Talk:Giandomenico Martoretta

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Chromaticism[edit]

"Theodor Kroyer (1902)[3] believed that Martoretta's madrigals demonstrated chromatic keys.[4]"

This is probably a misunderstanding, not unusual for his time period, of what "madrigali cromatici" meant. It refers to black notes, meaning the tactus is on the semibreve--quicker than most pieces of the time. Agarvin (talk) 22:35, 10 January 2015 (UTC)[reply]