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Shoshanna Weinberger was born in Kingston, Jamaica[1] in 1973.[2][3][4] Weinberger is a visual artist whose work draws from her Caribbean-American background, exploring the overlapping complexities of cultural identity, femininity, and heritage.[5]
Early Life and Education[edit]
Shoshanna Weinberger was born in Kingston, Jamaica in 1973.[2][3][4] Her family moved to Montclair, NJ, when she was a young child.[3] Weinberger received her BFA from The School of the Art Institute of Chicago, in 1995[3] and a MFA from Yale School of Art, Yale University in 2003.[3][6]
Art[edit]
Shoshanna Weinberger’s work relates to her Caribbean-American background and draws strongly on the complexity of heritage and assumed norms as she goes about defining the female archetype. Referencing herself among a sea of antiquated stereotypes, adolescent memory and current subjects as a source, Weinberger renders her female muses as excessive, sexualized, some passive and others dominant that question notions of beauty. [1]
In her work, she locates herself among a number of antiquated stereotypes. Adolescent memory and current events are sources of inspiration. Weinberger renders her female muses as excessive, sexualized, some passive and others dominant that question notions of beauty.
The drawings identify with beauty both physiologically and politically. Weinberger references adolescent female awkwardness, growing-up in a society engrossed with a warped view of beauty. Her work includes images of malformed and decapitated bodies, with cornrow braids, Afros, unkept locks and pigtails; mutations of multiple-mouths, breasts and buttocks. The artist refers to the figures as modern-day Hottentots. The Hottentot form is found in prepubescent pageant toddlers, strippers, Hollywood-icons, West-Indian Dancehall performers, extreme plastic surgery and in the artist herself.
Weinberger’s series “Pin-ups” features abstracted renditions of the black female body that combine history, cultural expectations, body image and cultural expectations. Her seemingly abstract images are actually a grotesque essence derived from the global vision of what the black female body is.
R1: http://superselected.com/art-the-black-female-body-deconstructed-by-shoshanna-weinberger/
Selected Exhibitions[edit]
Weinberger has exhibited at the The Delaware Center of Contemporary Art, Wilmington, MD; Royal West of England Academy, Bristol, UK; The Newark Museum, Newark, NJ.
Van Every/Smith Galleries, Davidson College, Davidson, NC; William Paterson University, Wayne, NJ.
Weinberger was included in the 2013 Martinique Biennale; four-time participant in the Jamaica Biennial, National Gallery of Jamaica, from 2006 and last in 2014.
She was the recipient of the 2014 Joan Mitchell Foundation Painters and Sculptors Grant, a 2015 Joan Mitchell Center, Artist-in-Residence, New Orlean and recently, awarded a 2016 Fellowship, New Jersey State Council on the Arts. [1]
Solo Exhibitions
Shoshanna Weinberger | invisible fruit: stories of camouflage from the periphery, Project for Empty Space, Newark. (2018)[7]
RE-AL-IZED, curated by Schwanda Rountree, Carol Jazzar Contemporary Art, Miami. (2014)
Group shows
Modern Heroics: 75 Years of African-American Expressionism at the Newark Museum, Newark Museum, Newark. (2016).
Mutations | ruby onyinyechi amanze, Shoshanna Weinberger, Douglas Rodrigo Rada & Helô Sanvoy, Tiwani Contemporary, London. (2014)
Art Fairs
Project for Empty Space at PULSE Miami Beach 2017, Project for Empty Space. (2017)
Project for Empty Space at PULSE Miami Beach 2016, Project for Empty Space. (2016)
SMAC ART GALLERY at FNB JoburgArtFair 2015, SMAC. (2015)[8]
Awards[edit]
She was the recipient of the 2014 Joan Mitchell Foundation Painters and Sculptors Grant, a 2015 Joan Mitchell Center, Artist-in-Residence, New Orlean and recently, awarded a 2016 Fellowship, New Jersey State Council on the Arts. [1]
References[edit]
***there is a hierarchy of references cited***
***whenever possible cite books, journals, academic institutions, major newspapers, and magazines***
- ^ a b c d "SHOSHANNA WEINBERGER". Project for Empty Space. Retrieved 2019-03-25.
- ^ a b admin (2014-09-14). "In Collection: Shoshanna Weinberger". AFRICANAH.ORG. Retrieved 2019-03-25.
- ^ a b c d e "EMERGING... Shoshanna Weinberger". Wonderland. 2012-06-13. Retrieved 2017-03-11.
- ^ a b Wyma, Chloe (2016-06-15). "Nadiah Fellah Helps Organize "Modern Heroics: 75 Years of African-American Expressionism" at the Newark Museum". The Graduate Center, City University of New York. Retrieved 2019-03-25.
- ^ nationalgalleryofjamaica (2013-05-13). "Natural Histories: Shoshanna Weinberger". National Gallery of Jamaica. Retrieved 2017-03-11.
- ^ "Artist Shoshanna Weinberger to speak at OSU Oct. 19 | News and Research Communications | Oregon State University". oregonstate.edu. Retrieved 2017-03-11.
- ^ "Shoshanna Weinberger | invisible fruit: stories of camouflage from the periphery | Project for Empty Space | Artsy". www.artsy.net. Retrieved 2019-03-27.
- ^ "Shoshanna Weinberger - 77 Artworks, Bio & Shows on Artsy". www.artsy.net. Retrieved 2019-03-27.
External Links[edit]