Jump to content

User:Bshanaj/sandbox

From Wikipedia, the free encyclopedia

Lysippides Painter Notes(What I am going to write about):

Details of his works. The influences that Exekias had on him. More examples of his works with descriptions. Religious references in work.

Sources:

The Development of Attic Black-figure, Volume 24 by John Davidson Beazly

neck-amphorae based on those of Exekias

The Mastos Painter was a companion

Corinthian and Attic Vases in the Detroit Institute of Arts: Geometric, Black-figure, and Red-figure by Madigan, Brian Christopher

Citations:

John Beazley, The Development of Attic Black-figure, Volume 24. California: University of California Press, 1951

Madigan and Brian Christopher, Corinthian and Attic Vases in the Detroit Institute of Arts: Geometric, Black-figure, and Red-figure. Monumenta Graeca Et Romana: Print/Save 100 pages, 2008

Jasmine's Suggestions(peer edit):

Organize thoughts

put sources in proper citation

add one more source maybe

pictures maybe

Style[edit]

The Lysippides Painter's works consisted of many neck-amphorae that were based on the works of Exekias, his mentor. Lysippides' works however, were simplified compared to those of Exekias. This style actually became very popular in the Archaic Period. Especially showing in the late 6th century and early 5th as his neck-amphorae stand on the front lines of a series of vases.[1] Many of his works were extremely similar to Exekias. A vase in Detroit depicts the mythical Greek hero, Herakles wrestling a lion. This depiction takes after a neck-amphorae version done by Exekias in multiple ways. While there is no saying that Lysippides is the painter. the vase is grouped with his work stylistically in the way it takes after Exekias and that the work narrows all the attention on Herakles' role in the battle rather than the lion's. These elements are strongly associated with the work of the Lysippides Painter.[2] Like most artists during this time, his work contained many religious references of Greek gods and goddesses in his work. Herakles being one of the more popular.

  1. ^ Beazley, John (1951). The Development of Attic Black-figure, Volume 24. California: University of California Press. p. 71.
  2. ^ Madigan, Brian Christopher (2008). Corinthian and Attic Vases in The Detroit Institute of Arts: Geometric, Black-figure, and Red-figure. Monumenta Graeca Et Romana: Print/Save 100 pages. p. 17.