James Fenimore Cooper

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For other persons named James Cooper, see James Cooper (disambiguation).
James Fenimore Cooper

Portrait by John Wesley Jarvis
Born September 15, 1789(1789-09-15)
Burlington, New Jersey
Died September 14, 1851 (aged 61)
Cooperstown, New York
Occupation Novelist
Genres Historical Fiction
Literary movement Colonial Realism
Notable work(s) The Last of the Mohicans
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James Fenimore Cooper (September 15, 1789 – September 14, 1851) was a prolific and popular American writer of the early 19th century. He is best remembered as a novelist who wrote numerous sea-stories and the historical novels known as the Leatherstocking Tales, featuring frontiersman Natty Bumppo. Among his most famous works is the Romantic novel The Last of the Mohicans, often regarded as his masterpiece.

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[edit] Life and work

[edit] Early life

Cooper was born in Burlington, New Jersey, the son of William and Elizabeth (Fenimore) Cooper. His father was a United States Congressman. Shortly after his first birthday, his family moved to Cooperstown, New York.

At 13, Cooper was enrolled at Yale, but he did not obtain a degree. He obtained work as a sailor on a merchant vessel, and at 18, Cooper joined the United States Navy. He obtained the rank of midshipman before leaving in 1811.

At age 21, he married Susan DeLancey. They had seven children, five of whom lived to adulthood. The writer Paul Fenimore Cooper was a great-grandson.

[edit] Writings

Further information: List of James Fenimore Cooper writings

He anonymously published his first book, Precaution (1820). He soon issued several others. In 1823, he published The Pioneers; this was the first of the Leatherstocking series, featuring Natty Bumppo, the resourceful American woodsman at home with the Delaware Indians and especially their chief Chingachgook. Cooper's most famous novel, Last of the Mohicans (1826), became one of the most widely read American novels of the nineteenth century. The book was written in New York City, where Cooper and his family lived from 1822 to 1826.

In 1826 Cooper moved his family to Europe, where he sought to gain more income from his books as well as provide better education for his children. While overseas he continued to write. His books published in Paris include The Red Rover, and The Water Witch—two of his many sea stories.

In 1832 he entered the lists as a party writer; in a series of letters to the National, a Parisian journal, he defended the United States against a string of charges brought against them by the Revue Britannique. For the rest of his life he continued skirmishing in print, sometimes for the national interest, sometimes for that of the individual, and not infrequently for both at once.

This opportunity to make a political confession of faith reflected the political turn he already had taken in his fiction, having attacked European anti-republicanism in The Bravo (1831). Cooper continued this political course in The Heidenmauer (1832) and The Headsman: or the Abbaye of Vigneron (1833). The Bravo depicted Venice as a place where a ruthless oligarchy lurks behind the mask of the "serene republic." All were widely read on both sides of the Atlantic, though The Bravo was a critical failure in the United States.[1]

In 1833 Cooper returned to America and immediately published A Letter to My Countrymen, in which he gave his own version of the controversy in which he had been engaged and sharply censured his compatriots for their share in it. This attack he followed up with novels and several sets of notes on his travels and experiences in Europe. His Homeward Bound and Home as Found are notable for containing a highly idealized portrait of himself.

[edit] Reaction

Photograph by Mathew Brady c.1850

All these books touching upon the topics of politics and of Cooper himself tended to increase the ill feeling between author and public. The Whig press was particularly virulent in its comments, and Cooper plunged into a series of actions for libel. He emerged victorious in all his lawsuits.

After concluding his last case in court, Cooper returned to writing with more energy and success than he had had for several years. He wrote a history of the US Navy, and then returned to the Leatherstocking series with The Pathfinder (1840) and The Deerslayer (1841) and other novels. He then returned to writing on maritime themes, including Ned Myers, Or, A Life Before the Mast, which is of particular interest to naval historians.

[edit] Later life

He turned again from pure fiction to the combination of art and controversy in which he had achieved distinction with the Littlepage Manuscripts (1845—1846). His next novel was The Crater, or Vulcan's Peak (1847), in which he attempted to introduce supernatural machinery. Jack Tier (1848) was a rifacimento of The Red Rover, and The Ways of the Hour was his last completed novel.

Cooper spent the last years of his life in Cooperstown, New York (named for his father). He died of dropsy on September 14, 1851, the day before his 62nd birthday. His interment was located at its Christ Episcopal Churchyard, where his father William Cooper was buried. Several well-known writers, politicians, and other public figures honored Cooper's memory with a dinner in February 1852; Washington Irving served as a co-chairman for the event alongside William Cullen Bryant and Daniel Webster.[2]

[edit] Legacy and criticism

Statue in Cooperstown, New York.

Cooper was one of the most popular 19th century American authors, and his work was admired greatly throughout the world. While on his death bed, the Austrian composer Franz Schubert became an avid reader of Cooper's novels[citation needed]. Honoré de Balzac, the French novelist and playwright, admired him greatly[citation needed]. Cooper's stories have been translated into nearly all the languages of Europe and into some of those of Asia.

Though some scholars may dispute Cooper being classified as a Romantic, Victor Hugo pronounced him greater than the great master of modern romance[citation needed], and this verdict was echoed by a multitude of less famous readers[who?], who were satisfied with no title for their favorite less than that of “the American Scott.”[citation needed] He was most memorably criticized by Mark Twain whose vicious and amusing review [3] is still read widely in academic circles. His reputation today rests upon the five Leatherstocking tales and some of the maritime stories. His presentation of race relations and native Americans has generated much comment, not all of it sympathetic.[citation needed]

Cooper was also criticized heavily for his depiction of women characters in his work. James Russell Lowell, Cooper's contemporary and a critic, referred to it poetically in A Fable for Critics, writing, ". . . the women he draws from one model don't vary / All sappy as maples and flat as a prairie."[4]

United States Navy portal

[edit] References

This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.

  1. ^ [1]
  2. ^ Jones, Brian Jay. Washington Irving: An American Original. New York: Arcade Publishing, 2008: 391. ISBN 978-1-55970836-4
  3. ^ http://etext.virginia.edu/railton/projects/rissetto/offense.html "Fenimore Cooper's Literary Offences"
  4. ^ Porte, Joel. The Romance in America: Studies in Cooper, Poe, Hawthorne, Melville, and James. Middletown, Conn.: Wesleyan University Press, 1969: 20.

[edit] External links

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