| Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
| 1
|
Thomas Jefferson
|
299,243
|
9,653
|
B
|
Mid
|
| 2
|
Friedrich Nietzsche
|
149,520
|
4,823
|
B
|
High
|
| 3
|
Oscar Wilde
|
139,276
|
4,492
|
GA
|
Low
|
| 4
|
Andy Warhol
|
134,901
|
4,351
|
B
|
Mid
|
| 5
|
Aristotle
|
118,576
|
3,825
|
GA
|
High
|
| 6
|
Plato
|
113,675
|
3,666
|
B
|
High
|
| 7
|
Ayn Rand
|
110,141
|
3,552
|
GA
|
Mid
|
| 8
|
Leo Tolstoy
|
108,224
|
3,491
|
C
|
Mid
|
| 9
|
Marquis de Sade
|
79,932
|
2,578
|
B
|
Mid
|
| 10
|
Uncanny valley
|
70,987
|
2,289
|
B
|
Low
|
| 11
|
Immanuel Kant
|
69,123
|
2,229
|
C
|
High
|
| 12
|
Johann Wolfgang von Goethe
|
66,977
|
2,160
|
B
|
Mid
|
| 13
|
Romanticism
|
64,577
|
2,083
|
C
|
High
|
| 14
|
Model (person)
|
53,286
|
1,718
|
C
|
Low
|
| 15
|
Georg Wilhelm Friedrich Hegel
|
52,016
|
1,677
|
GA
|
High
|
| 16
|
Arthur Schopenhauer
|
50,522
|
1,629
|
B
|
High
|
| 17
|
Eye of Providence
|
49,794
|
1,606
|
C
|
Low
|
| 18
|
Søren Kierkegaard
|
49,636
|
1,601
|
B
|
High
|
| 19
|
Bauhaus
|
47,631
|
1,536
|
B
|
Low
|
| 20
|
Baroque
|
47,268
|
1,524
|
C
|
Low
|
| 21
|
Postmodernism
|
46,252
|
1,492
|
C
|
Mid
|
| 22
|
Impressionism
|
45,576
|
1,470
|
C
|
Low
|
| 23
|
Dada
|
44,866
|
1,447
|
B
|
Low
|
| 24
|
Art
|
44,328
|
1,429
|
B
|
High
|
| 25
|
Edmund Burke
|
41,369
|
1,334
|
B
|
Mid
|
| 26
|
Surrealism
|
39,880
|
1,286
|
B
|
Low
|
| 27
|
Avant-garde
|
39,786
|
1,283
|
C
|
Low
|
| 28
|
Aesthetics
|
38,481
|
1,241
|
C
|
High
|
| 29
|
Sexual attraction
|
38,107
|
1,229
|
C
|
Low
|
| 30
|
Ptolemy
|
37,575
|
1,212
|
B
|
Mid
|
| 31
|
Slavoj Žižek
|
37,257
|
1,201
|
B
|
High
|
| 32
|
David Hume
|
36,928
|
1,191
|
B
|
High
|
| 33
|
Martin Heidegger
|
35,624
|
1,149
|
C
|
High
|
| 34
|
Wabi-sabi
|
34,265
|
1,105
|
C
|
Low
|
| 35
|
Modernism
|
33,615
|
1,084
|
B
|
High
|
| 36
|
Objectivism
|
32,862
|
1,060
|
B
|
Mid
|
| 37
|
Kitsch
|
32,462
|
1,047
|
C
|
Mid
|
| 38
|
Semiotics
|
31,995
|
1,032
|
C
|
Mid
|
| 39
|
Neoclassicism
|
31,952
|
1,030
|
C
|
Low
|
| 40
|
John Ruskin
|
31,583
|
1,018
|
B
|
Low
|
| 41
|
Physical attractiveness
|
30,677
|
989
|
B
|
Mid
|
| 42
|
Eroticism
|
28,712
|
926
|
C
|
Low
|
| 43
|
Umberto Eco
|
27,972
|
902
|
B
|
Mid
|
| 44
|
Susan Sontag
|
27,417
|
884
|
B
|
Mid
|
| 45
|
Samuel Taylor Coleridge
|
26,041
|
840
|
C
|
Low
|
| 46
|
Pragmatism
|
25,565
|
824
|
B
|
High
|
| 47
|
Cubism
|
25,165
|
811
|
B
|
Low
|
| 48
|
John Dewey
|
24,328
|
784
|
B
|
High
|
| 49
|
Expressionism
|
23,624
|
762
|
C
|
Low
|
| 50
|
Comedy
|
22,851
|
737
|
C
|
Mid
|
| 51
|
Arts and Crafts movement
|
21,967
|
708
|
B
|
Low
|
| 52
|
Gilles Deleuze
|
21,946
|
707
|
B
|
High
|
| 53
|
Jacques Lacan
|
21,887
|
706
|
B
|
High
|
| 54
|
Kawaii
|
21,193
|
683
|
C
|
Low
|
| 55
|
Punk subculture
|
20,963
|
676
|
Start
|
Low
|
| 56
|
Retrofuturism
|
19,667
|
634
|
B
|
Low
|
| 57
|
Futurism
|
19,359
|
624
|
B
|
Low
|
| 58
|
Harlem Renaissance
|
19,222
|
620
|
B
|
Low
|
| 59
|
Marshall McLuhan
|
18,899
|
609
|
B
|
Mid
|
| 60
|
Pastiche
|
18,883
|
609
|
Start
|
Low
|
| 61
|
Design
|
18,840
|
607
|
C
|
Low
|
| 62
|
Walter Benjamin
|
18,703
|
603
|
B
|
Mid
|
| 63
|
Pop art
|
17,673
|
570
|
C
|
Low
|
| 64
|
Creativity
|
17,552
|
566
|
B
|
High
|
| 65
|
Irony
|
16,951
|
546
|
C
|
Mid
|
| 66
|
Fine art
|
16,863
|
543
|
C
|
Mid
|
| 67
|
Symbolism (arts)
|
16,748
|
540
|
C
|
Low
|
| 68
|
Georges Bataille
|
16,482
|
531
|
C
|
Mid
|
| 69
|
Theodor W. Adorno
|
16,285
|
525
|
C
|
High
|
| 70
|
Catharsis
|
16,218
|
523
|
C
|
High
|
| 71
|
Roger Scruton
|
15,769
|
508
|
B
|
Mid
|
| 72
|
Post-Impressionism
|
15,645
|
504
|
C
|
Low
|
| 73
|
Jonathan Edwards (theologian)
|
15,363
|
495
|
B
|
Low
|
| 74
|
Simulacrum
|
15,238
|
491
|
Start
|
Low
|
| 75
|
Friedrich Schiller
|
14,667
|
473
|
C
|
Mid
|
| 76
|
Herbert Marcuse
|
14,576
|
470
|
B
|
Mid
|
| 77
|
Fluxus
|
14,482
|
467
|
Start
|
Low
|
| 78
|
Roland Barthes
|
14,402
|
464
|
C
|
Mid
|
| 79
|
Minimalism
|
14,396
|
464
|
C
|
Mid
|
| 80
|
Aestheticism
|
14,367
|
463
|
Start
|
Low
|
| 81
|
Patanjali
|
14,350
|
462
|
C
|
High
|
| 82
|
Humour
|
14,205
|
458
|
C
|
Mid
|
| 83
|
Escapism
|
13,779
|
444
|
Start
|
Low
|
| 84
|
The Doors of Perception
|
13,313
|
429
|
B
|
Low
|
| 85
|
The Death of the Author
|
13,264
|
427
|
Start
|
Low
|
| 86
|
Beauty
|
13,196
|
425
|
C
|
Mid
|
| 87
|
Abstract expressionism
|
12,955
|
417
|
C
|
Low
|
| 88
|
Literary criticism
|
12,775
|
412
|
Start
|
Mid
|
| 89
|
George Santayana
|
12,755
|
411
|
C
|
Mid
|
| 90
|
Decadent movement
|
12,587
|
406
|
Start
|
Low
|
| 91
|
Denis Diderot
|
12,332
|
397
|
C
|
Mid
|
| 92
|
Mimetic theory
|
12,319
|
397
|
Start
|
Low
|
| 93
|
Sturm und Drang
|
12,257
|
395
|
C
|
Low
|
| 94
|
History of music
|
11,858
|
382
|
B
|
Low
|
| 95
|
Plotinus
|
11,073
|
357
|
C
|
High
|
| 96
|
Retro style
|
11,013
|
355
|
C
|
Low
|
| 97
|
Mimesis
|
10,801
|
348
|
Start
|
Low
|
| 98
|
Essentialism
|
10,749
|
346
|
Start
|
Mid
|
| 99
|
Suspension of disbelief
|
10,735
|
346
|
C
|
Low
|
| 100
|
Symposium (Plato)
|
10,475
|
337
|
C
|
High
|
| 101
|
Psychoanalytic theory
|
10,391
|
335
|
C
|
High
|
| 102
|
Decadence
|
10,038
|
323
|
C
|
Low
|
| 103
|
Poetics (Aristotle)
|
9,818
|
316
|
C
|
High
|
| 104
|
Paradigm
|
9,718
|
313
|
Start
|
High
|
| 105
|
Philistinism
|
9,566
|
308
|
Start
|
Low
|
| 106
|
Imagination
|
9,397
|
303
|
Start
|
Mid
|
| 107
|
Nicholas Roerich
|
9,163
|
295
|
B
|
Mid
|
| 108
|
Ensō
|
9,157
|
295
|
C
|
Low
|
| 109
|
Giorgio Vasari
|
8,883
|
286
|
C
|
Mid
|
| 110
|
Conceptual art
|
8,827
|
284
|
C
|
Low
|
| 111
|
Classicism
|
8,765
|
282
|
Start
|
Mid
|
| 112
|
Grotesque
|
8,765
|
282
|
C
|
Low
|
| 113
|
Kokoro
|
8,715
|
281
|
C
|
Low
|
| 114
|
György Lukács
|
8,659
|
279
|
C
|
Mid
|
| 115
|
Hudson River School
|
8,577
|
276
|
C
|
Low
|
| 116
|
De Stijl
|
8,424
|
271
|
C
|
Low
|
| 117
|
The World as Will and Representation
|
8,405
|
271
|
B
|
High
|
| 118
|
Didacticism
|
8,369
|
269
|
Start
|
Low
|
| 119
|
Art for art's sake
|
8,285
|
267
|
Start
|
Low
|
| 120
|
Constructivism (art)
|
8,132
|
262
|
B
|
Low
|
| 121
|
Musica universalis
|
8,112
|
261
|
C
|
Low
|
| 122
|
Feminine beauty ideal
|
8,100
|
261
|
Start
|
Mid
|
| 123
|
Eclecticism
|
8,017
|
258
|
C
|
Mid
|
| 124
|
Sublime (philosophy)
|
7,999
|
258
|
C
|
Mid
|
| 125
|
Chinoiserie
|
7,966
|
256
|
C
|
Mid
|
| 126
|
Periods in Western art history
|
7,889
|
254
|
List
|
Low
|
| 127
|
Rhyme
|
7,749
|
249
|
C
|
Low
|
| 128
|
Post-irony
|
7,636
|
246
|
Stub
|
Low
|
| 129
|
Johann Gottlieb Fichte
|
7,524
|
242
|
C
|
High
|
| 130
|
On the Genealogy of Morality
|
7,503
|
242
|
Start
|
High
|
| 131
|
Art movement
|
7,475
|
241
|
Start
|
Low
|
| 132
|
Work of art
|
7,468
|
240
|
Start
|
Mid
|
| 133
|
Artist
|
7,429
|
239
|
Start
|
Mid
|
| 134
|
Novalis
|
7,275
|
234
|
GA
|
Mid
|
| 135
|
Academic art
|
7,229
|
233
|
C
|
Low
|
| 136
|
Form follows function
|
7,207
|
232
|
C
|
Low
|
| 137
|
Suprematism
|
7,080
|
228
|
Start
|
Low
|
| 138
|
American Craftsman
|
7,037
|
227
|
Start
|
Low
|
| 139
|
Phonaesthetics
|
7,032
|
226
|
C
|
Low
|
| 140
|
Maximalism
|
7,017
|
226
|
Start
|
Low
|
| 141
|
Historicism
|
6,975
|
225
|
C
|
Mid
|
| 142
|
Disgust
|
6,869
|
221
|
Start
|
Low
|
| 143
|
Friedrich Wilhelm Joseph Schelling
|
6,754
|
217
|
C
|
High
|
| 144
|
Photorealism
|
6,607
|
213
|
B
|
Low
|
| 145
|
Mikhail Bakhtin
|
6,602
|
212
|
B
|
Mid
|
| 146
|
André Malraux
|
6,569
|
211
|
B
|
Low
|
| 147
|
Terry Eagleton
|
6,565
|
211
|
C
|
Mid
|
| 148
|
The Work of Art in the Age of Mechanical Reproduction
|
6,547
|
211
|
C
|
Mid
|
| 149
|
Neo-expressionism
|
6,510
|
210
|
Start
|
Low
|
| 150
|
Zef
|
6,508
|
209
|
Start
|
Low
|
| 151
|
Cuteness
|
6,503
|
209
|
Start
|
Low
|
| 152
|
Axiology
|
6,485
|
209
|
Start
|
Mid
|
| 153
|
Rasa (aesthetics)
|
6,449
|
208
|
Start
|
Low
|
| 154
|
Joseph Beuys
|
6,354
|
204
|
B
|
Low
|
| 155
|
Fredric Jameson
|
6,323
|
203
|
C
|
Mid
|
| 156
|
Johann Gottfried Herder
|
6,226
|
200
|
C
|
Mid
|
| 157
|
Ludwig Feuerbach
|
6,196
|
199
|
C
|
Mid
|
| 158
|
Interpersonal attraction
|
6,132
|
197
|
C
|
Low
|
| 159
|
Hamartia
|
6,109
|
197
|
C
|
Low
|
| 160
|
Acquired taste
|
6,078
|
196
|
Start
|
Low
|
| 161
|
Primitivism
|
6,060
|
195
|
C
|
Low
|
| 162
|
Postmodern art
|
6,052
|
195
|
B
|
Low
|
| 163
|
Theories of humor
|
6,002
|
193
|
Start
|
Mid
|
| 164
|
Human physical appearance
|
5,966
|
192
|
Start
|
Low
|
| 165
|
Experience machine
|
5,798
|
187
|
Start
|
Low
|
| 166
|
Social realism
|
5,796
|
186
|
Start
|
Low
|
| 167
|
José Ortega y Gasset
|
5,684
|
183
|
C
|
Low
|
| 168
|
Algernon Charles Swinburne
|
5,678
|
183
|
C
|
Low
|
| 169
|
Film criticism
|
5,656
|
182
|
Start
|
Low
|
| 170
|
Michael Oakeshott
|
5,584
|
180
|
C
|
Low
|
| 171
|
Either/Or
|
5,546
|
178
|
C
|
High
|
| 172
|
Cool (aesthetic)
|
5,480
|
176
|
B
|
Low
|
| 173
|
Metanarrative
|
5,426
|
175
|
C
|
Mid
|
| 174
|
Japanese aesthetics
|
5,381
|
173
|
C
|
Low
|
| 175
|
Musicology
|
5,374
|
173
|
C
|
Low
|
| 176
|
Life imitating art
|
5,358
|
172
|
Stub
|
Low
|
| 177
|
Jefferson–Hemings controversy
|
5,283
|
170
|
B
|
Low
|
| 178
|
Mathematics and art
|
5,099
|
164
|
GA
|
Mid
|
| 179
|
Empire style
|
5,035
|
162
|
C
|
Low
|
| 180
|
History of painting
|
5,028
|
162
|
C
|
Low
|
| 181
|
Jean-François Lyotard
|
5,017
|
161
|
B
|
Mid
|
| 182
|
Épater la bourgeoisie
|
5,008
|
161
|
Stub
|
Low
|
| 183
|
Applied arts
|
4,923
|
158
|
Start
|
Low
|
| 184
|
Mathematical beauty
|
4,921
|
158
|
Start
|
Low
|
| 185
|
Anagnorisis
|
4,917
|
158
|
Start
|
Low
|
| 186
|
Ekphrasis
|
4,890
|
157
|
C
|
Mid
|
| 187
|
Stuckism
|
4,846
|
156
|
GA
|
Low
|
| 188
|
Moses Mendelssohn
|
4,808
|
155
|
C
|
Mid
|
| 189
|
Sandhi
|
4,770
|
153
|
Start
|
Low
|
| 190
|
Henri Lefebvre
|
4,764
|
153
|
C
|
Mid
|
| 191
|
Op art
|
4,747
|
153
|
Start
|
Low
|
| 192
|
List of sitcoms known for negative reception
|
4,734
|
152
|
List
|
Low
|
| 193
|
Jacques Maritain
|
4,714
|
152
|
C
|
Mid
|
| 194
|
Ananda Coomaraswamy
|
4,701
|
151
|
C
|
Mid
|
| 195
|
Friedrich Schleiermacher
|
4,694
|
151
|
B
|
Mid
|
| 196
|
Feminist literary criticism
|
4,662
|
150
|
Start
|
Low
|
| 197
|
Gaze
|
4,626
|
149
|
Start
|
Mid
|
| 198
|
Northrop Frye
|
4,589
|
148
|
C
|
Low
|
| 199
|
I. A. Richards
|
4,535
|
146
|
C
|
Mid
|
| 200
|
Style (visual arts)
|
4,531
|
146
|
Start
|
High
|
| 201
|
Abhinavagupta
|
4,526
|
146
|
B
|
Low
|
| 202
|
New Objectivity
|
4,347
|
140
|
Start
|
Low
|
| 203
|
Distancing effect
|
4,336
|
139
|
Start
|
Low
|
| 204
|
Romantic literature in English
|
4,241
|
136
|
C
|
Low
|
| 205
|
Rhetoric (Aristotle)
|
4,227
|
136
|
C
|
Mid
|
| 206
|
Tragic hero
|
4,220
|
136
|
Start
|
Low
|
| 207
|
Anamorphosis
|
4,210
|
135
|
Start
|
Mid
|
| 208
|
Hans-Georg Gadamer
|
4,209
|
135
|
C
|
High
|
| 209
|
Mirror stage
|
4,037
|
130
|
C
|
Mid
|
| 210
|
Barbizon School
|
4,006
|
129
|
Start
|
Low
|
| 211
|
Gotthold Ephraim Lessing
|
3,975
|
128
|
C
|
Mid
|
| 212
|
Film theory
|
3,829
|
123
|
Start
|
Mid
|
| 213
|
Jean Anthelme Brillat-Savarin
|
3,772
|
121
|
GA
|
Low
|
| 214
|
Judgement
|
3,769
|
121
|
Start
|
Low
|
| 215
|
Superflat
|
3,705
|
119
|
Start
|
Low
|
| 216
|
Benedetto Croce
|
3,691
|
119
|
C
|
Mid
|
| 217
|
Walter Pater
|
3,622
|
116
|
B
|
Mid
|
| 218
|
Neo-romanticism
|
3,604
|
116
|
Start
|
Low
|
| 219
|
Color field
|
3,588
|
115
|
B
|
Low
|
| 220
|
Criticism of postmodernism
|
3,582
|
115
|
Start
|
Low
|
| 221
|
John Hospers
|
3,562
|
114
|
C
|
Low
|
| 222
|
Against Interpretation
|
3,560
|
114
|
Start
|
Low
|
| 223
|
Notes on "Camp"
|
3,552
|
114
|
Start
|
Low
|
| 224
|
Nabis (art)
|
3,448
|
111
|
Start
|
Low
|
| 225
|
Surrealist automatism
|
3,415
|
110
|
C
|
Low
|
| 226
|
Chinese ideals of female beauty
|
3,370
|
108
|
Start
|
Low
|
| 227
|
Capitalist realism
|
3,300
|
106
|
C
|
Low
|
| 228
|
Unattractiveness
|
3,291
|
106
|
Start
|
Low
|
| 229
|
Historicism (art)
|
3,165
|
102
|
Stub
|
Mid
|
| 230
|
American Realism
|
3,152
|
101
|
Start
|
Low
|
| 231
|
Shin-hanga
|
3,138
|
101
|
C
|
Low
|
| 232
|
Aestheticization of politics
|
3,121
|
100
|
Start
|
Low
|
| 233
|
Formalism (literature)
|
3,106
|
100
|
Start
|
Low
|
| 234
|
Peripeteia
|
3,101
|
100
|
C
|
Low
|
| 235
|
Enneads
|
3,086
|
99
|
Start
|
Mid
|
| 236
|
Michel Onfray
|
3,074
|
99
|
C
|
Low
|
| 237
|
Supervenience
|
3,071
|
99
|
B
|
Mid
|
| 238
|
Kinetic art
|
3,040
|
98
|
Start
|
Low
|
| 239
|
A Mathematician's Apology
|
3,018
|
97
|
C
|
Low
|
| 240
|
Maurice Blanchot
|
2,982
|
96
|
Start
|
Mid
|
| 241
|
Clive Bell
|
2,980
|
96
|
Start
|
Mid
|
| 242
|
Literary reception of The Lord of the Rings
|
2,968
|
95
|
GA
|
Low
|
| 243
|
Roger Fry
|
2,957
|
95
|
C
|
Low
|
| 244
|
Applause
|
2,957
|
95
|
Start
|
Low
|
| 245
|
On the Sublime
|
2,928
|
94
|
C
|
Mid
|
| 246
|
Exoticism
|
2,917
|
94
|
Start
|
Low
|
| 247
|
Violence in art
|
2,914
|
94
|
C
|
Low
|
| 248
|
Orphism (art)
|
2,896
|
93
|
C
|
Low
|
| 249
|
Picturesque
|
2,896
|
93
|
B
|
Low
|
| 250
|
Paul Virilio
|
2,877
|
92
|
C
|
Mid
|
| 251
|
Friedrich Schlegel
|
2,867
|
92
|
Start
|
Low
|
| 252
|
Ashcan School
|
2,854
|
92
|
Start
|
Low
|
| 253
|
Ernst Gombrich
|
2,808
|
90
|
Start
|
Mid
|
| 254
|
Black Arts Movement
|
2,788
|
89
|
C
|
Low
|
| 255
|
Shibui
|
2,779
|
89
|
Start
|
Low
|
| 256
|
Neoplasticism
|
2,762
|
89
|
C
|
Low
|
| 257
|
Ars Poetica (Horace)
|
2,745
|
88
|
C
|
Low
|
| 258
|
Critique of Judgment
|
2,714
|
87
|
C
|
High
|
| 259
|
Aesthetic taste
|
2,703
|
87
|
Start
|
High
|
| 260
|
Why I Want to Fuck Ronald Reagan
|
2,697
|
87
|
Start
|
Low
|
| 261
|
Anti-art
|
2,684
|
86
|
Start
|
Low
|
| 262
|
Women in music
|
2,662
|
85
|
C
|
Low
|
| 263
|
Definition of music
|
2,655
|
85
|
Start
|
Low
|
| 264
|
Baroque Revival architecture
|
2,645
|
85
|
Start
|
Low
|
| 265
|
On Photography
|
2,594
|
83
|
Start
|
Low
|
| 266
|
Kenneth Burke
|
2,593
|
83
|
C
|
Low
|
| 267
|
Fact–value distinction
|
2,539
|
81
|
Start
|
High
|
| 268
|
Pierre Bayle
|
2,538
|
81
|
C
|
Mid
|
| 269
|
The New Criterion
|
2,473
|
79
|
Start
|
Low
|
| 270
|
Iki (aesthetics)
|
2,461
|
79
|
Start
|
Low
|
| 271
|
The Sublime Object of Ideology
|
2,448
|
78
|
Stub
|
Low
|
| 272
|
Aesthetic Realism
|
2,436
|
78
|
C
|
Mid
|
| 273
|
High modernism
|
2,430
|
78
|
C
|
Low
|
| 274
|
Hubert Dreyfus
|
2,424
|
78
|
Start
|
Mid
|
| 275
|
R. G. Collingwood
|
2,409
|
77
|
C
|
Mid
|
| 276
|
Regionalism (art)
|
2,403
|
77
|
Start
|
Low
|
| 277
|
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
|
2,388
|
77
|
Start
|
Low
|
| 278
|
Poshlost
|
2,388
|
77
|
Start
|
Low
|
| 279
|
Clement Greenberg
|
2,341
|
75
|
C
|
Mid
|
| 280
|
Neo-Dada
|
2,326
|
75
|
Stub
|
Low
|
| 281
|
Arte Povera
|
2,324
|
74
|
Start
|
Low
|
| 282
|
Classificatory disputes about art
|
2,278
|
73
|
Start
|
High
|
| 283
|
Thomas Reid
|
2,245
|
72
|
C
|
Mid
|
| 284
|
Weimar Classicism
|
2,236
|
72
|
Start
|
Low
|
| 285
|
Conceptualism
|
2,217
|
71
|
C
|
Low
|
| 286
|
Art criticism
|
2,213
|
71
|
B
|
Mid
|
| 287
|
Classic
|
2,208
|
71
|
Start
|
Low
|
| 288
|
Zaum
|
2,200
|
70
|
Start
|
Low
|
| 289
|
Importance
|
2,149
|
69
|
B
|
Mid
|
| 290
|
Metaphysical painting
|
2,108
|
68
|
Start
|
Low
|
| 291
|
Paul de Man
|
2,068
|
66
|
C
|
Low
|
| 292
|
Postmodern music
|
2,039
|
65
|
C
|
Low
|
| 293
|
Theory of art
|
2,039
|
65
|
Start
|
Mid
|
| 294
|
Mathematics and architecture
|
2,031
|
65
|
GA
|
Mid
|
| 295
|
Postminimalism
|
2,015
|
65
|
Start
|
Low
|
| 296
|
Paul Rée
|
2,009
|
64
|
Start
|
Low
|
| 297
|
Neuroesthetics
|
2,001
|
64
|
Start
|
Mid
|
| 298
|
Hierarchy of genres
|
1,989
|
64
|
Start
|
Low
|
| 299
|
Postmodernism, or, the Cultural Logic of Late Capitalism
|
1,983
|
63
|
Stub
|
Mid
|
| 300
|
Sophistication
|
1,971
|
63
|
Start
|
Low
|
| 301
|
José Vasconcelos
|
1,962
|
63
|
C
|
Mid
|
| 302
|
Mingei
|
1,951
|
62
|
C
|
Low
|
| 303
|
Elegance
|
1,931
|
62
|
C
|
Low
|
| 304
|
Lyrical abstraction
|
1,916
|
61
|
Start
|
Low
|
| 305
|
Feminist film theory
|
1,900
|
61
|
C
|
Low
|
| 306
|
Anatomy of Criticism
|
1,900
|
61
|
Start
|
Mid
|
| 307
|
Formalism (art)
|
1,899
|
61
|
Start
|
Low
|
| 308
|
History of aesthetics
|
1,895
|
61
|
C
|
High
|
| 309
|
Representation (arts)
|
1,872
|
60
|
B
|
Mid
|
| 310
|
Post-romanticism
|
1,852
|
59
|
Start
|
Low
|
| 311
|
Vernon Lee
|
1,848
|
59
|
C
|
Low
|
| 312
|
Luminism (American art style)
|
1,841
|
59
|
Start
|
Low
|
| 313
|
Mimesis: The Representation of Reality in Western Literature
|
1,835
|
59
|
C
|
Low
|
| 314
|
Grotesque body
|
1,830
|
59
|
Start
|
Low
|
| 315
|
Erwin Panofsky
|
1,806
|
58
|
C
|
Mid
|
| 316
|
August Wilhelm Schlegel
|
1,791
|
57
|
C
|
Mid
|
| 317
|
Vissarion Belinsky
|
1,790
|
57
|
Start
|
Low
|
| 318
|
Stanley Cavell
|
1,787
|
57
|
C
|
Mid
|
| 319
|
Artistic inspiration
|
1,763
|
56
|
C
|
Mid
|
| 320
|
Proletkult
|
1,752
|
56
|
B
|
Low
|
| 321
|
Formalism (philosophy)
|
1,738
|
56
|
Start
|
Low
|
| 322
|
Arthur Danto
|
1,726
|
55
|
Start
|
Mid
|
| 323
|
Ecstasy (philosophy)
|
1,697
|
54
|
Stub
|
Low
|
| 324
|
Lettrism
|
1,667
|
53
|
C
|
Low
|
| 325
|
The Story of Art
|
1,656
|
53
|
Stub
|
Mid
|
| 326
|
Nefer
|
1,612
|
52
|
Start
|
Low
|
| 327
|
What Is Art?
|
1,588
|
51
|
C
|
Low
|
| 328
|
Directoire style
|
1,573
|
50
|
Start
|
Low
|
| 329
|
Harmonices Mundi
|
1,572
|
50
|
Start
|
Low
|
| 330
|
Artistic freedom
|
1,570
|
50
|
B
|
Low
|
| 331
|
Michel Henry
|
1,554
|
50
|
B
|
Low
|
| 332
|
Imagination age
|
1,545
|
49
|
C
|
Low
|
| 333
|
Elaine Scarry
|
1,539
|
49
|
Start
|
Low
|
| 334
|
Art as Experience
|
1,524
|
49
|
Start
|
Mid
|
| 335
|
Sully Prudhomme
|
1,515
|
48
|
Start
|
Low
|
| 336
|
Neomodern
|
1,505
|
48
|
Start
|
Low
|
| 337
|
Camera Lucida (book)
|
1,478
|
47
|
Start
|
Low
|
| 338
|
Francis Hutcheson (philosopher)
|
1,472
|
47
|
C
|
Mid
|
| 339
|
Arthur Schopenhauer's aesthetics
|
1,438
|
46
|
C
|
Mid
|
| 340
|
Nelson Goodman
|
1,433
|
46
|
Start
|
Mid
|
| 341
|
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
|
1,429
|
46
|
B
|
Mid
|
| 342
|
Russian symbolism
|
1,416
|
45
|
C
|
Mid
|
| 343
|
Anandavardhana
|
1,407
|
45
|
Start
|
Low
|
| 344
|
Indian aesthetics
|
1,393
|
44
|
Start
|
Low
|
| 345
|
Purism
|
1,377
|
44
|
Stub
|
Low
|
| 346
|
Tsang Lap Chuen
|
1,362
|
43
|
C
|
Low
|
| 347
|
Painterliness
|
1,330
|
42
|
Start
|
Low
|
| 348
|
Neo-Futurists
|
1,321
|
42
|
Start
|
Low
|
| 349
|
Susanne Langer
|
1,312
|
42
|
C
|
Mid
|
| 350
|
Late modernism
|
1,295
|
41
|
B
|
Low
|
| 351
|
Chinese musicology
|
1,284
|
41
|
B
|
Low
|
| 352
|
Johann Friedrich Herbart
|
1,280
|
41
|
C
|
Mid
|
| 353
|
Practical philosophy
|
1,280
|
41
|
Stub
|
Low
|
| 354
|
Feminist art
|
1,265
|
40
|
Start
|
Low
|
| 355
|
Process art
|
1,258
|
40
|
Start
|
Low
|
| 356
|
Miyabi
|
1,251
|
40
|
Start
|
Low
|
| 357
|
Kitsch movement
|
1,250
|
40
|
Start
|
Low
|
| 358
|
John Maeda
|
1,243
|
40
|
Start
|
Low
|
| 359
|
Zeami Motokiyo
|
1,236
|
39
|
C
|
Mid
|
| 360
|
Cellar door (phrase)
|
1,229
|
39
|
Redirect
|
NA
|
| 361
|
Romantic realism
|
1,227
|
39
|
C
|
Low
|
| 362
|
Alexander Gottlieb Baumgarten
|
1,226
|
39
|
Start
|
Mid
|
| 363
|
Art manifesto
|
1,224
|
39
|
C
|
Mid
|
| 364
|
Georg Brandes
|
1,218
|
39
|
C
|
Low
|
| 365
|
Ridiculous
|
1,215
|
39
|
Start
|
Low
|
| 366
|
Sound poetry
|
1,201
|
38
|
Start
|
Low
|
| 367
|
Giovanni Papini
|
1,199
|
38
|
C
|
Low
|
| 368
|
John Silber
|
1,177
|
37
|
Start
|
Low
|
| 369
|
Authenticity in art
|
1,169
|
37
|
Start
|
Low
|
| 370
|
Phonestheme
|
1,160
|
37
|
Start
|
Low
|
| 371
|
Panic Movement
|
1,156
|
37
|
Stub
|
Low
|
| 372
|
Crystal Cubism
|
1,150
|
37
|
B
|
Low
|
| 373
|
Rudolf Arnheim
|
1,140
|
36
|
B
|
Low
|
| 374
|
Philosophy of music
|
1,136
|
36
|
C
|
Mid
|
| 375
|
Aesthetics of music
|
1,134
|
36
|
Start
|
Low
|
| 376
|
Schopenhauer
|
1,124
|
36
|
Redirect
|
NA
|
| 377
|
Vittorio Hösle
|
1,119
|
36
|
C
|
Low
|
| 378
|
Richard Meltzer
|
1,110
|
35
|
Start
|
Low
|
| 379
|
The Origin of the Work of Art
|
1,105
|
35
|
C
|
Mid
|
| 380
|
Early life and career of Thomas Jefferson
|
1,102
|
35
|
C
|
Low
|
| 381
|
Marxist aesthetics
|
1,096
|
35
|
Stub
|
Mid
|
| 382
|
Psychology of art
|
1,071
|
34
|
Start
|
Low
|
| 383
|
Eli Siegel
|
1,068
|
34
|
B
|
Mid
|
| 384
|
Line of beauty
|
1,067
|
34
|
Stub
|
Low
|
| 385
|
The Dialogic Imagination
|
1,053
|
33
|
C
|
Low
|
| 386
|
Hamid Dabashi
|
1,043
|
33
|
B
|
Low
|
| 387
|
Joseph Kosuth
|
1,033
|
33
|
C
|
Low
|
| 388
|
Florentine painting
|
1,023
|
33
|
C
|
Low
|
| 389
|
Visual literacy
|
1,015
|
32
|
Start
|
Low
|
| 390
|
Papunya Tula
|
998
|
32
|
Start
|
Low
|
| 391
|
Art car
|
989
|
31
|
Start
|
Low
|
| 392
|
Artforum
|
988
|
31
|
Start
|
Low
|
| 393
|
The Differend
|
976
|
31
|
Stub
|
Low
|
| 394
|
Hans Pfitzner
|
969
|
31
|
Start
|
Low
|
| 395
|
Noël Carroll
|
956
|
30
|
Stub
|
Low
|
| 396
|
Self-portraiture
|
955
|
30
|
C
|
Low
|
| 397
|
Motoori Norinaga
|
951
|
30
|
Start
|
Low
|
| 398
|
Objectivism (Ayn Rand)
|
941
|
30
|
Redirect
|
NA
|
| 399
|
Bracha L. Ettinger
|
941
|
30
|
B
|
Low
|
| 400
|
Artistic merit
|
937
|
30
|
Start
|
Mid
|
| 401
|
Punk visual art
|
937
|
30
|
Start
|
Low
|
| 402
|
William K. Wimsatt
|
929
|
29
|
Start
|
Low
|
| 403
|
Nicholas Wolterstorff
|
928
|
29
|
Start
|
Low
|
| 404
|
Todd McGowan
|
918
|
29
|
Start
|
Low
|
| 405
|
History of the concept of creativity
|
906
|
29
|
Start
|
Low
|
| 406
|
Max Black
|
891
|
28
|
Start
|
Mid
|
| 407
|
Symbolism
|
874
|
28
|
Disambig
|
NA
|
| 408
|
Classical Realism
|
864
|
27
|
Start
|
Low
|
| 409
|
Mode (literature)
|
842
|
27
|
C
|
Low
|
| 410
|
Hurufiyya movement
|
840
|
27
|
B
|
Low
|
| 411
|
Hypermodernity
|
819
|
26
|
Start
|
Low
|
| 412
|
Aleksandar Lilov
|
815
|
26
|
Start
|
Low
|
| 413
|
Ludwig Tieck
|
806
|
26
|
Start
|
Low
|
| 414
|
Béla Balázs
|
800
|
25
|
Start
|
Low
|
| 415
|
Yūsuf Balasaguni
|
798
|
25
|
Stub
|
Mid
|
| 416
|
Romanticism in philosophy
|
791
|
25
|
Start
|
Low
|
| 417
|
Visual rhetoric
|
790
|
25
|
B
|
Low
|
| 418
|
Soviet nonconformist art
|
790
|
25
|
C
|
Low
|
| 419
|
Essentially contested concept
|
786
|
25
|
B
|
Low
|
| 420
|
Daniel-Henry Kahnweiler
|
772
|
24
|
Start
|
Low
|
| 421
|
Bernard Bosanquet (philosopher)
|
764
|
24
|
C
|
Mid
|
| 422
|
Eduard Hanslick
|
761
|
24
|
Start
|
Low
|
| 423
|
Roman Ingarden
|
752
|
24
|
Start
|
Low
|
| 424
|
Auto-destructive art
|
732
|
23
|
Start
|
Low
|
| 425
|
List of French artistic movements
|
730
|
23
|
List
|
Low
|
| 426
|
Tim Dean
|
712
|
22
|
Start
|
Low
|
| 427
|
Lectures on Aesthetics
|
709
|
22
|
Stub
|
Mid
|
| 428
|
Inner Experience
|
697
|
22
|
Start
|
Mid
|
| 429
|
Hugh Kenner
|
696
|
22
|
C
|
Low
|
| 430
|
Depiction
|
696
|
22
|
C
|
Mid
|
| 431
|
Philosophy of design
|
696
|
22
|
Stub
|
Low
|
| 432
|
Cyborg art
|
667
|
21
|
Start
|
Low
|
| 433
|
Hippias Major
|
663
|
21
|
C
|
Mid
|
| 434
|
Bay Area Figurative Movement
|
658
|
21
|
Start
|
Low
|
| 435
|
Victor Cousin
|
657
|
21
|
B
|
Low
|
| 436
|
Theological aesthetics
|
656
|
21
|
Start
|
Low
|
| 437
|
Avant-Garde and Kitsch
|
654
|
21
|
Start
|
Low
|
| 438
|
Aesthetic emotions
|
651
|
21
|
Start
|
High
|
| 439
|
List of aestheticians
|
648
|
20
|
List
|
Mid
|
| 440
|
Observations on the Feeling of the Beautiful and Sublime
|
643
|
20
|
C
|
Mid
|
| 441
|
Neo-pop
|
641
|
20
|
Stub
|
Low
|
| 442
|
Richard Wollheim
|
633
|
20
|
Start
|
Mid
|
| 443
|
Paradox of fiction
|
631
|
20
|
C
|
Low
|
| 444
|
Post-conceptual art
|
629
|
20
|
C
|
Low
|
| 445
|
Adam Müller
|
620
|
20
|
C
|
Low
|
| 446
|
Henry Home, Lord Kames
|
618
|
19
|
C
|
Mid
|
| 447
|
Alexander Nehamas
|
611
|
19
|
Start
|
Low
|
| 448
|
Tetsuro Watsuji
|
610
|
19
|
Start
|
Mid
|
| 449
|
Ptolemy's intense diatonic scale
|
610
|
19
|
C
|
Low
|
| 450
|
The Sense of Beauty
|
595
|
19
|
Start
|
Low
|
| 451
|
Community art
|
589
|
19
|
Start
|
Low
|
| 452
|
The Critic as Artist
|
586
|
18
|
Stub
|
Low
|
| 453
|
Funk art
|
570
|
18
|
Start
|
Low
|
| 454
|
Humor research
|
562
|
18
|
Start
|
Mid
|
| 455
|
Dramatism
|
561
|
18
|
C
|
Low
|
| 456
|
Heroic realism
|
558
|
18
|
Start
|
Low
|
| 457
|
Coleridge's theory of life
|
558
|
18
|
C
|
Low
|
| 458
|
Feminist art movement
|
556
|
17
|
Start
|
Low
|
| 459
|
André Leroi-Gourhan
|
549
|
17
|
Start
|
Low
|
| 460
|
Outline of aesthetics
|
546
|
17
|
List
|
Low
|
| 461
|
Philosophy of architecture
|
540
|
17
|
B
|
Low
|
| 462
|
Coolhunting
|
534
|
17
|
Start
|
Low
|
| 463
|
History of hermeneutics
|
534
|
17
|
Start
|
Low
|
| 464
|
Steven Shaviro
|
528
|
17
|
Start
|
Low
|
| 465
|
Sara Danius
|
527
|
17
|
C
|
Low
|
| 466
|
Denis Dutton
|
520
|
16
|
C
|
Mid
|
| 467
|
The Analysis of Beauty
|
517
|
16
|
Start
|
Low
|
| 468
|
Les Automatistes
|
509
|
16
|
Stub
|
Low
|
| 469
|
Arts criticism
|
504
|
16
|
Stub
|
Mid
|
| 470
|
Vyacheslav Ivanov (poet)
|
495
|
15
|
C
|
Low
|
| 471
|
Aesthetic interpretation
|
490
|
15
|
Start
|
High
|
| 472
|
Philosophy of film
|
488
|
15
|
Start
|
Mid
|
| 473
|
Jean Grenier
|
485
|
15
|
Stub
|
Low
|
| 474
|
Paragone
|
483
|
15
|
Start
|
Low
|
| 475
|
Artistic integrity
|
483
|
15
|
C
|
Low
|
| 476
|
Institutional Critique
|
478
|
15
|
Start
|
Low
|
| 477
|
Brian Boyd
|
468
|
15
|
Start
|
Low
|
| 478
|
Pennsylvania Impressionism
|
468
|
15
|
Stub
|
Low
|
| 479
|
Dionysian imitatio
|
468
|
15
|
Stub
|
Low
|
| 480
|
Stella Kramrisch
|
465
|
15
|
C
|
Low
|
| 481
|
Systematic musicology
|
463
|
14
|
Start
|
Low
|
| 482
|
Souleymane Bachir Diagne
|
459
|
14
|
C
|
Low
|
| 483
|
Hypermodernism (art)
|
447
|
14
|
Start
|
Low
|
| 484
|
John Anderson (philosopher)
|
443
|
14
|
C
|
Low
|
| 485
|
Neo-conceptual art
|
439
|
14
|
C
|
Low
|
| 486
|
Jesse Prinz
|
437
|
14
|
Stub
|
Mid
|
| 487
|
Matthew Lipman
|
436
|
14
|
Stub
|
Low
|
| 488
|
Moresque
|
433
|
13
|
Start
|
Low
|
| 489
|
Aleksei Losev
|
428
|
13
|
Start
|
Low
|
| 490
|
Hypergraphy
|
425
|
13
|
C
|
Low
|
| 491
|
Vladimir Odoyevsky
|
422
|
13
|
Start
|
Low
|
| 492
|
Wiener Moderne
|
417
|
13
|
Start
|
Low
|
| 493
|
Zoosemiotics
|
412
|
13
|
Start
|
Low
|
| 494
|
Danube school
|
411
|
13
|
C
|
Low
|
| 495
|
Yabo
|
408
|
13
|
Stub
|
Low
|
| 496
|
Albert Caraco
|
405
|
13
|
Start
|
Low
|
| 497
|
Theodor Lipps
|
403
|
13
|
C
|
Low
|
| 498
|
Knave of Diamonds (arts association)
|
401
|
12
|
Stub
|
Low
|
| 499
|
Monroe Beardsley
|
400
|
12
|
Stub
|
Low
|
| 500
|
Absurd
|
398
|
12
|
Disambig
|
NA
|
| 501
|
The Romantic Manifesto
|
398
|
12
|
C
|
Low
|
| 502
|
Władysław Tatarkiewicz
|
398
|
12
|
Start
|
Low
|
| 503
|
The Literature of Exhaustion
|
395
|
12
|
Stub
|
Low
|
| 504
|
György Lukács bibliography
|
395
|
12
|
List
|
Mid
|
| 505
|
Phonocentrism
|
394
|
12
|
Start
|
Low
|
| 506
|
Unitary urbanism
|
393
|
12
|
Start
|
Low
|
| 507
|
Liu Xiaofeng (academic)
|
393
|
12
|
Start
|
Low
|
| 508
|
Romanticism in Scotland
|
390
|
12
|
GA
|
Low
|
| 509
|
Charles Stevenson (philosopher)
|
388
|
12
|
Start
|
Mid
|
| 510
|
Cynical realism
|
388
|
12
|
Stub
|
Low
|
| 511
|
New musicology
|
383
|
12
|
Start
|
Low
|
| 512
|
October (journal)
|
376
|
12
|
Start
|
Low
|
| 513
|
Shūzō Kuki
|
370
|
11
|
Start
|
Low
|
| 514
|
Richard Shusterman
|
369
|
11
|
B
|
Low
|
| 515
|
Magnificence (history of ideas)
|
367
|
11
|
Start
|
Low
|
| 516
|
Sean Dorrance Kelly
|
366
|
11
|
Start
|
Low
|
| 517
|
Methexis
|
364
|
11
|
Stub
|
Low
|
| 518
|
Applied aesthetics
|
362
|
11
|
Start
|
Mid
|
| 519
|
Medium specificity
|
361
|
11
|
Stub
|
Low
|
| 520
|
Francesco de Sanctis
|
356
|
11
|
Stub
|
Low
|
| 521
|
Timeline of German idealism
|
353
|
11
|
Stub
|
Low
|
| 522
|
Dieter Henrich
|
346
|
11
|
Start
|
Mid
|
| 523
|
Carl Dahlhaus
|
343
|
11
|
B
|
Low
|
| 524
|
Medieval aesthetics
|
338
|
10
|
C
|
Low
|
| 525
|
Tudor Vianu
|
336
|
10
|
Start
|
Low
|
| 526
|
Birmingham Set
|
336
|
10
|
Start
|
Low
|
| 527
|
Ludomusicology
|
333
|
10
|
Start
|
Low
|
| 528
|
Ancient aesthetics
|
326
|
10
|
Start
|
Low
|
| 529
|
Kendall Walton
|
321
|
10
|
C
|
Low
|
| 530
|
Fernando González (writer)
|
317
|
10
|
C
|
Low
|
| 531
|
Medium essentialism
|
315
|
10
|
B
|
Low
|
| 532
|
Utamakura
|
305
|
9
|
Start
|
Mid
|
| 533
|
Linguistic film theory
|
305
|
9
|
Stub
|
Low
|
| 534
|
Metarealism
|
304
|
9
|
Start
|
Low
|
| 535
|
Paul Guyer
|
304
|
9
|
Stub
|
Low
|
| 536
|
Taruho Inagaki
|
301
|
9
|
Stub
|
Low
|
| 537
|
African aesthetic
|
299
|
9
|
Start
|
Mid
|
| 538
|
Unity in variety
|
296
|
9
|
C
|
Low
|
| 539
|
Four Dissertations
|
295
|
9
|
Stub
|
Low
|
| 540
|
Northwest School (art)
|
294
|
9
|
C
|
Low
|
| 541
|
Digital sublime
|
292
|
9
|
Start
|
Low
|
| 542
|
Mikhail Lifshitz
|
287
|
9
|
C
|
Low
|
| 543
|
Antwerp school
|
282
|
9
|
Start
|
Low
|
| 544
|
Li Zehou
|
277
|
8
|
Start
|
Low
|
| 545
|
Michael Tanner
|
275
|
8
|
Stub
|
Low
|
| 546
|
Street poster art
|
273
|
8
|
Start
|
Low
|
| 547
|
Figuration Libre
|
272
|
8
|
Stub
|
Low
|
| 548
|
Cultural depictions of Thomas Jefferson
|
272
|
8
|
Start
|
Low
|
| 549
|
Abstract illusionism
|
270
|
8
|
Stub
|
Low
|
| 550
|
Aesthetics of science
|
270
|
8
|
Stub
|
Low
|
| 551
|
Irrealism (philosophy)
|
267
|
8
|
Start
|
Mid
|
| 552
|
Aesthetics of nature
|
267
|
8
|
Start
|
Low
|
| 553
|
Michael J. Shapiro
|
260
|
8
|
Start
|
Low
|
| 554
|
The Oldest Systematic Program of German Idealism
|
259
|
8
|
Stub
|
Low
|
| 555
|
Beuron Art School
|
256
|
8
|
Start
|
Low
|
| 556
|
Imagines (work by Philostratus)
|
255
|
8
|
Stub
|
Low
|
| 557
|
Feminist art movement in the United States
|
254
|
8
|
Start
|
Low
|
| 558
|
Languages of Art
|
249
|
8
|
Stub
|
Low
|
| 559
|
Processing fluency theory of aesthetic pleasure
|
249
|
8
|
Start
|
Low
|
| 560
|
Emanuele Tesauro
|
248
|
8
|
B
|
Low
|
| 561
|
The Literary Mind and the Carving of Dragons
|
245
|
7
|
Start
|
Mid
|
| 562
|
Daniel Kolak
|
242
|
7
|
Start
|
Low
|
| 563
|
Karl Rosenkranz
|
240
|
7
|
Start
|
Low
|
| 564
|
Ontopoetics
|
240
|
7
|
C
|
Low
|
| 565
|
Moscow Conceptualists
|
239
|
7
|
Stub
|
Low
|
| 566
|
Friedrich Theodor Vischer
|
238
|
7
|
Start
|
Low
|
| 567
|
Irrealism (the arts)
|
236
|
7
|
Start
|
Low
|
| 568
|
Natural design
|
236
|
7
|
Stub
|
Low
|
| 569
|
Jerry Farber
|
233
|
7
|
Start
|
Low
|
| 570
|
Léonce Rosenberg
|
232
|
7
|
C
|
Low
|
| 571
|
Du "Cubisme"
|
230
|
7
|
B
|
Low
|
| 572
|
Wilhelm Heinrich Wackenroder
|
229
|
7
|
Start
|
Low
|
| 573
|
Essays, Moral, Political, and Literary
|
225
|
7
|
Stub
|
Low
|
| 574
|
Epic and Novel
|
224
|
7
|
Start
|
Low
|
| 575
|
Johannes Volkelt
|
223
|
7
|
Stub
|
Low
|
| 576
|
Andrew Bowie (philosopher)
|
222
|
7
|
Start
|
Low
|
| 577
|
Joseph Margolis
|
221
|
7
|
C
|
Low
|
| 578
|
Feminist aesthetics
|
218
|
7
|
C
|
Low
|
| 579
|
Metabasis paradox
|
218
|
7
|
C
|
Low
|
| 580
|
Stephen Mumford
|
216
|
6
|
C
|
Low
|
| 581
|
Stephen Davies (philosopher)
|
216
|
6
|
Start
|
Low
|
| 582
|
Imitation (art)
|
215
|
6
|
Stub
|
Low
|
| 583
|
Acharya Vamana
|
215
|
6
|
Stub
|
Low
|
| 584
|
Marshall McLuhan bibliography
|
212
|
6
|
List
|
Low
|
| 585
|
Margaret MacDonald (philosopher)
|
212
|
6
|
C
|
Low
|
| 586
|
Black Artists Group
|
206
|
6
|
Stub
|
Low
|
| 587
|
Social information processing
|
206
|
6
|
Stub
|
Low
|
| 588
|
Luigi Pareyson
|
205
|
6
|
Stub
|
Low
|
| 589
|
Stroganov school
|
202
|
6
|
Stub
|
Low
|
| 590
|
Paul Mattick Jr.
|
201
|
6
|
Stub
|
Low
|
| 591
|
Superfiction
|
200
|
6
|
Start
|
Low
|
| 592
|
Theodor W. Adorno bibliography
|
199
|
6
|
List
|
Mid
|
| 593
|
Douglas Moggach
|
198
|
6
|
C
|
Low
|
| 594
|
Tom Cohen
|
198
|
6
|
Stub
|
Low
|
| 595
|
Yuriko Saito
|
197
|
6
|
Start
|
Low
|
| 596
|
Max Dessoir
|
196
|
6
|
Stub
|
Low
|
| 597
|
Stephen Pepper
|
195
|
6
|
Start
|
Mid
|
| 598
|
Rotation method
|
195
|
6
|
Stub
|
Low
|
| 599
|
Nikolas Kompridis
|
194
|
6
|
C
|
Low
|
| 600
|
Formal balance
|
194
|
6
|
Stub
|
Low
|
| 601
|
George Dickie (philosopher)
|
193
|
6
|
Stub
|
Low
|
| 602
|
François Zourabichvili
|
193
|
6
|
Start
|
Low
|
| 603
|
Akira Asada
|
191
|
6
|
Stub
|
Low
|
| 604
|
Iain Thomson
|
191
|
6
|
Stub
|
Low
|
| 605
|
Edmund Gurney
|
190
|
6
|
Start
|
Low
|
| 606
|
Art theory
|
190
|
6
|
Redirect
|
NA
|
| 607
|
La Maison Cubiste
|
190
|
6
|
B
|
Low
|
| 608
|
The Cubist Painters, Aesthetic Meditations
|
189
|
6
|
B
|
Low
|
| 609
|
Claire Colebrook
|
188
|
6
|
Start
|
Mid
|
| 610
|
Thierry de Duve
|
186
|
6
|
Stub
|
Low
|
| 611
|
Philosophy in a New Key
|
186
|
6
|
Stub
|
Low
|
| 612
|
Henri Focillon
|
185
|
5
|
Stub
|
Low
|
| 613
|
Robert Vischer
|
181
|
5
|
Stub
|
Low
|
| 614
|
Artistic revolution
|
179
|
5
|
Start
|
Low
|
| 615
|
Jan Mukařovský
|
178
|
5
|
Start
|
Low
|
| 616
|
Peter Kivy
|
177
|
5
|
Stub
|
Low
|
| 617
|
Poet as legislator
|
176
|
5
|
Start
|
Low
|
| 618
|
Liu Xie
|
175
|
5
|
Stub
|
Low
|
| 619
|
Levels of adequacy
|
175
|
5
|
Start
|
Low
|
| 620
|
Hubert Damisch
|
175
|
5
|
Stub
|
Low
|
| 621
|
Charles Batteux
|
172
|
5
|
Start
|
Low
|
| 622
|
Max Bense
|
171
|
5
|
Start
|
Low
|
| 623
|
Elegant
|
169
|
5
|
Redirect
|
NA
|
| 624
|
Truth claim (photography)
|
168
|
5
|
Start
|
Low
|
| 625
|
Neo-primitivism
|
166
|
5
|
Redirect
|
NA
|
| 626
|
Lydia Goehr
|
166
|
5
|
Start
|
Low
|
| 627
|
Index of aesthetics articles
|
162
|
5
|
List
|
High
|
| 628
|
Roger North (biographer)
|
161
|
5
|
Start
|
Low
|
| 629
|
Jody Azzouni
|
160
|
5
|
Stub
|
Low
|
| 630
|
Psychic distance
|
160
|
5
|
Start
|
Mid
|
| 631
|
Albrecht Wellmer
|
160
|
5
|
Start
|
Low
|
| 632
|
Roger de Piles
|
156
|
5
|
Start
|
Low
|
| 633
|
Christine Buci-Glucksmann
|
155
|
5
|
Start
|
Low
|
| 634
|
Jerrold Levinson
|
154
|
4
|
Start
|
Low
|
| 635
|
Art and Scholasticism
|
152
|
4
|
Stub
|
Low
|
| 636
|
Gregory Currie
|
149
|
4
|
Start
|
Low
|
| 637
|
Gernot Böhme
|
146
|
4
|
Stub
|
Low
|
| 638
|
Edward Bullough
|
145
|
4
|
C
|
Mid
|
| 639
|
Christopher Janaway
|
143
|
4
|
Stub
|
Low
|
| 640
|
Curt John Ducasse
|
141
|
4
|
Stub
|
Low
|
| 641
|
Paul Crowther
|
141
|
4
|
Start
|
Low
|
| 642
|
Critical Essays (Orwell)
|
141
|
4
|
Start
|
Low
|
| 643
|
Ásta Kristjana Sveinsdóttir
|
140
|
4
|
Stub
|
Low
|
| 644
|
Peter Lamarque
|
139
|
4
|
Start
|
Low
|
| 645
|
Art and morality
|
135
|
4
|
Start
|
Mid
|
| 646
|
Visual ethics
|
134
|
4
|
Start
|
Low
|
| 647
|
Biographical fallacy
|
134
|
4
|
Start
|
Low
|
| 648
|
Frank Sibley (philosopher)
|
133
|
4
|
Start
|
Low
|
| 649
|
Antonio Caso Andrade
|
131
|
4
|
Start
|
Mid
|
| 650
|
Decadentism
|
130
|
4
|
Redirect
|
Low
|
| 651
|
New York Figurative Expressionism
|
130
|
4
|
Start
|
Low
|
| 652
|
Albert (short story)
|
130
|
4
|
Stub
|
Low
|
| 653
|
Peter Trawny
|
130
|
4
|
Start
|
Low
|
| 654
|
Ronald Paulson
|
128
|
4
|
Start
|
Low
|
| 655
|
Karl Wilhelm Ferdinand Solger
|
128
|
4
|
Start
|
Low
|
| 656
|
Morris Weitz
|
126
|
4
|
C
|
Mid
|
| 657
|
The Range of Reason
|
126
|
4
|
Stub
|
Mid
|
| 658
|
Adolfo Sánchez Vázquez
|
125
|
4
|
Stub
|
Low
|
| 659
|
Bill Martin (philosopher)
|
125
|
4
|
Stub
|
Low
|
| 660
|
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief
|
125
|
4
|
Stub
|
Low
|
| 661
|
Louis Mink
|
125
|
4
|
Start
|
Low
|
| 662
|
Solomiia Pavlychko
|
124
|
4
|
Start
|
Low
|
| 663
|
Metaphysical aesthetics
|
124
|
4
|
C
|
Low
|
| 664
|
Les Plasticiens
|
123
|
3
|
Start
|
Low
|
| 665
|
John Rajchman
|
120
|
3
|
Stub
|
Low
|
| 666
|
Tomonobu Imamichi
|
118
|
3
|
Start
|
Low
|
| 667
|
Elisabeth Camp
|
118
|
3
|
C
|
Low
|
| 668
|
Institutional theory of art
|
117
|
3
|
Redirect
|
NA
|
| 669
|
Karl Ameriks
|
117
|
3
|
Stub
|
Low
|
| 670
|
Female epic
|
117
|
3
|
Start
|
Low
|
| 671
|
Georg Friedrich Meier
|
117
|
3
|
Stub
|
Low
|
| 672
|
Suspense fiction
|
116
|
3
|
Redirect
|
Low
|
| 673
|
Virgil Aldrich
|
115
|
3
|
Start
|
Low
|
| 674
|
Déprimisme
|
115
|
3
|
Stub
|
Low
|
| 675
|
Mario Perniola
|
115
|
3
|
C
|
Low
|
| 676
|
Aesthetic relativism
|
112
|
3
|
Stub
|
High
|
| 677
|
Aesthetic of Ugliness
|
112
|
3
|
Stub
|
Low
|
| 678
|
Nkiru Nzegwu
|
112
|
3
|
Stub
|
Low
|
| 679
|
The Journal of Aesthetics and Art Criticism
|
111
|
3
|
Stub
|
Low
|
| 680
|
Rodolphe Gasché
|
109
|
3
|
Start
|
Low
|
| 681
|
François Hemsterhuis
|
107
|
3
|
Start
|
Low
|
| 682
|
Philip Wheelwright
|
106
|
3
|
Start
|
Low
|
| 683
|
On the Aesthetic Education of Man
|
106
|
3
|
Redirect
|
Low
|
| 684
|
Thorsten Botz-Bornstein
|
106
|
3
|
Stub
|
Low
|
| 685
|
Wolfgang Fritz Haug
|
105
|
3
|
Start
|
Low
|
| 686
|
Valentin Feldman
|
104
|
3
|
Start
|
Low
|
| 687
|
The Papers of Thomas Jefferson
|
104
|
3
|
Start
|
Low
|
| 688
|
David Carrier
|
103
|
3
|
Start
|
Low
|
| 689
|
Abstract Imagists
|
102
|
3
|
Start
|
Low
|
| 690
|
Nadežda Čačinovič
|
102
|
3
|
Start
|
Low
|
| 691
|
Jeremy J. Shapiro
|
101
|
3
|
Start
|
Low
|
| 692
|
Carlin Romano
|
100
|
3
|
Start
|
Low
|
| 693
|
James Tartaglia
|
100
|
3
|
Start
|
Low
|
| 694
|
Spanish Eclecticism
|
98
|
3
|
Start
|
Low
|
| 695
|
Georg Anton Friedrich Ast
|
97
|
3
|
Start
|
Low
|
| 696
|
Lessons on the Analytic of the Sublime
|
96
|
3
|
Stub
|
Mid
|
| 697
|
Daya Krishna
|
96
|
3
|
Stub
|
Low
|
| 698
|
Heinrich Gustav Hotho
|
95
|
3
|
Stub
|
Low
|
| 699
|
Thomas Munro (art historian)
|
95
|
3
|
Start
|
Mid
|
| 700
|
Musical historicism
|
93
|
3
|
Start
|
Low
|
| 701
|
Bernhard Alexander
|
93
|
3
|
Start
|
Low
|
| 702
|
Albert Hofstadter
|
93
|
3
|
Start
|
Low
|
| 703
|
Anna Tumarkin
|
93
|
3
|
B
|
Low
|
| 704
|
Fabienne Brugère
|
89
|
2
|
C
|
Low
|
| 705
|
Theodor Mundt
|
87
|
2
|
Start
|
Low
|
| 706
|
Stupid (art movement)
|
87
|
2
|
Stub
|
Low
|
| 707
|
Calvin Seerveld
|
86
|
2
|
Start
|
Low
|
| 708
|
David Prall
|
86
|
2
|
Start
|
Low
|
| 709
|
Ivan Soll
|
85
|
2
|
C
|
Low
|
| 710
|
Vasily Seseman
|
85
|
2
|
Start
|
Low
|
| 711
|
Leonid Stolovich
|
84
|
2
|
Start
|
Low
|
| 712
|
Literary merit
|
83
|
2
|
Redirect
|
Mid
|
| 713
|
Geoffrey Galt Harpham
|
83
|
2
|
Stub
|
Low
|
| 714
|
Adversarial Design
|
83
|
2
|
Start
|
Low
|
| 715
|
Modular constructivism
|
81
|
2
|
Start
|
Low
|
| 716
|
Ivan Sviták
|
81
|
2
|
Start
|
Low
|
| 717
|
Ticio Escobar
|
81
|
2
|
C
|
Low
|
| 718
|
List of art critics
|
80
|
2
|
List
|
Low
|
| 719
|
Panait Cerna
|
79
|
2
|
GA
|
Low
|
| 720
|
Isaac Passy
|
78
|
2
|
Stub
|
Low
|
| 721
|
Peter Goldie
|
75
|
2
|
Stub
|
Low
|
| 722
|
Attractiveness
|
75
|
2
|
Redirect
|
NA
|
| 723
|
On Grace and Dignity
|
74
|
2
|
Stub
|
Low
|
| 724
|
Al-Bu'd al-Wahad
|
74
|
2
|
C
|
Low
|
| 725
|
Margret Grebowicz
|
73
|
2
|
Start
|
Low
|
| 726
|
Herbert Morris (philosopher)
|
73
|
2
|
Stub
|
Low
|
| 727
|
Journal of Philosophy of Education
|
72
|
2
|
Stub
|
Low
|
| 728
|
Cultura (journal)
|
72
|
2
|
Stub
|
Low
|
| 729
|
Dadaglobe
|
72
|
2
|
B
|
Low
|
| 730
|
D. I. Suchianu
|
71
|
2
|
B
|
Low
|
| 731
|
Julius Moravcsik
|
70
|
2
|
Start
|
Low
|
| 732
|
Ewa Ziarek
|
70
|
2
|
Start
|
Low
|
| 733
|
Rapture (aesthetics)
|
70
|
2
|
C
|
Low
|
| 734
|
Valentin Asmus (philosopher)
|
69
|
2
|
Start
|
Low
|
| 735
|
Colin Radford
|
69
|
2
|
Stub
|
Low
|
| 736
|
What is a Masterpiece?
|
69
|
2
|
Start
|
Low
|
| 737
|
The Longing for Less
|
69
|
2
|
Stub
|
Low
|
| 738
|
Karl Wilhelm Ramler
|
68
|
2
|
Stub
|
Low
|
| 739
|
Philosophy and Literature
|
68
|
2
|
Stub
|
Low
|
| 740
|
Larry Shiner
|
68
|
2
|
Stub
|
Low
|
| 741
|
Communication aesthetics
|
67
|
2
|
Start
|
Low
|
| 742
|
American Society for Aesthetics
|
67
|
2
|
Stub
|
Low
|
| 743
|
RAAAF
|
67
|
2
|
Start
|
Low
|
| 744
|
Melvin Rader
|
66
|
2
|
C
|
Low
|
| 745
|
British Journal of Aesthetics
|
64
|
2
|
Stub
|
Low
|
| 746
|
Aesthetic absolutism
|
63
|
2
|
Start
|
High
|
| 747
|
Giovanna Borradori
|
62
|
2
|
Stub
|
Low
|
| 748
|
Norbert-Bertrand Barbe
|
61
|
1
|
Start
|
Low
|
| 749
|
Predrag Finci
|
61
|
1
|
Stub
|
Low
|
| 750
|
Alexander Gerard
|
60
|
1
|
Start
|
Low
|
| 751
|
Peter Serracino Inglott
|
60
|
1
|
Start
|
Low
|
| 752
|
Arnór Hannibalsson
|
60
|
1
|
Stub
|
Low
|
| 753
|
Emily Brady
|
60
|
1
|
Stub
|
Low
|
| 754
|
Elisabeth Schellekens
|
59
|
1
|
Stub
|
Low
|
| 755
|
James M. Edie
|
57
|
1
|
Start
|
Low
|
| 756
|
Antanas Andrijauskas
|
57
|
1
|
Start
|
Low
|
| 757
|
Martin Foss
|
57
|
1
|
C
|
Low
|
| 758
|
List of culturally linked qualities of music
|
56
|
1
|
List
|
Low
|
| 759
|
Art Deco in Durban
|
56
|
1
|
Start
|
Low
|
| 760
|
Charles Lalo
|
56
|
1
|
Stub
|
Low
|
| 761
|
Masakazu Nakai
|
55
|
1
|
Stub
|
Low
|
| 762
|
Carmel Berkson
|
54
|
1
|
Stub
|
Low
|
| 763
|
Timothy Binkley
|
53
|
1
|
Stub
|
Low
|
| 764
|
Gloria Feman Orenstein
|
53
|
1
|
C
|
Low
|
| 765
|
Peter Lunenfeld
|
52
|
1
|
Start
|
Low
|
| 766
|
Ernst von Lasaulx
|
52
|
1
|
C
|
Low
|
| 767
|
Julius von Kirchmann
|
52
|
1
|
Stub
|
Low
|
| 768
|
Volker Gerhardt
|
52
|
1
|
Stub
|
Low
|
| 769
|
Richard Eldridge
|
51
|
1
|
Stub
|
Low
|
| 770
|
Aloys Hirt
|
50
|
1
|
Start
|
Low
|
| 771
|
Alejandro Deustua
|
50
|
1
|
Stub
|
Low
|
| 772
|
Lev Kreft
|
50
|
1
|
Stub
|
Low
|
| 773
|
Michael Sprinker
|
49
|
1
|
Stub
|
Low
|
| 774
|
Józef Kremer
|
49
|
1
|
Start
|
Low
|
| 775
|
Dual-character concept
|
49
|
1
|
Stub
|
Low
|
| 776
|
Josefina Ayerza
|
47
|
1
|
Stub
|
Low
|
| 777
|
Michael Krausz
|
47
|
1
|
Start
|
Low
|
| 778
|
José María Valverde
|
46
|
1
|
C
|
Low
|
| 779
|
British Society of Aesthetics
|
46
|
1
|
Stub
|
Low
|
| 780
|
Rachida Triki
|
45
|
1
|
Start
|
Low
|
| 781
|
Jacqueline Lichtenstein
|
45
|
1
|
Start
|
Low
|
| 782
|
Stephen David Ross
|
44
|
1
|
Stub
|
Low
|
| 783
|
Catherine Perret
|
44
|
1
|
Stub
|
Low
|
| 784
|
Ruth L. Saw
|
44
|
1
|
Start
|
Low
|
| 785
|
Hermann Theodor Hettner
|
43
|
1
|
B
|
Low
|
| 786
|
Eddy Zemach
|
43
|
1
|
Stub
|
Low
|
| 787
|
Géza Fodor (philosopher)
|
43
|
1
|
Stub
|
Low
|
| 788
|
Marcus Steinweg
|
43
|
1
|
Stub
|
Low
|
| 789
|
Encyclopedia of Aesthetics
|
42
|
1
|
Start
|
Low
|
| 790
|
Dewitt H. Parker
|
42
|
1
|
Stub
|
Low
|
| 791
|
Rocío Orsi
|
42
|
1
|
Start
|
Low
|
| 792
|
Art of murder
|
41
|
1
|
Disambig
|
NA
|
| 793
|
Second-order simulacra
|
41
|
1
|
Redirect
|
Low
|
| 794
|
James Creed Meredith
|
41
|
1
|
Start
|
Low
|
| 795
|
Curtis L. Carter
|
41
|
1
|
Stub
|
Low
|
| 796
|
Kunstreligion
|
40
|
1
|
Stub
|
Low
|
| 797
|
Robert Hopkins (philosopher)
|
40
|
1
|
Stub
|
Low
|
| 798
|
Inconnu Independent Art Group
|
39
|
1
|
Stub
|
Low
|
| 799
|
Eastern Group of Painters
|
39
|
1
|
Stub
|
Low
|
| 800
|
International Association of Empirical Aesthetics
|
38
|
1
|
Start
|
Low
|
| 801
|
Jovan Došenović
|
38
|
1
|
Start
|
Low
|
| 802
|
Cynthia Nielsen
|
38
|
1
|
C
|
Low
|
| 803
|
Yiannis Psychopedis
|
37
|
1
|
Stub
|
Low
|
| 804
|
Dato Barbakadze
|
37
|
1
|
Stub
|
Low
|
| 805
|
Richard Müller-Freienfels
|
37
|
1
|
Stub
|
Low
|
| 806
|
Presentationism
|
36
|
1
|
Stub
|
Low
|
| 807
|
Jerry Balmuth
|
36
|
1
|
Start
|
Low
|
| 808
|
Arto Haapala
|
35
|
1
|
Stub
|
Low
|
| 809
|
Versatilist manifesto
|
35
|
1
|
Start
|
Low
|
| 810
|
Warren Shibles
|
34
|
1
|
Stub
|
Low
|
| 811
|
Yacouba Konaté
|
34
|
1
|
Start
|
Low
|
| 812
|
Viktor Bychkov (philosopher)
|
34
|
1
|
C
|
Low
|
| 813
|
Federico Ferrari
|
33
|
1
|
Start
|
Low
|
| 814
|
George Lansing Raymond
|
31
|
1
|
Start
|
Low
|
| 815
|
Carl Günther Ludovici
|
31
|
1
|
C
|
Low
|
| 816
|
Rupert Lodge
|
31
|
1
|
Stub
|
Low
|
| 817
|
Charles Sirato
|
30
|
0
|
Start
|
Low
|
| 818
|
Karl Heinrich Heydenreich
|
29
|
0
|
Stub
|
Low
|
| 819
|
Heinrich Lützeler
|
29
|
0
|
Start
|
Low
|
| 820
|
Nelson Thomas Potter Jr.
|
29
|
0
|
Start
|
Low
|
| 821
|
John Mueller Anderson
|
29
|
0
|
Stub
|
Low
|
| 822
|
Quirino Principe
|
28
|
0
|
Start
|
Low
|
| 823
|
Léon Dumont
|
27
|
0
|
Start
|
Low
|
| 824
|
Jill Marsden (scholar)
|
27
|
0
|
Stub
|
Low
|
| 825
|
John P. Anton
|
26
|
0
|
Stub
|
Low
|
| 826
|
Dumitru D. Roșca
|
26
|
0
|
Stub
|
Low
|
| 827
|
Rachel Zuckert
|
26
|
0
|
Stub
|
Low
|
| 828
|
Zinaida Ignatyeva
|
25
|
0
|
Stub
|
Low
|
| 829
|
Stephen H. Watson
|
25
|
0
|
Stub
|
Low
|
| 830
|
Tasos Zembylas
|
24
|
0
|
Stub
|
Low
|
| 831
|
Helen Knight
|
24
|
0
|
Start
|
Low
|
| 832
|
Rafaël Pividal
|
24
|
0
|
Start
|
Low
|
| 833
|
Madeleine Doran
|
23
|
0
|
Stub
|
Low
|
| 834
|
James DiGiovanna
|
23
|
0
|
Start
|
Low
|
| 835
|
Laurent Gervereau
|
23
|
0
|
Start
|
Low
|
| 836
|
Milan Damnjanović (philosopher)
|
22
|
0
|
Stub
|
Low
|
| 837
|
Littoral art
|
22
|
0
|
Stub
|
Low
|
| 838
|
Janet McCracken
|
22
|
0
|
Stub
|
Low
|
| 839
|
Ömer Naci Soykan
|
22
|
0
|
Start
|
Low
|
| 840
|
Formalesque
|
21
|
0
|
Start
|
Low
|
| 841
|
Maximilian Balzan
|
21
|
0
|
Stub
|
Low
|
| 842
|
Luis Oyarzún Peña
|
21
|
0
|
Start
|
Low
|
| 843
|
Lonergan Institute
|
20
|
0
|
Stub
|
Low
|
| 844
|
Aesthetic Theory: Essential Texts
|
20
|
0
|
Stub
|
Low
|
| 845
|
Georg Mehlis
|
19
|
0
|
Stub
|
Low
|
| 846
|
Caroline Joan S. Picart
|
19
|
0
|
C
|
Low
|
| 847
|
Archestratus (music theorist)
|
19
|
0
|
Start
|
Low
|
| 848
|
Daniel O. Nathan
|
19
|
0
|
Stub
|
Low
|
| 849
|
Philippe Nys
|
18
|
0
|
Start
|
Low
|
| 850
|
Galen Johnson
|
18
|
0
|
Stub
|
Low
|
| 851
|
Elena Topuridze
|
17
|
0
|
Start
|
Low
|
| 852
|
Concepts in aesthetics
|
17
|
0
|
Redirect
|
NA
|
| 853
|
Menachem Brinker
|
17
|
0
|
Start
|
Low
|
| 854
|
Giuseppe Di Giacomo
|
16
|
0
|
Start
|
Low
|
| 855
|
Jean Poirier (ethnologist)
|
16
|
0
|
Start
|
Low
|
| 856
|
International Society for Philosophy of Music Education
|
15
|
0
|
Stub
|
Low
|
| 857
|
Max Loreau
|
15
|
0
|
Start
|
Low
|
| 858
|
Ferdinand Gotthelf Hand
|
14
|
0
|
Start
|
Low
|
| 859
|
Rainer Rochlitz
|
14
|
0
|
Stub
|
Low
|
| 860
|
Mikhail Ovsyannikov
|
13
|
0
|
Stub
|
Low
|
| 861
|
Jean Soldini
|
13
|
0
|
Stub
|
Low
|
| 862
|
Œuvre
|
12
|
0
|
Redirect
|
NA
|
| 863
|
Joseph Hillebrand
|
12
|
0
|
Stub
|
Low
|
| 864
|
Theodor Wilhelm Danzel
|
12
|
0
|
Stub
|
Low
|
| 865
|
Contemporary Debates in Aesthetics and the Philosophy of Art
|
12
|
0
|
Stub
|
Low
|
| 866
|
Wilhelm Fridolin Volkmann
|
10
|
0
|
Stub
|
Low
|
| 867
|
Art versus Nonart: Art out of Mind
|
10
|
0
|
Start
|
Low
|
| 868
|
Michel Guiomar
|
8
|
0
|
Stub
|
Low
|
| 869
|
International Institute of Applied Aesthetics
|
7
|
0
|
Stub
|
Low
|
| 870
|
Sottorealism
|
6
|
0
|
Start
|
Low
|
| 871
|
Interracial attraction
|
3
|
0
|
Redirect
|
Low
|
| 872
|
Manifestations of postmodernism
|
2
|
0
|
Redirect
|
NA
|
| 873
|
Post-futurism
|
1
|
0
|
Redirect
|
Low
|
| 874
|
Worst sitcoms
|
0
|
0
|
Redirect
|
NA
|
| 875
|
Objectivism in Canada
|
0
|
0
|
Redirect
|
NA
|
