Jump to content

Willoughby Ions

Add links
From Wikipedia, the free encyclopedia
Coverlet, watercolor and graphite drawing by Willoughby Ions for the Index of American Design, now held by the National Gallery of Art

Willoughby Ions (1881–1977) was an American composer, artist, poet, dramatist, designer, and suffragist.

Born Estelle de Willoughby Ions in New Orleans, where her mother . She was married twice.[1] At the age of 4, her family settled in Fairfax, Virginia, on family land called Innisfail Farm. Her grandmother was a student of Turner, and gave Ions her first training in art. She never attended any formal schooling.[2]

In the 1910s she was living in Washington DC, composing and performing on the piano,[3] and being active in suffragist circles. She joined the Equal Suffrage League of Virginia and the Anthony League of Washington, DC.[4][3]

In 1916 she moved to Greenwich Village in New York City and started a career as a costume and textile designer.[5] She designed for Bonwit Teller and achieved some success as the original designer of the hostess gown (including for nationwide productions of Lawrence Langner's Pie).[6][7][2] During this period she was known to have socialized with Sokei-an.[8]

After her cousin Adèle Clark's partner Nora Houston died, Ions left New York and was Clark's partner.[1][7] In the 1930s she moved to Fairfax, Virginia and ran the Fairfax Gallery, which taught art classes to local children, and held exhibitions of their work. This led to her associations with the Federal Art Project in Virginia, and contributions to the Index of American Design.

Besides composition and textile/costume design, Ions worked in a wide variety of other styles and media. Ions and Adèle Clark helped prepare the transcriptions of Ora Canter's contributions to folklorist Richard Chase's 1956 book American Folk Tales and Songs.[9] In 1941 she produced a series of hand-painted plates honoring Stephen Foster.[10][11] She created batik gowns, stained glass art, murals, painted tapestries, and children's toys.[12][13]

Some of her artworks are held at the National Gallery of Art.[14] Her papers are held at the Virginia Historical Society.[1] In 1964, she was interviewed as part of an oral history project by the Archives of American Art.[15]

Selected works

[edit]
  • The Age of Innocents (musical satire)
  • All in a Golden Springtime (Victorian satirical opera in 3 acts, 1934)[16]
  • A Frawg Went Courtin'[17] (play in 2 acts)
  • To The Victors (poem)[18]
  • Sweet is Tipperary in the Spring (song, words by Dennis A. McCarthy)[19]
  • The Tide Rises, The Tide Falls, (song, setting of Longfellow's poem, 1913)[3]

References

[edit]
  1. ^ a b c "Finding Aids for Manuscripts & Archives: Goodman Family". Virginia Museum of History and Culture. 12 February 2002. Retrieved 5 March 2023.
  2. ^ a b "Oral history interview with Willoughby Ions, 1964 Mar. 11 | Archives of American Art, Smithsonian Institution". www.aaa.si.edu. Retrieved 2024-01-15.
  3. ^ a b c "The Wikipedia Library". wikipedialibrary.wmflabs.org. Retrieved 2024-02-06.
  4. ^ Bray, Cindy (2013). "The Social and Cultural Elite and the Hidden "Gay" Society". Rainbow Richmond: LGBTQ History of Richmond, VA, 1625-2010. OutHistory. Retrieved 5 March 2023.
  5. ^ "Shoppers' & Buyers' Guide". Vanity Fair. April 1923. p. 16.
  6. ^ Black, Cheryl (2002). The Women of Provincetown 1915-1922. Tuscaloosa: The University of Alabama Press. ISBN 0817311122.
  7. ^ a b Marschak, Beth; Lorch, Alex (2008). Lesbian and Gay Richmond. Arcadia Publishing. pp. 14–16. ISBN 978-0-7385-5368-9 – via Google Books.
  8. ^ Milstead, Claudia (2014). Richards, Anne R.; Omidvar, Iraj (eds.). Historic Engagements with Occidental Cultures, Religion, Powers: Perceptions from Europe and Asia. Chapter 11: Shigetsu Sasaki: Zen Vagabond in the United States. New York, NY: Palgrave Macmillan. ISBN 9781137405012.
  9. ^ Chase, Richard; Tolford, Joshua, eds. (1971). American folk tales and songs: and other examples of English-American tradition as preserved in the Appalachian Mountains and elsewhere in the United States. Dover books on folklore, folk art, and folk song. New York, NY: Dover Publ. p. 6. ISBN 978-0-486-22692-7.
  10. ^ Bingham, Emily (2022). My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song. New York: Alfred A. Knopf. p. 180. ISBN 9780525520795.
  11. ^ Morneweck, Evelyn Foster; Collection, University of Pittsburgh Foster Hall (1944). Chronicles of Stephen Foster's Family. Foster Hall Collection.
  12. ^ Wilson, Richard Guy; Butler, Sara A.; American Society of Architectural Historians, eds. (2002). Buildings of Virginia: Tidewater and Piedmont. Buildings of the United States. Oxford: Oxford University Press. p. 281. ISBN 978-0-19-515206-7.
  13. ^ "Meeting Notes". Virginia Medical Monthly. 72. 1945.
  14. ^ "Willoughby Ions". National Gallery of Art. Retrieved 2020-04-16.
  15. ^ "Oral history interview with Willoughby Ions, 1964 Mar. 11". Smithsonian Archives of American Art. Retrieved 2020-04-16.
  16. ^ Office, Library of Congress Copyright (1974). Catalog of Copyright Entries: Third series. p. 158.
  17. ^ Catalogue of Copyright Entries: Pamphlets, leaflets, contributions to newspapers or periodicals, etc.; lectures, sermons, addresses for oral delivery; dramatic compositions; maps; motion pictures. U.S. Government Printing Office. 1928. p. 2390.
  18. ^ Ions, Willoughby (December 2017). "To The Victors". Air Travel. 1 (4): 186.
  19. ^ Office, Library of Congress Copyright (1913). Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office. U.S. Government Printing Office. p. 1888.
[edit]
Wikimedia Commons has media related to Willoughby Ions.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Willoughby_Ions&oldid=1248597528"