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https://daily.jstor.org/here-we-are-again-how-joseph-grimaldi-invented-the-creepy-clown/
Grimaldi - Lord Byron
As his career progressed, Dickens's fame and the demand for his public readings were unparalleled. In 1868 The Times wrote, "Amid all the variety of 'readings', those of Mr Charles Dickens stand alone."[2] A Dickens biographer, Edgar Johnson, wrote in the 1950s: "It was [always] more than a reading; it was an extraordinary exhibition of acting that seized upon its auditors with a mesmeric possession."[2] Juliet John backed the claim for Dickens "to be called the first self-made global media star of the age of mass culture."[1] Comparing his reception at public readings to those of a contemporary pop star, The Guardian states, "People sometimes fainted at his shows. His performances even saw the rise of that modern phenomenon, the 'speculator' or ticket tout (scalpers) – the ones in New York City escaped detection by borrowing respectable-looking hats from the waiters in nearby restaurants."[3]
- ^ a b "Charles Dickens and Fame vs. Celebrity". JSTOR Daily. Retrieved 11 May 2022.
- ^ a b Cite error: The named reference
Garrattwas invoked but never defined (see the help page). - ^ Shinn, Matt (31 January 2004). "Stage frights". The Guardian. Archived from the original on 4 November 2019. Retrieved 12 September 2019.