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User:Techn0logist/List of electronic music works before 1940

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Notes to self:

  • Perhaps it's better to look at pre-1945. Holmes essentially divides into two genreations: those where composers focused mostly on electronic performance instruments (<1945) and when they began focusing on electronic recording techniques (>1945).

Gramophone compositions

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Date Composer(s) Title Notes
1920 Stefan Wolpe ? At a Dada concert in 1920, Wolpe put eight phonographs on a stage and had them play parts of Beethoven’s Fifth at different speeds.
1924 The Pines of Rome Orchestral work used a phonograph recording of a bird sound. Before the introduction of electronic record players.
1927 Kurt Weill The Tsar Has Himself Photographed In the middle of the opera, Weil wrote an interlude for solo record-player—playing “Tango Angèle,” his first “hit”
1930 Paul Hindemeth Trickaufnahmen Gramaphone experiments. Hindemeth laid acoustic instruments at different speeds on top of each other.
1939 John Cage Imaginary Landscape No. 1 For two variable-speed turntables, frequency recordings, muted piano, and cymbal. The records, which play the frequency recordings, are speed adjusted between 33 1/3 and 78 rpm, and rhythms are produced by lifting and lowering the record needle.
1942 John Cage Imaginary Landscape No. 2 (March) For tin cans, conch shell, ratchet, bass drum, buzzers, water gong, metal wastebasket, lion's roar and amplified coil of wire. The coil of wire is amplified by attaching it to a phonograph tonearm.
1942 John Cage Imaginary Landscape No. 3 For tin cans, muted gongs, audio frequency oscillators, variable speed turntables with frequency recordings and recordings of generator whines, amplified coil of wire, amplified marimbula (a Caribbean instrument similar to the African thumb piano), and electric buzzer.
1942 John Cage Credo In Us One performer plays the radio and the phonograph

Instrument use in compositions

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Theremin

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Date Composer(s) Title (English) Title (Original) Instruments Score Recordings Notes
1923 Andrey Paschenko Symphonic Mystery Симфоническая мистерия (Simfonicheskaya misteriya) Theremin and orchestra ? None known Premiered on May 1924. This was the first composition commission by Leon Theremin, and the first orchestral work to use the Theremin.
1928~ Charles Ives Symphony No. 4 (Ives) Symphony No. 4 (Ives) Theremin and orchestra <Microtonal> Added in 1928, not when it was initially composed. He specifies an "ether organ", referring to the harmonium theremin. Used to play quarter-tones. [1]
1929 Vladimir Sokolov Oriental Dance Theremin and piano
1929 Vladimir Sokolov Echo Theremin and piano
1929 Vladimir Sokolov Vocalise Theremin and piano
1929 Vladimir Sokolov Russian Song Theremin and piano
1929 Joseph Schillinger First Airophonic Suite, op. 21 Theremin and orchestra
1929 Joseph Schillinger Melody Theremin and piano
1930 Joseph Schillinger Bury, Bury Me, Wind, op. 23 Theremin, violin and piano
1930 Joseph Schillinger Gymnopdie for Electro quintet Theremin, three Theremincellos, and Thereminkeyboard May actually be an arrangement of Satie's Gymnopédie. There does appear to be a live performance of this but I haven't head it, and don't know if it's authentic
1932 Joseph Schillinger Mouvement Électrique et Pathétique Theremin and piano
1933 Friedrich Wilckens Dance in the Moon Theremin and piano
1933 Friedrich Wilckens Adagio Theremin
1933 Sandor Harmati Illusion Theremin and piano
1933 Edward B. Mates Nocturne Theremin and piano
1934 Nicolas Slonimsky Dream Scents Theremin and piano
1934 Riccardo Valente Complaint Theremin and piano Yes Jørgensen (2011)
1934 Edgard Varese Ecuatorial Two fingerboard Theremincellos, winds, percussion, and a bass singer <Microtonal> The vocal parts contain quarter-tones, but I don't have a source for anything else microtonal.
1935 Percy Grainger Free Music No. 1 Free Music No. 1 Four theremins Yes Lydia Kavina (1999), Lydia Kavina (2008) <Microtonal> Theremin in preference to a string quartet, because of the instrument's complete 'gliding' freedom of pitch
1936 Percy Grainger Free Music No. 2 Free Music No. 2 Six theremins Yes Lydia Kavina (2008) <Microtonal>
1937 Percy Grainger Beatless Music Beatless Music Six theremins Yes Lydia Kavina (2008) <Microtonal>
1938 Jenő Takács Deux mouvements Symphoniques pour Thérémine et Orchestre, op. 41 Theremin and orchestra
1938 Ernest Kanitz Concertino for Theremin and orchestra Theremin and orchestra
1938 Mortimer Browning Concerto in F Theremin and orchestra Yes Rosen (1939/1940)
1938 Johanna M. Beyer Music of the Spheres Music of the Spheres Three electrical instruments/strings, lion's roar and triangle Yes None known* Beyer had heard the theremin long before this composition, and likely intended it to be played for the theremin. She was a student of Henry Cowell and was in close touch with the composer Percy Grainger. *There was a recording of this work in 1977, but it was for a 70s-era synthesizer, which I consider too derivative to be a true recording.
1939 Jeno Szanto Chant du Soir Theremin and piano
1944 Bohuslav Martinu Fantasia Theremin, oboe, piano & string quartet Yes
1945 Anis Fuleihan Fantasy Theremin and orchestra Yes
Date Composer(s) Title (English) Title (Original) Instruments Score Recordings Notes
1928 Dimitrios Levidis Poème symphonique, op.43-B Ondes Martenot and orchestra <Microtonal> The first composition for the instrument. Uses quarter tones and eighth tones.
1928 Edgard Varèse Amériques Ondes Martenot and orchestra <Microtonal> In 1928, Varese altered the siren part in "Amériques" to use the ondes Martenot. The siren is not used in a noise-like manner, but instead for its microtonal properties.
1930 Pierre Vellones Fantaisie Ondes Martenot and piano
1930 Nikolai Obukhov Le pasteur tout puissant règne Ondes Martenot and piano
1932 Joseph Canteloube Vercingétorix Ondes Martenot and orchestra
1933 Darius Milhaud Suite for Martenot and Piano Ondes Martenot and piano Yes Jeanne Loriod (1962)
1933 Gustave Samazeuilh Luciole Ondes martenot and piano
1933 Charles Koechlin The Seven Stars Symphony, suite symphonique, op. 132 Ondes martenot and orchestra
1934 Pierre Vellones Split et Vitamines Ondes martenot and saxaphone quartet
1934 Arthur Honegger Sémiramis Ondes Martenot and orchestra Yes 1992
1935 Charles Koechlin L’Album de Lilian (Book II), op. 149 Flute, piano, harpsichord, and Ondes Martenot
1935 André Jolivet Trois Poémes pour Ondes Martenot et Piano Ondes Martenot and piano
1936 Charles Koechlin Les Eaux Vives, op. 160, pour l'Expo 37 Ondes Martenot and orchestra
1936 Pierre Vellones Une Aventure de Babar
1936 André Jolivet Danse Incantatoire Ondes Martenot (2x) and orchestra
1937 André Jolivet Incantation: "Pour que l'image devienne symbole" Ondes Martenot (or violin)
1937 André Jolivet Ouverture Rondeau Ondes Martenot x4, piano x2, percussion
1937 Pierre Vellones Fête Fantastique
1937 Charles Koechlin Requiem des pauvres bougres, op.161 Ondes Martenot, chorus, orchestra, piano, organ
1937 Arthur Honegger Le Cantique des Cantiques Ondes Martenot and orchestra
1937 Olivier Messiaen Fête des Belles Eaux Ondes Martenot (6x) Yes Jeanne Loriod (1962) Some sections are not very adventurous at all, but there are several sections, one of which has been called 'Oraison', which are notable.
1938 Olivier Messiaen Two Monodies in Quarter Tone Deux monodies en quarts de ton Ondes Martenot <Microtonal> Appears to, at the very least, be unpublished. Likely no recordings.
1938 Arthur Honegger Jeanne d'Arc au bûcher Ondes Martenot, orchestra and choir
1939 Charles Koechlin Vers le soleil – 7 monodies for Ondes Martenot, op. 174 Ondes Martenot Yes Christine Simonin (1989)
1942 Olivier Messiaen Musique de scène pour un Oedipe (Dieu est innocent) Ondes Martenot Appears to be unpublished, so likely no recordings
1943 Andre Jolivet Suite Delphique, pour 12 instruments
1944 Jean Martinon Symphonie No 2 "Hymne à la Vie"
1944 Charles Koechlin Chant de sérénité Ondes martenot and piano
1944 Olivier Messiaen Trois petites liturgies de la présence divine Ondes Martenot and orchestra
1945 Charles Koechlin Le Buisson Ardent, poème symphonique d'après un épisode de "Jean-Christophe" de Romain Rolland, op. 203 & 171 (1945 & 1938)
1945 Henri Dutilleux Trois Tableaux Symphoniques, d'après Les Hauts de Hurlevent
Date Composer(s) Title (English) Title (Original) Instruments Score Recordings Notes
1930 Paul Hindemith 7 pieces for 3 trautoniums Des kleinen Elektromusikers Lieblinge - 7 Stücke für 3 Trautonien Trautonium (x3) Yes Oskar Sala (1977) These pieces mostly just sound like they could've been written for strings, though the first is slightly interesting
1931 Paul Hindemith Concertino for Trautonium and Strings Konzertstück Trautonium and strings Yes Oskar Sala (1978)
1932 Paul Höffer Kleine Kammermusik
1933 Paul Hindemith Exercises for Trautonium Trautonium Yes ?
1935 Paul Hindemith Langsames Stück und Rondo Trautonium Yes Oskar Sala
1938/1939 Harald Genzmer Konzert für Trautonium und Orchester Trautonium and orchestra
1941 Herrmann Ambrosius Rhapsodie für [Konzert-]Trautonium und Orchester Trautonium and orchestra
1941 Julius Weismann Variationen und Fuge mit Orchester Trautonium and orchestra
1942 Harald Genzmer Musik für Trautonium und großes Blasorchester Trautonium and orchestra
  • References to the Trautonium often note that the instrument also attracted the attention of Richard Strauss and Werner Egk, but Strauss used it only to emulate the sound of a gong in his 1940 Japanese Festival Music, and Egk apparently used it only for special effects in scores for radio plays and in operas that he conducted, after 1937, at the Berlin Staatsoper.
Date Composer(s) Title (English) Title (Original) Instruments Score Recordings Notes
1931 Henry Cowell Rhythmicana: for Rhythmicon and Orchestra Rhythmicana: for Rhythmicon and Orchestra Rhythmicon and orchestra Exists[2] ?
1932 Henry Cowell Music for Violin and Rythmicon Music for Violin and Rythmicon Rhythmicon and violin Lost None
Date Composer(s) Title (English) Title (Original) Instruments Score Recordings Notes
1926 Georgy Rimsky-Korsakov ? ? ? ? ? Some quarter-tone pieces by Georgi Rimsky-Korsakov were presented on the Spharophon in 1926 at the Donaueschingen Festival. It's unclear if the pieces were actually written for the Spharophon, or if Mager just adopted them. Mager may have also presented some of his pieces, but it's unclear. We do know that Mager and Korsakov had lots of correspondence, so it could go either way. The German Wikipedia sources a 1929 newspaper article and says that Hába , Wyschnegradsky, Paul Hindemith and Georg Rimski-Korsakow offered to write pieces for the instrument, but that it was little more than lip service. So it seems to suggest that there were no compositions for the instrument (except possibly by Mager), and that Mager just adapted one of Korsakov's compositions.

"Beim Musikfest in Donaueschingen wurden sehr hübsche Vierteltonstückehen vom jungen Georg Rimsky-Korsakoff und vom Erfinder Jörg Mager vorgetragen." -- p390 in Musikblaetter Des Anbruch Jg.08 1926. This is where all the books I've found derive their information on the pieces. Would be good to have a native speaker help clarify if this means Mager presented some of his own compositions, or that he just played Korsakov's. The source also says Hindemeth was eager for the instrument to be practical, while Toch and Gael agreed to write compositions.

1932 Jörg Mager ? ? ? Lost? None known One source says "a microtonal piece for thirty theatrical interpretations of drama Faust". Another says "to create sound effects that included an 'ethereal vibrato' to accompany a sunrise, the growling of a dog 'underlaid with microtonal sounds', 'spooky, demoniacal, eccentric music' for the Witches' Sabbath scene, and devil noises mixed into a 'whirl of tone trills'.
1935 Jörg Mager Little Christmas Lullaby Weihnachts-Wiegenliedchen Spharophon Yes None known Allegedly the only surviving piece of notated music for any of Jorg Mager's instruments
Date Composer(s) Title (English) Title (Original) Instruments Score Recordings Notes
1934 Nikolai Obukhov The Book of Life Modification of an earlier composition
1934 Nikolai Obukhov Pour le tabernacle, pour le mariage Croix sonore, voice and piano Modification of an earlier composition
1934 Nikolai Obukhov Tout-puissant bénit la paix Croix sonore and piano
1937 Nikolai Obukhov Hymne mondial Croix sonore, voices and piano

Novachord

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  • Kammersinfonie op. 69 (1940)
  • Heitor Villa-Lobos - Symphony No. 7 (1945) includes a part for Novachord
  • Vera Lynn - We'll Meet Again (1939 Novachord Version)

Instrument use in original film scores

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Theremin

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Date Composer(s) Film Title (Original) Film Title (English) Country Instruments (for relevant scenes) Does original audio exist? Notes
1924 Valentin Y. Kruchinin Аэли́та Aelita Russia Theremin and orchestra No A theremin was reportedly first used to accompany the silent film Aelita (1924) in the score by Valentin Y. Kruchinin, though I have not found clear evidence to prove this. The score was performed as an orchestra during the initial run in Moscow. As this pre-dated sound on film, it was performed live, and no recording from the time would be expected to exist (though there is a faint chance). The score does exist "in fragments", which were allegedly used in the otherwise-new score by Alexander Rennie for the 1999 DVD release.
October 1931 Dmitri Shostakovich Odna/Одна Alone Russia Theremin and orchestra ? Theremin appears in scene where Yelena is lost in the snowstorm
1932 Gavriil Popov Komsomol: Shef elektrifikatsii Komsomol: Patron of Electrification Russia Theremin and orchestra Yes <Further Information> . Konstantin Kovalsky is pictured playing the theremin with an orchestra.
1932 Nikolai Krukov & Vladimir Popov Изящная жизнь (Iziashnaya Zhizn) The Nice Life Russia Theremin and noise instruments Yes <Recording> <Entire Film>. I can hear a noise segment possibly with theremin at 5:38, orchestral segment with theremin at 27:50~, a noise segment possibly with theremin at 38:00~, ... . Also, 1:01:50 seems to have an electro-acoustic reversal effect, probably using sound-on-film technology...
1932 Nikolai Krukov & Vladimir Popov Дела и луди (Dela i ludi) Affairs and People Russia Theremin and noise instruments Yes <Entire Film>
1936 Gavriil Popov Родина зовет/Rodina zovet Call to Arms Russia Theremin and noise instruments Yes Microtonal textures with brass instruments, noise orchestra, and low-pitch sounds with theremin. There were likely many involved, but Popov is the only one credited. <Entire Film>
1944 Robert E. Dolan Lady in the Dark Lady in the Dark USA Yes Allegedly the first appearance of the theremin in Hollywood film
October 1945 Miklós Rózsa Spellbound Spellbound USA Theremin and orchestra Yes
November 1945 Miklós Rózsa The Lost Weekend The Lost Weekend USA Theremin and orchestra Yes
February 1946 Roy Webb The Spiral Staircase The Spiral Staircase USA Yes
  • It appears to be an urban legend that the theremin was used in the scores of King Kong (1933) and Bride of Frankstein (1935), although it is possible it was used as a sound effect.

Ondes Martenot

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Date Composer(s) Film Title (Original) Film Title (English) Country Instruments (for relevant scenes) Is footage preserved? Is standalone soundtrack preserved? Notes
January 1931 Arthur Honegger & Maurice Martenot La fin du monde End of the World France Ondes martenot and piano Yes ? Featured about 1 hour 18 minutes in the party scene. Maurice Martenot is pictured playing the Ondes.
April 1934 Franz Waxman Liliom Liliom France Ondes martenot and orchestra Yes ? There are incorrect sources that indicate the score used a theremin: it was definitely an ondes Martenot. Used in the "Ascent into Heaven" scene around 1 hour 25 minutes in. It's actually quite hard to make out.
1934 (circa July 1934) Arthur Honegger L'Idée The Idea France Ondes martenot and orchestra Yes ? Important to notice that the score was not originally in the 1932 film, which was silent, but introduced in 1934. It was apparently introduced a few months after the release of Liliom
November 1934 Arthur Honegger Rapt The Kidnapping France Ondes martenot and orchestra Yes ? Used in various scenes throughout the film
March 1935 Arthur Honegger Der Dämon des Himalaya Demon of the Himalayas Switzerland(?) Ondes martenot Yes ? Can be heard as a solo instrument in "The Smoking Den" scene (about 8 minutes in this link)
April 1935 Jacques Ibert Golgotha Golgotha France ? ? ? "For the climax, the crucifixion itself, he unleashed a tour de force of orchestral sonorities, with brass and rattling percussion vying for supremacy, culminating in a sepulchral march with the ondes martenot wailing desolately above it like a grief-stricken voice."
May 1935 Arthur Honegger Crime et châtiment Crime and Punishment France ? ? ?
August 1936 Adolphe Borchard Le roman d'un tricheur Confessions of a Cheat France ? ? ? Played by Martenot's sister, Ginette
April 1937 Arthur Honegger Marthe Richard au service de la France Marthe Richard France ? ? ?
June 1937 Pierre Vellones Karakoram Karakoram France
1943 Arthur Honegger Un seul amour Secrets of a Ballerina France ? ? ?
  • One source indicates that the Martenot was used by Shostakovich in 1932 film Counterplan, but this is highly unlikely. It is doubtful that there were any Ondes Martenots in Russia at the time, and there is little reason he would choose such a difficult option when the Theremin would have been available (and he had used it before). In addition, sources indicate that the original scores for Counterplan do not mention any electronic instrument. It is possible that the source suggesting the Ondes Martenot was used is referring to a later edited score. It is worth watching to find out, though I'm not sure if the original soundtrack is preserved.
  • Allegedly, there is an Ondes Martenot in Pygmalion (1938), composed by Arthur Honegger, during the scene where the speech apparatus is being demonstrated <Youtube>. Although this would be expected for Honegger, I have watched the scene, and cannot hear any electronic instrument (though it is fairly experimental for the time).
    • "Honegger composed for "Pygmalion" (1938) one of the most successful noise-music sequences to date. This is the sound track for the scene in which the speech expert is demonstrating his apparatus. Percussive devices, claquettes, tuning-forks, the whir of machinery, and tones of the "Ondes Martenot" are orchestrated with such rhythmic brilliance that a non-melodic musical composition, perfectly proportioned to the screen image, impels the closest attention of the auditor-spectator."
  • Apparently the directors Abel Gance, Fritz Lang, André Cayate , Julien Duvivier, Marcel Carné, Laurence Olivier have all used the Martenot in their films, though it is not clear which films and composers this text means.

Trautonium

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  • It was used in 1934 to produce what Sala termed the "Zaubermelodien" (Sala, "My Fascinating Instrument," 85) composed by Georg Häntzschel for Hanneles Hummelfahrt
  • According to German-language source, German electronic instruments like Trautonium were rarely used in film, though it notes that this would be difficult to prove.

Novachord

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  • 1939: Gone with the Wind, a Novachord was used for intermission music. Composed by Max Steiner
  • 1940: Rebecca, composer Franz Waxman. Every time Rebecca is spoken about, the Novachord is there
  • 1941: The Maltese Falcon. Bogey wakes from a drug induced sleep and looks in the mirror. think this is it.
  • 1941: The Seawolf
  • 1941: Topper Returns. The Novachord accompanies ghostly events.
  • 1942: Cat People
  • 1942: Frankenstien meets the Wolfman
  • 1943: Northern Pursuit
  • 1944: The Mask of Dimitrios
  • 1944: House of Frankenstien

Sound-on-film compositions

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Sound collage & musique concrete

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Date Composer(s) Film Title (Original) Film Title (English) Country Is original recording preserved? Notes
June 1930 Walter Ruttmann Wochenende Weekend Germany Yes A sound collage with no film. From my perspective, appears to be a clear forerunner to musique concrete.
September 1930 Sergei Eisenstein Romance Sentimentale Sentimental Romance Russia/France Yes A combination of collage and drawn sound. "An aural melange of unidentifiable sounds created, according to one source, by running the soundtrack backwards or using 'drawn sound' that is, inscribing graphic figures such as letters, lines and profiles onto the soundtrack of the film and then playing it back through the projector. Utilized for the storm <Youtube 2:10> and animated sequences (?)
October 1930 Dziga Vertov Энтузиазм: Цимфония Донбасса (Entuziazm: Simfoniya Donbassa) Enthusiasm (film) Russia Yes Uses the rhythm of a radio-telegraph and other recorded sounds, edited by cutting on film. From my perspective, seems to be a futurist composition with industrial noises, but splices them together using sound-on-film technology.
1934~ Jack Ellitt Journey #1 Journey #1 Yes <Soundcloud> If the date is correct, this is remarkably futuristic. Basically, it's musique concrete using sound-on-film, with electronic sounds and all. "The disc appears to be a private recording pressed by the BBC in 1954, yet the notes on the label indicate the disc is a transfer from a recording made on film stock (which Ellitt was working with intensively as a recording medium in the early 1930s). Horrocks believes Journey #1 is most likely a soundtrack for an unfinished film Ellitt has been working on with Lye called Quicksilver. This was an on-again/off-again project the two worked on sporadically from 1930 to 1934, but Horrocks writes in his biography of Lye that Ellitt's music came first and acted as inspiration for the film project, which means the recording could have been made as early as 1930. The listener can identify source materials in the recording that include field recordings and/or editing cut-offs, as well as drawn sound (the monophonic oscillator-like signals heard throughout); all techniques we know Ellitt was actively working with during the early 1930s. Journey #1 sounds like a demonstration of the ideas Ellitt wrote of in 1935's "On Sound"."
  • " Pudovkin's Deserter (1933), which included experiments such as running the soundtrack backwards, or inscribing and designing the sound so that it could be cut to change or even be warped"
  • Rapt (1934) runs the soundtrack backwards at around 1:01:41 for musical effect. There is a more impressive use of sound-on-film techniques earlier on the film, but it is used for wind sound effects.
  • Song of Ceylon (1934) is apparently of note, but I'm not sure yet

German drawn sound compositions

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Date Composer(s) Film Title (Original) Film Title (English) Is original recording preserved? Notes
1930-1932 Rudolph Pfenniger Kleine Rebellion Yes(?), but can't track down Groteskes ballett film directed by Heinrich Köhler, with fully synthesized soundtrack. It's possible that this was an arrangement, not an original composition.
1930-1932 Rudolf Pfenninger Pitsch und Patsch (Tönende Handschrift II) Yes, but can't track down An undersea animation drawn by Rudolph Pfenniger, with fully synthesized soundtrack. It's possible that this was an arrangement, not an original composition.
  • The five films by Rudolph Pfenniger were compiled as "Tönende Handschrift" in 1932, and this is still available and reasonably widespread, though I'm having a hard time tracking it down. It appears that 3 are on this DVD.
  • Please note that the experiments by Oskar Fischinger and László Moholy-Nagy were not compositional, but just experiments with different sounds/images
  • "Germany would quickly cease to be the fertile ground for work on synthetic film sound that it had been for the previous few years." (in other words, 1930-1933 was the peak period)

Russian drawn sound: ornamental sound

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Date Composer(s) Film Title (Original) Film Title (English) Is original recording preserved? Notes
1931 Arseny Avraamov Кем быть? (Kem bït?) Who to Be? Lost Not totally sure this has a synthetic soundtrack?
1931 Arseny Avraamov Gibel sensatsii The End of a Sensation ? Appears to actually be a 1935 film without a synthetic soundtrack: perhaps the source is mistaken?
1934-1935 Arseny Avraamov Drawn Sound of Siren Yes<Youtube> Not really a composition, more of a demonstration, but I'll consider it a composition anyway
  • Multzvuk group: experimental films ‘Ornamental Animation’, ‘Marusia Otravilas’, ‘Chinese Tune’, ‘Organ Chords’, ‘Untertonikum, Prelude’, ‘Piruet’, ‘Staccato Studies’, ‘Dancing Etude’ and ‘Flute Study’.
  • The group making productions in this format closed in 1934, and around 1936-1938 most of the archives were burned in an accident. If I hear right from Smirnov, the only thing still preserved is the "Drawn Sound of Siren".

Russian drawn sound: variophone

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Date Composer(s) Film Title (Original) Film Title (English) Is original recording preserved? Notes
1931 Georgy Rimsky-Korsakov, Vladimir Deshevov & Evgeny Sholpo 1905-Й Год в Буржуазной Сатире (1905-J God v Burzhuaznoj Satire) 1905 In The Bourgeois Satire Lost Director N.I. Galkin, composer V.M. Deshevov. Cartoon, fully synthesized soundtrack. Initial film in 1930, sound added in 1931. Seems to be lost. <Film Info>[3]
1932 Georgy Rimsky-Korsakov & Evgeny Sholpo Симфония мира (Simfoniya mira) Symphony of Peace/Symphony of the World Lost Cartoon by E.J. Johansson and G.V. Bankovsky, fully synthesized soundtrack. <Film Info>[4]
1933 Georgy Rimsky-Korsakov & Evgeny Sholpo The Carburettor Yes (audio only)<Youtube> Educational film, fully synthesized soundtrack. Made with Variophone.
1933 Georgy Rimsky-Korsakov & Evgeny Sholpo March Trot Gallop Yes[5], though can't find
1935 Nikolai Timofeev & Evgeny Sholpo Waltz Yes[6], though can't find
1941 Igor Boldirev & Evgeny Sholpo Стервятники (Stervyatniki) The Vultures Yes <Youtube > Soviet propaganda cartoon. This one is somewhat experimental. For some reason, the cartoon I can find does not have the synthesized soundtrack, but an orchestrated one instead.

Russian drawn sound: paper sound

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Date Composer(s) Film Title (Original) Film Title (English) Is original recording preserved? Notes
1933 Nikolai Voinov Танец вороны (Tanets vorony) Dance of the Crow Yes <Youtube> Cartoon
1934 Leo Shwarz & Nikolai Voinov Вор (Vor) The Thief Yes <Youtube> Cartoon by Aleksandr Ivanov and Panteleymon Sazonov

US drawn sound

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Date Composer(s) Film Title (Original) Film Title (English) Is original recording preserved? Notes
1939~ Norman McLaren Allegro Allegro Lost?
1939~ Norman McLaren Scherzo Scherzo Yes <Youtube> Initially lost, rediscovered in 1984. I would say this is similar, but not as good as Dots.
1939~ Norman McLaren Rhumba Rhumba ? Soundtrack-only
1940 Norman McLaren Dots Dots Yes <Youtube>
1940 Norman McLaren Loops Loops Yes <Youtube>
1943 John Whitney & James Whitney "Five Film Exercises", Film 1 "Five Film Exercises", Film 1 Yes <Youtube> These five films are absolutely groundbreaking. Composed using a specially constructed system of 12 linked pendulums, which delineated waveforms that could be filmed
1944 John Whitney & James Whitney "Five Film Exercises", Film 2 "Five Film Exercises", Film 2 Yes <Youtube>
1944 John Whitney & James Whitney "Five Film Exercises", Film 3 "Five Film Exercises", Film 3 Yes <Youtube>
1944 John Whitney & James Whitney "Five Film Exercises", Film 4 "Five Film Exercises", Film 4 Yes <Youtube>
1945 John Whitney & James Whitney "Five Film Exercises", Film 5 "Five Film Exercises", Film 5 ?
  • The documentary Book Bargain (1937) allegedly uses drawn sound techniques by Norman McLaren, but according to one source, these were proposed by McLaren and not actually accepted. Further, if they are in the film, they will likely be used as sound effects. I need to track down the film.
  • A single drawn sound of the notes of the overtone series, which produce a phantom fundamental, is featured in the score by Bernard Herrmann for The Devil and Daniel Webster (1941).

Wire/tape/electroacoustic compositions

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Date Composer(s) Title Is original recording preserved? Notes
1944 Halim El-Dabh The Expression of Zaar Yes