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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Maryland is a U.S. state with a musical heritage that dates back to the Native Americans of the region and includes contributions to colonial era music, modern American popular and folk music. The music of Maryland includes a number of popular musicians, folk styles and a documented music history that dates to the colonial archives on music from Annapolis, an important source in research on colonial music. Famous modern musicians from Maryland range from jazz singer Billie Holiday to pop punk band Good Charlotte, and include a wide array of popular styles. Modern Maryland is home to many well-regarded music venues, including the Baltimore Symphony Orchestra and Baltimore Opera, and the Peabody Institute's Conservatory of Music. Baltimore, the largest city in the state, is home to many important local venues, such as the Red Room, a center for the local experimental music scene, and the house nightspot Club Choices. Outside of Baltimore, Frederick's Weinberg Center for the Arts and Rockville's Strathmore are also important regional venues. The Merriweather Post Pavilion and 1st Mariner Arena host most of the largest concerts in the area. Since HFStival ended its successful run in 2006, Virgin Festival has taken over as one of the most popular summer festivals on the east coast since its inaugural year in 2006. (Full article...)
    Maryland is a U.S. state with a musical heritage that dates back to the Native Americans of the region and includes contributions to colonial era music, modern American popular and folk music. The music of Maryland includes a number of popular musicians, folk styles and a documented music history that dates to the colonial archives on music from Annapolis, an important source in research on colonial music. Famous modern musicians from Maryland range from jazz singer Billie Holiday to pop punk band Good Charlotte, and include a wide array of popular styles.

    Modern Maryland is home to many well-regarded music venues, including the Baltimore Symphony Orchestra and Baltimore Opera, and the Peabody Institute's Conservatory of Music. Baltimore, the largest city in the state, is home to many important local venues, such as the Red Room, a center for the local experimental music scene, and the house nightspot Club Choices. Outside of Baltimore, Frederick's Weinberg Center for the Arts and Rockville's Strathmore are also important regional venues. The Merriweather Post Pavilion and 1st Mariner Arena host most of the largest concerts in the area. Since HFStival ended its successful run in 2006, Virgin Festival has taken over as one of the most popular summer festivals on the east coast since its inaugural year in 2006. (Full article...)
  • Image 2 Edward Elgar, c. 1900 Sir Edward William Elgar, 1st Baronet, OM, GCVO (/ˈɛlɡɑːr/ ⓘ; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British Army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory. (Full article...)
    image of a middle aged man in late Victorian clothes, viewed in right semi-profile. He has a prominent Roman nose and large moustache
    Edward Elgar, c. 1900

    Sir Edward William Elgar, 1st Baronet, OM, GCVO (/ˈɛlɡɑːr/ ⓘ; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.

    Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British Army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory. (Full article...)
  • Image 3 "What'd I Say" (or "What I Say") is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it. After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new subgenre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded "I Got a Woman" in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and appeared in the 2003 and 2021 versions of Rolling Stone's "The 500 Greatest Songs of All Time" list: at number 10 in 2003 and at number 80 in 2021. (Full article...)
    "What'd I Say" (or "What I Say") is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.

    After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new subgenre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded "I Got a Woman" in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and appeared in the 2003 and 2021 versions of Rolling Stone's "The 500 Greatest Songs of All Time" list: at number 10 in 2003 and at number 80 in 2021. (Full article...)
  • Image 4 Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer Carola Dibbell, whom he later credited as an influence on his work. (Full article...)

    Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music.

    Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer Carola Dibbell, whom he later credited as an influence on his work. (Full article...)
  • Image 5 South of Heaven is the fourth studio album by American thrash metal band Slayer, released on July 5, 1988, by Def Jam Recordings. The album was the band's second collaboration with producer Rick Rubin, whose production skills on their previous album Reign in Blood (1986) had helped their sound evolve. Given the frenetic pace of Reign in Blood, Slayer made no attempt to top it on South of Heaven; rather, the band offset and complemented Reign in Blood by deliberately slowing the tempo down on South of Heaven, as well as by utilizing undistorted guitars and toned-down vocals. It was the band's last album released by Def Jam, although the rights were transferred to Rubin's new label Def American Recordings after Rubin ended his partnership with Russell Simmons. The album was one of only two Def Jam titles to be distributed by Geffen Records through Warner Bros., as Def Jam's then-distributor Columbia refused to release work by the band. (Full article...)
    South of Heaven is the fourth studio album by American thrash metal band Slayer, released on July 5, 1988, by Def Jam Recordings. The album was the band's second collaboration with producer Rick Rubin, whose production skills on their previous album Reign in Blood (1986) had helped their sound evolve. Given the frenetic pace of Reign in Blood, Slayer made no attempt to top it on South of Heaven; rather, the band offset and complemented Reign in Blood by deliberately slowing the tempo down on South of Heaven, as well as by utilizing undistorted guitars and toned-down vocals.

    It was the band's last album released by Def Jam, although the rights were transferred to Rubin's new label Def American Recordings after Rubin ended his partnership with Russell Simmons. The album was one of only two Def Jam titles to be distributed by Geffen Records through Warner Bros., as Def Jam's then-distributor Columbia refused to release work by the band. (Full article...)
  • Image 6 Electra Heart is the second studio album by Welsh singer-songwriter Marina Diamandis, released under the stage name Marina and the Diamonds. It was released on 27 April 2012 by 679 Artists and Atlantic Records. Diamandis collaborated with producers including Liam Howe, Greg Kurstin, Dr. Luke, Diplo and Stargate during its recording, and subsequently transitioned from the new wave musical styles seen throughout her debut studio album, The Family Jewels (2010). Their efforts resulted in a concept album consisting of electropop and dance-pop music, a distinct departure from her earlier projects. Lyrically, the album discusses topics of love and identity. Diamandis created the title character "Electra Heart" to represent female archetypes in popular American culture (House Wife, Beauty Queen, Homewrecker, and Idle Teen). Music critics were divided in their opinions of Electra Heart, expressing ambivalence towards Diamandis' shift in musical style and its overall production. However, the album retrospectively earned the status of a cult classic, with Rolling Stone listing it among the 50 greatest concept albums of all time. The album debuted at number one on the UK Albums Chart with first-week sales of 21,358 copies. In doing so, it earned Diamandis her first chart-topping album there. The album was eventually certified gold by the British Phonographic Industry (BPI) for exceeding shipments of 100,000 units. Electra Heart performed moderately on international charts, including a peak position of number 31 on the US Billboard 200, and became Diamandis' highest-charting album in the United States at the time selling an estimated 11,000 copies. The album was eventually certified gold by the Recording Industry Association of America (RIAA) for exceeding shipments of 500,000 units. (Full article...)
    Electra Heart is the second studio album by Welsh singer-songwriter Marina Diamandis, released under the stage name Marina and the Diamonds. It was released on 27 April 2012 by 679 Artists and Atlantic Records. Diamandis collaborated with producers including Liam Howe, Greg Kurstin, Dr. Luke, Diplo and Stargate during its recording, and subsequently transitioned from the new wave musical styles seen throughout her debut studio album, The Family Jewels (2010). Their efforts resulted in a concept album consisting of electropop and dance-pop music, a distinct departure from her earlier projects. Lyrically, the album discusses topics of love and identity. Diamandis created the title character "Electra Heart" to represent female archetypes in popular American culture (House Wife, Beauty Queen, Homewrecker, and Idle Teen).

    Music critics were divided in their opinions of Electra Heart, expressing ambivalence towards Diamandis' shift in musical style and its overall production. However, the album retrospectively earned the status of a cult classic, with Rolling Stone listing it among the 50 greatest concept albums of all time. The album debuted at number one on the UK Albums Chart with first-week sales of 21,358 copies. In doing so, it earned Diamandis her first chart-topping album there. The album was eventually certified gold by the British Phonographic Industry (BPI) for exceeding shipments of 100,000 units. Electra Heart performed moderately on international charts, including a peak position of number 31 on the US Billboard 200, and became Diamandis' highest-charting album in the United States at the time selling an estimated 11,000 copies. The album was eventually certified gold by the Recording Industry Association of America (RIAA) for exceeding shipments of 500,000 units. (Full article...)
  • Image 7 Romances is the twelfth studio album by Mexican singer Luis Miguel, released on 12 August 1997, by WEA Latina. It is the third album of the Romance series, in which Luis Miguel covers Latin songs from 1940 to 1978. Aside from Luis Miguel, the production also involved arranger Bebu Silvetti, and Armando Manzanero, who directed all of Luis Miguel's Romance albums. Romances consists of twelve cover versions and two new compositions by Manzanero and Silvetti. Recording took place in early 1997 at the Ocean Way recording studio in Los Angeles, California. Romances has sold over 4.5 million copies and received platinum certifications in several Latin American countries, the United States and Spain. Luis Miguel promoted the album by touring the United States, Latin America and Spain. Upon its release, Romances received generally positive reviews from music critics. They mainly praised his vocals and production of the album although few reviewers found the arrangements to be repetitive and the record too similar to its predecessors. The album earned Luis Miguel several awards, including the Grammy Award for Best Latin Pop Performance in the United States. Six singles were released: "Por Debajo de la Mesa", "El Reloj", "Contigo (Estar Contigo)", "De Quererte Así (De T'Avoir Aimee)", "Bésame Mucho", and "Sabor a Mí". (Full article...)
    Romances is the twelfth studio album by Mexican singer Luis Miguel, released on 12 August 1997, by WEA Latina. It is the third album of the Romance series, in which Luis Miguel covers Latin songs from 1940 to 1978. Aside from Luis Miguel, the production also involved arranger Bebu Silvetti, and Armando Manzanero, who directed all of Luis Miguel's Romance albums. Romances consists of twelve cover versions and two new compositions by Manzanero and Silvetti. Recording took place in early 1997 at the Ocean Way recording studio in Los Angeles, California.

    Romances has sold over 4.5 million copies and received platinum certifications in several Latin American countries, the United States and Spain. Luis Miguel promoted the album by touring the United States, Latin America and Spain. Upon its release, Romances received generally positive reviews from music critics. They mainly praised his vocals and production of the album although few reviewers found the arrangements to be repetitive and the record too similar to its predecessors. The album earned Luis Miguel several awards, including the Grammy Award for Best Latin Pop Performance in the United States. Six singles were released: "Por Debajo de la Mesa", "El Reloj", "Contigo (Estar Contigo)", "De Quererte Así (De T'Avoir Aimee)", "Bésame Mucho", and "Sabor a Mí". (Full article...)
  • Image 8 Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds the former would explore on his next record. After completing The Idiot, sessions for Low began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated. An art rock and experimental rock record influenced by German bands such as Tangerine Dream, Neu!, Harmonia and Kraftwerk, Low features Bowie's first explorations in electronic and ambient styles. Side one consists primarily of short, direct avant-pop song-fragments, with mostly downbeat lyrics reflecting Bowie's state of mind, and side two comprises longer, mostly instrumental tracks, conveying musical observations of Berlin. Visconti created the distinctive drum sound using an Eventide H910 Harmonizer, a pitch-shifting device. The cover artwork, a profile of Bowie from the film The Man Who Fell to Earth (1976), was intended as a visual pun, meaning "low profile". (Full article...)
    Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds the former would explore on his next record. After completing The Idiot, sessions for Low began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated.

    An art rock and experimental rock record influenced by German bands such as Tangerine Dream, Neu!, Harmonia and Kraftwerk, Low features Bowie's first explorations in electronic and ambient styles. Side one consists primarily of short, direct avant-pop song-fragments, with mostly downbeat lyrics reflecting Bowie's state of mind, and side two comprises longer, mostly instrumental tracks, conveying musical observations of Berlin. Visconti created the distinctive drum sound using an Eventide H910 Harmonizer, a pitch-shifting device. The cover artwork, a profile of Bowie from the film The Man Who Fell to Earth (1976), was intended as a visual pun, meaning "low profile". (Full article...)
  • Image 9 "Hey Ya!" is a song by American hip hop duo Outkast, performed by its member André 3000, who wrote and produced the song. Along with "The Way You Move", recorded by Outkast's other member Big Boi, "Hey Ya!" was released by Arista Records as one of the two lead singles from the duo's fifth album, Speakerboxxx/The Love Below, on September 9, 2003. The track became a commercial success, reaching number one in the United States, Australia, Canada, the Czech Republic, Norway, and Sweden. "Hey Ya!" received critical acclaim upon release, and is consistently ranked as one of the greatest songs of the 2000s. The song was ranked number 10 in Rolling Stone's 2021 list of the "500 Greatest Songs of All Time". (Full article...)
    "Hey Ya!" is a song by American hip hop duo Outkast, performed by its member André 3000, who wrote and produced the song. Along with "The Way You Move", recorded by Outkast's other member Big Boi, "Hey Ya!" was released by Arista Records as one of the two lead singles from the duo's fifth album, Speakerboxxx/The Love Below, on September 9, 2003. The track became a commercial success, reaching number one in the United States, Australia, Canada, the Czech Republic, Norway, and Sweden. "Hey Ya!" received critical acclaim upon release, and is consistently ranked as one of the greatest songs of the 2000s. The song was ranked number 10 in Rolling Stone's 2021 list of the "500 Greatest Songs of All Time". (Full article...)
  • Image 10 Smith performing in 2003 Steven Paul Smith (August 6, 1969 – October 21, 2003), known as Elliott Smith, was an American musician and singer-songwriter. He was born in Omaha, Nebraska, raised primarily in Texas, and lived much of his life in Portland, Oregon, where he gained popularity. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. He had a distinctive vocal style in his solo career after Heatmiser, characterized by his "whispery, spiderweb-thin delivery", and often used multi-tracking to create vocal layers, textures, and harmonies that were usually finger picked and recorded with tape. After playing in the rock band Heatmiser for several years, Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded his final two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for the 1998 Academy Award for Best Original Song. (Full article...)

    Smith performing in 2003

    Steven Paul Smith (August 6, 1969 – October 21, 2003), known as Elliott Smith, was an American musician and singer-songwriter. He was born in Omaha, Nebraska, raised primarily in Texas, and lived much of his life in Portland, Oregon, where he gained popularity. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. He had a distinctive vocal style in his solo career after Heatmiser, characterized by his "whispery, spiderweb-thin delivery", and often used multi-tracking to create vocal layers, textures, and harmonies that were usually finger picked and recorded with tape.

    After playing in the rock band Heatmiser for several years, Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded his final two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for the 1998 Academy Award for Best Original Song. (Full article...)
  • Image 11 Sasha performing in August 2006 Alexander Paul Coe (born 4 September 1969), known professionally as Sasha, is a Welsh DJ and record producer. He is best known for his live events and electronic music as a solo artist, as well as his collaborations with British DJ John Digweed as Sasha & John Digweed. He was voted as World No.⁠ ⁠1 DJ in 2000 in a poll conducted by DJ Magazine. He is a four-time International Dance Music Awards winner, four-time DJ Awards winner and Grammy Award nominee. Sasha began his career playing acid house music in the late 1980s. He partnered with John Digweed in 1993, touring internationally and producing a series of mix albums (compilations of other artists' work played in a continuous fashion). (Full article...)

    Sasha performing in August 2006

    Alexander Paul Coe (born 4 September 1969), known professionally as Sasha, is a Welsh DJ and record producer. He is best known for his live events and electronic music as a solo artist, as well as his collaborations with British DJ John Digweed as Sasha & John Digweed. He was voted as World No.⁠ ⁠1 DJ in 2000 in a poll conducted by DJ Magazine. He is a four-time International Dance Music Awards winner, four-time DJ Awards winner and Grammy Award nominee.

    Sasha began his career playing acid house music in the late 1980s. He partnered with John Digweed in 1993, touring internationally and producing a series of mix albums (compilations of other artists' work played in a continuous fashion). (Full article...)
  • Image 12 Mayer performing in 2019 John Clayton Mayer (/ˈmeɪ.ər/ MAY-ər; born October 16, 1977) is an American singer, songwriter, and guitarist. He attended Berklee College of Music in Boston, but he left for Atlanta in 1997 with fellow guitarist Clay Cook, with whom he formed the short-lived rock duo, Lo-Fi Masters. After their split, Mayer continued to play at local clubs, refining his skills and gaining a minor following. He performed at the 2000 South by Southwest festival, and was subsequently signed by Aware Records, an imprint of Columbia Records through which he released his debut extended play (EP), Inside Wants Out (1999). His first two studio albums—Room for Squares (2001) and Heavier Things (2003)—were both met with critical and commercial success; the former won a Grammy Award for Best Male Pop Vocal Performance for its single "Your Body Is a Wonderland", while the latter peaked atop the Billboard 200. By 2005, Mayer had moved away from the acoustic music that characterized his early records, and further delved into the blues and rock music which had originally influenced him. Forming the John Mayer Trio, he released the live album, Try! (2005) and his third studio album, Continuum (2006). Both were met with positive critical reception, while the latter received a nomination for Album of the Year, and won both Best Pop Vocal Album and Best Male Pop Vocal Performance for its single, "Waiting on the World to Change" at the 49th Annual Grammy Awards. It was followed by Battle Studies (2009) which marked his return to pop. (Full article...)

    Mayer performing in 2019

    John Clayton Mayer (/ˈmeɪ.ər/ MAY-ər; born October 16, 1977) is an American singer, songwriter, and guitarist. He attended Berklee College of Music in Boston, but he left for Atlanta in 1997 with fellow guitarist Clay Cook, with whom he formed the short-lived rock duo, Lo-Fi Masters. After their split, Mayer continued to play at local clubs, refining his skills and gaining a minor following. He performed at the 2000 South by Southwest festival, and was subsequently signed by Aware Records, an imprint of Columbia Records through which he released his debut extended play (EP), Inside Wants Out (1999). His first two studio albums—Room for Squares (2001) and Heavier Things (2003)—were both met with critical and commercial success; the former won a Grammy Award for Best Male Pop Vocal Performance for its single "Your Body Is a Wonderland", while the latter peaked atop the Billboard 200.

    By 2005, Mayer had moved away from the acoustic music that characterized his early records, and further delved into the blues and rock music which had originally influenced him. Forming the John Mayer Trio, he released the live album, Try! (2005) and his third studio album, Continuum (2006). Both were met with positive critical reception, while the latter received a nomination for Album of the Year, and won both Best Pop Vocal Album and Best Male Pop Vocal Performance for its single, "Waiting on the World to Change" at the 49th Annual Grammy Awards. It was followed by Battle Studies (2009) which marked his return to pop. (Full article...)
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Born this day

Birthdays in Music: September 16
  • Alan Lesley Barton (Record production, 1953 –March 23, 1995), British vocalist and guitarist with Black Lace, would have turned 71 this year.
  • Winston Grennan (Record production, 1944 –October 27, 2000), Jamaican drummer, would have turned 80 this year.
  • Gordon Beck (Record production, 1938 –November 06, 2011), British jazz pianist with Nucleus, would have turned 86 this year.
  • B. B. King (Record production, 1925 –May 14, 2015), American blues guitarist and vocalist, would have turned 99 this year.
  • Charlie Byrd (Record production, 1925 –November 30, 1999), American jazz guitarist, would have turned 99 this year.
  • Jon Hendricks (Record production, 1921 –November 22, 2017), American jazz singer and songwriter (Lambert, Hendricks & Ross, would have turned 103 this year.
  • M. S. Subbulakshmi (Record production, 1916 –December 11, 2004), Indian singer, would have turned 108 this year.
  • Jerry Wald (Record production, 1911 –July 13, 1962), American record producer, would have turned 113 this year.
  • Nadia Boulanger (Record production, 1887 –October 22, 1979), French composer, would have turned 137 this year.
  • Jacques Mauduit (Record production, 1557 –August 21, 1627), French composer, would have turned 467 this year.
  

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These are all Good articles, which meet a core set of high editorial standards.
  • Image 1 Creid (Irish pronunciation: [cɾʲɛdʲ]; meaning "Believe") is the arranged soundtrack to Square's role-playing video game Xenogears. It was written by the game's composer Yasunori Mitsuda and performed by a musical ensemble dubbed Millennial Fair. It was released on April 22, 1998, in Japan by DigiCube, and re-released by Square Enix on June 29, 2005. Comprising ten tracks arranged from the Xenogears Original Soundtrack, the album is mostly done in Irish or Celtic music style, with minor influences of Japanese rock according to Mitsuda. Artists from Japan and Ireland were recruited for the project. Four of the five vocal tracks on the album were written by Junko Kudo and sung by Tetsuko Honma, while the title track "Creid" was written by Mitsuda and performed by Eimear Quinn. The album was well received by critics, who praised both the originality of the concept as well as the execution and track selection. The work on the album inspired Mitsuda to bring Tomohiko Kira, the album's guitarist, back to have him perform in Chrono Cross; this would eventually result in the latter game's ending song "Radical Dreamers ~ Jewel which Cannot be Stolen ~". (Full article...)
    Creid (Irish pronunciation: [cɾʲɛdʲ]; meaning "Believe") is the arranged soundtrack to Square's role-playing video game Xenogears. It was written by the game's composer Yasunori Mitsuda and performed by a musical ensemble dubbed Millennial Fair. It was released on April 22, 1998, in Japan by DigiCube, and re-released by Square Enix on June 29, 2005. Comprising ten tracks arranged from the Xenogears Original Soundtrack, the album is mostly done in Irish or Celtic music style, with minor influences of Japanese rock according to Mitsuda. Artists from Japan and Ireland were recruited for the project. Four of the five vocal tracks on the album were written by Junko Kudo and sung by Tetsuko Honma, while the title track "Creid" was written by Mitsuda and performed by Eimear Quinn.

    The album was well received by critics, who praised both the originality of the concept as well as the execution and track selection. The work on the album inspired Mitsuda to bring Tomohiko Kira, the album's guitarist, back to have him perform in Chrono Cross; this would eventually result in the latter game's ending song "Radical Dreamers ~ Jewel which Cannot be Stolen ~". (Full article...)
  • Image 2 Merry Christmas II You is the thirteenth studio album and second Christmas album by American singer-songwriter Mariah Carey. It was released by Island Records on November 2, 2010. Recording began in April 2010 and continued while Carey became pregnant. She was the executive producer of Merry Christmas II You and worked with various record producers, including Bryan-Michael Cox, Jermaine Dupri, Randy Jackson, James Poyser, Marc Shaiman, James "Big Jim" Wright and Johnny "Sev" Severin of RedOne. The album features Carey's mother Patricia Carey as a guest vocalist on "O Come All Ye Faithful" / "Hallelujah Chorus". The album serves as a sequel to her fourth studio album Merry Christmas (1994). It is composed of original songs and covers, ballads and uptempo tracks, incorporating R&B, soul, and house music in its composition. The album received mixed reviews from music critics, who complimented its relaxed yet lively and contemporary feel, while others felt it was predictable and too overproduced in places. It debuted at number four on the US Billboard 200 chart, and reached number one on both the Top R&B/Hip-Hop Albums and Top Holiday Albums charts. It was later certified gold by the Recording Industry Association of America (RIAA), denoting shipments exceeding 500,000 copies. Elsewhere, however, the album was a moderate success, reaching the top-ten in South Korea and Taiwan; the top-twenty in Canada and Hong Kong; the top-thirty in Australia, Hungary and Japan; and the top-forty in Sweden. It missed out on the top 100 in the United Kingdom by one position, peaking at number 101 on the albums chart. (Full article...)
    Merry Christmas II You is the thirteenth studio album and second Christmas album by American singer-songwriter Mariah Carey. It was released by Island Records on November 2, 2010. Recording began in April 2010 and continued while Carey became pregnant. She was the executive producer of Merry Christmas II You and worked with various record producers, including Bryan-Michael Cox, Jermaine Dupri, Randy Jackson, James Poyser, Marc Shaiman, James "Big Jim" Wright and Johnny "Sev" Severin of RedOne. The album features Carey's mother Patricia Carey as a guest vocalist on "O Come All Ye Faithful" / "Hallelujah Chorus". The album serves as a sequel to her fourth studio album Merry Christmas (1994). It is composed of original songs and covers, ballads and uptempo tracks, incorporating R&B, soul, and house music in its composition.

    The album received mixed reviews from music critics, who complimented its relaxed yet lively and contemporary feel, while others felt it was predictable and too overproduced in places. It debuted at number four on the US Billboard 200 chart, and reached number one on both the Top R&B/Hip-Hop Albums and Top Holiday Albums charts. It was later certified gold by the Recording Industry Association of America (RIAA), denoting shipments exceeding 500,000 copies. Elsewhere, however, the album was a moderate success, reaching the top-ten in South Korea and Taiwan; the top-twenty in Canada and Hong Kong; the top-thirty in Australia, Hungary and Japan; and the top-forty in Sweden. It missed out on the top 100 in the United Kingdom by one position, peaking at number 101 on the albums chart. (Full article...)
  • Image 3 Parineeta (transl. The Married Woman) is a 2005 Indian Hindi-language musical romance film adaptation of Sarat Chandra Chattopadhyay's 1914 Bengali novella of the same name. Directed by debutant Pradeep Sarkar, it was based on a screenplay by the film's producer, Vidhu Vinod Chopra. The film stars Sanjay Dutt, Saif Ali Khan, and Vidya Balan (in her Bollywood debut) in lead roles, with Raima Sen, Sabyasachi Chakrabarty and Dia Mirza in supporting roles. The film has several notable allusions to Indian literature and cinema. Parineeta primarily revolves around the lead characters, Lalita and Shekhar. Since childhood, Shekhar and Lalita have been friends and slowly this friendship blossoms into love. A series of misunderstandings surface and they are separated due to the conniving schemes of Shekhar's father. The plot deepens with the arrival of Girish, who supports Lalita's family. Eventually, Shekhar's love defies his father's greed and he seeks out Lalita. (Full article...)
    Parineeta (transl. The Married Woman) is a 2005 Indian Hindi-language musical romance film adaptation of Sarat Chandra Chattopadhyay's 1914 Bengali novella of the same name. Directed by debutant Pradeep Sarkar, it was based on a screenplay by the film's producer, Vidhu Vinod Chopra. The film stars Sanjay Dutt, Saif Ali Khan, and Vidya Balan (in her Bollywood debut) in lead roles, with Raima Sen, Sabyasachi Chakrabarty and Dia Mirza in supporting roles. The film has several notable allusions to Indian literature and cinema.

    Parineeta primarily revolves around the lead characters, Lalita and Shekhar. Since childhood, Shekhar and Lalita have been friends and slowly this friendship blossoms into love. A series of misunderstandings surface and they are separated due to the conniving schemes of Shekhar's father. The plot deepens with the arrival of Girish, who supports Lalita's family. Eventually, Shekhar's love defies his father's greed and he seeks out Lalita. (Full article...)
  • Image 4 Loose is the third studio album by Canadian singer-songwriter Nelly Furtado, released on 7 June 2006, by Interscope and Mosley Music Group. Recording sessions for Loose took place from 2005 to 2006. Timbaland and his protégé Danja produced the bulk of the album, primarily a pop album which incorporates influences of dance, R&B, hip hop, latin pop, synth-pop, reggaeton, new wave, funk, and Middle Eastern music. Lyrically, it explores the theme of female sexuality and has been described as introspective. Overall, Loose was seen as critically and commercially successful. It reached high positions on the record charts of several markets, including number one in ten countries, and as of 2019, it has sold more than 10 million copies worldwide, making it one of the best-selling albums of the 2000s. However, the album received criticism because of the sexual image Furtado adopted, as some critics felt it was a ploy to sell more records. (Full article...)
    Loose is the third studio album by Canadian singer-songwriter Nelly Furtado, released on 7 June 2006, by Interscope and Mosley Music Group. Recording sessions for Loose took place from 2005 to 2006. Timbaland and his protégé Danja produced the bulk of the album, primarily a pop album which incorporates influences of dance, R&B, hip hop, latin pop, synth-pop, reggaeton, new wave, funk, and Middle Eastern music. Lyrically, it explores the theme of female sexuality and has been described as introspective.

    Overall, Loose was seen as critically and commercially successful. It reached high positions on the record charts of several markets, including number one in ten countries, and as of 2019, it has sold more than 10 million copies worldwide, making it one of the best-selling albums of the 2000s. However, the album received criticism because of the sexual image Furtado adopted, as some critics felt it was a ploy to sell more records. (Full article...)
  • Image 5 Lei'd in Hawaii is an unfinished live album by American rock band the Beach Boys that was produced shortly after the completion of their 1967 studio album Smiley Smile. It was initially planned to include the band's first live concert performances since their tour of Europe in May 1967. The two concerts, held at the Honolulu International Center Arena on August 25 and 26, featured a rare appearance from Brian Wilson, marking his only shows with the touring group between 1965 and 1970. It was also the band's first public appearance following their controversial withdrawal from the Monterey Pop Festival that summer. For this one-off engagement, the group arranged their songs in a similar stripped-down style as Smiley Smile, with Wilson on Baldwin organ. However, the band was underrehearsed and performed their sets poorly. Some of the members were also under the influence of LSD for the duration. (Full article...)
    Lei'd in Hawaii is an unfinished live album by American rock band the Beach Boys that was produced shortly after the completion of their 1967 studio album Smiley Smile. It was initially planned to include the band's first live concert performances since their tour of Europe in May 1967.

    The two concerts, held at the Honolulu International Center Arena on August 25 and 26, featured a rare appearance from Brian Wilson, marking his only shows with the touring group between 1965 and 1970. It was also the band's first public appearance following their controversial withdrawal from the Monterey Pop Festival that summer. For this one-off engagement, the group arranged their songs in a similar stripped-down style as Smiley Smile, with Wilson on Baldwin organ. However, the band was underrehearsed and performed their sets poorly. Some of the members were also under the influence of LSD for the duration. (Full article...)
  • Image 6 Most Wanted is the first compilation album by American actress and singer Hilary Duff. It was released on August 10, 2005, by Hollywood Records. The album comprises ten previously released tracks (three of which are in a remixed form), and three new recordings: "Wake Up", "Beat of My Heart", and "Break My Heart". A deluxe edition of the album, subtitled The Collector's Signature Edition, was also released, containing additional remixes and another new recording "Supergirl". At first, Duff was concerned about the reaction of fans to the new songs, since they carry a "totally different sound" and are more dance-oriented than her previous music. Following its release, Most Wanted received mostly negative reviews from critics, who deemed the release as premature, stating that Duff did not have enough material to warrant a compilation. However, the Dead Executives-produced tracks received favorable comments; critics wrote that they stood out from the rest of the album. In the United States, the album debuted atop the Billboard 200, becoming Duff's second number one entry on the chart, also becoming the second solo artist to chart on the Billboard 200 under the age of 18 twice, and sixth overall. It was later certified Platinum by the Recording Industry Association of America (RIAA). Elsewhere, it debuted at number one in Canada, and reached the top ten in Australia, Ireland, Italy, Japan and New Zealand. (Full article...)
    Most Wanted is the first compilation album by American actress and singer Hilary Duff. It was released on August 10, 2005, by Hollywood Records. The album comprises ten previously released tracks (three of which are in a remixed form), and three new recordings: "Wake Up", "Beat of My Heart", and "Break My Heart". A deluxe edition of the album, subtitled The Collector's Signature Edition, was also released, containing additional remixes and another new recording "Supergirl". At first, Duff was concerned about the reaction of fans to the new songs, since they carry a "totally different sound" and are more dance-oriented than her previous music.

    Following its release, Most Wanted received mostly negative reviews from critics, who deemed the release as premature, stating that Duff did not have enough material to warrant a compilation. However, the Dead Executives-produced tracks received favorable comments; critics wrote that they stood out from the rest of the album. In the United States, the album debuted atop the Billboard 200, becoming Duff's second number one entry on the chart, also becoming the second solo artist to chart on the Billboard 200 under the age of 18 twice, and sixth overall. It was later certified Platinum by the Recording Industry Association of America (RIAA). Elsewhere, it debuted at number one in Canada, and reached the top ten in Australia, Ireland, Italy, Japan and New Zealand. (Full article...)
  • Image 7 Chromatica is the sixth studio album by American singer Lady Gaga, released on May 29, 2020, by Interscope Records and subsidiary Streamline. Gaga supervised the production with longtime collaborator BloodPop and a variety of other producers to create the album. Musically, Chromatica is a dance-pop record inspired by early 1990s house music, returning Gaga to her dance music roots and eschewing the stripped-down style of its predecessors Joanne (2016) and A Star Is Born (2018). The album's visual aesthetic saw Gaga adopt a cyberpunk-inspired persona. Chromatica is a concept album centering on ideas of unwavering happiness and the pursuit of healing. Songs on the record encompass themes inspired by failed romance and mental health struggles in Gaga's private life. The music is distinguished by dense synthesizers, percussion, grooves, and orchestral arrangements that merge overarching melodies. Blackpink, Ariana Grande, and Elton John contribute guest vocals. Most of the recording took place at Henson Recording Studios and Gaga's in-home Hollywood Hills studio. Interscope advertised Chromatica through product endorsements and TV partnerships, although the marketing campaign was adversely affected by the COVID-19 pandemic. To support the album, Gaga embarked on The Chromatica Ball concert series in July 2022, the first all-stadium tour of her career, after it was postponed twice due to the pandemic. It was commemorated in the 2024 HBO/Max special, Gaga Chromatica Ball. (Full article...)
    Chromatica is the sixth studio album by American singer Lady Gaga, released on May 29, 2020, by Interscope Records and subsidiary Streamline. Gaga supervised the production with longtime collaborator BloodPop and a variety of other producers to create the album. Musically, Chromatica is a dance-pop record inspired by early 1990s house music, returning Gaga to her dance music roots and eschewing the stripped-down style of its predecessors Joanne (2016) and A Star Is Born (2018). The album's visual aesthetic saw Gaga adopt a cyberpunk-inspired persona.

    Chromatica is a concept album centering on ideas of unwavering happiness and the pursuit of healing. Songs on the record encompass themes inspired by failed romance and mental health struggles in Gaga's private life. The music is distinguished by dense synthesizers, percussion, grooves, and orchestral arrangements that merge overarching melodies. Blackpink, Ariana Grande, and Elton John contribute guest vocals. Most of the recording took place at Henson Recording Studios and Gaga's in-home Hollywood Hills studio. Interscope advertised Chromatica through product endorsements and TV partnerships, although the marketing campaign was adversely affected by the COVID-19 pandemic. To support the album, Gaga embarked on The Chromatica Ball concert series in July 2022, the first all-stadium tour of her career, after it was postponed twice due to the pandemic. It was commemorated in the 2024 HBO/Max special, Gaga Chromatica Ball. (Full article...)
  • Image 8 Treat Myself is the third major-label studio album by the American singer-songwriter Meghan Trainor. Epic Records released it on January 31, 2020, after delaying it for over a year from its originally scheduled release date. Trainor worked with producers including Mike Sabath, Tyler Johnson, Ojivolta, and Andrew Wells. Initially inspired by pop artists and her experiences with panic disorder, Trainor rewrote the album to adapt to changing trends in the music industry and the rising popularity of hip-hop. It features guest appearances by Sabath, Nicki Minaj, Lennon Stella, Sasha Sloan, the Pussycat Dolls, and AJ Mitchell. Treat Myself is a pop, doo-wop, funk, and R&B album with hip-hop influences which explores themes such as body image, self-esteem issues, and relationships. Trainor promoted the album with public appearances and televised performances. Several tracks released in 2018 were scrapped from it after the delay. Treat Myself includes three singles: "No Excuses" (2018) and "Nice to Meet Ya" (2020), which respectively peaked at numbers 46 and 89 on the US Billboard Hot 100, and "Wave" (2019). (Full article...)
    Treat Myself is the third major-label studio album by the American singer-songwriter Meghan Trainor. Epic Records released it on January 31, 2020, after delaying it for over a year from its originally scheduled release date. Trainor worked with producers including Mike Sabath, Tyler Johnson, Ojivolta, and Andrew Wells. Initially inspired by pop artists and her experiences with panic disorder, Trainor rewrote the album to adapt to changing trends in the music industry and the rising popularity of hip-hop. It features guest appearances by Sabath, Nicki Minaj, Lennon Stella, Sasha Sloan, the Pussycat Dolls, and AJ Mitchell.

    Treat Myself is a pop, doo-wop, funk, and R&B album with hip-hop influences which explores themes such as body image, self-esteem issues, and relationships. Trainor promoted the album with public appearances and televised performances. Several tracks released in 2018 were scrapped from it after the delay. Treat Myself includes three singles: "No Excuses" (2018) and "Nice to Meet Ya" (2020), which respectively peaked at numbers 46 and 89 on the US Billboard Hot 100, and "Wave" (2019). (Full article...)
  • Image 9 Vespertine is the fourth studio album by Icelandic recording artist Björk. It was first released on 18 August 2001 in Japan by One Little Indian Records and in the United States by Elektra Entertainment. Björk aspired to create an album with minimal and intricate electronic music to evoke an intimate and domestic feeling, in contrast with the louder styles of her previous studio album Homogenic (1997). She enlisted producers such as Opiate, Console and the duo Matmos, and has also worked with harpist Zeena Parkins. Production on the album began whilst filming her role in Dancer in the Dark. Björk composed arrangements with thin-sounding instruments, including the harp, the celesta, clavichord, strings and custom music boxes. Assisted by Matmos, Björk created "microbeats" from various commonplace sounds, such as that of shuffling cards and ice being cracked. Lyrically, the album revolves around Björk's new relationship with Matthew Barney, featuring themes of sex and love. Other lyrical sources include the poetry of E. E. Cummings and British playwright Sarah Kane's Crave. Three singles were released from Vespertine: "Hidden Place", "Pagan Poetry", and "Cocoon". The music videos of the latter two were banned on MTV for their depictions of sexuality. Björk embarked on the Vespertine world tour with Parkins, Matmos, and a choir of Inuit women, where they performed at theatres and small venues in favor of acoustics. (Full article...)
    Vespertine is the fourth studio album by Icelandic recording artist Björk. It was first released on 18 August 2001 in Japan by One Little Indian Records and in the United States by Elektra Entertainment. Björk aspired to create an album with minimal and intricate electronic music to evoke an intimate and domestic feeling, in contrast with the louder styles of her previous studio album Homogenic (1997). She enlisted producers such as Opiate, Console and the duo Matmos, and has also worked with harpist Zeena Parkins. Production on the album began whilst filming her role in Dancer in the Dark.

    Björk composed arrangements with thin-sounding instruments, including the harp, the celesta, clavichord, strings and custom music boxes. Assisted by Matmos, Björk created "microbeats" from various commonplace sounds, such as that of shuffling cards and ice being cracked. Lyrically, the album revolves around Björk's new relationship with Matthew Barney, featuring themes of sex and love. Other lyrical sources include the poetry of E. E. Cummings and British playwright Sarah Kane's Crave. Three singles were released from Vespertine: "Hidden Place", "Pagan Poetry", and "Cocoon". The music videos of the latter two were banned on MTV for their depictions of sexuality. Björk embarked on the Vespertine world tour with Parkins, Matmos, and a choir of Inuit women, where they performed at theatres and small venues in favor of acoustics. (Full article...)
  • Image 10 Final Destination 2 is a 2003 American supernatural horror film directed by David R. Ellis. The screenplay was written by J. Mackye Gruber and Eric Bress, based on a story by Gruber, Bress, and series creator Jeffrey Reddick. It is the sequel to the 2000 film Final Destination and the second installment of the Final Destination film series. The film stars Ali Larter, A. J. Cook, and Michael Landes. Cook portrays a woman who "cheats death" after having a premonition of herself and others perishing in a highway pile-up and uses it by saving herself and a handful of people, but is stalked by Death afterwards by means of claiming back their lives which should have been lost in the highway. It also explores the cliffhanger of the preceding film by revealing the fates of the previous survivors. After the financial success of Final Destination, New Line Cinema contacted Reddick regarding plans for a sequel. Since the original film's crew was unavailable, New Line replaced most of the production team. Filming took place in Vancouver and Okanagan Lake. Final Destination 2 was released on January 31, 2003, and on DVD on July 22, 2003, which includes commentaries, deleted scenes, documentaries, and videos. (Full article...)
    Final Destination 2 is a 2003 American supernatural horror film directed by David R. Ellis. The screenplay was written by J. Mackye Gruber and Eric Bress, based on a story by Gruber, Bress, and series creator Jeffrey Reddick. It is the sequel to the 2000 film Final Destination and the second installment of the Final Destination film series. The film stars Ali Larter, A. J. Cook, and Michael Landes. Cook portrays a woman who "cheats death" after having a premonition of herself and others perishing in a highway pile-up and uses it by saving herself and a handful of people, but is stalked by Death afterwards by means of claiming back their lives which should have been lost in the highway. It also explores the cliffhanger of the preceding film by revealing the fates of the previous survivors.

    After the financial success of Final Destination, New Line Cinema contacted Reddick regarding plans for a sequel. Since the original film's crew was unavailable, New Line replaced most of the production team. Filming took place in Vancouver and Okanagan Lake. Final Destination 2 was released on January 31, 2003, and on DVD on July 22, 2003, which includes commentaries, deleted scenes, documentaries, and videos. (Full article...)
  • Image 11 Thick as a Brick is the fifth studio album by the British rock band Jethro Tull, released on 3 March 1972. The album contains one continuous piece of music, split over two sides of an LP record, and is intended as a parody of the concept album genre. The original packaging, designed as a 12-page newspaper, claims the album to be a musical adaptation of an epic poem by fictional eight-year-old genius Gerald Bostock, though the lyrics were actually written by the band's frontman, Ian Anderson. The album was recorded in late 1971, featuring music composed by Anderson and arranged with the contribution of all band members. The album was the band's first to include drummer Barrie "Barriemore" Barlow, replacing the band's previous drummer Clive Bunker. The live show promoting the album included the playing of the full suite, with various comic interludes. Thick as a Brick is considered by critics to be the first Jethro Tull release to entirely consist of progressive rock music. It received mixed reviews upon its release, but was a commercial success and topped various charts in 1972. Today it is regarded as a classic of progressive rock, and has received several accolades. Anderson produced a follow-up to the album in 2012, focusing on the adult life of the fictional Gerald Bostock, and being released as Anderson's solo album instead of as Jethro Tull's album. (Full article...)
    Thick as a Brick is the fifth studio album by the British rock band Jethro Tull, released on 3 March 1972. The album contains one continuous piece of music, split over two sides of an LP record, and is intended as a parody of the concept album genre. The original packaging, designed as a 12-page newspaper, claims the album to be a musical adaptation of an epic poem by fictional eight-year-old genius Gerald Bostock, though the lyrics were actually written by the band's frontman, Ian Anderson.

    The album was recorded in late 1971, featuring music composed by Anderson and arranged with the contribution of all band members. The album was the band's first to include drummer Barrie "Barriemore" Barlow, replacing the band's previous drummer Clive Bunker. The live show promoting the album included the playing of the full suite, with various comic interludes. Thick as a Brick is considered by critics to be the first Jethro Tull release to entirely consist of progressive rock music. It received mixed reviews upon its release, but was a commercial success and topped various charts in 1972. Today it is regarded as a classic of progressive rock, and has received several accolades. Anderson produced a follow-up to the album in 2012, focusing on the adult life of the fictional Gerald Bostock, and being released as Anderson's solo album instead of as Jethro Tull's album. (Full article...)
  • Image 12 Veera (transl. Valour) is a 1994 Indian Tamil-language romantic comedy film directed by Suresh Krissna and written by Panchu Arunachalam. It is a remake of the Telugu film Allari Mogudu (1992) and stars Rajinikanth, Meena and Roja with Janagaraj, Senthil, Vadivukkarasi, J. Livingston, Mahesh Anand, Vinu Chakravarthy, Ajay Rathnam, Vivek and Charuhasan in supporting roles. The film is about a man who marries twice because of circumstances beyond his control and is forced to live a double life to cover his tracks. Krissna initially refused to remake Allari Mogudu because he disliked it but agreed after Rajinikanth told him their next film after Annaamalai (1992) should be different to avoid comparisons. The screenplay of Veera was written to be substantially different from the original; it was tailored to Rajinikanth's style and had logic added to the scenario. Arunachalam, who made script changes, received sole screenwriting credit. The film was produced by Arunachalam's wife Meena, photographed by P. S. Prakash and edited by Ganesh–Kumar. (Full article...)
    Veera (transl. Valour) is a 1994 Indian Tamil-language romantic comedy film directed by Suresh Krissna and written by Panchu Arunachalam. It is a remake of the Telugu film Allari Mogudu (1992) and stars Rajinikanth, Meena and Roja with Janagaraj, Senthil, Vadivukkarasi, J. Livingston, Mahesh Anand, Vinu Chakravarthy, Ajay Rathnam, Vivek and Charuhasan in supporting roles. The film is about a man who marries twice because of circumstances beyond his control and is forced to live a double life to cover his tracks.

    Krissna initially refused to remake Allari Mogudu because he disliked it but agreed after Rajinikanth told him their next film after Annaamalai (1992) should be different to avoid comparisons. The screenplay of Veera was written to be substantially different from the original; it was tailored to Rajinikanth's style and had logic added to the scenario. Arunachalam, who made script changes, received sole screenwriting credit. The film was produced by Arunachalam's wife Meena, photographed by P. S. Prakash and edited by Ganesh–Kumar. (Full article...)
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  • Image 1 Moldovan group Carla's Dreams (member pictured in 2018) was the most-successful act on the Airplay 100 in the 2010s with nine number-one singles. The Airplay 100 was the national music chart of Romania until its cancellation upon its 28 November 2021 issue. It was compiled weekly by broadcast monitoring service Media Forest, and measured the airplay of songs on radio stations and television channels throughout the country. Since its launch on 26 February 2012, the Airplay 100 had been broadcast on-air each Sunday as a radio show on Kiss FM hosted by Cristi Nitzu. The chart replaced the Romanian Top 100, which was also based on airplay data and had a similar compilation, in 2012. During the 2010s and early 2020s, 118 singles have reached the number-one position, the first being "Ai Se Eu Te Pego" in 2012 by Brazilian singer Michel Teló. "Astronaut in the Ocean" (2019) by Australian rapper Masked Wolf has spent 13 weeks at the summit, longer than any other song. Multiple artists reached number one with several singles in a calendar year, most notably Moldovan musical project Carla's Dreams with four in 2016—"Te rog", "Sub pielea mea", "Acele" and "Imperfect". The most successful act was Carla's Dreams with nine number ones, followed by Romanian recording artist Smiley with four. (Full article...)
    A painted man, wearing a black hoodie, sunglasses and headphones. He speaks into a microphone placed in front of him.
    Moldovan group Carla's Dreams (member pictured in 2018) was the most-successful act on the Airplay 100 in the 2010s with nine number-one singles.

    The Airplay 100 was the national music chart of Romania until its cancellation upon its 28 November 2021 issue. It was compiled weekly by broadcast monitoring service Media Forest, and measured the airplay of songs on radio stations and television channels throughout the country. Since its launch on 26 February 2012, the Airplay 100 had been broadcast on-air each Sunday as a radio show on Kiss FM hosted by Cristi Nitzu. The chart replaced the Romanian Top 100, which was also based on airplay data and had a similar compilation, in 2012.

    During the 2010s and early 2020s, 118 singles have reached the number-one position, the first being "Ai Se Eu Te Pego" in 2012 by Brazilian singer Michel Teló. "Astronaut in the Ocean" (2019) by Australian rapper Masked Wolf has spent 13 weeks at the summit, longer than any other song. Multiple artists reached number one with several singles in a calendar year, most notably Moldovan musical project Carla's Dreams with four in 2016—"Te rog", "Sub pielea mea", "Acele" and "Imperfect". The most successful act was Carla's Dreams with nine number ones, followed by Romanian recording artist Smiley with four. (Full article...)
  • Image 2 The Billboard Latin Music Award for Hot Latin Song of the Year (formerly Hot Latin Track of the Year) is an honor presented annually at the Billboard Latin Music Awards, a ceremony which honors "the most popular albums, songs, and performers in Latin music, as determined by the actual sales, radio airplay, online streaming and social data that informs Billboard's weekly charts." The award is given to the best performing singles on Billboard's Hot Latin Songs chart, which measures the most popular Latin recordings in the United States. The Hot Latin Songs chart was established by the magazine in September 1986 and was originally based on airplay on Latin music radio stations. Since October 2012, chart rankings are based on digital sales, radio airplay, and online streaming. From 1995 to 1998, each music genre's field (pop, tropical/salsa and Regional Mexican) had their own Hot Latin Track of the Year category. Enrique Iglesias and Nicky Jam are the most awarded acts in the category with three wins each. Alejandro Fernández, Wisin & Yandel, Don Omar, Romeo Santos, Ozuna, Nicky Jam, Peso Pluma and Grupo Frontera are the only acts with two nominated songs in the same year, a milestone achieved twice by Santos. Bad Bunny became the only act to have three nominated songs in the same year. As of 2017, only Iglesias and Nicky Jam have won Hot Latin Song of the Year twice in a row. As of 2023, the holders are Eslabon Armado and Peso Pluma for the song "Ella Baila Sola". Enrique Iglesias and Bad Bunny became tied for the most nominations as of 2023. (Full article...)
    The Billboard Latin Music Award for Hot Latin Song of the Year (formerly Hot Latin Track of the Year) is an honor presented annually at the Billboard Latin Music Awards, a ceremony which honors "the most popular albums, songs, and performers in Latin music, as determined by the actual sales, radio airplay, online streaming and social data that informs Billboard's weekly charts." The award is given to the best performing singles on Billboard's Hot Latin Songs chart, which measures the most popular Latin recordings in the United States. The Hot Latin Songs chart was established by the magazine in September 1986 and was originally based on airplay on Latin music radio stations. Since October 2012, chart rankings are based on digital sales, radio airplay, and online streaming. From 1995 to 1998, each music genre's field (pop, tropical/salsa and Regional Mexican) had their own Hot Latin Track of the Year category.

    Enrique Iglesias and Nicky Jam are the most awarded acts in the category with three wins each. Alejandro Fernández, Wisin & Yandel, Don Omar, Romeo Santos, Ozuna, Nicky Jam, Peso Pluma and Grupo Frontera are the only acts with two nominated songs in the same year, a milestone achieved twice by Santos. Bad Bunny became the only act to have three nominated songs in the same year. As of 2017, only Iglesias and Nicky Jam have won Hot Latin Song of the Year twice in a row. As of 2023, the holders are Eslabon Armado and Peso Pluma for the song "Ella Baila Sola". Enrique Iglesias and Bad Bunny became tied for the most nominations as of 2023. (Full article...)
  • Image 3 Sonny James had three number ones in 1969. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1969, 23 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 weekly issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. In the issue of Billboard dated January 4, Johnny Cash's single "Daddy Sang Bass" climbed from number 19 to the top spot, replacing "Wichita Lineman" by Glen Campbell. Cash's single remained at number one for six weeks, the longest unbroken run of the year. The singer returned to the top of the chart later in the year with "A Boy Named Sue", which spent five weeks at number one. His cumulative total of eleven weeks atop the chart was the highest by any artist in 1969. Merle Haggard, Sonny James and Buck Owens each reached number one with three different singles, the most by any act. All three of James' chart-toppers were cover versions of successful rock and roll and pop songs from the late 1950s and early 1960s; the singer achieved the majority of his more than 20 country number ones with versions of pop songs. Owens also took a country reworking of a rock and roll classic to the top spot, with a live version of Chuck Berry's 1958 song "Johnny B. Goode". Haggard's three chart-toppers included "Okie from Muskogee", one of the best-known songs of his career. (Full article...)
    A black-haired man wearing dark clothing
    Sonny James had three number ones in 1969.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1969, 23 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 weekly issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    In the issue of Billboard dated January 4, Johnny Cash's single "Daddy Sang Bass" climbed from number 19 to the top spot, replacing "Wichita Lineman" by Glen Campbell. Cash's single remained at number one for six weeks, the longest unbroken run of the year. The singer returned to the top of the chart later in the year with "A Boy Named Sue", which spent five weeks at number one. His cumulative total of eleven weeks atop the chart was the highest by any artist in 1969. Merle Haggard, Sonny James and Buck Owens each reached number one with three different singles, the most by any act. All three of James' chart-toppers were cover versions of successful rock and roll and pop songs from the late 1950s and early 1960s; the singer achieved the majority of his more than 20 country number ones with versions of pop songs. Owens also took a country reworking of a rock and roll classic to the top spot, with a live version of Chuck Berry's 1958 song "Johnny B. Goode". Haggard's three chart-toppers included "Okie from Muskogee", one of the best-known songs of his career. (Full article...)
  • Image 4 The Judds (pictured performing in 2008) were among a number of acts with three number ones in 1989. Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1989, 50 songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine. Only "I'm No Stranger to the Rain" by Keith Whitley and "The Church on Cumberland Road" by Shenandoah, consecutive chart-toppers in April, spent more than a single week at number one. This was the final complete year in which Billboard used its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores. In January of the following year, the magazine would begin basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems, which would lead to an increase in the length of time songs spent in the top spot. In November 1989, Billboard began compiling unpublished prototype charts using the new methodology ahead of the official launch, which produced very different results to the published charts using the existing process. Ronnie Milsap's "A Woman in Love" spent five weeks atop the prototype charts as opposed to the single week which it achieved on the published listing. It was the 35th and final number one of Milsap's career. (Full article...)
    Two women, one dressed in red and one in green, singing on stage in front of an orchestra
    The Judds (pictured performing in 2008) were among a number of acts with three number ones in 1989.

    Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1989, 50 songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine. Only "I'm No Stranger to the Rain" by Keith Whitley and "The Church on Cumberland Road" by Shenandoah, consecutive chart-toppers in April, spent more than a single week at number one.

    This was the final complete year in which Billboard used its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores. In January of the following year, the magazine would begin basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems, which would lead to an increase in the length of time songs spent in the top spot. In November 1989, Billboard began compiling unpublished prototype charts using the new methodology ahead of the official launch, which produced very different results to the published charts using the existing process. Ronnie Milsap's "A Woman in Love" spent five weeks atop the prototype charts as opposed to the single week which it achieved on the published listing. It was the 35th and final number one of Milsap's career. (Full article...)
  • Image 5 Bryan Adams set a record in 1991 for the longest run at the top of the UK charts. The UK Singles Chart is a record chart compiled on behalf of the British record industry. Until 1 February 1994, the chart was compiled each week by Gallup – after this date, it was managed by Millward Brown, who expanded the number of sales figures sampled, and extended the use of electronic point of sale machines. From July 1998 onwards, compilation of the chart was overseen by The Chart Information Network (CIN) and it was based entirely on sales of physical singles from retail outlets – airplay statistics are not used in compiling the official UK Singles Chart. The chart week ran from Sunday to Saturday, and the Top 40 was first revealed on BBC Radio 1 on a Sunday. Record companies began making singles available to radio stations much further in advance of their release dates and making greater use of direct marketing techniques in the 1990s. As a result, the number of singles that entered the charts at number one increased dramatically, and it became commonplace for singles to enter the charts at the top and then plummet down the listing soon after. During the decade, 206 singles reached the number-one position on the chart. "Hangin' Tough" by New Kids on the Block reached number one on the first new chart of the decade, replacing "Do They Know It's Christmas?" by Band Aid II which had been number one on the last chart issued in 1989. The longest spell at the top was achieved by Bryan Adams's song "(Everything I Do) I Do It for You", which spent 16 weeks at number one in 1991, beating the record for the longest unbroken run at the top of the charts which had been held by Slim Whitman's "Rose Marie" since 1955. Wet Wet Wet and Whitney Houston also had runs of 10 or more weeks at number one during the 1990s. Although it only spent five weeks at number one, Elton John's 1997 single "Candle in the Wind 1997" / "Something About the Way You Look Tonight" sold almost 5 million copies, becoming the biggest-selling single in UK history. Cher's song "Believe" spent 7 weeks at number-one at the end of 1998 and became the biggest-selling single by a female artist in UK history. Also, Cher is the female solo artist with the most number-one singles in the 1990s (a total of three) and the female solo artist with most weeks at number one (13). The final number one of the decade was the double A-side "I Have a Dream" / "Seasons in the Sun" by Westlife. Take That and the Spice Girls share the distinction of having achieved the most number-one hits in the 1990s, with eight each. (Full article...)
    Bryan Adams set a record in 1991 for the longest run at the top of the UK charts.

    The UK Singles Chart is a record chart compiled on behalf of the British record industry. Until 1 February 1994, the chart was compiled each week by Gallup – after this date, it was managed by Millward Brown, who expanded the number of sales figures sampled, and extended the use of electronic point of sale machines. From July 1998 onwards, compilation of the chart was overseen by The Chart Information Network (CIN) and it was based entirely on sales of physical singles from retail outlets – airplay statistics are not used in compiling the official UK Singles Chart. The chart week ran from Sunday to Saturday, and the Top 40 was first revealed on BBC Radio 1 on a Sunday. Record companies began making singles available to radio stations much further in advance of their release dates and making greater use of direct marketing techniques in the 1990s. As a result, the number of singles that entered the charts at number one increased dramatically, and it became commonplace for singles to enter the charts at the top and then plummet down the listing soon after.

    During the decade, 206 singles reached the number-one position on the chart. "Hangin' Tough" by New Kids on the Block reached number one on the first new chart of the decade, replacing "Do They Know It's Christmas?" by Band Aid II which had been number one on the last chart issued in 1989. The longest spell at the top was achieved by Bryan Adams's song "(Everything I Do) I Do It for You", which spent 16 weeks at number one in 1991, beating the record for the longest unbroken run at the top of the charts which had been held by Slim Whitman's "Rose Marie" since 1955. Wet Wet Wet and Whitney Houston also had runs of 10 or more weeks at number one during the 1990s. Although it only spent five weeks at number one, Elton John's 1997 single "Candle in the Wind 1997" / "Something About the Way You Look Tonight" sold almost 5 million copies, becoming the biggest-selling single in UK history. Cher's song "Believe" spent 7 weeks at number-one at the end of 1998 and became the biggest-selling single by a female artist in UK history. Also, Cher is the female solo artist with the most number-one singles in the 1990s (a total of three) and the female solo artist with most weeks at number one (13). The final number one of the decade was the double A-side "I Have a Dream" / "Seasons in the Sun" by Westlife. Take That and the Spice Girls share the distinction of having achieved the most number-one hits in the 1990s, with eight each. (Full article...)
  • Image 6 Will Young had the best-selling single of the 2000s in the UK, "Evergreen"/"Anything Is Possible". The UK Singles Chart is a music chart compiled by the Official Charts Company that calculates the best-selling singles of the week in the United Kingdom. Since 2005, the chart has been based on the sales of both physical and digital singles, originally on the condition that the single was available in both formats. In 2007, the rules were changed so that legal downloads of all songs, irrespective of whether a physical copy was available, were eligible to chart. Between 2000 and 2009, ten singles that reached the top of the singles chart sold more than 1 million copies in the United Kingdom. At the end of the decade, a retrospective chart was compiled by the Official Charts Company to determine the best-selling single of this ten-year period. The title was won by Will Young, the winner of the televised talent competition Pop Idol in 2001, with his double A-side single "Evergreen"/"Anything Is Possible", released in 2002. The single sold just under 1.8 million copies and saw Young finish ahead of fellow Pop Idol finalist Gareth Gates, whose debut single "Unchained Melody" sold 1.34 million copies. Young's single included sales of 1,108,269 copies in its first week, at the time a first-week total that had been bettered only by Elton John's "Candle in the Wind 1997". The X Factor winners Alexandra Burke (5th), and Shayne Ward (8th) and the band formed on Popstars in 2001, Hear'Say (9th), also reached the top ten. Kylie Minogue, Shaggy and Tony Christie were the other solo artists who made the top ten of best-selling singles; Christie's best-seller was a charity single recorded for Comic Relief in 2005. Children's television character Bob the Builder's "Can We Fix It?", voiced by Neil Morrissey, and Band Aid 20's cover of "Do They Know It's Christmas" made up the rest of the top ten singles. (Full article...)
    A young man wearing a pink shirt and brown straw hat smiles and holds a microphone near his mouth.
    Will Young had the best-selling single of the 2000s in the UK, "Evergreen"/"Anything Is Possible".

    The UK Singles Chart is a music chart compiled by the Official Charts Company that calculates the best-selling singles of the week in the United Kingdom. Since 2005, the chart has been based on the sales of both physical and digital singles, originally on the condition that the single was available in both formats. In 2007, the rules were changed so that legal downloads of all songs, irrespective of whether a physical copy was available, were eligible to chart.

    Between 2000 and 2009, ten singles that reached the top of the singles chart sold more than 1 million copies in the United Kingdom. At the end of the decade, a retrospective chart was compiled by the Official Charts Company to determine the best-selling single of this ten-year period. The title was won by Will Young, the winner of the televised talent competition Pop Idol in 2001, with his double A-side single "Evergreen"/"Anything Is Possible", released in 2002. The single sold just under 1.8 million copies and saw Young finish ahead of fellow Pop Idol finalist Gareth Gates, whose debut single "Unchained Melody" sold 1.34 million copies. Young's single included sales of 1,108,269 copies in its first week, at the time a first-week total that had been bettered only by Elton John's "Candle in the Wind 1997". The X Factor winners Alexandra Burke (5th), and Shayne Ward (8th) and the band formed on Popstars in 2001, Hear'Say (9th), also reached the top ten. Kylie Minogue, Shaggy and Tony Christie were the other solo artists who made the top ten of best-selling singles; Christie's best-seller was a charity single recorded for Comic Relief in 2005. Children's television character Bob the Builder's "Can We Fix It?", voiced by Neil Morrissey, and Band Aid 20's cover of "Do They Know It's Christmas" made up the rest of the top ten singles. (Full article...)
  • Image 7 Husband and wife duo Thompson Square topped the chart for the first time. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2011, 34 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. In the issue dated January 1, Reba McEntire (credited for this release simply as Reba), moved to number one with "Turn On the Radio", replacing "Why Wait" by Rascal Flatts, which had held the top spot since the issue of Billboard dated December 18, 2010. It was the 25th number-one country single of McEntire's career, tying the record for the highest number of chart-toppers by a female artist held by Dolly Parton. Blake Shelton spent the most weeks in the top spot in 2011, with eight, and his song "Honey Bee" had the longest run at the top by an individual song, spending four weeks in the top spot. Shelton was one of two acts to reach the top spot with three different songs, the other being Zac Brown Band. Jason Aldean, Kenny Chesney, Lady Antebellum, Brad Paisley and Chris Young each had two number ones. Paisley's two chart-toppers were both collaborations, one with Carrie Underwood and one with the band Alabama. Their appearance on the song "Old Alabama" gave the namesake band their first number one for 18 years. Sara Evans gained her first number one single since 2005 with "A Little Bit Stronger", and was the only female solo artist to have a multi-week number one single during the year. (Full article...)
    A woman with long blonde hair, wearing a purple dress, singing into a microphone, and a man wearing a cap singing and playing a guitar
    Husband and wife duo Thompson Square topped the chart for the first time.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2011, 34 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    In the issue dated January 1, Reba McEntire (credited for this release simply as Reba), moved to number one with "Turn On the Radio", replacing "Why Wait" by Rascal Flatts, which had held the top spot since the issue of Billboard dated December 18, 2010. It was the 25th number-one country single of McEntire's career, tying the record for the highest number of chart-toppers by a female artist held by Dolly Parton. Blake Shelton spent the most weeks in the top spot in 2011, with eight, and his song "Honey Bee" had the longest run at the top by an individual song, spending four weeks in the top spot. Shelton was one of two acts to reach the top spot with three different songs, the other being Zac Brown Band. Jason Aldean, Kenny Chesney, Lady Antebellum, Brad Paisley and Chris Young each had two number ones. Paisley's two chart-toppers were both collaborations, one with Carrie Underwood and one with the band Alabama. Their appearance on the song "Old Alabama" gave the namesake band their first number one for 18 years. Sara Evans gained her first number one single since 2005 with "A Little Bit Stronger", and was the only female solo artist to have a multi-week number one single during the year. (Full article...)
  • Image 8 Jamelia performing live on stage. The discography of Jamelia, a British R&B singer, consists of three studio albums, one greatest hits album, and fourteen singles, fifteen music videos, and one live DVD of a concert performance. She has contributed to the albums of two other artists, and appeared on two soundtrack albums. Jamelia signed with Capitol Records in 1996, and her debut single, "So High", was released on 3 May 1999. It failed to chart and she left the record company before an album was released. Later that year, Jamelia released "I Do" with Parlophone, which was followed up in 2000 with her first top five single, titled "Money", and her debut album Drama. Jamelia's second album, Thank You, released in 2003, is her most successful to date, peaking at number 4 on the United Kingdom Albums Chart, at number 16 in New Zealand, and at number 21 in Ireland. It also charted in Australia and mainland Europe, but in much lower positions. The album's lead singles were "Bout", a reggae-style song that features a rap from Rah Digga, and pop/dance song "Superstar". "Bout" charted at 37 on the UK Singles Chart, but "Superstar" fared much better, entering the singles chart at number 8 and climbing to number 3, its peak position, after four weeks. It was also the 26th best selling single of 2003. The next single taken from Thank You was the title track, which peaked at number 2 in the UK. Both "Superstar" and "Thank You" are Jamelia's most successful single releases to date, appearing in many singles charts worldwide. Thank You was subsequently re-released with two new songs: "See It in a Boy's Eyes" and "DJ". (Full article...)

    Jamelia performing live on stage.

    The discography of Jamelia, a British R&B singer, consists of three studio albums, one greatest hits album, and fourteen singles, fifteen music videos, and one live DVD of a concert performance. She has contributed to the albums of two other artists, and appeared on two soundtrack albums. Jamelia signed with Capitol Records in 1996, and her debut single, "So High", was released on 3 May 1999. It failed to chart and she left the record company before an album was released. Later that year, Jamelia released "I Do" with Parlophone, which was followed up in 2000 with her first top five single, titled "Money", and her debut album Drama.

    Jamelia's second album, Thank You, released in 2003, is her most successful to date, peaking at number 4 on the United Kingdom Albums Chart, at number 16 in New Zealand, and at number 21 in Ireland. It also charted in Australia and mainland Europe, but in much lower positions. The album's lead singles were "Bout", a reggae-style song that features a rap from Rah Digga, and pop/dance song "Superstar". "Bout" charted at 37 on the UK Singles Chart, but "Superstar" fared much better, entering the singles chart at number 8 and climbing to number 3, its peak position, after four weeks. It was also the 26th best selling single of 2003. The next single taken from Thank You was the title track, which peaked at number 2 in the UK. Both "Superstar" and "Thank You" are Jamelia's most successful single releases to date, appearing in many singles charts worldwide. Thank You was subsequently re-released with two new songs: "See It in a Boy's Eyes" and "DJ". (Full article...)
  • Image 9 Tanya Tucker had her first chart-topper in 1973 at the age of 14. Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1973, 36 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. At the start of the year, the number one song was "She's Got to Be a Saint" by Ray Price, which had reached number one the previous week, and remained atop the chart for two weeks in 1973. Price returned to the top spot for a single week later in the year with "You're the Best Thing That Ever Happened to Me". This marked his final appearance at the top of the Hot Country Singles chart, fifteen years after he had been at number one on the very first combined country sales and airplay chart published by Billboard. Conway Twitty spent the highest number of weeks at number one by any artist in 1973 with six, including one week at the top with a duet with Loretta Lynn. Twitty and Lynn had a run of success with duet recordings in the early 1970s alongside their ongoing solo careers, and each had three number one singles during the year, tying with Charley Pride, Tammy Wynette and Merle Haggard for the most number ones by an artist. Despite being banned by some radio stations due to its lyrical content, Twitty's "You've Never Been This Far Before" spent three weeks at number one, tying for the longest unbroken run of the year with "The Most Beautiful Girl" by Charlie Rich. (Full article...)
    A young woman with long blonde hair
    Tanya Tucker had her first chart-topper in 1973 at the age of 14.

    Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1973, 36 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    At the start of the year, the number one song was "She's Got to Be a Saint" by Ray Price, which had reached number one the previous week, and remained atop the chart for two weeks in 1973. Price returned to the top spot for a single week later in the year with "You're the Best Thing That Ever Happened to Me". This marked his final appearance at the top of the Hot Country Singles chart, fifteen years after he had been at number one on the very first combined country sales and airplay chart published by Billboard. Conway Twitty spent the highest number of weeks at number one by any artist in 1973 with six, including one week at the top with a duet with Loretta Lynn. Twitty and Lynn had a run of success with duet recordings in the early 1970s alongside their ongoing solo careers, and each had three number one singles during the year, tying with Charley Pride, Tammy Wynette and Merle Haggard for the most number ones by an artist. Despite being banned by some radio stations due to its lyrical content, Twitty's "You've Never Been This Far Before" spent three weeks at number one, tying for the longest unbroken run of the year with "The Most Beautiful Girl" by Charlie Rich. (Full article...)
  • Image 10 The Beatles had eighteen number-one singles on the NME chart, only one of which never topped the Record Retailer chart. The NME (or New Musical Express) was a British weekly popular music newspaper. Record charts in the United Kingdom began on 14 November 1952 when NME imitated an idea started in American Billboard magazine compiled their own hit parade. Until 15 February 1969, when the British Market Research Bureau (BMRB) chart was established, many periodicals compiled their own charts. During this time the BBC used aggregated results of the prominent NME, Melody Maker, Disc, Record Mirror and, later, Record Retailer charts to compile their Pick of the Pops chart. Prior to 1969 there was no universally accepted source or "official" singles chart; however, the Official Charts Company and Guinness' British Hit Singles & Albums regard the canonical sources for this period as NME before 10 March 1960 and Record Retailer from then until the BMRB took over in 1969. Although Record Retailer is now the most predominantly used source for charting music in the 1960s, NME had the biggest circulation of charts in the decade and was more widely followed. After the BMRB was formed, the NME continued compiling its own chart up until 14 May 1988. The Allisons' entry for the Eurovision Song Contest, entitled "Are You Sure?", was the first single to be number one on the NME chart but not to reach the top spot on Record Retailer's chart. In total, sixteen songs failed to reach number one with Record Retailer but topped the NME chart. In 1969, after the BMRB chart was introduced, four songs topped the NME but not the BMRB chart. Notable discrepancies include "19th Nervous Breakdown", which reached number one for the Rolling Stones on the NME, Disc, and Melody Maker charts, topped the BBC's Pick of the Pops aggregated chart and was announced as number one on Top of the Pops; however, because it did not reach number one on the Record Retailer chart, it is omitted from the Official Charts Company's canon. The Beatles' "Please Please Me" suffered the same fate so, arguably, should be considered the Beatles' first number-one single. Conversely, Elvis Presley's double A-side, "Rock-A-Hula Baby"/"Can't Help Falling in Love", reached number one on all charts except NME because the entries were split by NME according to which song was requested when the shop returned its figures. (Full article...)
    The Beatles had eighteen number-one singles on the NME chart, only one of which never topped the Record Retailer chart.

    The NME (or New Musical Express) was a British weekly popular music newspaper. Record charts in the United Kingdom began on 14 November 1952 when NME imitated an idea started in American Billboard magazine compiled their own hit parade. Until 15 February 1969, when the British Market Research Bureau (BMRB) chart was established, many periodicals compiled their own charts. During this time the BBC used aggregated results of the prominent NME, Melody Maker, Disc, Record Mirror and, later, Record Retailer charts to compile their Pick of the Pops chart. Prior to 1969 there was no universally accepted source or "official" singles chart; however, the Official Charts Company and Guinness' British Hit Singles & Albums regard the canonical sources for this period as NME before 10 March 1960 and Record Retailer from then until the BMRB took over in 1969. Although Record Retailer is now the most predominantly used source for charting music in the 1960s, NME had the biggest circulation of charts in the decade and was more widely followed. After the BMRB was formed, the NME continued compiling its own chart up until 14 May 1988.

    The Allisons' entry for the Eurovision Song Contest, entitled "Are You Sure?", was the first single to be number one on the NME chart but not to reach the top spot on Record Retailer's chart. In total, sixteen songs failed to reach number one with Record Retailer but topped the NME chart. In 1969, after the BMRB chart was introduced, four songs topped the NME but not the BMRB chart. Notable discrepancies include "19th Nervous Breakdown", which reached number one for the Rolling Stones on the NME, Disc, and Melody Maker charts, topped the BBC's Pick of the Pops aggregated chart and was announced as number one on Top of the Pops; however, because it did not reach number one on the Record Retailer chart, it is omitted from the Official Charts Company's canon. The Beatles' "Please Please Me" suffered the same fate so, arguably, should be considered the Beatles' first number-one single. Conversely, Elvis Presley's double A-side, "Rock-A-Hula Baby"/"Can't Help Falling in Love", reached number one on all charts except NME because the entries were split by NME according to which song was requested when the shop returned its figures. (Full article...)
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Music production
Production music
Music promoters
Music publishing
Recorded music
Music streaming services
Works about the music industry
Music industry company stubs
Record producers
Record producers by genre
Record producers by nationality
Lists of songs by producer
Production discographies
LGBT record producers
Women record producers
Remixers
Record production teams
Record producer stubs
Record labels
Record labels by country
Record labels by genre
Record labels by parent
Lists of record labels
Record labels by decade of establishment
Record labels by year of establishment
Albums by record label
Recording artists by label
Singles by record label
African record labels
Record label albums
Arab record labels
Audiophile record labels
Budget record labels
Defunct record labels
Record label discographies
IFPI members
Record company logos
Record label distributors
Reissue record labels
State-owned record labels
Vertical cut record labels
Record label stubs
Wikipedia categories named after record labels
Recording studios
Former recording studios
Recording studios in Australia
Recording studios in Austria
Recording studios in the Bahamas
Recording studios in Belgium
Recording studios in Bulgaria
Recording studios in Canada
Recording studios in Croatia
Recording studios in Denmark
Recording studios in Finland
Recording studios in France
Recording studios in Germany
Recording studios in Iceland
Recording studios in India
Recording studios in Ireland
Recording studios in Israel
Recording studios in Italy
Recording studios in Jamaica
Recording studios in Japan
Mobile recording studios
Recording studios in the Netherlands
Recording studios in New Zealand
Recording studios in Nigeria
Recording studios in Norway
Recording studios in Poland
Recording studios owned by women
Recording studios in South Africa
Recording studios in Spain
Recording studios in Sweden
Recording studios in Switzerland
Recording studios in Uganda
Recording studios in the United Kingdom
Recording studios in the United States
Recording studio stubs
Music libraries
Musical instrument libraries
Music librarians
Music libraries in the United States
  

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Sister projects

The following Wikimedia Foundation sister projects provide more on this subject:

  

More content at Wikimedia Commons

Wikimedia Commons has media related to Audio engineers.
Wikimedia Commons has media related to Music libraries.
Wikimedia Commons has media related to Record producers.
Wikimedia Commons has media related to Recording studios.
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