and Whitney Houston, but also her brother, while "successfully [shifting] her image from a strong, independent young woman to a sexy, mature adult".[14] By forging her own unique identity through her artistry and her business ventures, she has been esteemed as the "Queen of Pop".[9][15] Klein argued that "stardom was not too hard to predict, but few could have foreseen that Janet—Miss Jackson, if you're nasty—would one day replace Michael as true heir to the Jackson family legacy.".[3]

Jackson has also been recognized for playing a pivotal role in crossing racial boundaries in the recording industry, where black artists were once considered to be substandard.[16] Author Maureen Mahon states: "In the 1980s, Whitney Houston, Michael Jackson, Janet Jackson, and Prince were among the African American artists who crossed over ... When black artists cross over into pop success they cease to be black in the industry sense of the word. They get promoted from racialized black music to universal pop music in an economically driven process of racial transcendence."[17] The Routledge International Encyclopedia of Women: Global Women's Issues and Knowledge documented that Jackson, along with other prominent African-American women, had achieved financial breakthroughs in mainstream popular music, receiving "superstar status" in the process.[18]

She, alongside her contemporaries "offered viable creative, intellectual, and business paths for establishing and maintaining agency, lyrical potency, marketing and ownership".[19] Her business savvy has been compared to that of Madonna, gaining a level of autonomy which enables "creative latitude and access to financial resources and mass-market distribution".[20][21] A model of reinvention, author Jessie Carney Smith wrote that "Janet has continued to test the limits of her transformative power", receiving accolades in music, film and concert tours throughout the course of her career.[22]

Musicologist Richard J. Ripani identified Jackson as a leader in the development of contemporary R&B, as her music created a unique blend of genre and sound effects which ushered in the use of rap vocals into mainstream R&B.[23] He also argues her signature song "Nasty" influenced the new jack swing genre developed by Teddy Riley.[23] Leon McDermott of the Sunday Herald wrote: "Her million-selling albums in the 1980s helped invent contemporary R&B through Jimmy Jam and Terry Lewis's muscular, lean production; the sinuous grooves threaded through 1986's Control and 1989's Rhythm Nation 1814 are the foundation upon which today's hot shot producers and singers rely."[24] On March 24, 2021, the Library of Congress announced that Janet Jackson's Rhythm Nation 1814 had been added to the National Recording Registry's class of 2020, stating that the album still "resonates today".[25]

Simon Reynolds described Jackson's collaborations with her record producers as a reinvention of the dance-pop genre, introducing a new sonic palate.[26] Den Berry, Virgin Records CEO and Chairman stated: "Janet is the very embodiment of a global superstar. Her artistic brilliance and personal appeal transcend geographic, cultural and generational boundaries."[27] In July 1999, she placed at number 77 on VH1's "100 Greatest Women of Rock and Roll".[28] She also placed at number 134 on their list of the "200 Greatest Pop Culture Icons of All Time",[29] number seven on the "100 Greatest Women In Music",[30] and at number two on the "50 Greatest Women of the Video Era", behind Madonna.[31]

In March 2008, Business Wire reported "Janet Jackson is one of the top ten selling artists in the history of contemporary music; ranked by Billboard magazine as the ninth most successful act in rock and roll history, and the second most successful female artist in pop music history."[32] She is the only female artist in the history of the Hot 100 to have 18 consecutive top ten hit singles, from "Miss You Much" (1989) to "I Get Lonely" (1998).[33] The magazine ranked her at number seven on their Hot 100 50th Anniversary "All-Time Top Artists", making her the third most successful female artist in the history of the chart, following Madonna and Mariah Carey.[34]

In November 2010, Billboard released its "Top 50 R&B / Hip-Hop Artists of the Past 25 Years" list and ranked her at number five.[35] She ranks as the top artist on the chart with 15 number ones in the past twenty-five years, garnering 27 top ten hits between 1985 and 2001, and 33 consecutive top 40 hits from 1985 through 2004.[35] Recipient of eleven Billboard Music Awards,[36] she is one an elite group of musical acts, such as Madonna, Aerosmith, Garth Brooks and Eric Clapton, whom Billboard credits for "redefining the landscape of popular music".[33][37]

In November 2014, Jackson was voted 'Queen of Pop' by a poll conducted online by VH1.com.[38] In October 2015, she received her first nomination for induction into the Rock and Roll Hall of Fame and four years later was inducted to the Hall.[39] Jackson's music and choreography have inspired numerous performers. Virgin Records executive Lee Trink expressed: "Janet is an icon and historic figure in our culture. She's one of those gifted artists that people look up to, that people emulate, that people want to believe in ... there's not that many superstars that stand the test of time."[40]

Sarah Rodman of the Boston Herald remarked: "For every hand-fluttering, overwrought, melisma addict out there aping Mariah's dog calls, there's an equal number trying to match Jackson's bubbling grooves and fancy footwork, including Britney Spears, Aaliyah and Destiny's Child."[41] Music critic Gene Stout commented she "has so broadly influenced a younger generation of performers, from Jennifer Lopez ... to Britney Spears, who has copied so many of Jackson's dance moves."[42] 'N Sync and Usher have credited her for teaching them how to develop stage show into theatrical performance.[43][44] Kesha,[45] Toni Braxton,[46] Aaliyah,[47] Britney Spears,[48] Christina Aguilera,[49] Crystal Kay,[50] Kelly Rowland,[51] Rihanna,[52] Brazilian singer Kelly Key,[53] and Christine and the Queens[54] have all named her an inspiration, while others such as Rozonda "Chilli" Thomas of TLC,[55] Cassie,[56] Nicki Minaj,[57] Keri Hilson,[58] and DJ/singer Havana Brown,[59] have all expressed desire to emulate her.

Elysa Gardner of USA Today wrote: "Jackson claims not to be bothered by the brigade of barely post-adolescent baby divas who have been inspired by—and, in some cases, have flagrantly aped—the sharp, animated choreography and girlish but decidedly post-feminist feistiness that have long been hallmarks of her performance style."[60] Adrienne Trier-Bieniek stated "scholars trace the origins of pleasure as a Black feminist commitment within popular culture to Janet Jackson" who inspired the feminist perspective found in many pop stars' careers.[61] Those who are considered to have followed in her footsteps have been referred to as "Janet-come-lately's".[62][63]

Other artists who have drawn comparison to her include Mýa,[64] Brandy,[65] Tatyana Ali,[66] Christina Milian,[67] Lady Gaga,[68] Namie Amuro,[69] and BoA.[70] Sociologist Shayne Lee commented that "[a]s Janet enters the twilight of her reign as erotic Queen of Pop, Beyoncé emerges as her likely successor."[71] Joan Morgan of Essence magazine remarked: "Jackson's Control, Rhythm Nation 1814 and janet. established the singer-dancer imprimatur standard in pop culture we now take for granted. So when you're thinking of asking Miss Jackson, 'What have you done for me lately?' remember that Britney, Ciara and Beyoncé live in the house that Janet built."[72]

Miss You Much[edit]

"Miss You Much" is a song by American singer Janet Jackson. Composed by songwriters and record producers Jimmy Jam and Terry Lewis, it was recorded for the singer's fourth studio album, Janet Jackson's Rhythm Nation 1814 (1989). As with all tracks for the album, recording took place at Lewis and Jam's Flyte Tyme Studios in Minneapolis, Minnesota. Lyrically, the song narrates a longing to reconnect with a romantic partner after time spent apart.

"Miss You Much" was released as the lead single from Rhythm Nation 1814 on August 22, 1989 by A&M Records. It topped the US Billboard Hot 100 singles chart, becoming the second number one hit of Jackson's career. Spending four consecutive weeks atop the chart, it was the longest running number one single of the year. It is Jackson's third longest running Hot 100 number one single, behind "That's the Way Love Goes" (1993) and "All for You" (2001), which spent eight and seven weeks at number one, respectively. It also topped several Billboard composite charts, including the Hot R&B/Hip-Hop Songs and Dance Club Songs charts. Internationally, the single became a top 40 hit in all territories where it charted. It is certified platinum by the Recording Industry Association of America (RIAA), denoting one millions copies sold in the US alone. The song was covered in the Korean film 200 Pounds Beauty (2006) and has also being sampled by artists such as 50 Cent.

A music video for the song directed by Dominic Sena was produced as part of the long-form Rhythm Nation 1814 film, which aired as a 30-minute special on MTV prior to the album's release. The video for "Miss You Much" functions as the opening segment of Rhythm Nation 1814 and is followed by videos for two other songs from the album, "The Knowledge" and the title-track "Rhythm Nation", to form a complete narrative. As with the other two components of film, "Miss You Much" is shot entirely in black and white. Choreographed by Jackson and Anthony Thomas, the video features a complex dance routine, culminating with a sequence where Jackson and her back-up dancers use chairs as props in conjunction with their performance. Since the video's release, numerous artists have taken inspiration from or replicated the chair routine in their own videos and live performances, including Britney Spears, Usher, Backstreet Boys and Tinashe.

"Miss You Much" received two Grammy Award nominations, and was awarded the Billboard Award for the Top Hot 100 Single of the Year and two American Music Awards. It has been included in each of Jackson's greatest hits albums, Design of a Decade: 1986–1996 (1995), Number Ones (2009) and Icon: Number Ones (2010). Based on changing metrics of how chart performance is evaluated, Billboard magazine listed "Miss You Much" Jackson's all-time biggest Hot 100 hit.[73]

janet.[edit]

Link: Divas duke it out on the charts

Design[edit]

Design of a Decade: 1986–1996 is the first greatest hits album by American recording artist Janet Jackson, released on October 10, 1995 by A&M Records. Although Jackson's self-titled debut album was released in 1982, her rise to superstardom did not occur until the release of her third studio album Control in 1986, which was considered to be a critical and commerical breakthrough for the singer. Accordingly, the compilation album features hit singles released from Control, as well as her fourth studio album Janet Jackson's Rhythm Nation 1814 (1989) and fifth studio album janet. (1993). Additionally, two new songs, "Runaway" and "Twenty Foreplay", were recorded for the album and released as singles.

Background[edit]

Rodney Jerkins (pictured) was producing Jackson's eleventh studio album before production was scrapped by the singer

After releasing her tenth studio album Discipline in 2008, Jackson parted ways with her 14-month label Island Records. A spokesperson for the singer added, "[Jackson] will have autonomy over her career, without the restrictions of a label system... Always known to break new ground and set trends, Janet's departure from Island Records makes her one of the first superstar artists to have the individual freedom to promote their work through a variety of avenues such as iTunes, mobile carriers and other diverse and innovative channels."[74] Mariel Concepcion of Billboard magazine suggested "Jackson would seem to be a natural fit at Live Nation Artists, which is already home to Jay-Z, Nickelback and Shakira."[74] In October 2009, just a month before Jackson released her second compilation album Number Ones, American producer Rodney "Darkchild" Jerkins revealed that they were working together on the singer's eleventh studio album:

Since we've been working … I feel like the studio has become a second home for her because with the whole situation with Michael [Jackson] happening, and I feel like right now, emotionally, she can come here and let all her feelings out. [...] You gotta understand, she lost her brother. She was in a relationship for seven years [with Jermaine Dupri] that's over now. There's things that she told me that I didn't even realize. You know, certain [things] like self-esteem that I didn't even realize that she dealt with for years that, you know. … She's working on her book and she'll deal with that in her book, but also in songs, certain songs we're dealing with that head on. And sometimes it can be a touchy subject for us to even go into, and I kinda had to persuade her, 'Let's just go, let's talk about that.' And she's been doing it, and she's a pro about it.[75]

However, in 2010, Jackson revealed she had scrapped the recorded material with Jerkins, with only a track produced by them, "Nothing", being used as theme for the film Why Did I Get Married Too?. She claimed it was penned a favor for the producer, for "fun". She also revealed, "There have been a lot of record labels that have asked me to sit down and talk with them, but I don't know if I want to do something completely independent, or go with a major".[76] In August 2011, while touring with her Number Ones, Up Close and Personal world tour, the singer stated that she would "go back into the studio later this year or early next. I am not sure what I will be doing yet. I like to be inspired by what is going on in my life at that time".[77] In 2013, she confirmed she was recording a new album and "creating the concept and initial thoughts on the music."[78]

In August 2014, producer and engineer Ian Cross, who worked on her last three studio albums, confirmed to Barefoot Sound magazine that he was working on Jackson's new album, stating, "The new album is going to be great. It's a process. There's a lot in store, yet to come", also saying they worked in recording studios in Qatar, Paris and Middle East. He asserted that he and the singer "had a little bit more of a special relationship because we became friends naturally. You meet a lot of people and you become friends with a couple of them, but sometimes there is one person you become really good friends with. She asked me to work on an album with her called Discipline in 2007 and, again, just do the same thing, produce the vocals. That led to her hiring me full-time to work with her. That's where I'm at now". After Cross' declarations, Jackson herself responded to the rumor, neither confirming nor denying the works, stating: "If there is a new project, you'll hear it from my lips", she tweeted.[79]

"Unbreakable" saw Jackson reunite with long-time producers Jimmy Jam and Terry Lewis, who did not contribute to Jacksons previous project.[80]

Partnership with BMG and launch of Rhythm Nation Records[edit]

Composition and production[edit]

The album opens with the title track "Unbreakable", a mid-tempo R&B song, which describes Jackson's unyielding devotion to her fans. Ryan Reed of Rolling Stone said the song "finds Jackson praising her loyal fan base over a groove built on a breezy vocal sample and thumping bass."[81] Loren DiBlasi of MTV referred to the song as "timeless," stating "'Unbreakable' is classic Janet — angelic vocals delivered with timeless R&B style."[82]

"No Sleeep" is an R&B and quiet storm song,[83][84] which lyrically finds Jackson crooning about a long-distance romance over "soulful" keyboards and programmed drums.[85] Opening with a sample of pouring rain and distant thunder, the first word heard is "plush", followed by Jackson singing the chorus: "You missing me, I'm missing you, whenever we meet, we ain't gonna get no sleep," in her signature breathy soprano.[83]

Release[edit]

On April 22, 2015, she tweeted, "Letting go doesn't mean you stop", after a fan created a mock Missing Persons poster of Jackson which had begun circulating the internet prompting Jackson to retweet it herself, adding to further speculation of a new album.[86] On May 15, 2015, on her 49th birthday, Jackson announced a new album and world tour and stated "I promised you would hear it from my lips. And now you will. This year, new music, new world tour, a new movement. I've been listening. Let's keep the conversation going."[87] It was later announced that she will release her new album in the fall of 2015 under her own record label, Rhythm Nation Records, distributed by BMG Rights Management.[88] The launch of Rhythm Nation marks Jackson as among the few African-American female musicians to establish a record label.[89] In June, she released the album's first single, "No Sleeep". That same month, she teased a track titled "Love", which was later re-titled "2 Be Loved". The song is about how important her fans were to her.[90] On August 20, 2015, she released a preview of a new song "The Great Forever", while also confirming the title of her eleventh studio album as Unbreakable,[91][92] and is set to release on October 2, 2015.[93]

Singles[edit]

The album's first single, titled "No Sleeep", was released on June 22, 2015. In early June, Jimmy Jam tweeted, "Early morning #Plush #NoSL333P #ConversationsInACafe", along with a picture of sheet music in a darkened studio. Fans quickly found out the titles "No SL333P" and "Plush" in the picture.[94] Later, it was leaked a snippet of the song, followed by a countdown on her official website which revealed the song on June 22, 2015.[95][96] The album version of the song features additional verses from American rapper J. Cole. It was released to radio airplay and made available for digital download on July 23, 2015.[97] Jackson's solo version of the single debuted on the Billboard Hot 100 at number 67, marking her 40th entry on the chart. The album version featuring J. Cole enabled it to re-enter the Hot 100 with a new peak position at number 63, while also topping the Adult R&B Songs chart.

Promotion and videography[edit]

To further promote the album, Jackson embarked on the accompanying Unbreakable World Tour in August 2015.[98] Pre-sale tickets were made available exclusively to American Express and Citibank cardlholders prior to general admission tickets going on sale on June 22, 2015.[99] Jackson's forthcoming album was also made available for pre-order, along with vinyl copies of the album's lead single "No Sleeep".[100] On September 19, she will be performing at the iHeartRadio Music Festival at the MGM Grand Garden Arena.[101]

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