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The Summit Series, Super Series 72, Canada–USSR Series (Russian: Суперсерия СССР — Канада, romanized: Superseriya SSSR — Kanada), or Series of the Century (French: Série du siècle), was an eight-game ice hockey series between the Soviet Union and Canada, held in September 1972. It was the first competition between the Soviet national team and a Canadian team represented by professional players of the National Hockey League (NHL), known as Team Canada. It was the first international ice hockey competition for Canada after they had withdrawn from such competitions in a dispute with the International Ice Hockey Federation (IIHF). The series was organized with the intention to create a true best-against-best competition in the sport of ice hockey. The Soviets had become the dominant team in international competitions, in which the Canadian professionals were ineligible to play. Canada had had a long history of dominance of the sport prior to the Soviets' rise.
The first four games of the series were held in Canada and the final four in Moscow. The Soviet Union surprised the Canadian team and most of the Canadian hockey media with an opening game victory, 7–3. Many Canadian sportswriters had predicted an overwhelming victory for Canada in the series. Canada won the next game 4–1; the third game was a tie. Canada lost the fourth game in Vancouver. The series resumed two weeks later in Moscow. The Soviets won the fifth game to take a two-game lead. The Canadians then won the final three games in Moscow to win the series four games to three, with one tie. The final game was won in dramatic fashion, with the Canadians overcoming a two-goal Soviet lead after two periods. The Canadians scored three times in the third, the final goal scored with 34 seconds left by Paul Henderson. (Full article...)
Let a man find himself, in distinction from others, on top of two wheels with a chain — at least in a poor country like Russia — and his vanity begins to swell out like his tires. In America it takes an automobile to produce this effect.
”
— Leon Trotsky, talking about the national question
Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941), better known as El Lissitzky (Russian: Эль Лиси́цкий; Yiddish: על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design.
Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewußte Schaffen" (goal-oriented creation). Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art groupUNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. In 2014, the heirs of the artist, in collaboration with Van Abbemuseum and leading worldwide scholars on the subject, established the Lissitzky Foundation in order to preserve the artist's legacy and to prepare a catalogue raisonné of the artist's oeuvre. (Full article...)
Image 20U.S. Lend-Lease shipments to the USSR. During the war the USSR provided an unknown number of shipments of rare minerals to the US Treasury as a form of cashless repayment of Lend-Lease. (from Soviet Union)
Image 22Residents of Leningrad leave their homes destroyed by German bombing. About 1 million civilians died during the 871-day Siege of Leningrad, mostly from starvation. (from Soviet Union)
Image 23A revolutionary meeting of Russian soldiers in March 1917 in Dalkarby of Jomala, Åland (from Russian Revolution)
Image 24Map showing the greatest territorial extent of the Soviet Union and the sovereign states that it dominated politically, economically and militarily in 1960, after the Cuban Revolution of 1959 but before the official Sino-Soviet split of 1961 (total area: c. 35,000,000 km2) (from Soviet Union)
Image 29Country emblems of the Soviet Republics before and after the dissolution of the Soviet Union (the Transcaucasian Socialist Federative Soviet Republic (fifth in the second row) no longer exists as a political entity of any kind and the emblem is unofficial.) (from Soviet Union)
Image 30Changes in national boundaries after the end of the Cold War (from Soviet Union)
August coup attempt - 19 to 21 August 1991 - was an attempt by a group of members of the Soviet Union's government to take control of the country from Soviet president Mikhail Gorbachev.
... that development of the British UB.109Tcruise missile was given "super-priority" in 1951 to ward off an expected attack by the Soviet Union, only to be cancelled after the attack never came?
... that Estonian minister of war Paul Lill resigned in 1939, citing the unacceptable conditions of the Bases Treaty with the Soviet Union?
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