Coming to America
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| Coming to America | |
 Theatrical release poster illustrated by Drew Struzan. |
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| Directed by | John Landis |
|---|---|
| Produced by | Leslie Belzberg George Folsey, Jr. Mark Lipsky |
| Written by | Eddie Murphy (story) David Sheffield Barry W. Blaustein (screenplay) |
| Starring | Eddie Murphy Arsenio Hall Shari Headley James Earl Jones John Amos Eriq La Salle Samuel L. Jackson |
| Music by | Nile Rodgers |
| Cinematography | Sol Negrin Woody Omens |
| Editing by | Malcolm Campbell George Folsey, Jr. |
| Studio | Eddie Murphy Productions Paramount Pictures |
| Distributed by | Paramount Pictures |
| Release date(s) | June 29, 1988 |
| Running time | 116 minutes |
| Country | United States |
| Language | English |
| Budget | $39,000,000 (estimated) |
| Gross revenue | $128,152,301[1] |
Coming to America is a 1988 comedy film, directed by John Landis. The screenplay was written by David Sheffield and Barry W. Blaustein, from a story by Eddie Murphy, who also stars in the film. Murphy plays an African prince, who heads to the United States in hopes of finding a woman he can marry. Coming to America is the first of several films in which Murphy plays multiple characters.
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[edit] Plot
Akeem Joffer (Eddie Murphy), the prince and heir to the throne of the fictitious African country Zamunda, is discontented with being pampered all his life. The final straw is when his parents (James Earl Jones and Madge Sinclair) present him with a bride-to-be (Vanessa Bell) he has never met before, trained to obey mindlessly his every command.
Akeem concocts a plan to travel to America to find a wife he can both love and respect. He and his servant & friend Semmi (Arsenio Hall) arrive in Queens County, New York, and after several scrapes, find an apartment in the neighborhood of Jackson Heights. They begin working at a local restaurant called McDowell's (the restaurateur's attempt to copy McDonald's) passing themselves off as students. When he first meets Akeem and Semmi, owner Mr. McDowell (John Amos) explains all the minute differences between his place and McDonald's, ending with the line, "They use the sesame seed bun. My buns have no seeds."
Akeem falls in love with Lisa (Shari Headley), Mr. McDowell's daughter, who possesses the qualities the prince is looking for. The rest of the film centers on Akeem's attempts to win Lisa's hand in marriage, while adjusting to life in America and dodging his royal duties and prerogatives. Unfortunately, Semmi is not comfortable with the life of a poor man and thus unintentionally causes a near-disaster when, alerted by a plea for more financial help, the Zamundian royal family travels to the United States. Lisa learns that Akeem is actually a prince and is at first angry and confused as to why he lied to her about it. At this point, she refuses to marry Akeem and Akeem returns to Zamunda with a broken heart. At the end, we see Akeem about to wed a bride who he discovers is Lisa. They ride off in a carriage after the ceremony.
[edit] Cast
| Actor | Role |
|---|---|
| Eddie Murphy | Prince Akeem Joffer / Clarence / Randy Watson / Saul |
| Arsenio Hall | Semmi / Morris / Reverend Brown / Ugly Girl |
| James Earl Jones | His Majesty (HM) King Jaffe–Joffer of Zamunda |
| John Amos | Cleo McDowell |
| Madge Sinclair | Her Majesty (HM) Queen Aoleon of Zamunda |
| Shari Headley | Lisa McDowell |
| Paul Bates | Oha |
| Eriq La Salle | Darryl Jenks |
| Frankie Faison | Landlord |
| Vanessa Bell | Imani Izzi |
| Louie Anderson | Maurice |
| Allison Dean | Patrice McDowell |
| Sheila Johnson | Lady–in–Waiting |
| Jake Steinfeld | Cab Driver |
| Calvin Lockhart | Colonel Izzi |
| Samuel L. Jackson | Robber |
| Vondie Curtis-Hall | Basketball Game Vendor |
| Don Ameche | Mortimer Duke |
| Ralph Bellamy | Randolph Duke |
| Garcelle Beauvais | Rose Bearer |
| Cuba Gooding, Jr. | Boy getting haircut in barbershop |
| Clint Smith | Sweets |
[edit] Production
Coming to America reunited star Eddie Murphy with director John Landis. The two had previously worked together on the comedy hit Trading Places (1983); however, Landis later recalled the differences in working with Murphy on the two movies: "The guy on Trading Places was young and full of energy and curious and funny and fresh and great. The guy on Coming to America was the pig of the world — the most unpleasant, arrogant, bullshit entourage...just an asshole. However, Eddie is brilliant, and he and I have always worked together well; there’s never been an issue created. On Coming to America, we clashed quite a bit because he was such a pig; he was so rude to people. I was like, “Jesus Christ, Eddie! Who are you?” But I told him, “You can’t be late. If you’re late again, I quit.”
We had a good working relationship, but our personal relationship changed because he just felt that he was a superstar and that everyone had to kiss his ass. He was a jerk. But great – in fact, one of the greatest performances he’s ever given. The character he plays in Coming to America, Akeem, is so opposite of what Eddie really was: a gentleman, charming and elegant, as opposed to this jerk-off. Someone, I think it was James Earl Jones, used to say that when Eddie came on set, “It’s like an arctic wind.” I mean, he wouldn’t do his off-camera for people; it was bullshit. But I still think he’s wonderful in the movie."[2]
Because of the name similarity, the film's producers had to obtain permission from McDonald's before using the name McDowell's. The McDowell's scenes were filmed at a Wendy's restaurant located at 8507 Queens Boulevard in Elmhurst, Queens.
Coming to America features Murphy and Arsenio Hall in several different roles, which following the success of this film became a Murphy staple. Hall plays Reverend Brown, who introduces Randy Watson (Murphy) and his band Sexual Chocolate, who perform "Greatest Love of All" at the Black Awareness Rally. Randy Watson is introduced as Joe the Policeman from the "What's Goin' Down" episode of That's My Mama. In the barbershop scenes, Murphy and Hall play elderly barbers Clarence and Morris, who engage in furious debate with Saul (played by Murphy) about the boxing skills of Joe Louis and Rocky Marciano. One scene includes Cuba Gooding Jr., who does not speak, and the barber scenes are notable because Murphy plays both Akeem and Clarence simultaneously (seemingly giving himself a haircut). Murphy also plays the old Jewish man in the barbershop who calls Akeem "Kunta Kinte," referring to the Roots character made famous by LeVar Burton; co-star John Amos played the adult Kunta Kinte later in the Roots series. Hall also plays an ugly woman who comes on to Akeem and Semmi at a nightclub. Sitting next to Akeem, she tells him "I wanna tear you apart," then looks over at Semmi and says "and your friend, too." Akeem frowns at the suggestion while Semmi spits out his drink.
Famed South African chorus Ladysmith Black Mambazo, sings Mbube during the opening sequence (the song is known as The Lion Sleeps Tonight in America). The group has gone on to record several different versions of Mbube; however, the version heard in Coming to America has not been released on its soundtrack or on CD as of 2006.
John Landis' calling card/easter egg, See You Next Wednesday, appears on a science-fiction movie poster in the subway station after Lisa storms off the train.
Ralph Bellamy and Don Ameche reprise their roles as the Duke brothers from another Landis and Murphy collaboration, Trading Places. Randolph and Mortimer Duke lost their enormous fortunes in that film. In this film, the two men are now homeless and living on the streets. Akeem gives them a paper bag filled with money, which they gratefully accept and exclaim "We're back!". A portion of the Trading Places score can be heard during the Bellamy-Ameche cameo. Trading Places is again referenced as the royal entourage leaves the Waldorf-Astoria in the final New York-based scene in the movie: the driver of Akeem and Semmi's limo is played by the same actor who played the Dukes' driver in Trading Places (from whom Billy Ray Valentine (Murphy) seeks counsel when the Dukes pick him up after bailing him out of jail).
King Jaffe, played by James Earl Jones, comes to America looking for his son after receiving a request for more money from Semmi. He goes to McDowell's and when asked by Lisa's father if he would like him to inform Akeem that his father had arrived, he responds with, "No, do not alert him to my presence. I will deal with him myself," which are similar to lines delivered by Jones as the voice of Darth Vader in Star Wars Episode VI: Return of the Jedi.
A promotional song for the film, also titled Coming to America, was written and performed by The System.
[edit] Reception
The film, released on June 29, 1988 in the United States, was a commercial box-office success, both domestically and worldwide.
The film was nominated for two Academy Awards, including Best Makeup by Rick Baker, who designed the makeup effects both Murphy and Arsenio Hall's multiple supporting characters. The film currently holds 66% "fresh" rating at Rotten Tomatoes critic website.
[edit] Soundtrack
| Coming to America Original Soundtrack | |
| Soundtrack by Various artists | |
|---|---|
| Released | 1988 |
| Genre | Pop |
| Length | 40:16 |
| Label | Atco Records |
Released on LP, cassette and CD.
Side A:
- Coming To America — The System (3:49)
- Better Late Than Never — The Cover Girls (4:02)
- All Dressed Up (Ready To Hit The Town) — Chico DeBarge (4:50)
- I Like It Like That — Michael Rodgers (4:01)
- That's The Way It Is — Mel & Kim (3:25)
Side B:
- Addicted To You — Levert (3:54)
- Comin' Correct — J.J. Fad (3:56)
- Livin' The Good Life — Sister Sledge (3:46)
- Transparent — Nona Hendryx (3:50)
- Come Into My Life — Laura Branigan & Joe Esposito (4:42)
[edit] Lawsuit
The film was the subject of the Buchwald v. Paramount civil suit, filed by Art Buchwald in 1990 against the film's producers on the grounds that the film's idea was stolen from a 1982 script that Paramount had optioned from Buchwald. Buchwald won the breach of contract action and the court ordered money damages. The parties later settled the case before an appeal.[3]
[edit] References
- ^ "Coming to America (1988)". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=comingtoamerica.htm.
- ^ Collider staff (February 9, 2005). "The Collider Interview: John Landis, Part II". Collider. http://www.collider.com/entertainment/archive_detail.asp/aid/813/cid/13/tcid/1. Retrieved on July 18, 2009.
- ^ Thane Rosenbaum wrote, "In 1995, the syndicated columnist Art Buchwald prevailed after a seven-year legal battle against Paramount Pictures, claiming that he had submitted the idea, and the original script, for the Eddie Murphy film, Coming to America, without ever being properly compensated or acknowledged for his efforts. The trial court eventually agreed with Buchwald, although the damage award that he received was considerably less than what he had sought, and even less than what he eventually had to pay out in legal fees. The Myth of Moral Justice, page 182.
[edit] External links
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Wikiquote has a collection of quotations related to: Coming to America |
| Preceded by Who Framed Roger Rabbit |
Box office number-one films of 1988 (USA) July 3, 1988 – July 17, 1988 |
Succeeded by Who Framed Roger Rabbit |
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