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User talk:Lithoderm/Blake's Illustrations of Milton

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Quotations to Integrate/cite

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Description

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Concept of Milton

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"He said he had committed an error in his Paradise Lost, which he he wanted me to correct, in a poem or picture; but I declined I said I had my own duties to perform -It is a presumptuous question ...He wished me to expose the falsehood of his doctrine, taught in Paradise Lost-that Sexual intercourse arouse out of the Fall -Now that cannot be, for no good can spring out of Evil" (Blake, as recorded by Henry Crab Robinson, reproduced in Blake Records, ed. G.E. Bentley, Jr., 1969, pp. 543-4. Quoted by Dunbar, p.1, who disputes the accuracy of Robinson's account)

"Those who restrain desire, do so because theirs is weak enough
to be restrained; and the restrainer or reason usurps its place &
governs the unwilling.
And being restraind it by degrees becomes passive till it is
only the shadow of desire.
The history of this is written in Paradise Lost. & the Governor
or Reason is call'd Messiah.
And the original Archangel or possessor of the command of the
heavenly host, is calld the Devil or Satan and his children are
call'd Sin & Death
But in the Book of Job Miltons Messiah is call'd Satan.
For this history has been adopted by both parties
It indeed appear'd to Reason as if Desire was cast out. but the


Devils account is, that the Messiah fell. & formed a heaven
of what he stole from the Abyss
This is shewn in the Gospel, where he prays to the Father to
send the comforter or Desire that Reason may have Ideas to build
on, the Jehovah of the Bible being no other than he, who dwells
in flaming fire.
Know that after Christs death, he became Jehovah.
But in Milton; the Father is Destiny, the Son, a Ratio of the
five senses. & the Holy-ghost, Vacuum!
Note. The reason Milton wrote in fetters when he wrote of
Angels & God, and at liberty when of Devils & Hell, is because he
was a true Poet and of the Devils party without knowing it"

-from The Marriage of Heaven and Hell, pls. 5-6 (Erdman p. 35)

Analysis

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"They [the illustrations] represent Blake's rethinking of Milton's themes, in which the insights he sees as true are isolated, while the ideas he regards as confinements or distortions are rejected... The process is particularly apparent in cases where he illustrates the same poem more than once." (Werner 17)