This article is within the scope of WikiProject Albums, an attempt at building a useful resource on recordings from a variety of genres. If you would like to participate, visit the project page, where you can join the project and/or contribute to the discussion.AlbumsWikipedia:WikiProject AlbumsTemplate:WikiProject AlbumsAlbum articles
This article is within the scope of WikiProject Metal, a collaborative effort to improve the coverage of heavy metal music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.MetalWikipedia:WikiProject MetalTemplate:WikiProject MetalHeavy Metal articles
This article is within the scope of WikiProject Finland, a collaborative effort to improve the coverage of Finland on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.FinlandWikipedia:WikiProject FinlandTemplate:WikiProject FinlandFinland articles
This article has been given a rating which conflicts with the project-independent quality rating in the banner shell. Please resolve this conflict if possible.
Can someone tell me where this conclusion was reached from? While I agree that there are some strong folk tinges on this album, it's mostly melodious, doomy death metal, but nothing about it struck me as particularily "celtic". If anything the similarity in melodies to bands like Demigod from Finland might indicate a Finnish folk influence. —Preceding unsigned comment added by 142.167.74.170 (talk) 06:41, 15 November 2007 (UTC)[reply]
I tought that "celtic folk elements" mostly equal the acoustical giutar/kantele-parts, (yes they use kantele on this one!) wich shares lot of similarities to celtic folk music and leads me to believing how worthy is classify this album as celtic metal. Listen to "Karelia"-'intro', "Warrior's Trail" or "Exile of the sons of uisliu" as few, if you want to know what makes TKI "celtic". Even though these acoustical parts are often drowned under the heavy doom metal-influenced guitar-riffs ( o.e Warrior's Trial's first doom-part after first verse), wich makes them hard to hear. —Preceding unsigned comment added by 88.112.28.234 (talk) 13:30, 31 December 2007 (UTC)[reply]
