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[edit]|100px |Portrait of [1] |c. 15 – |on paper | × cm |Kunstmuseum Basel Royal Collection, Windsor Castle |-
Portrait drawings
[edit]Work | Description | Date | Medium | Size | Location |
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Portrait of Jakob Meyer zum Hasen[2] | 1516 | Silverpoint, red chalk, and traces of black pencil on white-coated paper | 28.1 × 19 cm | Kunstmuseum Basel |
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Portrait of Dorothea Meyer, née Kannengiesser[3] | 1516 | Silverpoint, red chalk, traces of black crayon on paper | 28.6 (left), 29.3 (right) × 20.1 cm | Kunstmuseum Basel Royal Collection, Windsor Castle |
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Portrait of Jakob Meyer zum Hasen[4] | c. 1525–26 | Black and coloured chalks, lead point, background coloured light green | 38.3 × 27.5 cm | Kunstmuseum Basel |
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Portrait of Dorothea Meyer, née Kannengiesser[5] | c. 1525–26 | Black and coloured chalks on white-primed paper, and lead point | 39.5 × 28.1 cm | Kunstmuseum Basel |
100px | Portrait of [6] | c. 15 – | on paper | × cm | Kunstmuseum Basel Royal Collection, Windsor Castle |
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Portrait of Anna Meyer[7] | c. 1526 | Black and coloured chalks, lead point, background coloured light green | 39.1 × 27.5 cm | Kunstmuseum Basel |
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Portrait of Sir Thomas More[8] | c. 1527 | Black and coloured chalks on paper | 40.2 × 30.1 cm | Royal Collection, Windsor Castle |
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Portrait of Sir Thomas More[9] | c. 1527 | Black and coloured chalks on paper | 38 × 25.8 cm | Royal Collection, Windsor Castle |
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Portrait of Sir John More, father of Sir Thomas More[8] | c. 1527 | Black and coloured chalks on paper | 35.4 × 27.6 cm | Royal Collection, Windsor Castle |
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Portrait of Margaret Giggs[10] | c. 1527 | Black and coloured chalks on paper | 38.5 × 27.3 cm | Royal Collection, Windsor Castle |
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Portrait of John More, son of Sir Thomas More[11] | c. 1527 | Black and coloured chalks on paper | 38.1 × 28.1 cm | Royal Collection, Windsor Castle |
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Portrait of Elizabeth Dauncey[12] | c. 1527 | Black and coloured chalks on paper | 37.1 × 28.2 cm | Royal Collection, Windsor Castle |
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Portrait of Cicely Heron[12] | c. 1527 | Black and coloured chalks on paper | 38.4 × 28.3 cm | Royal Collection, Windsor Castle |
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Portrait of Anne Cresacre[11] | c. 1527 | Black and coloured chalks on paper | 37.5 × 26.8 cm | Royal Collection, Windsor Castle |
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Study for the Family Portrait of Sir Thomas More[13] | c. 1527 | Pen and brush in black on top of chalk sketch | 38.9 × 52.4 cm | Kunstmuseum Basel |
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Portrait of Sir Thomas Elyot[14] | c. 1532–34 | Black and coloured chalks, bodycolour, ink with pen and brush on pink-primed paper | 28.6 × 20.6 cm | Royal Collection, Windsor Castle |
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Portrait of Margaret à Barow, Lady Eliot[15] | c. 1532–34 | Black and coloured chalks, bodycolour, ink with pen and brush on pink-primed paper | 28 × 20.9 cm | Royal Collection, Windsor Castle |
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Portrait of George Neville, Lord Abergavenny[16] | c. 1533 | Black and coloured chalk on pink prepared paper, reinforced with pen and black ink | 27.3 × 24.1 cm | Wilton House, Salisbury |
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Portrait of Bishop John Fisher[17] | c. 1532–35 | Coloured chalks, watercolour, brush, pen and ink on pink primed paper | 35.3 × 23.4 cm | Royal Library, Windsor |
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Portrait of a Woman, inscribed "Anna Bollein Queen"[18] | c. 1532–36 | Black and coloured chalks on pink primed paper | 28.1 × 19.2 cm | Royal Collection, Windsor |
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Henry VIII and Henry VII, cartoon for a wall painting at Whitehall[19] | 1537 | Pen in black, with grey, brown, black, and red wash on paper mounted on canvas | 257.8 × 137.1 cm | National Portrait Gallery, London |
Hand studies
[edit]Work | Description | Date | Medium | Size | Location |
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Studies of the Hands of Erasmus[20] | c 1523 | Silverpoint, ruddle, and black chalks on paper | 20.6 × 15.3 cm | Louvre, Paris |
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Study of the Right Hand of Erasmus, with a Sketch of his Face[21] | c. 1523 (hand) 1532? (face) | Silverpoint, ruddle, and black chalks on paper | 20 × 28 cm | Louvre, Paris |
Notes
[edit]- ^ Buck, –; Foister, ; Müller, Kemperdick, Ainsworth, et al, –; Parker, –; Wilson, –.
- ^ Buck, 16–17; Strong, 18; Müller, Kemperdick, Ainsworth, et al, 161.
- ^ Buck, 13–17; Müller, Kemperdick, Ainsworth, et al, 161–64.
- ^ Müller, Kemperdick, Ainsworth, et al, 333–34.
- ^ Müller, Kemperdick, Ainsworth, et al, 334.
- ^ Buck, –; Foister, ; Müller, Kemperdick, Ainsworth, et al, –; Parker, –; Wilson, –.
- ^ Müller, Kemperdick, Ainsworth, et al, 334.
- ^ a b Foister, 35.
- ^ Parker, 36.
- ^ Foister, 38; Parker, 37.
- ^ a b Foister, 36.
- ^ a b Foister, 37.
- ^ Buck, 53; Strong, 40.
- ^ Foister, 52; Parker, 40.
- ^ Foister, 52; Parker, 40.
- ^ Rowlands 1988, 233; Strong, 64.
- ^ Foister, 120; Parker, 39–40.
- ^ Parker, 53.
- ^ Buck, 114–15; Strong, 76.
- ^ Buck, 48; Müller, Kemperdick, Ainsworth, et al, 288–89; Strong, 34.
- ^ Müller, Kemperdick, Ainsworth, et al, 288–89.
References
[edit]- Bätschmann, Oskar, & Pascal Griener. Hans Holbein. London: Reaktion Books, 1997. ISBN 1861890400.
- Foister, Susan. Holbein in England. London: Tate: 2006. ISBN 1854376454.
- Ganz, Paul. The Paintings of Hans Holbein: First Complete Edition. London: Phaidon, 1956. OCLC 2105129.
- Müller, Christian; Stephan Kemperdick; Maryan W. Ainsworth; et al. Hans Holbein the Younger: The Basel Years, 1515–1532. Munich: Prestel, 2006. ISBN 3791335804.
- Parker, K. T. The Drawings of Hans Holbein at Windsor Castle. Oxford: Phaidon, 1945. OCLC 822974.
- Rowlands, John. The Age of Dürer and Holbein. London: British Museum, 1988. ISBN 0714116394.
- Rowlands, John. Holbein: The Paintings of Hans Holbein the Younger. Boston: David R. Godine, 1985. ISBN 0879235780.
- Strong, Roy. Holbein: The Complete Paintings. London: Granada, 1980. ISBN 0586051449.
- Wilson, Derek. Hans Holbein: Portrait of an Unknown Man. London: Pimlico, Revised Edition, 2006. ISBN 9781844139187.
- Zwingenberger, Jeanette. The Shadow of Death in the Work of Hans Holbein the Younger. London: Parkstone Press, 1999. ISBN 1859954928.