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THE PHOENICIA PORTAL

Phoenicia (/fəˈnɪʃə, fəˈniːʃə/), or Phœnicia, was an ancient Semitic thalassocratic civilization originating in the coastal strip of the Levant region of the eastern Mediterranean, primarily located in modern Lebanon. The territory of the Phoenicians expanded and contracted throughout history, with the core of their culture stretching from Arwad in modern Syria to Mount Carmel in modern Israel. Beyond their homeland, the Phoenicians extended through trade and colonization throughout the Mediterranean, from Cyprus to the Iberian Peninsula.

The Phoenicians directly succeeded the Bronze Age Canaanites, continuing their cultural traditions following the decline of most major cultures in the Late Bronze Age collapse and into the Iron Age without interruption. It is believed that they self-identified as Canaanites and referred to their land as Canaan, indicating a continuous cultural and geographical association. The name Phoenicia is an ancient Greek exonym that did not correspond precisely to a cohesive culture or society as it would have been understood natively. Therefore, the division between Canaanites and Phoenicians around 1200 BC is regarded as a modern and artificial division.

The Phoenicians, known for their prowess in trade, seafaring and navigation, dominated commerce across classical antiquity and developed an expansive maritime trade network lasting over a millennium. This network facilitated cultural exchanges among major cradles of civilization, such as Greece, Egypt, and Mesopotamia. The Phoenicians established colonies and trading posts across the Mediterranean; Carthage, a settlement in northwest Africa, became a major civilization in its own right in the seventh century BC.

The Phoenicians were organized in city-states, similar to those of ancient Greece, of which the most notable were Tyre, Sidon, and Byblos. Each city-state was politically independent, and there is no evidence the Phoenicians viewed themselves as a single nationality. While most city-states were governed by some form of kingship, merchant families probably exercised influence through oligarchies. After reaching its zenith in the ninth century BC, the Phoenician civilization in the eastern Mediterranean gradually declined due to external influences and conquests. Yet, their presence persisted in the central and western Mediterranean until the destruction of Carthage in the mid-second century BC. — Read more about Phoenicia, its mythology and languagehttps://en.wikipedia.org/w/index.php?title=Portal:Phoenicia/Sandbox&action=edit

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The Treaty of Lutatius was the agreement between Carthage and Rome of 241 BC (amended in 237 BC), that ended the First Punic War after 23 years of conflict. Most of the fighting during the war took place on, or in the waters around, the island of Sicily and in 241 BC a Carthaginian fleet was defeated by a Roman fleet commanded by Gaius Lutatius Catulus while attempting to lift the blockade of its last, beleaguered, strongholds there. Accepting defeat, the Carthaginian Senate ordered their army commander on Sicily, Hamilcar Barca, to negotiate a peace treaty with the Romans, on whatever terms he could negotiate. Hamilcar refused, claiming the surrender was unnecessary, and the negotiation of the peace terms was left to Gisco, the commander of Lilybaeum, as the next most senior Carthaginian on the island. A draft treaty was rapidly agreed upon, but when it was referred to Rome for ratification it was rejected.

Rome then sent a ten-man commission to settle the matter. This in turn agreed that Carthage would hand over what it still held of Sicily; relinquish several groups of islands nearby; release all Roman prisoners without ransom, although ransom would need to be paid to secure the release of prisoners held by the Romans; and pay an indemnity of 3,200 talents of silver – 82,000 kilograms (81 long tons) – over 10 years. The treaty received its name from the victorious Gaius Lutatius Catulus, who also negotiated the initial draft. (Full article...)

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Temple of Eshmun Law school of Berytus Battle of Drepana Mercenary War Battle of Cape Ecnomus Battle of Panormus Battle of the Aegates Roman temple of Bziza Battle of Adys Battle of the Bagradas River Siege of Lilybaeum Volubilis

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Le Dernier Combat (French: [lə dɛʁnje kɔ̃ba]; English: The Last Battle) is a 1983 French post-apocalyptic film. It was the first feature film to be directed by Luc Besson, and also features Jean Reno's first prominent role. Music for the film was composed by Éric Serra. The film was the first of many collaborations between Besson, Reno and Serra. A dark vision of post-apocalyptic survival, the film was shot in black and white and contains only two words of dialogue. It depicts a world where people have been rendered mute by some unknown incident. (Full article...)

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National Museum of Beirut Battle of Leptis Parva Gisco (died 239 BC) Battle of Salamis Battle of Ibera Hasdrubal, son of Hanno Dumuzid Battle of Ticinus

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The Canaanite and Aramaic inscriptions, also known as Northwest Semitic inscriptions, are the primary extra-Biblical source for understanding of the society and history of the ancient Phoenicians, Hebrews and Arameans. Semitic inscriptions may occur on stone slabs, pottery ostraca, ornaments, and range from simple names to full texts. The older inscriptions form a Canaanite–Aramaic dialect continuum, exemplified by writings which scholars have struggled to fit into either category, such as the Stele of Zakkur and the Deir Alla Inscription.

The Northwest Semitic languages are a language group that contains the Aramaic language, as well as the Canaanite languages including Phoenician and Hebrew. (Full article...)

List of Phoenician inscription articles
Ahiram sarcophagus Byblian royal inscriptions Osorkon Bust Baal Lebanon inscription Baalshillem Temple Boy Cippi of Melqart Marseille Tariff Phoenician language Nora Stone Yehawmilk Stele Kanaanäische und Aramäische Inschriften Canaanite and Aramaic inscriptions Corpus Inscriptionum Semiticarum Eshmunazar II sarcophagus

Selected Phoenician mythology articles - show another

Taautus of Byblos, according to the Phoenician writer Sanchuniathon, was the son of Misor and the inventor of writing, who was bequeathed the land of Egypt by Cronus.

Sanchuniathon's writings, through the translation of Philo, were transmitted to us by Eusebius in his work Praeparatio evangelica. Eusebius says that Philo placed Sanchuniathon's works into nine books. In the introduction to the first book, he makes this preface concerning Sanchuniathon:

“These things being so, Sanchuniathon, who was a man of much learning and great curiosity, and desirous of knowing the earliest history of all nations from the creation of the world, searched out with great care the history of Taautus, knowing that of all men under the sun Taautus was the first who thought of the invention of letters, and began the writing of records: and he laid the foundation, as it were, of his history, by beginning with him, whom the Egyptians called Thouth, and the Alexandrians Thoth, translated by the Greeks into Hermes.”

(Full article...)

Kist of mythology articles
Sanchuniathon Baal El (deity) Astarte Adon Eshmun Melqart Resheph Tanit Dea Gravida Hadad Yam (god) Moloch Marqod Kothar-wa-Khasis Heliopolitan Triad Kotharat Anat Asherah Allatu Dumuzid Nikkal Qetesh Shahar (god) Shalim Shapash Baʽalat Gebal

General images

The following are images from various Phoenicia-related articles on Wikipedia.

Image 1Phoenicians build pontoon bridges for Xerxes I of Persia during the second Persian invasion of Greece in 480 BC (1915 drawing by A. C. Weatherstone). (from Phoenicia)
Image 2Achaemenid-era coin of Abdashtart I of Sidon, who is seen at the back of the chariot, behind the Persian King (from Phoenicia)
Image 3Ruins of the ancient Phoenician city of Motya, Sicily, present-day Italy (from Phoenicia)
Image 4Figure of Ba'al with raised arm, 14th–12th century BC, found at ancient Ugarit (Ras Shamra site), a city at the far north of the Phoenician coast. Musée du Louvre. (from Phoenicia)
Image 5Phoenician faces. Glass from Olbia, 4th century BC. The bold pools of color and detailed hair give a Greek impression. (from Phoenicia)
Image 6A naval action during Alexander the Great's Siege of Tyre (332 BC). Drawing by André Castaigne, 1888–89. (from Phoenicia)
Image 7An Etruscan tomb (c. 350 BC) depicting a man wearing an all-purple toga picta (from Phoenicia)
Image 8Sarcophagus of Ahiram, which bears the oldest inscription of the Phoenician alphabet. National Museum of Beirut. (from Phoenicia)
Image 9Earring from a pair, each with four relief faces; late fourth–3rd century BC; gold; overall: 3.5 x 0.6 cm; Metropolitan Museum of Art (from Phoenicia)
Image 10Two bronze fragments from an Assyrian palace gate depicting the collection of tribute from the Phoenician cities of Tyre and Sidon (859–824 BC). British Museum. (from Phoenicia)
Image 11Ruins of the Punic and then Roman town of Tharros (from Punic people)
Image 12Carthaginian sphere of influence 264 BC (from Punic people)
Image 13Stela from Tyre with Phoenician inscriptions (c. 4th century BC). National Museum of Beirut. (from Phoenicia)
Image 14Tomb of King Hiram I of Tyre, located in the village of Hanaouay, in southern Lebanon (from Phoenicia)
Image 15Major Phoenician trade networks (c. 1200–800 BC) (from Phoenicia)
Image 16Oinochoe; 800–700 BC; terracotta; height: 24.1 cm; Metropolitan Museum of Art (New York City, US) (from Phoenicia)
Image 1719th-century depiction of Phoenician sailors and merchants. The importance of trade to the Phoenician economy led to a gradual sharing of power between the King and assemblies of merchant families. (from Phoenicia)
Image 18Phoenician sarcophagi found in Cádiz, Spain, thought to have been imported from the Phoenician homeland around Sidon. Archaeological Museum of Cádiz. (from Phoenicia)
Image 19Face bead; mid-4th–3rd century BC; glass; height: 2.7 cm; Metropolitan Museum of Art (from Phoenicia)
Image 20Female figurines from Tyre (c. 1000–550 BC). National Museum of Beirut. (from Phoenicia)
Image 21Phoenician metal bowl with hunting scene (8th century BC). The clothing and hairstyle of the figures are Egyptian. At the same time, the subject matter of the central scene conforms with the Mesopotamian theme of combat between man and beast. Phoenician artisans frequently adapted the styles of neighboring cultures. (from Phoenicia)
Image 22Map of Phoenician (yellow labels) and Greek (red labels) colonies around 8th to 6th century BC (with German legend) (from Phoenicia)