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Welcome

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Hello, PucciniVivaldi! Welcome to Wikipedia! Thank you for your contributions. You may benefit from following some of the links below, which will help you get the most out of Wikipedia. If you have any questions you can ask me on my talk page, or place {{helpme}} on your talk page and ask your question there. Please remember to sign your name on talk pages by clicking or by typing four tildes "~~~~"; this will automatically produce your name and the date. If you are already loving Wikipedia you might want to consider being "adopted" by a more experienced editor or joining a WikiProject to collaborate with others in creating and improving articles of your interest. Click here for a directory of all the WikiProjects. Finally, please do your best to always fill in the edit summary field when making edits to pages. Happy editing! — e. ripley\talk 13:17, 5 July 2010 (UTC)[reply]
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You're welcome

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Good luck on Wikipedia. One note: When leaving a comment on a user or article's talk page, make sure you always sign your comments by typing four tildes in a row (~~~~). This will automatically fill out your name and a time and datestamp when you hit save. Otherwise it's difficult to know who left the comment at a glance. Thanks! — e. ripley\talk 13:25, 5 July 2010 (UTC)[reply]

Callas Article

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Eve Ruggieri's information on Callas seems to contain a lot of inaccuracies. The Vespri recording has been reviewed many times, and nowhere is there any mention of a high F until this book. Furthermore, if you simply check the commercial and live recordings against a piano, you'll see she sings an E natural, and that an F would be in completely dissonant with the piece. Dr. Robert Seletsky also makes an excellent point that as much as the young Callas loved tossing her high notes around, had she ever had sung and F in public, a recording would most likely be available. As it is, in every recording, the E is as high as her voice seems to be able to go, and sometimes, it's rather iffy. The only recording that even remotely sounds like an F is the finale of Armida, which most likely was played too fast in playback. If you look at the score, it is in the key of E, making an F a completely dissonant note. Just because Eve Ruggieri wrote a book, it does not mean that all the information in there is correct. It should be corroborated against all other writings as well as against recorded evidence. Shahrdad (talk) 15:09, 5 July 2010 (UTC)[reply]