Portal:Jazz

Welcome to the jazz portal

A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands

Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.

As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.

The mid-1950s saw the emergence of hard bop, which introduced influences from rhythm and blues, gospel, and blues to small groups and particularly to saxophone and piano. Modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation, as did free jazz, which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock music's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 21st century, such as Latin and Afro-Cuban jazz. (Full article...)

Selected articles -

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  Solo is a studio album by Cuban jazz performer Gonzalo Rubalcaba. It was released by Blue Note Records on March 7, 2006, and peaked at number 22 in the Billboard Top Jazz Albums chart. The album is titled Solo since no additional performers were included on the recording as in Rubalcaba's previous albums.
  
  Also produced by Rubalcaba, Solo was released following his second collaborative work with Charlie Haden on the album Land of the Sun, which resulted in a Grammy Award for Haden.
  The album includes fifteen tracks and met with mostly positive reviews by critics, most commenting on the ability of the performer and the simplicity of the arrangements. The album was nominated for a Billboard Latin Music Award, and won the Latin Grammy for Best Latin Jazz Album. (Full article...)
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  Theatrical release poster

  
  King of Jazz is a 1930 American pre-Code color musical film starring Paul Whiteman and his orchestra. The film title refers to Whiteman's popular cultural appellation. At the time the film was made, "jazz", to the general public, meant jazz-influenced syncopated dance music heard on phonograph records, on radio broadcasts, and in dance halls. In the 1920s Whiteman signed and featured white jazz musicians including Joe Venuti and Eddie Lang (both are seen and heard in the film), Bix Beiderbecke (who had left before filming began), Frank Trumbauer, and others.
  
  King of Jazz was filmed in the early two-color Technicolor process and was produced by Carl Laemmle Jr. for Universal Pictures. The film featured several songs sung on camera by the Rhythm Boys (Bing Crosby, Al Rinker and Harry Barris), as well as off-camera solo vocals by Crosby during the opening credits and, very briefly, during a cartoon sequence. King of Jazz still survives in a near-complete color print and is not a lost film, unlike many contemporary musicals that now exist only either in incomplete form or as black-and-white reduction copies. (Full article...)
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  1980 is a studio album by American singer-songwriter Gil Scott-Heron and keyboardist Brian Jackson. Their ninth album together, it was recorded from August to October 1979 during a period of creative tension between the two musicians and released in February 1980 by Arista Records.
  
  Scott-Heron and Jackson produced 1980 with Malcolm Cecil and performed with a host of studio musicians, including drummer Harvey Mason, guitarist Marlo Henderson, and trombonist Bill Watrous. They incorporated sounds from contemporary pop music, such as disco, dance, and new wave, into their established jazz-funk style. Jackson arranged the songs and played a number of instruments, including Cecil's TONTO synthesizer, which was featured in the album's cover photo. Scott-Heron's lyrics explore contemporary concerns in US society, such as nuclear power and racism, as well as pressures in life and fear of the future. Several songs address the idealism held among African Americans amid the declining Black Power movement. (Full article...)
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  The Grammy Award for Best Contemporary Jazz Album was an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for works (songs or albums) containing quality contemporary jazz performances. Honors in several categories are presented at the ceremony annually by The Recording Academy to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
  
  Originally called the Grammy Award for Best Contemporary Jazz Performance, the award was first presented to the Manhattan Transfer in 1992. From 1993 to 1994 the category was known as Best Contemporary Jazz Performance (Instrumental), from 1995 to 2000 the name changed to Best Contemporary Jazz Performance, and since 2001 the name of the category has been Best Contemporary Jazz Album. Until 2001, both albums and singles were eligible for this award. According to the category description guide for the 52nd Grammy Awards, the award is presented for albums containing "at least 51% playing time of newly recorded contemporary jazz instrumental tracks". Beginning in 2001, award recipients included the producers, engineers, and/or mixers associated with the nominated work in addition to the recording artists. (Full article...)
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  The Latin Grammy Award for Best Latin Jazz/Jazz Album is an honor presented annually at the Latin Grammy Awards, a ceremony that recognizes excellence and creates a wider awareness of cultural diversity and contributions of Latin recording artists in the United States and internationally. The award has been given to artists since the 1st Latin Grammy Awards in 2000 for vocal or instrumental albums containing more than half of its playing time of newly recorded material in Spanish or Portuguese. Latin jazz is a mixture of musical genres, including Afro-Caribbean and Pan-American rhythms with the harmonic structure of jazz. Other jazz genres may also be considered for inclusion by the Jazz Committee.
  
  The award was first presented as a tie between Michel Camilo and Tomatito for Spain and Paquito D'Rivera for Tropicana Nights. D'Rivera holds the record for most wins as performer in this category, with seven (including one awarded as the Paquito D'Rivera Quintet) out of eight nominations. Bebo Valdés won the award twice for albums which also earned the Grammy Award: Bebo de Cuba received the Best Traditional Tropical Latin Album accolade in 2005, while Juntos Para Siempre, by Bebo and Chucho Valdés won for Latin Jazz Album in 2010. Chucho Valdés has won the award five times while Bebo, Camilo, D'Rivera, Gonzalo Rubalcaba, and Arturo Sandoval have been awarded twice. In 2012, the award was given to Sandoval for the album Dear Diz (Every Day I Think of You), which was also nominated for Album of the Year. Since its inception, the award has been presented to musicians or ensembles originating from Brazil, Cuba, Dominican Republic, United States, and Spain. (Full article...)
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  Misterioso is a 1958 live album by American jazz ensemble the Thelonious Monk Quartet. By the time of its recording, the pianist and bandleader Thelonious Monk had overcome an extended period of career difficulties and achieved stardom with his residency at New York's Five Spot Café, beginning in 1957. He returned there the following year for a second stint with his quartet, featuring drummer Roy Haynes, bassist Ahmed Abdul-Malik, and tenor saxophonist Johnny Griffin. Along with Thelonious in Action (1958), Misterioso captures portions of the ensemble's August 7 show at the venue.
  
  One of the first successful live recordings of Monk's music, Misterioso was produced by Orrin Keepnews of Riverside Records. According to Keepnews, the pianist played more distinctly here than on his studio albums in response to the audience's enthusiasm during the performance. Misterioso's title was meant to evoke Monk's reputation as an enigmatic, challenging performer, while its cover art was part of Riverside's attempt to capitalize on his popularity with intellectual and bohemian audiences; it appropriated Giorgio de Chirico's 1915 painting The Seer. (Full article...)
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  The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider cultural changes in this period, and its influence on popular culture continued long afterwards.
  
  The Jazz Age is often referred to in conjunction with the Roaring Twenties, and overlapped in significant cross-cultural ways with the Prohibition Era. The movement was largely affected by the introduction of radios nationwide. During this time, the Jazz Age was intertwined with the developing youth culture. The movement would also help in introducing jazz culture to Europe. (Full article...)
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  The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a saxophonist or saxist.
  
  The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in some styles of rock and roll and popular music. (Full article...)
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  The Billboard Latin Music Award for Latin Jazz Album of the Year was an honor that was presented annually at the Billboard Latin Music Awards, a ceremony which honors "the most popular albums, songs, and performers in Latin music, as determined by the actual sales, radio airplay, streaming and social data that shapes Billboard's weekly charts". Latin jazz is a form of jazz music which incorporates various sounds from Latin America.
  
  The accolade for Latin Jazz Album of the Year was first presented at the inaugural Billboard Latin Music Awards in 1994 to Uruguayan musician Roberto Perera's Dreams & Desires (1992). From 1994 to 1998, only winners were announced at the conferences. Nominees were first presented in 1999 after Billboard began the Latin Music Awards on Telemundo. Cuban musician Arturo Sandoval is the most awarded artist with five wins. His records, Danzón (Dance On) (1994) and Hot House (1998), are both winners of the category, and also received the Grammy Award for Best Latin Jazz Album. Latin Soul by Poncho Sanchez is the only record to have been nominated more than once. It was nominated in 2000 and won the award in 2001. Chucho Valdés holds the record for the most nominations without a win, with four. The accolade was last presented in 2008 and discontinued a year later. (Full article...)
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  Dunbar Hotel, 2008

  
  The Dunbar Hotel, originally known as the Hotel Somerville, was the focal point of the Central Avenue African-American community in Los Angeles, California, during the 1930s and 1940s. Built in 1928 by John Alexander Somerville, it was known for its first year as the Hotel Somerville. Upon its opening, it hosted the first national convention of the National Association for the Advancement of Colored People (NAACP) to be held in the western United States. In 1930, the hotel was renamed the Dunbar, and it became the most prestigious hotel in LA's African-American community. In the early 1930s, a nightclub opened at the Dunbar, and it became the center of the Central Avenue jazz scene in the 1930s and 1940s. The Dunbar hosted Duke Ellington, Cab Calloway, Billie Holiday, Louis Armstrong, Lionel Hampton, Count Basie, Lena Horne, and many other jazz legends. Other noteworthy people who stayed at the Dunbar include W. E. B. Du Bois, Joe Louis, Ray Charles, and Thurgood Marshall. Former heavyweight champion Jack Johnson also ran a nightclub at the Dunbar in the 1930s.
  
  No longer a hotel, the building was renovated in the 2010s and is now part of a larger residential community named Dunbar Village. (Full article...)
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  The Count Basie Orchestra with vocalist Ethel Waters from the film Stage Door Canteen (1943)

  
  The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
  
  Originally including such musicians as Buck Clayton and Lester Young in the line-up, the band in the 1950s and 1960s made use of the work of the arrangers Neal Hefti and Sammy Nestico with featured musicians such as Thad Jones and Eddie "Lockjaw" Davis. (Full article...)
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  "Ory's Creole Trombone" is a jazz composition by Kid Ory. Ory first recorded it in Los Angeles in 1921 (or 1922, according to other sources). The band included Ory on trombone, Mutt Carey on cornet, Dink Johnson on clarinet, Fred Washington on piano, Ed Garland on bass and Ben Borders on drums. The recording of "Ory's Creole Trombone" was released by John and Reb Spikes' short-lived Sunshine Records label. It was the first issued recording session by an African American jazz band from New Orleans. (Contrary to sometimes repeated misinformation that it marked the first jazz recording made by a black orchestra that honor goes to Wilbur Sweatman. ) Other numbers recorded the same day included "When You're Alone Blues", "Krooked Blues", "Society Blues", "That Sweet Something Dear", "Maybe Some Day" and "Froggie Moore".
  
  Ory's band was called Kid Ory's Creole Orchestra, but they used the name "Spike's Seven Pods of Pepper Orchestra" for the Sunshine recordings. The label also released the same records credited to the Sunshine Band. According to Reb Spikes, recording studio owner Arne Nordskog first put his own Nordskog labels on the produced records; Spikes then had to paste the Sunshine label over Nordskog's. The original records have become collector's items. In many cases the Sunshine label has eroded and parts of the Nordskog label can be seen beneath it. (Full article...)
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  The Grammy Award for Best Jazz Vocal Performance, Female was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to female recording artists for quality jazz vocal performances (songs or albums). Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
  
  Prior to 1981, the gender-neutral category of Best Jazz Vocal Performance existed. The first award specifically for female performances was presented to Ella Fitzgerald in 1981 for the album A Perfect Match. The category remained unchanged until 1985, when it was combined with the award for Best Jazz Vocal Performance, Male and presented in the genderless category. Gender-specific awards were once again presented from 1986 until 1991. In 1992, the two categories were combined and presented as the category Best Jazz Vocal Performance. This category was later renamed to Best Jazz Vocal Album beginning in 2001. While the gender-specific award has not been presented since the category merge in 1992, an official confirmation of its retirement has not been announced. (Full article...)
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  Cherry Poppin' Daddies performing in California in 2017

  
  The Cherry Poppin' Daddies are an American swing and ska band established in Eugene, Oregon, in 1989. Formed by singer-songwriter Steve Perry and bassist Dan Schmid, the band has experienced numerous personnel changes over the course of its 30-year history, with only Perry, Schmid and trumpeter Dana Heitman currently remaining from the original founding lineup.
  
  The Daddies' music is primarily a mix of swing and ska, contrastingly encompassing both traditional jazz-influenced variations of the genres as well as contemporary rock and punk hybrids, characterized by a prominent horn section and Perry's acerbic and innuendo-laced lyricism often concerning dark or political subject matter. While the band's earliest releases were mostly grounded in punk and funk rock, their later studio albums have since incorporated elements from many diverse genres of popular music and Americana into their sound, including rockabilly, rhythm and blues, soul and world music. (Full article...)
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  Bitches Brew is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.
  
  The album initially received a mixed critical and commercial response, but it gained momentum and became Davis's highest-charting album on the U.S. Billboard 200, peaking at No. 35. In 1971, it won a Grammy Award for Best Large Jazz Ensemble Album. In 1976, it became Davis's first gold album to be certified by the Recording Industry Association of America. (Full article...)

Selected image

Dave Brubeck (1954)

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Selected biographies -

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  Jarrett in August 1975

  
  Keith Jarrett (born May 8, 1945) is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
  
  His album The Köln Concert, released in 1975, is the best-selling piano recording in history. In 2008, he was inducted into DownBeat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll. (Full article...)
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  Beiderbecke c. 1924

  
  Leon Bismark "Bix" Beiderbecke (/ˈbaɪdərbɛk/ BY-dər-bek; March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer.
  
  Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell”. His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of his piano compositions were published by Robbins Music during his lifetime. (Full article...)
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  Edwin James Costa (August 14, 1930 – July 28, 1962) was an American jazz pianist, vibraphonist, composer and arranger. In 1957, he was chosen as DownBeat jazz critics' new star on piano and vibes – the first time that one artist won two categories in the same year. He became known for his percussive, driving piano style that concentrated on the lower octaves of the keyboard.
  
  Costa had an eight-year recording career, during which he appeared on more than 100 albums; five of these were under his own leadership. As a sideman, he appeared in orchestras led by Manny Albam, Gil Evans, Woody Herman and others; played in smaller groups led by musicians including Tal Farlow, Coleman Hawkins, Gunther Schuller, and Phil Woods; and accompanied vocalists including Tony Bennett and Chris Connor. Costa died, aged 31, in a car accident in New York City. (Full article...)
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  Dorsey in 1943

  
  James Francis Dorsey (February 29, 1904 – June 12, 1957) was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards "I'm Glad There Is You (In This World of Ordinary People)" and "It's The Dreamer In Me". His other major recordings were "Tailspin", "John Silver", "So Many Times", "Amapola", "Brazil (Aquarela do Brasil)", "Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and "So Rare". He played clarinet on the seminal jazz standards "Singin' the Blues" in 1927 and the original 1930 recording of "Georgia on My Mind", which were inducted into the Grammy Hall of Fame. (Full article...)
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  Schuur at Cabot Performing Arts Center, Beverly, Massachusetts in 2015

  
  Diane Joan Schuur (born December 10, 1953), nicknamed "Deedles", is an American jazz singer and pianist. As of 2015, Schuur had released 23 albums, and had extended her jazz repertoire to include essences of Latin, gospel, pop and country music. Her most successful album is Diane Schuur & the Count Basie Orchestra, which remained number one on the Billboard Jazz Charts for 33 weeks. She won Grammy Awards for best female jazz vocal performance in both 1986 and 1987 and has had three other Grammy nominations.
  
  Schuur has performed in venues such as Carnegie Hall, The Kennedy Center, and the White House, and has performed with many artists including Ray Charles, Frank Sinatra, Quincy Jones, and Stevie Wonder. Co-performers on Schuur's albums have included Barry Manilow, José Feliciano, Maynard Ferguson, Stan Getz, Vince Gill, Alison Krauss, and B.B. King. Her album with B.B. King was number one on the Billboard Jazz Charts. She was Johnny Carson's guest on NBC's The Tonight Show eleven times. (Full article...)
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  James Hubert "Eubie" Blake (February 7, 1887 – February 12, 1983) was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans. Blake's compositions included such hits as "Bandana Days", "Charleston Rag", "Love Will Find a Way", "Memories of You" and "I'm Just Wild About Harry". The 1978 Broadway musical Eubie! showcased his works, and in 1981, President Ronald Reagan awarded Blake the Presidential Medal of Freedom. (Full article...)
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  Miller in 2004

  
  Mulgrew Miller (August 13, 1955 – May 29, 2013) was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on.
  
  After leaving university he was pianist with the Duke Ellington Orchestra for three years, then accompanied vocalist Betty Carter. Three-year stints with trumpeter Woody Shaw and with drummer Art Blakey's high-profile Jazz Messengers followed, by the end of which Miller had formed his own bands and begun recording under his own name. He was then part of drummer Tony Williams' quintet from its foundation, while continuing to play and record with numerous other leaders, mostly in small groups. (Full article...)
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  Gillespie, c. 1979

  
  John Birks "Dizzy" Gillespie (/ɡɪˈlɛspi/ gil-ESP-ee; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon.
  
  In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. (Full article...)
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  Philip Arthur Larkin CH CBE FRSL (9 August 1922 – 2 December 1985) was an English poet, novelist, and librarian. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947). He came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, with his articles gathered in All What Jazz: A Record Diary 1961–71 (1985), and edited The Oxford Book of Twentieth Century English Verse (1973). His many honours include the Queen's Gold Medal for Poetry. He was offered, but declined, the position of Poet Laureate in 1984, following the death of Sir John Betjeman.
  
  After graduating from Oxford University in 1943 with a first in English Language and Literature, Larkin became a librarian. It was during the thirty years he worked with distinction as university librarian at the Brynmor Jones Library at the University of Hull that he produced the greater part of his published work. His poems are marked by what Andrew Motion calls "a very English, glum accuracy" about emotions, places, and relationships, and what Donald Davie described as "lowered sights and diminished expectations". Eric Homberger (echoing Randall Jarrell) called him "the saddest heart in the post-war supermarket"—Larkin himself said that deprivation for him was "what daffodils were for Wordsworth". Influenced by W. H. Auden, W. B. Yeats, and Thomas Hardy, his poems are highly structured but flexible verse forms. They were described by Jean Hartley, the ex-wife of Larkin's publisher George Hartley (the Marvell Press), as a "piquant mixture of lyricism and discontent". Anthologist Keith Tuma writes that there is more to Larkin's work than its reputation for dour pessimism suggests. (Full article...)
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  Young (left) in 1944

  
  Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.
  
  Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". (Full article...)
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  Reinhardt in 1946

  
  Jean Reinhardt (23 January 1910 – 16 May 1953), known by his Romani nickname Django (French: [dʒãŋɡo ʁɛjnaʁt] or [dʒɑ̃ɡo ʁenɑʁt]), was a Belgian-French Manouche or Sinti jazz guitarist and composer. Since he was born on Belgian soil, in Liberchies, he is also often named a Belgian musician. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most significant exponents.
  
  With violinist Stéphane Grappelli, Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument. Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington's orchestra in 1946. He died suddenly of a brain hemorrhage in 1953 at the age of 43. (Full article...)
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  Coltrane in 1963

  
  John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
  
  Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating from high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album A Love Supreme (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a special Pulitzer Prize, and was canonized by the African Orthodox Church. (Full article...)
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  Holiday with her dog, Mister c. 1947

  
  Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday made a significant contribution to jazz music and pop singing. Her vocal style, strongly influenced by jazz instrumentalists, inspired a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills.
  
  After a turbulent childhood, Holiday began singing in nightclubs in Harlem where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Her collaboration with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed a sold-out concert at Carnegie Hall.
  She was a successful concert performer throughout the 1950s, with two further sold-out shows at Carnegie Hall. Because of personal struggles and an altered voice, her final recordings were met with mixed reaction, but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of heart failure on July 17, 1959, at age 44. (Full article...)
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  Bailey photographed by William P. Gottlieb in New York City, 1947

  
  Mildred Bailey (born Mildred Rinker; February 27, 1907 – December 12, 1951) was a Native American jazz singer during the 1930s, known as "The Queen of Swing", "The Rockin' Chair Lady", and "Mrs. Swing". She recorded the songs "For Sentimental Reasons", "It's So Peaceful in the Country", "Doin' The Uptown Lowdown", "Trust in Me", "Where Are You?", "I Let a Song Go Out of My Heart", "Small Fry", "Please Be Kind", "Darn That Dream", "Rockin' Chair", "Blame It on My Last Affair", and "Says My Heart". She had three records that reached number one on the popular charts.
  
  She grew up on the Coeur d'Alene Reservation in Idaho, where her mother was an enrolled member. The family moved to Spokane, Washington, when she was 13. Her younger brothers also became musicians. Her brother, Al Rinker, started to perform as a singer with Bing Crosby in Spokane and became a member of The Rhythm Boys. As adults, Charles Rinker was a lyricist, and Miles Rinker was a clarinet and saxophone player who later became a booking agent. (Full article...)
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  Gwyneth Herbert

  
  Gwyneth Herbert (born 26 August 1981) is a British singer-songwriter, composer, multi-instrumentalist and record producer. Initially known for her interpretation of jazz and swing standards, she is now established as a writer of original compositions, including musical theatre. She has been described as "an exquisite wordsmith" with "a voice that can effortlessly render any emotion with commanding ease" and her songs as being "impressively crafted and engrossing vignette[s] of life's more difficult moments".
  
  Three of her six albums have received four-starred reviews in the British national press. Another album, Between Me and the Wardrobe, received a five-starred review in The Observer. Her seventh album, Letters I Haven't Written, was released in October 2018. (Full article...)

Did you know (auto-generated)

• ... that Markus Becker, who earned awards for his recording of the complete piano works by Max Reger, also recorded jazz?
• ... that zoologist Herb Wong wrote the liner notes for more than 600 jazz albums, by his own count?
• ... that an attempt to jazz up a South Carolina radio station did not get much response from listeners?
• ... that Pablo Barragán originally wanted to be a jazz saxophonist, but was more attracted to the clarinet because he thought it resembled the human voice?
• ... that Jazzy's 2023 single "Giving Me" made her the first Irish solo female act to top the Irish Singles Chart since Julie-Anne Dineen in 2009 with "Do You Believe"?
• ... that the lyrics to Gen Hoshino's "Crazy Crazy" references members of the jazz group Crazy Cats through kanji?

More did you know...

• ... that jazz musician Roscoe Mitchell, while in Germany for the U.S. Army, studied under the first clarinetist of the Heidelberg Symphony?
• ... that three members of the Hot 8 Brass Band have died as a result of gun violence in New Orleans?
• ... that Dave Burrell's operatic live jazz album Windward Passages was his response to land development in Hawaii during the late 1970s?
• ... that Dave Burrell recorded Echo to honor an all-star group Archie Shepp asked him to be a part of during the 1969 Pan-African Music Festival in Algiers?
• ... that the word jazz was originally a California baseball slang term and was first applied to a style of music in Chicago?

January 2007

Selected recording

Andreas Paolo Perger

credit: One more edit

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