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Keyes, Lethbridge & Condon
Keyes Condon Florance
Practice information
PartnersDavid H. Condon FAIA; Thomas Eichbaum FAIA; Philip Esocoff FAIA; Colden Florance FAIA; Arthur H. Keyes FAIA; David King FAIA; Francis D. Lethbridge FAIA; Nathaniel Satterlee FAIA; Chloethiel Woodard Smith FAIA
FoundersKeyes, Lethbridge, Satterlee and Smith
Founded1951
Dissolved1997
LocationWashington, D.C.
The former Embassy of the United States in Lima, designed by Keyes & Lethbridge and completed in 1959.
The former Forest Industries Building in Washington, D.C., designed by Keyes, Lethbridge & Condon and completed in 1961. Now the Benjamin T. Rome Building of Johns Hopkins University.
The Tiber Island Cooperative Homes, designed by Keyes, Lethbridge & Condon and completed in 1965.
The Jackson Graham Building in Washington, D.C., designed by Keyes, Lethbridge & Condon and completed in 1974.
The pavilion at Anacostia Park, designed by Keyes Condon Florance and completed in 1977.
The Anacostia Community Museum, designed by Keyes Condon Florance and completed in 1987.
The 1100 New York Avenue office building in Washington, D.C., designed by Keyes Condon Florance and completed in 1991.
The Thurman Arnold Building in Washington, D.C., designed by Florance Eichbaum Esocoff King and completed in 1995.
The Columbus School of Law of the Catholic University of America, designed by Florance Eichbaum Esocoff King and completed in 1995.

Keyes, Lethbridge & Condon was an American architectural firm active, under several different names, in Washington, D.C. from 1951 to 1997. It was founded in 1951 as Keyes, Smith, Satterlee & Lethbridge before splitting into Keyes & Lethbridge and Satterlee & Smith in 1956. Keyes & Lethbridge became Keyes, Lethbridge & Condon in 1958 and Keyes Condon Florance in 1975. After two more name changes it reverted to Keyes Condon Florance in 1995 and was merged into SmithGroup in 1997.

History

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Keyes, Lethbridge & Condon was established in 1951 as Keyes, Smith, Satterlee & Lethbridge, the partnership of Arthur H. Keyes Jr., Chloethiel Woodard Smith, Nathaniel Satterlee and Francis D. Lethbridge. All four had met working in the office of Berla & Abel, which was known as an incubator for young design talent. They were modernists and their work adhered to the architectural principles of the modern movement. In 1956 the firm was divided into two new firms, Keyes & Lethbridge and Satterlee & Smith. Smith's firm, which became Chloethiel Woodard Smith & Associates in 1963, was the largest woman-owned architectural practice in the country.

In 1958 Keyes & Lethbridge were joined by a third partner, David H. Condon, and the firm was renamed Keyes, Lethbridge & Condon. In the 1960s the firm developed into the strongest design firm in the district, and was well known for institutional projects. In their designs, the partners adhered to the architectural principles of the modern movement. During this time they completed several award-winning projects, including the Tiber Island Cooperative Homes and the River Road Unitarian Universalist Church in Bethesda, both completed in 1965.[1] In that year Lethbridge was also coauthor of the first edition of the AIA Guide to the Architecture of Washington, D.C.[2] The firm declined in size in the 1970s, but in 1973 they were joined in partnership by Colden Florance, a former employee.[3]

Florance brought into the firm a focus on new project types, especially commercial projects.[1] Lethbridge withdrew from the partnership in 1975 and the firm was renamed Keyes Condon Florance.[2] The increase in new projects led to significant growth, and in 1985 four new partners, Thomas Eichbaum, Philip Esocoff and David King, were added. Florance, Eichbaum, Esocoff and King adopted a more pluralistic approach to design than the founders, and embraced postmodernism and other contemporary trends. During these years the firm completed many office buildings as well as the conversion of historic buildings into the National Building Museum (1985), the National Museum of Women in the Arts (1987) and the National Postal Museum (1993). In 1991, as Keyes and Condon moved towards retirement, the name of the firm was extended to Keyes Condon/Florance Eichbaum Esocoff King. This was reduced to Florance Eichbaum Esocoff King in 1992.[1]

In 1995 Esocoff withdrew from the partnership, and the firm returned to its former name of Keyes Condon Florance.[4] In October, 1996 Florance and SmithGroup annouced plans to merge Keyes Condon Florance into SmithGroup's Washington office, creating the largest architectural office in the city. The merger took effect at the start of 1997. Florance's initial role was as managing director of the office.[5] He retired in 2011.

Partner biographies

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Arthur H. Keyes Jr.

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Arthur Hawkins Keyes Jr. FAIA (May 26, 1917 – June 7, 2012) was born in Rutland, Vermont. He attended Deerfield Academy and received his architectural education at Princeton University and the Harvard Graduate School of Design, graduating from the latter with a BArch in 1942. He worked for architects Berla & Abel and Burket, Neufeld & DeMars until 1949, when he opened his own office. During World War II he served in the naval reserve.

Francis D. Lethbridge

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Francis Donald Lethbridge FAIA (October 5, 1920 – April 17, 2008) was born in Hackensack, New Jersey. He was educated in the local public schools and at the Stevens Institute of Technology, University of Colorado and Yale University, graduating from the latter in 1946. During World War II he served in the naval reserve. He worked for architects Berla & Abel and Faulkner, Kingsbury & Stenhouse before establishing the firm of Satterlee & Lethbridge with Nathaniel Satterlee in 1950. The work of Satterlee & Lethbridge included Holmes Run Acres (1952).

David H. Condon

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David Holt Condon FAIA (March 15, 1916 – July 14, 1996) was born in Pasadena, California and was educated at the University of California, Berkeley, graduating with an AB in architecture in 1939. He briefly worked for Pasadena architect Whitney R. Smith before the outbreak of World War II, during which he served in the naval reserve. He then moved to Washington where he worked for architects Charles M. Goodman, Keyes, Smith, Satterlee & Lethbridge and Ronald S. Senseman before rejoining Keyes & Lethbridge in 1956.[6]

Colden Florance

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Colden l'Hommedieu Ruggles "Coke" Florance FAIA (January 24, 1931 – December 28, 1923) was born in Baltimore. He was educated at Princeton University, earning an AB in 1952 and an MFA in 1955. He served in the navy until 1959, when he joined Satterlee & Smith before moving to Keyes, Lethbridge & Condon in 1961.[7] He left in 1968 to form the partnership of Florance & Cohalan, and later managed a solo practice before returning to Keyes, Lethbridge & Condon.[8]

Legacy

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Like Berla & Abel before them, Keyes, Lethbridge & Condon and its successors were noted as an incubator for young architects. Their most notable alumni were George E. Hartman Jr. and Warren J. Cox, who founded Hartman-Cox Architects in 1965 after leaving the firm, and Hugh Newell Jacobsen, who worked for the firm in 1957–58. Other employees who established successful local and regional practices include Heather Cass of Cass & Associates, Winthrop W. Faulkner, William C. Gridley of Bowie Gridley Architects and Jack McCartney and Anne McCutcheon Lewis of McCartney Lewis Architects.[1]

The partners were recognized by the architectural community for their excellence in design. All of the name partners were elected Fellows of the American Institute of Architects (AIA), the AIA's highest membership honor.

Architectural works

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Keyes, Smith, Satterlee & Lethbridge, 1951–1956

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Keyes & Lethbridge, 1956–1958

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Keyes, Lethbridge & Condon, 1958–1975

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Keyes Condon Florance, 1975–1991 and 1995–1996

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Florance Eichbaum Esocoff King, 1992–1995

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Notes

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  1. ^ Demolished.
  2. ^ Designed principally by Smith.
  3. ^ a b Designed by Keyes & Lethbridge, architects, with Pietro Belluschi, associated architect. Designed principally by Belluschi. Cite error: The named reference "Syracuse" was defined multiple times with different content (see the help page).
  4. ^ Now the Benjamin T. Rome Building of Johns Hopkins University.
  5. ^ Designed by Keyes, Lethbridge & Condon, architects, with DeMars & Reay, associate architects.
  6. ^ Altered.
  7. ^ Designed by Keyes Condon Florance, architect, with Giorgio Cavaglieri, associated architect.
  8. ^ Designed by Ehrenkrantz, Eckstut & Kuhn and Keyes Condon Florance, associated architects.

References

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  1. ^ a b c d e f Lynn Nesmith, "Urban Individualists" in Architecture (April, 1991): 66-67.
  2. ^ a b Stephani Miller, "Remembering D.C. Modernist and Preservationist Donald Lethbridge," Architect Magazine, May 21, 2008. Accessed July 22, 2024.
  3. ^ "Class Notes" in Princeton Alumni Weekly (May 1, 1973): 32.
  4. ^ "Firm Changes" in Architecture (January, 1996): 35.
  5. ^ "Smith Group, Perkins & Will Acquire Firms" in Architecture (December, 1996): 34.
  6. ^ "David Holt Condon (1916-1996)," AIA Historical Directory of American Architects, no date. Accessed April 5, 2023.
  7. ^ "Florance, C(olden) R(uggles)" in American Architects Directory (New York: R. R. Bowker Company, 1962): 218.
  8. ^ "Florance, Colden l'Hommedieu Ruggles" in American Architects Directory (New York: R. R. Bowker Company, 1970): 284.
  9. ^ "Lesson for builders/architects" in House+Home (November, 1952): 140-147.
  10. ^ "Seven health buildings" in Architectural Forum (September, 1955): 132-135.
  11. ^ "Two-story houses" in Architectural Record (March, 1956): 176-179.
  12. ^ a b Jane C. Loeffler, The Architecture of Diplomacy: Building America's Embassies (New York: Princeton Architectural Press, 1998)
  13. ^ "Four houses of worship" in Progressive Architecture (June, 1959): 118-121.
  14. ^ "Every house is a prize winner" in House+Home (April, 1959): 158-163.
  15. ^ AIA Journal (January, 1960): 56-57.
  16. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 212-213.
  17. ^ "Warmth and Comfort are Modern" in Architectural Record (Mid-May, 1961): 104-107.
  18. ^ Pamela Scott and Antoinette J. Lee, Buildings of the District of Columbia (New York: Oxford University Press, 1993): 212-213.
  19. ^ a b Architectural Record (September, 1963): 198-199.
  20. ^ "Unforced simplicity for a unitarian church" in Architectural Record (January, 1967): 129-132.
  21. ^ Pamela Scott and Antoinette J. Lee, Buildings of the District of Columbia (New York: Oxford University Press, 1993): 242-243.
  22. ^ "1967 marketing report" in House+Home (May, 1967): 88-91.
  23. ^ "Townhouses for special markets" in House+Home (April, 1970): 86-87.
  24. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 203.
  25. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 94-95.
  26. ^ Pamela Scott and Antoinette J. Lee, Buildings of the District of Columbia (New York: Oxford University Press, 1993): 276.
  27. ^ Progressive Architecture (July, 1980): 64-65.
  28. ^ Pamela Scott and Antoinette J. Lee, Buildings of the District of Columbia (New York: Oxford University Press, 1993): 108-110.
  29. ^ "An Entire Block Reformulated" in Architecture (November, 1984): 64-65.
  30. ^ "First Phase of Pension Building Renovation for Museum Finished" in Architecture (February, 1985): 26-27.
  31. ^ Paul M. Connolly, "In the national interest: A new building museum opens in Washington, D. C." in Architectural Record (January, 1986): 75-77.
  32. ^ Pamela Scott and Antoinette J. Lee, Buildings of the District of Columbia (New York: Oxford University Press, 1993): 228.
  33. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 126.
  34. ^ Pamela Scott and Antoinette J. Lee, Buildings of the District of Columbia (New York: Oxford University Press, 1993): 226-227.
  35. ^ Lynn Nesmith, "Corner Office" in Architecture (April, 1991): 74-75.
  36. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 171.
  37. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 127.
  38. ^ Richard Guy Wilson et al., "King Street Station Complex", Alexandria, Virginia, SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/VA-01-AL48. Last accessed: July 22, 2024.
  39. ^ Cole Woodcox, "Union Station", Kansas City, Missouri, SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MO-01-095-0003. Last accessed: July 22, 2024.
  40. ^ "Campus Generator" in Architecture (March, 1993): 50-57.
  41. ^ "Postal Modern" in Architecture (November, 1993): 88-95.
  42. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 142.
  43. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 289.
  44. ^ G. Martin Moeller Jr., AIA Guide to the Architecture of Washington, D.C. (Baltimore: Johns Hopkins University Press, 2012): 119-120.
  45. ^ Richard Guy Wilson et al., "Time-Life Building", Alexandria, Virginia, SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/VA-01-AL46. Last accessed: July 22, 2024.