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Art Impact[edit]
Photography was another form of art that aided in the Chicano Movement's progress. It was a tool used during this movement to capture the reality of the times[1]. Patssi Valdez's photography illustrates the depth and variety of Chicano culture, demonstrating the correlation between Chicanos and the punk scene[2]. The origins of Chicano street art date back to the beginnings of the movement, having had a connection with how mural art has and continues to impact chicanismo[3]. Works by Tomás Ybarra-Frausto and Amalia Mesa-Bains impart one of the first analytical means by which we use to form an interpretation of Chicano art, rather than taking them at face value[4]. Chicanismo, and especially Chicano Art, is thought of as taking both parts of what makes one a Chicano: "The Conqueror and the Conquered". This idea is used to boost creativity among the community[5]. Art during the movement was not showcased in mainstream venues, and as a result, Chicanos created their own establishments[6]. Chicano Park is a symbol of significant importance to the Chicano community, representing culture, struggle, and spirit[7]. Chicano graphic artists raised awareness of the movement[8].
Movement[edit]
The Movement, originally referred to as the Mexican-American Civil Rights Movement, occurred as Mexicans became an oppressed group. Going through Americanization, segregation, and oppression, Mexican-Americans took it upon themselves to make a change in the system[9].
Literature[edit]
Chicano literary works allow a more in depth look to the minds of the movement, its origins and the community[10].
Related Pages[edit]
Chicano art movement - Wikipedia
Chicano literature - Wikipedia
- ^ Gunckel, Colin (2015). "The Chicano/a Photographic: Art as Social Practice in the Chicano Movement". American Quarterly. 67 (2): 377–412. doi:10.1353/aq.2015.0030. ISSN 1080-6490.
- ^ Sanchez-Nolasco, Rocio (2021-09-20). "Framing Chicana Agency in 1980s Los Angeles Punk: The Photography of Patssi Valdez". Aleph, UCLA Undergraduate Research Journal for the Humanities and Social Sciences. 18 (1). doi:10.5070/L618154800. ISSN 2639-6440.
- ^ "Chicano Street Murals: A Sociological Perspective - ProQuest". www.proquest.com. Retrieved 2023-09-24.
- ^ Barnet-Sanchez, Holly (2005-12-01). "Tomás Ybarra-Frausto and Amalia Mesa-Bains: A Critical Discourse from Within". Art Journal. 64 (4): 91. doi:10.2307/20068425.
- ^ Jackson, Carlos Francisco (2009-02-14). Chicana and Chicano Art: ProtestArte. University of Arizona Press. ISBN 978-0-8165-2647-5.
- ^ González, Jennifer A.; Chavoya, C. Ondine; Noriega, Chon; Romo, Terezita (2019-01-17). Chicano and Chicana Art: A Critical Anthology. Duke University Press. ISBN 978-1-4780-0340-3.
- ^ Lindner, Christoph; Meissner, Miriam (2018-09-28). The Routledge Companion to Urban Imaginaries. Routledge. ISBN 978-1-351-67268-9.
- ^ Zapata, Claudia E.; Romo, Terezita (2020-12). ¡Printing the Revolution!: The Rise and Impact of Chicano Graphics, 1965 to Now. Princeton University Press. ISBN 978-0-691-21080-3.
{{cite book}}: Check date values in:|date=(help) - ^ Muñoz, Carlos (2018-02-13). "The Chicano Movement: Mexican American History and the Struggle for Equality". Perspectives on Global Development and Technology. 17 (1–2): 31–52. doi:10.1163/15691497-12341465. ISSN 1569-1500.
- ^ Martínez, Sara E. (2017-01-23). The Chicano Movement: A Historical Exploration of Literature. Bloomsbury Publishing USA. ISBN 978-1-61069-708-8.