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Messiah (Handel)

[edit]

This nomination predates the introduction in April 2014 of article-specific subpages for nominations and has been created from the edit history of Wikipedia:Today's featured article/requests.

This is the archived discussion of the TFAR nomination for the article below. Subsequent comments should be made on the appropriate discussion page (such as Wikipedia talk:Today's featured article/requests). Please do not modify this page.

The result was: scheduled for Wikipedia:Today's featured article/March 23, 2013 by BencherliteTalk 13:54, 4 March 2013‎ (UTC)

Messiah title page
Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Book of Common Prayer for several psalms. Messiah was first performed in Dublin on 13 April 1742 in a charity concert, and received its London premiere the following year. After an initially modest public reception, the oratorio gained in popularity, becoming one of the most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1713, had been established for Italian opera. He turned to English oratorio in the 1730s, in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form, but a reflection on Jesus Christ as Messiah. Handel begins Part I with prophecies by Isaiah and others, and shows the annunciation to the shepherds as the only scene from a Gospel. In Part II he concentrates on the Passion and ends with the Hallelujah Chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces. After his death, the work was adapted for performance with giant orchestras and choirs. Its orchestration was revised and amplified by (among others) Mozart. Since the late 20th century, the trend has been towards authenticity. (Full article...)

270th anniversary of London performance, widely covered, 2 points, --Gerda Arendt (talk) 20:40, 16 February 2013 (UTC)[reply]

Actually 7 points: vital article (4), multiple-of-10 date relevance (2), FA for over 1 year (1). BencherliteTalk 13:04, 21 February 2013 (UTC)[reply]
This one would also be good any time during Lent, especially Palm Sunday (perhaps someone could find out the date of Easter in 1742, year of premiere?). --Gerda Arendt (talk) 10:35, 18 February 2013 (UTC)[reply]
I concur with Bencherlite. Besides, this one is planned for at least a month away, so the time gap is significant enough. But at the same time, I wouldn't mind an Easter scheduling, since I think more would understand the date relevance. Either way, you still have my support for March 23. —WP:PENGUIN · [ TALK ] 19:34, 18 February 2013 (UTC)[reply]
Easter has been discussed before the nomination, - the resurrection is only a short Old Testament recitative, whereas the Passion is covered in 9 movements, including He was despised, and the premiere was a Lenten concert, --Gerda Arendt (talk) 21:57, 18 February 2013 (UTC)[reply]
That would work too, perhaps better. Let's see how this TFAR goes. —WP:PENGUIN · [ TALK ] 13:27, 23 February 2013 (UTC)[reply]
  • What would you say? Handel asked for a small choir, oboes mostly to go along with them, trumpets in very selected movements, - I think "modest forces" is a good summary. - Italics for the books added, --Gerda Arendt (talk) 21:42, 2 March 2013 (UTC)[reply]