User:Colin M/Score Examples
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Examples from Minor scale:
Examples from Cadence (using Image frames):
![{
\new PianoStaff <<
\new Staff <<
\new Voice \relative c'' {
\stemUp \clef treble \key c \major \time 4/4
d2 b c1
}
\new Voice \relative c' {
\stemDown
f2 d e1
}
>>
\new Staff <<
\new Voice \relative c' {
\stemUp \clef bass \key c \major \time 4/4
a2 g g1
}
\new Voice \relative c {
\stemDown
d2 g, c1 \bar "||"
}
>>
>> }](http://upload.wikimedia.org/score/g/c/gcroerrmpczag0xwpghvdyp99duws2k/gcroerrm.png)
Perfect authentic cadence (V–I with roots in the bass parts and tonic in the highest voice of the final chord): ii–V–I progression in C major, four-part harmony (Benward & Saker 2003, p. 90).
![{
\override Score.SpacingSpanner.strict-note-spacing = ##t
\set Score.proportionalNotationDuration = #(ly:make-moment 1/8)
\new PianoStaff <<
\new Staff <<
\relative c'' {
\clef treble \key c \minor \time 4/4
c4-. d-.(\f\trill \grace {c16 d} es4-.) <b d b'>-. <c es c'>
}
>>
\new Staff <<
\relative c' {
\clef bass \key c \minor \time 4/4
c4-. <g b>-. <c, c'>-. <g g'>-. <c, c'>
}
>>
>> }](http://upload.wikimedia.org/score/9/a/9ada7qw2qxzk8m3ixdhqt1u9usme2hh/9ada7qw2.png)
A perfect authentic cadence in Beethoven's Piano Sonata No. 8, mvmt. III, mm. 16–17.
In a perfect authentic cadence (PAC), the chords are in root position...
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![{
\new PianoStaff <<
\new Staff <<
\new Voice \relative c'' {
\stemUp \clef treble \key e \minor \time 4/4
\partial4 a4 b8 a g4 fis e8 fis g4 a b \fermata
}
\new Voice \relative c' {
\stemDown
\partial4 d4 d8 dis e4 dis e8 dis e[ g] fis e dis4
}
\addlyrics { Lord, with _ Thy grace my _ soul _ re - fresh! }
>>
\new Staff <<
\new Voice \relative c' {
\stemUp \clef bass \key e \minor \time 4/4
\partial4 a g8 a b4 b b8 a b4 c fis,
}
\new Voice \relative c {
\stemDown
\partial4 fis4 g8 fis e4 b'8[ a] g fis e d c4 b_\fermata
}
>>
>> }](http://upload.wikimedia.org/score/r/x/rxt194y0gshi7cg7zsektell1zzaoa2/rxt194y0.png)
A Phrygian half cadence in Bach's four-part...
![{
\new PianoStaff <<
\new Staff <<
\new Voice \relative c'' {
\stemUp \clef treble \key e \minor \time 4/4
\partial4 a4 b8 a g4 fis e8 fis g4 a b \fermata
}
\new Voice \relative c' {
\stemDown
\partial4 d4 d8 dis e4 dis e8 dis e[ g] fis e dis4
}
\addlyrics { Lord, with _ Thy grace my _ soul _ re - fresh! }
>>
\new Staff <<
\new Voice \relative c' {
\stemUp \clef bass \key e \minor \time 4/4
\partial4 a g8 a b4 b b8 a b4 c fis,
}
\new Voice \relative c {
\stemDown
\partial4 fis4 g8 fis e4 b'8[ a] g fis e d c4 b_\fermata
}
>>
>> }](http://upload.wikimedia.org/score/r/x/rxt194y0gshi7cg7zsektell1zzaoa2/rxt194y0.png)
A Phrygian half cadence in Bach's four-part...