User:MurderByDeadcopy/sandbox
There is a considerable amount of false positives theorized, however, fortunately most individuals use their common sense. Focus, thus, mainly lies on those who have lost all perspective in what should be considered a non-issue.
Lede passible, but... could be improved!!! :D
Bradley Hand ITC
User:MurderByDeadcopy/common.js.
Said he lived in the US almost two decades before realizing he could paint whatever he wanted. World renowned for his watercolors before he defected.
Ukrainian Art: Shevchenko National Prize https://books.google.com/books?id=42_OcQAACAAJ&dq=%22Anatole+Krasnyansky%22&hl=en&sa=X&ved=0CCsQ6AEwAWoVChMI3vPbiNzvyAIVD8xjCh0pewMX
Ukrainian Art: Shevchenko National Prize
itle Ukrainian Art: Shevchenko National Prize Author Books Llc Editor Books Llc Publisher General Books, 2010 ISBN 115664660X, 9781156646601 Length 64 pages
Featured Artists Marc Chagall & Anatole Krasnyansk
A LOOK AT CONTEMPORARY SOVIET ARTISTS "THE FLUTE PLAYER" by Anatole Krasnyansky
http://www.startribune.com/st-paulite-admits-fraud-in-art-case/166559496/
Among the missing artworks were "Robbers Inferno," a 24-inch wood engraving from Spanish surrealist Salvador Dali's "Divine Comedy" portfolio; eight works by Rembrandt: "Bust of a Man," "Christ and the Woman," "Landscape With Cow," "Self-Portrait," "Artist's Mother," "The Card Player," "The Golf Player" and "The Raising of Lazarus"; two works by Russian-born French artist and designer Erte (Romain de Tirtoff); two by Ukrainian-American artist Anatole Krasnyansky and two by American pop artist Peter Max.
serigraph created by Russian artist Anatole Krasnyansky valued at $2,350.
http://www.highbeam.com/Search?searchTerm=%22Anatole+Krasnyansky%22
Анатоль Краснянский Anatoly Krasnyansky
http://www.russiadb.com/KRASNYANSKY-Anatoly_1930-/pre-authenticity/4505/
Paintings of Authentication. On this page, you have an option to upload images of your paintings, if you need an expert's opinion on their authenticity, or perhaps just require some extra information about them. The more images and background information you upload here, the greater will be the likelihood that we will be able to assist you. Any information about your paintings could be of help, and should be included - eg the provenance (where and when it was acquired and any prior history of the work, if it is known to you), its value, the technique used (eg oil canvas on, on wood), its exhibition history, and so on. Please note that from photos, without seeing your paintings address close e-up, we can only give a very general opinion, which by no means can be considered definitive. For full authentication, you should contact museums which have your artist in their collection, or specialist laboratories, which specialize in authenticating works of art. The cost of such services can run into thousands, and sometimes tens of thousands of euro for the more expensive items. Such laboratories have all the necessary equipment at their disposal, which will allow them to establish the age of the paint, the canvas or even the frame. Then the expert would determine whether the technique used in your painting is typical or not for the given artist. Full authentication can take weeks or even months of daily work, and will also include comparison of your work with other known works by the artist. Expert will also The sometimes need to research the artist's biography in detail, to understand whether your work could have been painted at that particular period of the artist 'career. There are many other issues that the specialist will consider. Thus, the painting could indeed be old, but not painted by that artist, or the signature could have been added at a later date by forgers. Or the signature could be genuine, but the work was instead executed by the artist's studio or his pupils. Such laboratories will also possess very powerful microscopes, with the magnification of over 500 times, which are able to show the exact depth and the quality of the oil paint, and also whether the work had been restored or repainted in the past. The expert will then compare the type of paint used in your work with the brand of paint typically used by the artist, since many artists used specific types of oil paints, and indeed many manufactured the paint themselves, especially in the older days. The laboratory will also allow the expert to view the work in UV, infrared and X-ray lights. This will show the real age of the painting, will allow to see what is hidden beneath the top layers of paint, to determine the chemical composition of the paint, and to check for the presence of various types of metal in it and so on. The signature can also be tricky to authenticate - the expert will look out for the way the signature lies on the surface of the paint - whether it is for example level with the rest of the painting, or sticks out as if it was added at a later date, or whether it is under or on top of the layer of polish, which often covers the oil paint. On our site, we are not able to perform all these analysis, since we will only be viewing the images, and not handling the actual works. However for a very low cost, we will give you a general opinion of your works, since an experienced specialist can often say quite a lot about a painting by simply looking at it without any expensive equipment. Our price for this service will be typically between 1 and 100 Euro, depending on the amount of information we are able to share with you, and on such considerations as how familiar we are with the given artist, or how authoritative and certain we are in our conclusions. Once we have reviewed your images, we will send you an invitation to continue, showing the exact cost, when you will have the option to accept it and continue with the payment or to cancel it. For very valuable works, where it might be worthwhile to spend thousands of Euros, we recommend that you approach instead the specialist laboratories, as discussed above.
Examination of paintings. On this page you can download photos of the paintings, the authenticity of which you are uncertain, or simply would like to hear further expert opinion on them. The photos and text data about the picture you upload here, the greater the chance that we will be able to help you. Any information about the film can be useful - provenance (ie where and when it was acquired by the story and the picture before, if known), cost, equipment (such as oil on canvas or on wood itd), exhibition on which it has been shown, and any other information that you know about it. Note that at a distance from the photos, we can give only a very cursory and superficial view, which in no way can not be final. For a complete examination you can contact the museums, research centers and other organizations, where the examination is being conducted that could cost often several thousand euros for the painting. The full examination is impossible at a distance - the specialists have to keep a picture in his hand that would hold all kinds of tests, and technological and art history. First the date of the creation of the painting, as experts with special equipment can determine the age of oil paint, canvas, frames, etc. The following is a comparison used in its technological and creative techniques so that the characteristic of this artist. Full examination, which may take several weeks or even months time specialist also includes a comparison of your pictures with other well-known works of the artist. Sometimes you need a more thorough study of the biography of the artist, what would determine if he could write the work in question during that period of his career. Also, the picture may be really old, but do not belong to a given artist or signature can be added accomplice. Or signature may be present, but the picture painted by the students of the famous artist. In order to determine the quality of the paint, the oil film thickness in the laboratory using special powerful microscopes, with an increase of more than 500 times. Through them you can also see if and when the painting was restored in the past corresponded etc. Also, specialists may know if the artist used a particular paint, as each artist has their preference, and some are themselves produced paints, especially when it comes to old works. Further, in specially equipped laboratories pattern is analyzed in the ultraviolet, infrared, and X-radiation, whereby one can confirm the age pattern, a peep upper as well as chemical analysis to determine the presence of white metal, etc. Experts can further verify the chemical composition of the paint, lacquer or primer with a composition of colors prefabricated using archival factory tables and directories. The signature also often difficult to determine precisely - usually specialist looks not only writing, but also on the way signature is on the canvas, for example if it is flush with the surrounding surface or say added later and how it is allocated, or striking their bulge, for example, or when she is on top of a layer of lacquer, which are often covered with paintings. This site just a few euros You can get expert advice from many years of experience in the field of fine arts on your picture. Even without all the costly and labor-intensive methods, an experienced expert can tell a lot about her, just looking at the picture of the naked eye. After we view pictures of your work, you get an answer which will be indicating the exact cost of the service - in the price range of 1 up to 100 euros. The price will depend on the amount of information that we can share with you about your work, and other factors - how well we are familiar with the artist, as we are confident in our conclusions, etc. You will have the option to continue and pay for the service or cancel it. For very expensive works, where it would be appropriate to spend thousands of euros on the expertise, we advise to apply to special laboratories, which were discussed above.
https://www.liveauctioneers.com/item/8971131_krasnyansky-anatoly-ukrainian-1930-the-church
Krasnyansky Anatoly (Ukrainian 1930- ) "The Church Street', watercolor, signed, 34.5'x23.5', good condition Born in Kiev, Ukraine, in 1930 Anatoly Krasnyasky was educated at the Kiev Institute of Art and received a MasterÕs Degree of Artist Architecture in 1953. As a student, he participated in the restoration of the famed Leningrad Potemkin Palace and the Marble Palace of the Hermitage Complex. At the age of 14, he held his first exhibition.While he gained recognition as both artist and architect in the USSR, he sought the environment of full artistic freedom that migration to the United States would allow him. Since his arrival here in the 1975, he has realized his tremendous potential and achieved virtuosity in several different artistic arenas. He made his debut as an Artist through the International Watercolors Masters Show', Daizell Hatfield Galleries, Los Angeles, in the company of such renowned artist as Camille Pissaro, Marc Chagall and Paul Klee. "
Before leaving the Soviet Union in 1975 and moving to Los Angeles, Anatole Krasnyansky, had already achieved recognition as an important watercolor painter and architect. His work was embraced in Europe and the USSR and stylistically today his "Old World" imagery still remains a part of his artistic output, appearing in evocative cityscapes which focus on his architectural skills and convey a poetic mood. More recently, he created an entirely new style which embodies his Eastern European roots and yet fully embraces his new life in the United States. Anatole Kranyansky's disciplined understanding of the relationship between sculpture, painting, the applied arts and architecture has profoundly shaped his work and his artistic philosophy. His experimentation with mediums and materials led to a technical breakthrough and allowed him to create his own artistic method, which is independent from traditional watercolor technique. Through his use of exotic textural "prepared" papers he has extended the medium's potential and elevated watercolor to a more expressive and dynamic from of painting possessing qualities more commonly associated with oil or acrylic painting. In his figural works which often at first appear abstract, Krasnyansky still maintains relationships to the tangible world. These images which suggest a surrealist influence rely on rigorous modernist formal considerations but still retain echoes of his Eastern European heritage. Along with his impressive fine art credentials, Krasnyansky worked as a scenic artist in motion pictures, the theatre and television. His specialized background was ideal for this demanding profession and as a lover of the baroque he incorporated the strength and fluid grace of the Baroque into his professional projects. His contemporary fine art imagery relies on extensive compositional inventiveness and fluid linear emphasis honed by his countless hours as an architectural draftsman.
http://www.malibuchronicle.com/anatomy-artistic-creation/?v=7516fd43adaa
The uncharted, winding roads traveled by legendary immigrant, artist/architect Anatole Krasnyansky have been perilous. From his 1930, pre-World War II birth in Kiev, Russia (USSR) to registered nurse Rosalia and scientist/inventor Lev, to his eventual 1975 escape from Communist oppression and anti Semitism, his story has been a tangled tale of two worlds.
Anatole’s father died of leukemia at age 35, a condition believed brought on by his extensive unprotected research into atomic energy. He left behind a grieving widow who vowed never to remarry and a 19 month old son.
In 1941 with the war all around them and just before the German invasion of Kiev, 10 year old Anatole and his mother evacuated to Stalingrad. From there they fled to Tashkent, Uzbekistan. Avoiding the mine fields of war, the precocious young Krasnyansky drew and painted everyday. Unlike other kids, he had no interest in sports or playing outdoors. Even at that early age, art was his avocation. He and his mother survived in a one room, dirt floor apartment with only a stove, a cot, a table and two chairs. There was no electricity. Long into the night, by candlelight, Anatole would create war scenes on paper, next to the cot where his mother slept. He was obsessive.
While in Stalingrad, the Krasnyanskys met fellow-evacuees Alex and Irene Black. Alex was of Russian and English im263412_Tparentage, and a well known set designer and art director for the Leningrad movie studios. So impressed with Anatole’s talent the childless Blacks offered to take him to Leningrad to be enrolled in the finest art school in the Soviet Union. It was an offer that Rosalia respectfully refused. She couldn’t bear the thought of being away from her son.
In 1945, as the war was ending and the Krasnyanskys were still in Uzbekistan, the influential Mr. Black arranged to have several of 14 year old Anatole’s paintings featured in an art exhibit. It was the first for the young artist, who received great public praise.
Following the war, the Krasnyansky family returned to Kiev and held a meeting to discuss its collective future. There it was decided that Anatole would not be allowed to become a starving artist. Instead, he was enrolled at the Kiev Academy of Art and Architecture. There he received his first formal training to become an architect. Having painted all of his young life, Anatole remembers the day that sealed his fate. His maternal uncle and surrogate father, Lev (same name as his father), showed him a beautiful portfolio of art and architecture displayed at the historic Hermitage Museum in St. Petersburg (then Leningrad). That sharing was all consuming, fanning the flame that burns brightly within him.
The succeeding six years were devoted to intensive, government sponsored architectural education. Anatole excelled as he mingled with other artists, architects, sculptors, and designers. He graduated with a Master’s Degree in Art and Architecture. Having blended his new skills as a draftsman with his gifted ability to draw and paint, Anatole was ready to take on the world. But not so fast…for those six years of collegiate training, he owed the Soviet government five years of dedicated service, without freedom to change his working place or position.
Undaunted by it all, Anatole surged ahead. He fulfilled his mandatory obligation and was free to work where he chose. His skills could not be ignored. Krasnyansky participated in open architectural competitions, winning first prize for his design of the Kiev Subway Station and the rendering of the House of Books in Alexandria. At the same time, his art was accepted to several exhibitions organized by the Artists’ Union. Several of his works were purchased by the government and displayed throughout the country.
Anatole dreamed of one day immigrating to America, but realized that in order to reach his goal, he had to become less visible. So for three years he disassociated himself from high profile projects and concentrated on his art. When he felt comfortably outside of the social main stream, and with the help of the International Jewish Federation, he applied for and received permission to leave the USSR. With his wife Nelly and 8 year old daughter, Rimma, they boarded a freedom train to Vienna, Austria – then on to Rome, Italy. It was in Rome that the Krasnyansky’s final destination was decided. Canada’s immigration package was far more beneficial than the one offered by the USA, but to his wife’s dismay, Anatole pleaded for passage to America. After a five month stay in Italy, he got his wish and the family immigrated to Los Angeles.
Their first 18 months in the United States was a frightening struggle to survive. It was 1975, Anatole was 45 years old, the nation was in fiscal turmoil, interest rates were high, all building related activities had come to a screeching halt and there were no architectural jobs available. Running on empty and hounded by the fear of becoming homeless, Anatole started knocking on doors of television and the movie industry. Eventually he landed jobs at CBS and ABC as a scenic artist, and set designer at Universal, MGM and 20th Century Fox.
With a background second to none, Krasnyansky has established himself as a world-class artist and architect. His artistic COVER_FEB.MAR2014_MCcreations have been exhibited at Stanford, UCLA and UCSF, and they grace the walls of art collectors and homes throughout Russia, Europe and the United States. A 349 page volume beautifully documenting the life and works of Anatole was recently published by the Park West Press. Since 1994, Krasnyansky has enjoyed an exclusive relationship with Park West Gallery in Southfield, Michigan, which is the largest privately owned gallery of original art in the world.
Krasnyansky proudly praises his wife of 56 years, Nelly. She has been the family’s guiding force. Having set aside her Master’s Degree in Civil Engineering, she is a dedicated mother and grandmother, business advisor, and handler of all of the complexities of everyday life, giving Anatole the freedom to create.
Describing Krasnyansky’s body of work is not a simple task. His creations are colorful, complex, evocative and energetic. Using multiple images, they convey strong messages invoking an emotional response. They incorporate his knowledge of art history and his love of many forms of music. Glimpses of his architectural background are ever present.
His evolution to international fame embodies many sectors of art, including realism, expressionism, cubism, and modernist surrealism. He spans the globe from Baroque to Rock ‘n’ Roll. As he paints, he preaches, ‘Never forget your past, never forget where you came from, never forget the accomplishments of your culture and the value of your traditions.’
http://www.zoominfo.com/p/Anatole-Krasnyansky/1841902209
Set Designer as Anatol
http://prabook.org/web/person-view.html?profileId=674800
Anatole Lvovich Krasnyansky Architect, Artist Anatole Lvovich Krasnyansky, Ukrainian artist, architect. Registered architect, Union of the Soviet Socialist Republics. Member International Alliance Theatrical Stage Employees. Background
Krasnyansky, Anatole Lvovich was born on February 26, 1930 in Kiev, Ukrain, Union of the Soviet Socialist Republics. Came to the United States, 1975.
Education
Master of Architecture, Kiev State Art Institute, 1953. Career
Architectural designer Kiev State Project Institute, 1953-1968. Principal architect, designer Kiev Branch Moscow State Project and Science Institute of Technology Aesthetics, 1968-1974. Scenic artist ABC television and NBC television Studios, Hollywood, California, 1975-1977.
Set designer Universal Studios, Metro-Goldwyn-Mayer, Studio Center, Universal City, 1977-1984. Art director State Odyssey Theatre Ensemble, Los Angeles, 1981. Artist Santa Monica, since 1975.
Architectural consultant University of California at Los Angeles, since 1983. Director architectural and industrial design, production designer Renaissance Guild Incorporated, since 1984. Achievements
Registered architect, Union of the Soviet Socialist Republics. Works
Scenic art credits include General Hospital, Frank Sinatra Special, John Denver, Bette Davis Special, George Burns Special, Olivia Newton-John Special, Academy Awards 1976 and 1977. Set design credits include Coal Miner's Daughter, Beatles Forever, The Blues Brothers, Airport 79, Gilligan's Island, Dallas, 2010, Falcon Crest, others. Principal architectural works include French Pavilion Disney World, others.
Exhibited in shows at Heritage Gallery, Los Angeles, Gallery One, San Francisco, Los Gatos (California) Museum, Sloan Gallery, Denver, Nakhamkin Fine Art, New York City, Hishong, Gallery, Dallas, Stanford (California) University, Dyansen Galleries, New York City, Boston, San Francisco, Beverly Hills, California, New Orleans, Maui, Hawaii, Carmel, California, San Diego, Dalzell Hatfield Galleries, Los Angeles, numerous others in Europe, Republic South Africa, Republic of Germany and United States. Politics
Party affiliation: republican Membership
Member International Alliance Theatrical Stage Employees. Connections
Son of Leo Meer and Rose Boris (Landa) K. M. Nelia Naum Koshevatsky, August 29, 1957.
1 child, Rimma A. Kranet. child: Rimma A. Kranet mother: Rose Boris (Landa) K. father: Leo Meer
Born February 26, 1930 Nationality Ukrainian Ethnicity: Russian 1953 Kiev State Art Institute 1953 - 1968 Architect , ural designer Kiev State Project Institute 1968 - 1974 principal architect , Kiev Branch Moscow State Project and Science Institute of Technology Aesthetics 1968 - 1974 designer , Kiev Branch Moscow State Project and Science Institute of Technology Aesthetics 1975 - 1977 scenic artist , American Broadcasting Company television and National Broadcasting Company television Studios 1975 artist , Santa Monica 1977 - 1984 set designer , Universal Studios 1981 art director , State Odyssey Theatre Ensemble Award Recipient 1st prize for Subway Station "Polytechnic Institute," Union of the Soviet Socialist Republics, House of Literature, Alexandria, Union of the Soviet Socialist Republics. 2d prize Triumphal Arch of 300 Years Union of Ukraine with Russia, Potemkin
low 10,000!!!
http://www.learn-america.com/anatole-krasnyansky/
Anatole Krasnyansky | |
|---|---|
| Born | April 26, 1930 |
| Occupation(s) | painter, architect, set designer |
| Years active | 1960-present |
Anatole Krasnyansky (Russian: Анатоль Краснянский) (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting.[1][2]
Biography[edit]
He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. During the world, 10 year old Anatole and his mother first evacuated to Stalingrad before finally settling in Tashkent, Uzbekistan. While in Stalingrad, Krasnyansky met Alex and Irene Black who offered to take him to Leningrad to be enrolled in the finest art school in the Soviet Union, however, his mom refused to be away from her son. The influential Mr. Black arranged for 14 year old Anatole’s paintings first ever art exhibition which were well received. Krasnyansky returned to Kiev where he received a master's degrees in fine art and architecture from the Kiev Academy of Art and Architecture.[3] Krasnyansky dreamed of escaping the Communist oppression and anti Semitism to finally find the freedom of expression that he so desired in his artwork which could not be found within the strictures of the Soviet Union and moved to the United States in 1975.[4]
In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture.[5] His art has evolved to including realism, expressionism, cubism, and modernist surrealism. While painting, he preaches, ‘Never forget your past, never forget where you came from, never forget the accomplishments of your culture and the value of your traditions.’[3]
Accomplishments[edit]
Krasnyansky won first prize for his design of the Kiev Subway Station[3] and the rendering of the House of Books in Alexandria.[3]
Krasnyansky's art was accepted to several exhibitions organized by the Artists’ Union while still living in Kiev.[3]
Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica) and the stage art director for the Odyssey Theatre.[3][6]
Krasnyansky is also known for his surrealist masked figures.[7]
Krasnyansky's work has been exhibited at the Dalzell Hatfield Galleries in their exhibition "International Watercolor Masters," along with works from Marc Chagall, Camille Pissarro, and Diego Rivera. Krasnyansky's work has been featured in exhibitions at Stanford University and UCLA and has also been shown in solo exhibitions in Japan and around the United States.[3][8]
References[edit]
- ^ "Anatole Krasnyansky Home - Anatole Krasnyansky". Anatole Krasnyansky.
- ^ Intelligence Power. "Anatole Krasnyansky (Russian, 1930) - Biography". artfinding.com.
- ^ a b c d e f g Reporter. "The Anatomy of Artistic Creation". Malibu Chronicle.
- ^ "Anatole Krasnyansky Home - Anatole Krasnyansky". Anatole Krasnyansky.
- ^ "Anatole Krasnyansky Home - Anatole Krasnyansky". Anatole Krasnyansky.
- ^ "Knottywood Treasures - Anatole Krasnyansky Biography". knottywood-treasures.com.
- ^ Park West Gallery
- ^ "Artlover Biography - Anatole Krasnyansky, 1930 -". artlover.org.