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THE NIGERIAN FILM CORPORATION

BRIEF HISTORY OF THE NIGERIAN FILM CORPORATION

The Nigerian Film Corporation (NFC), has attracted both local and global attention in recent times. Established 1979 following a decree No.61 with the recommendation given by the Council for Arts and Culture, that sponsored a seminar on film and its relationship to cultural identity in Nigeria. The NFC was mandated to plan, promote, organize and coordinate the development of the Nigerian motion pictures industry in accordance with the socio-economic policies and objectives laid down by the Federal Government of Nigeria.

FUNCTION OF THE CORPORATION

The Nigerian Film Corporation (NFC) is saddled with the following specific objectives and functions:

a.                  The production of films for domestic consumption and for export;

b.                 The establishment and maintenance of facilities for film production;

c.                  The encouragement of production by Nigerians of films through financial and other forms of assistance;

d.                 The encouragement of development of cinema theatre by Nigerians by way of financial and other forms of assistance.

e.                  The acquisitions and distribution of films;

f.                   The establishment and maintenance of National Film Archive;

g.                 The provision of facilities for training and advancing of skills and talent of persons employed in the Nigerian Film Industry as a whole; and the carrying out of such activities as may be necessary or expedient for the full discharge of all or any of the functions conferred to it under the Act.

STRUCTURE OF THE CORPORATION

The Corporation is structured into 9 Departments /Units and zonal offices. These are as follows:

S/N	Department	Units	Zonal Offices
1.	Finance and Account	Internal Audit	Lagos
2.	Engineering and Technical Service	Public Private Partnership PPP	kano
3.	Planning, Research and Statistics	Legal Services	Abuja
4.	Human Resource Management		Abia
5.	National Film Video & Sound Archive (NFVSA)		Adamawa
6.	Film production/Industry Support Services		Delta
7.	Public Affairs, Protocol and Inter government Affairs		Kaduna
8.	National Film Institute
9.	Procurement

LIST OF PUBLICATIONS BY THE NIGERIAN FILM CORPORATION

SN	AUTHOR	TITLE	PLACE	PUBLISHER	YEAR	ISBN
1	Adesanya, Afolabi (com)	The Nigerian Film/Television Index	Lagos	A productions	1991	0783120603
2	Adesanya, Afolabi	Reel Views: A Collection and Reviews on the Nigerian and African Film Industry	Jos	Nigerian Film Corporation		9780789235520
3	Adesanya, Afolabi	Reel Words	Jos	National Film Institute	2005	9783129090
4	Babatunde, Oluranti A	A Manual for Screenwriting	Jos	J2	2019
5	Ekwuazi, Hyginus	Nigerian Cinema Pioneers and Practices	Jos	National Film Institute	2004	9783129082
6.	Ekwuazi, Hyginus and Yakubu Nasidi (eds.)	No…Not Hollywood:Essays and Speeches of Brendan Shehu	Jos	Nigerian Film Corp	1992	9783129009
7.	Ekwuazi, Hyginus and Yakubu Nasidi (eds.)	Operative Principles of the Film Industry: Towards a Film Policy For Nigerian	Jos	Nigerian Film Corporation	1992	9783129008
8	Edmund, Peters(ed.)	Behind the Scenes: Selected Speeches and Papers of Afolabi Adesanya.	Jos	Nigerian Film Corporation	2012	978-978-923
9.	Nigerian Film Corporation	Index of Nigerian Motion Picture Industry	Jos	Nigerian Film Corporation	(n.d.)
10	Olugbode,Yomi	About Video Production(Directing)	Markurdi	Sevhage	2018	978978555598
11	Shehu, Brendan and Nigerian Film Corporation	Nigerian Film Industry and the Nigerian Filmmaker in the Next Millennium: An Affiliation Lecturer Delivered by Brendan S. Shehu under the Auspices of University of Ibadan Affiliate Lecture Series at SS. Peter and Paul Major Seminary,Ibadan,Thursday,20th May 1999	Jos	National  Film Institute.	1999	9782023337
12	Etuk, Brian (ed)	In Developing The Nigerian Motion Industry (A Compilation of Winning Essays of NFC Annual Film Essay Competition 2007 – 2011)	Jos	Nigerian Film Corporation	2012	978-978-923-554-4

LIST OF FILMS BY THE NATIONAL FILM INSTITUTE (STUDENTS PRODUCTION WORKSHOP FILMS)

SN	Title	Date	Form
1	Chai	2018	300level
2	Dawn	2019	200level
3	Tails of Treachery	2018
4	Privation	2018
5	T.H.U.G	2018	Diploma1
6	Bilhazia	2018/2019	300level
7	Bomb Blast	2018/2019	300level
8	How to Spell Help	2018
9	Spotted	2019	300 level
10.	Arbitrators	2019	300 level
11	Diary of a Counsellor	2019
12	Wolves	2018
13	Tolerance	2017

   LIST OF FILMS BY THE NIGERIAN FILM CORPORATION

SN	Title	Date	Form
1	Kulba na Barna	1992	Feature film
2	Zananni (Pains of Love)		Feature film
3	This is Nigeria	1998	Documentary film
4	Great Nigeria Centenary	1998	Documentary film
5	Nigeria at a glance	1999	Documentary film
6	Of Rocks and Jos	1999	Documentary film
7	Nigerian Women in Democracy	1999	Documentary film
8	In the Shadow of Death	1999	Documentary film
9	Pioneers and Practitioners	2000	Documentary film
10.	Nigerian Palaces	2001	Documentary film
11	The Crying Majority	2003	Documentary film
12	Night Riders	2004	Documentary film

PUBLICATIONS-PERIODICALS, ON-LINE RESOURCES AND OTHERS BY AND ABOUT THE CURRENT MANAGING DIRECTOR, NFC, Dr. CHIDIA MADUEKWE

SN	AUTHOR	TITLE	PERIODICAL	WEB	ISSN
1	Maduekwe, Chidia	Latest on Chidia Maduekwe	Guardian	https://guardian.ng>tag>chidia-maduekwe
2.	Okachie, Leonad	Maduekwe Urges Mass Mobilisation for Nations Innovative Enterprenurship		https://nnn.ng/tag/dr-chidia maduekwe
3.	Nuhu, Matha	Film Corporation Begins Film Series, documentaries for Armed Forces		https://promptnewsonline.com/film-corporation-begins-films-series-documentaries-on-armed-forces/
4.	Nigerian Film Corporation	Film News	Vol. I, June 2021
5	Maduekwe, Chidia	Nigerian Film Industry:Dr.Chidia Secures Germany,france Partnership	The Nigeria Daily, July 26, 2021	https://thenigeriadaily.com/2021/07/26/nigerian-film-industry-chidia-secures-germany-france-partnership/
6.		Germany awards scholarships to 9 National Film Institute Students undergoing Master in Film Culture and Archiving Studies		https://suprememagazine.org/germany-awards-scholarships-to-9-national -film-institute-students-spokesman/
7		Interview with Dr. Chidia Maduekwe, MD/CEO of the Nigerian Film Corporation		http:youtu.be/8FdlJJfBSCQ

PERIODICALS ON FILM AND ARCHIVING, NATIONAL FILM INSTITUTE

SN	AUTHOR	TITLE	PERIODICAL	WEB.ADD	ISSN
1	Okonkwo, Nwanneka	“Cinema as a tool of Diplomacy”	Daily Times Feb.2 2000, p.20
2	Okonkwo, Nwanneka	“Film preservation and Nigeria’s Film Industry”	Nigeria Standard, March,30 1998 P.7
3	Okonkwo, Nwanneka	Jos: Nigeria’s National Film,Video and Sound Archive (NFVSA): Ideas and Expectations	Journal of Film Preservation 71, 2006 pp. 66-68	https://www.fiafnet.org/pages/Publications/JFP-Archive.html#71
4	Okonkwo, Nwanneka	“Preserving the Harvest of Our Creative   Spirit, the Nigerian Experience”	Journal of Film Preservationno.76,April,2008pp 13-17	https://www.proquest.com/openview/e960d7682a4f7d100be4a09a10cec134/1?pq-origsite=gscholar&cbl=29010
5	Oliwe, Nwanneka	“Provision of Reading Materials to Inmates (Prisoners) of Jos Prison”	Tin City Journal of Library, Archival and Information Science(T-JOLAIA) Vol. 1 No.3, June, 2014

LIST OF PUBLICATIONS BY THE RECTOR, NATIONAL FILM INSTITUTE, Prof. Methuselah Jeremiah’s

1.        Jeremiah, Methuselah. “Women and ‘Heroism’ in Modern Nigerian Drama”, Kada: A Journal of the Liberal Arts. 1:2 (2008): 151-170. Print.

2.        Jeremiah, Methuselah. “Women Playwrights and Female Signification in Nigerian Literary Drama: An Overview”. Journal of Nigerian English Studies Association (JNESA). 13:2(2010):179-195. Print.

3.        Jeremiah, Methuselah. “Re-presenting Women by Female Playwrights in Recent Nigerian Drama” SONTA Journal, 10:2 (2010). Print.

4.        Jeremiah, Methuselah. “Engendering Women in Onwueme’s Drama: Then She Said It Discussed”, The Creative Artist: A Journal of Theatre and Media Studies, 4:( 2011): 112-128. Web and Print.

5.        Jeremiah, Methuselah. “Traditional Taboos as Sources of Family Dysfunction: A Reading of Julie Okoh’s The Mannequins, KADA: Journal of the Liberal Arts, 4 (2011):48-61. Print.

6.        Jeremiah, Methuselah. “Masculine Women Feminine Men: Power Relations in Two Nigerian Plays by Women” Gender and Behaviour, 12:1(2014):6135-6144. Web and Print.

7.        Jeremiah, Methuselah. “Applying the Stockholm syndrome Phenomenon in Osofisan’s Morountodun to Leadership in Africa” Kadaura: A Journal of Hausa Multidisciplinary Studies. 1:4 (2018): 402-415. Special Edition. Print.

8.        Jeremiah, Methuselah. “Fecundity, Barrenness and the Importance of Motherhood in Two Nigerian Plays”. Kaduna Journal of Humanities 2:1 (2018): 371-389. Print.

9.        Jeremiah, Methuselah. “Role Reversal and the Construction of Power by Women Playwrights in Nigeria” Voices: A Journal of English Studies. Maiden Edition. (2014): 127-136. Print.

10.     Jeremiah, Methuselah. “Cosmopolitan Feminism and Female Representation in Recent Nigerian Drama by Women” Ibadan Journal of Theatre Arts, 7&8 (2012): 291- 312. Print.

11.     Jeremiah, Methuselah. “Criticism of the Boy-child Preference in Africa by Selected Playwrights” Journal of Humanities and Cultural       Studies. 2: (2017) 323-40.      Print.

12.     Jeremiah, Methuselah. “The Importance of the Film Rating System in Minimising Children’s Exposure to Violent Movies” AFAN-GIDAN WAYA: Journal of Continuing Education. 2: 1(2005): 230-239. Print.

13.     Jeremiah, Methuselah and Michael Mutana Dogo. “Community Theatre as an Alternative Tool for Social Mobilisation: The Dutsen Bako Project as Case Study” JOLLS: Journal of Language and Literary Studies 1:1 (2005):139-152. Print.

14.    Jeremiah, Methuselah. “Women and Literary Imaging in Post-War Nigerian Drama: An  Analysis of Morountodun by Osofisan” AFAN-GIDAN WAYA: Journal of   Continuing Education. 2: 1(2005): 62-78. Print.

15.     Jeremiah, Methuselah and Mercy A B Bossan. “Fashion Trends in Higher Institutions of       Learning: Influences and Motivations” GidanWaya Journal of Education 2:1 (2002):77-85. Print.

16.     Jeremiah, Methuselah and Mercy A B Bossan. “Teaching Hausa and Yoruba as Second Language” Gidan Waya Journal of Education 2:1 (2002):77-85. Print.

17.     Jeremiah, Methuselah and Lawrence Aboi Daniel “Masculine Representation and      Feminine Subterfuge in EmemIsong’s Knocking on Heaven’s Door” in Bhadmus, Mohammed O. ‘ed’ The Nigerian Cinema: Gender and Sexuality in           Nigerian Motion Picture. Kano: Hallmark, 2019. 68-78. Print.

18.     Jeremiah, Methuselah. “He who does not provide for his family…: Re-appraising Amope’s Invective in The Trials of Brother Jero by Wole Soyinka” in Iorapuu, Tor and Festus Idoko ‘eds’ Nigerian Theatre: Community and Audience. Jos:   Selidan, 2018. 88-97. Print.

19.     Jeremiah, Methuselah. “Reverse Migration of Africans in the Diaspora: Foregrounding a Woman’s Quest for her Roots in Tess Akaeke Onwueme’s Legacies” in Yakub-Haliso, Olajumoke and Toyin Falola. ‘eds’ Gendering Knowledge in Africa and the African Diaspora: Contesting History and Power. London: Routledge, 2017. 127-40. Print.

20.     Jeremiah, Methuselah. “The Power of Resistance, the Resistance of ‘Power’: Subverting Patriarchy in Selected Nigerian Plays” in Amtaika,     Alexius. ‘ed’   Culture, Democracy and Development in Africa. Austin, Texas: Pan African UP, 2017. 135-48. Print.

21.     Jeremiah, Methuselah. “He who does not Provide for his Family…”: Re-Appraising Amope’s Invective in The Trials of Brother Jero by Wole Soyinka In Iorapuu, Tor and Festus Idoko. 'eds’ Nigerian Theatre: Community and Audience. Jos: Selidan, 2018. 88-97. Print.

22.     Jeremiah, Methuselah. “A Re-Examination of ‘Harmful’ Cultural Practices against    Women in Nigerian Drama using Selected Plays by   Women” in Jeremiah,             Methuselah and Mabel Evwierhoma ‘eds’     Snapshots of the Female Ethos: Essays in Drama and Culture in Africa, Lagos: Concept, 2015. Print.

23.     Jeremiah, Methuselah. “Women, Stigma and the Scourge of HIV/AIDS Pandemic:    Celebrating Hope beyond Hopelessness in Dugga’s Hope   Harvesters” In Doki, Gowon Ama and Kwaghkondo Agber ‘eds’ Saintly Radical, Ibadan: Kraft, 2015. Print. 190-205.

24.     Jeremiah, Methuselah. “The Niger Delta Violence, Women and Ecofeminism”” in Gboyega, Kolawole, Sule E. Egya and Sade Ifamose. Gender and Power in Contemporary Africa: Essays in Honour of Sophie Obiajulu Ogwude, Lagos: Bahiti and Dalila, 2014, 117-132. Print.      

25.     Jeremiah, Methuselah. “Projecting the Importance of Women’s Work in ‘Kowa ya DakaRawar Waniya Rasa TurminDakaTasa’ by Abubakar Imam in Malumfashi, Ibrahim A M, Salihu A Yakasai and Ibrahim S SAbdullahi. ‘eds’ The Hausa People, Language and History: Past, Present andFuture. Kaduna: Garkuwa, 2016. 210-21. Print.

26.     Jeremiah, Methuselah. “Literature and History: Celebrating the Heroism of Attahiru in Ahmed Yerima’s Attahiru” in Tsiga, Ismail A. and M O Bhadmus. Literature, History and Identity in Northern Nigeria,   Ibadan:  Safari, 2016. 87-100. Print.

27.     Jeremiah, Methuselah. “Demure but not Detached: Thoughts, Acts and Facts of a Woman of Candour-Interview with Mabel Evwhieroma” in Jeremiah, Methuselah and Mabel Evwierhoma ‘eds’ Snapshots of the Female Ethos: Essays in Drama and Culture in Africa, Lagos: Concept, 2015. 247-70. Print.

28.     Jeremiah, Methuselah. “The Concept of God among the Akurmi People” in Jeremiah, Methuselah and Elisha Dogara.‘eds’ The Akurmi People of Central Nigeria: Their Heritage and Hope.’ Kaduna: Al-Uzzy. 27-136. Print.

29.     David, Joy and Methuselah Jeremiah “The Nature and Function of  Kurama Proverbs” in Jeremiah, Methuselah and Elisha Dogara.‘eds’ The Akurmi People of Central Nigeria: Their Heritage and Hope. Kaduna: Al-Uzzy. 74-85. Print.

THE NIGERIAN FILM CORPORATION ORGANOGRAM

NIGERIAN FILM CORPORATION (NFC)

INTRODUCTION

Generally, the definition and meaning of culture are broad; these may include values, beliefs, texts, about the beliefs and ideas, multiple daily practices, aesthetic forms, systems of communications, (e.g Languages), institutions of society, a variety of experiences that capture African's way of life, a metaphor to express political and economic changes. The article on African culture is well researched and articulated. Therefore, will prove relevant to information seekers and researchers.

However, it is significant to state that, the culture of African people varies and its well encompassing as it relates to their languages, food, dressing, hairstyles, farming activities or vocations, traditions, beliefs, religions etc. Culture is a dynamic process and Africans have had to deal with the multiple changes and their outcomes; culture is an agency of power There is also the need to emphasize that, few hundreds and possibly thousands of many African cultures are not being documented. For example, some African culture, local dialects and languages, beliefs and traditions are soon going into extinction. As such, more African cultures and indigenous knowledge should be passed down from one generation to the next. This can be achieved through folklores, storytelling, music, oral information and archives.

Moji Danisa Jemegbe popularly known as the queen of junk journalism, started her career as news trainee in the Nigerian Television Authority NTA Benin City, after her Higher School Certificate in 1982. Thereafter, she became a News/Program Presenter alongside her duties as an Editorial. She quickly rose to the position of Sub-Editor. In 1985, Moji gained an admission at the Nigerian Institute of Journalism (NIJ) to read Theatre Arts. Such was her determination to become a journalist. At NIJ, she was one of the brightest students and upon her graduation she won the Alade Odenewu prize in editorial writing. She was the only woman to achieve that feat in the history NIJ at that time.

REFERENCES

James|first=Ralph|title=Her Excellences: 1st Ladies of the Federal Republic of Nigeria|publisher=James Raph and Associate (JARAPH BOOKS)|year=2017|isbn=9783030825|language=English}}</ref> ==

VICTORIA NWOGU

Victoria Nwogu is a Nigerian Lawyer, UN Diplomat, Law Professor and lover of African fashion. She has worked and lived in Nigeria, Liberia, Sierra Leone, Kenya, Somalia, New York and Sudan. Her experience with being acknowledged for wearing “African fashion” everywhere she travelled led to her decision in 2018 to wear exclusively Ankara print or African fashion to all formal events and led to the birth of “Ankara Republic” a Facebook group she founded in October 2018. The group is now almost 27,000 members strong with an active presence on Instagram as well. Ultimately, in 2019, Victoria revived tailoring and design skills she learnt as a teenager and now makes almost all her own clothes and some for friends. Victoria is married with three children ranging from young adult to teenage. She spends her time between Sudan, Kenya, Lagos and New York. She is an avid reader, an author of a fitness book (published in 2017) and loves to dance with the hula hoop.

QUEEN IDIA

Queen Idia was the queen mother of Esigie the Oba of Benin, and was born in the year 1504-1550. She was one of the Nigerian greatest female warriors. Queen Idia paved the way for many Nigerian women to participate in decision making about political issues. She was instrumental to the ascension of her son to his father's throne at the end of the pronouncement of the battle, which she played a significant role in attaining victory.

REFERENCES

James|first=Ralph|title=Her Excellences: 1st Ladies of the Federal Republic of Nigeria|publisher=James Raph and Associate (JARAPH BOOKS)|year=2017|isbn=9783030825|language=English}}</ref> ==

BIOGRAPHY OF PROFESSOR. MOHAMMED YAHAYA KUTA

Prof Mohammed Kuta Yahaya is a graduate of the University of Calabar. He obtained his Masters and Doctoral Degrees in Agricultural Extension from the University of Ibadan. He started his university teaching and research career at the University of Ibadan as an Assistant Lecturer in 1995 and rose through the ranks to become a Professor of Agricultural Extension and Development Communication at the University of Ibadan, Nigeria in 2008. Professor Yahaya is author of over 100 scholarly publications in reputable national and international journals. Some of his books includes: Indigenous music for Entertainment Education; Ignorance is a disease; Development Communication: Lessons from Change and Social Engineering Projects; Communication for Social Change in Developing Countries; Gender and Communication Variables in Agricultural Information System. He has also been a Lead Consultant to many national and international organisations on many global initiatives including the World Bank, UNICEEF and Development Activities International (DAI) among others in the area of positive deployment of communication strategies to achieve development objectives. A champion of paradigm shift that inform his active participation in various interventions, integration of Development Communication, Grievances Redress Mechanism and Citizens Engagement in conflict management, development policies especially the national Agricultural Extension Policy for Nigeria and indeed a principal actor in national development agenda setting and creating awareness and understanding of social change processes using innovative approaches that engender real development and practices of governance, inter-governmental relations and democratic ideals in society.

Professor Mohammed Yahaya Kuta

PROF. MOHAMMED YAHAYA KUTA'S LIFE AND CAREER

Professor Yahaya at different times served the nation in different capacities particularly, as the Director, University of Ibadan Media Centre, facilitated the establishment of the first campus radio in the Nigerian University system. He was beckoned to serve his home state of Niger between 2007- 2015.  First as Secretary to the State Government (SSG) and later as Chief of Staff, Commissioner in the Ministries of Information; Agriculture with concurrent responsibility for Tertiary Education. He was Chairman, Forum of Secretaries to Nineteen State Governments [2007-2011], Coordinated the establishment of Sir Ahmadu Bello Memorial Foundation [2008- 2010] and Northern States Committee on Reconciliation, Healing & Security between 2012 and 2013 that produced the blue print for the mitigation of Boko Haram Insurgency and other security issues in the north. He also coordinated the Northern States’ Governors’ Forum [NSGF]- United States Institute for Peace [USIP] Symposium held in Washington DC in March 2014.

PROF. MOHAMMED YAHAYA KUTA'S AWARD AND RECOGNITION

Professor Mohammed Yahaya Kuta was a recipient of the Council for the Development of Social Research in Africa [CODESRIA], Dakar, Senegal Laureate for Doctoral Thesis in 1993 and was awarded MacAthur Foundation Grant for the Fund for Leadership Development Programme in 1997; CODESRIA nominee to UNESCO, Dakar, Senegal for the Most Outstanding Doctoral Thesis (1998); CODESRIA Book Project Awardee – 2006. He was honoured as one of the 2000 Outstanding Intellectuals of the 21^st Century by the International Biographical Centre, Cambridge, England in 2001. Prof Yahaya is a member of many learned and professional bodies, particularly the International Association for Media and Communication Research - (IAMCR), Agricultural Extension Society of Nigeria (AESON); Nigeria Forum for Agricultural Advisory Services (NIFAAS) and Rural Sociological Association of Nigeria (RUSAN).